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A late 19th Century Belleek Nautilus vase raised to coral supports with shells and seaweed to the base, blue printed mark with impressed Belleek Co Fermanagh, height 22cm

A set of three matched graduated Belleek dishes each formed from scallop shells with coral bases, second and third period marks to bases, the largest length 23cm

A GEORGE V SILVER FRUIT STAND, THE PIERCED AND MOULDED BORDER WITH SHELLS AT INTERVALS, BIRMINGHAM 1927, 11OZS

A Belleek teapot and lid, relief decorated with sea shells and coral with an ivory and yellow lustre glaze (ILLUSTRATED)

A 19th Century oak and cross-banded cased long case clock, the 30 hour movement with painted square dial, the spandrels decorated with conch shells enclosing a chapter ring with Roman and Arabic numerals and subsidiary date dial inscribed "Fiona L Waterhouse Wilmslow" (ILLUSTRATED)

A bronze Figure of kilted Soldier, two shells, pair of Trench art Vases and a piece of Shrapnel

A late Victorian silver mounted etched glass claret jug by Martin, Hall & Co., Sheffield 1892, with a beaded ball finial to the domed cover, a vine stock handle with grapes and leaves, a bacchic mask spout and a fruiting vine engraved collar, the slender ovoid body etched with palmettes and shells in shaped reserves, 30.5cm (12in) high

A set of four Victorian silver and seashell salt cellars by William Richards, London 1867, the shells the bowls, on domed circular bases pierced with petals, approx. 11.5cm (4 1/2in) wide

A George IV silver oblong snuffer`s tray by John & Thomas Settle, Sheffield 1823, the raised border with a gadrooned rim and shells and foliage at the ends, engraved with an unidentified crest, 23cm (9in) long, 203g (6.55 oz)

A late George III silver shaped circular muffin dish and cover by Rebecca Eames & Edward Barnard I, London 1812, with a lobed pedestal finial to the domed cover and gadrooned rims with shells and foliage at the quarters, engraved with a monogram `JSJG`, 21cm (8 1/4in) diameter, 553g (17.8 oz)

An early George III silver shaped circular salver by Ebenezer Coker, London 1762, the raised border with a scroll edge and shells at intervals, on three scroll feet, engraved with an armorial, 32cm (12 1/2in) diameter, 927g (29.8 oz). The shield of FRYER of Essex of Stratford on Avon and of Charlton, Shropshire; also of ARNOLD of Cromer, Norfolk and Ballesford, Suffolk; also of DARCY of Norfolk.

A late George II cast silver hexafoil taperstick by William Grundy, London 1754, the detachable cinquefoil sconce with shells at the angles, a reel capital, a multi knop stem, on a hexafoil base with shells at the angles, 12.5cm (5in) high, 133g (4.25 oz) (the sconce unmarked)

A George II cast silver hexafoil taperstick by Orlando Jackson (maker`s mark mis-struck), London 1750, the detachable sconce with shells at the angles, a reel capital, a multi knop stem, on a hexafoil base with shells at the angles, 13.5cm (5 1/4in) high, 163g (5.25 oz) (the sconce unmarked)

An oak table-top chest, fitted with three drawers, and a collection of snail shells.

A Victorian silver oval dish embossed with foliate scrolls and scallop shells, London 1889, together with a silver circular sugar bowl with shaped rim, Birmingham 1897.

A pair of rare Chinese famille verte enamelled export porcelain circular dishes, Kangxi period, executed to a European design, each centre containing two chinoiserie gentleman in a landscape within a broad floral border quartered by radiating shells on bidents between hop cones and butterflies, all painted in underglaze blue, radiating from a circle of European flower sprays, diameter approx 47cm (minor faults).

A set of twelve Japanese gilt metal fish knives and forks fitted with various kozuka, Meiji period, the handles variously inlaid and worked with figures, landscapes, shells, insects, weapons, dragons and flowers, cased.

A Minton majolica revolving oyster stand, late 19th Century, formed as four graduated tiers of brown glazed oyster shells with white glazed interiors, joined by green glazed weed, the finial formed as three fish and an eel, raised on a scalloped edge circular base moulded with weed, unmarked, height approx 27cm (some restoration).

A pair of 19th Century black lacquer circular Coasters decorated with butterflies and leaves, another decorated with shells and two face screens (a/f).

A leather covered powder flask, Sykes Patent brass top, marked “Quick Loading Fireproof”, graduated nozzle 2½ to 3¼ drams, 8” overall (some leather scuffing); a leather shot flask, embossed oval panel of dogs (some wear); a pair Japanese naval shells, copper driving bands, 9½” overall, and another 6”. GC

W. Marshall Brown (1863-1936)-Children gathering shells by rock pools, watercolour, signed, 29 x 34 cm

Collection of five stick pins including one in style of pearl set biplane , two containing beetle shells, one Star of David, and one set imitation pearl and red paste (5)

A circular teapot stand: Shells (52B) maroon border, gold line decoration and a circular plaque: The Skewball Horse (277) 92)

A large baluster jug with fluted neck and hinged pewter cover: Shells (52B) green ground, gold line decoration 248mm * Ex Ball Collection, lot 775B

A circular plaque: Landscape and River Scene (416) a teapot stand: Shells (52G) and another: Summer (342A) (3)

A malachite flask shaped vase, gold line decoration, a pair of door finger plates and a key escutcheon, each with Shells, restored (4)

Shells (52J) medium, framed

Shells (52B) large

Shells (52J) medium

Shells (52J) large

"Marine bowl by Bagley glass, moulded decoration of fish and crabs and a Verlys bowl with shells"

"Shell, carved with a figure, 14.2x 13.2cm, similar shell, two conch shells, nine crown shells, 24 other shells and a floral roundel (38)"

Soapstone garniture comprising central figure group of bird and shells together with pair of high shouldered vases on shaped plinth bases (3) 20 cm high

An old wooden box and contents incl. wooden rolling drawing sticks, shells, large seed pot, etc

A MINTONS MAJOLICA MARINE OR TRITON VASEwith shell neck and moulded with seaweed supported by three merboys, on domed and textured base with shells and ochre rims, the interior pink, 41cm h, impressed mark, 526 and date code, 1875++Some old restoration around the rim and small chip to the hair of one boy, otherwise fine

A LIVERPOOL SAUCE BOAT, JAMES PENNINGTONmoulded with shells, leaves and C scrolls and painted in inky cobalt with a version of the Cannonball pattern, diaper inner border and interior sprays, 16cm l, c1768-73++Handle partially unglazed and slightly discoloured and with other potting defects one of which has resulted in a minor descending hairline crack in one side of approx 1cm length, no restoration

A CONTINENTAL WAITER, POSSIBLY SWISSthe field engraved with contemporary armorials in floral border, the moulded rim with scrolls and shells at intervals, on three feet, 24cm diam, maker`s mark only, ICS (the first two letters in compendium) in a shaped punch, c1760, 15ozs++In good condition with even light wear and minor scratches, polish residues, not split, soldered or otherwise repaired

A VICTORIAN SALVERthe field engraved with swags and rocaille in moulded border and scrolling rim set with shells, on three feet, 44cm diam, by Barker Bros, Birmingham 1898, 52ozs++Light erasure from the centre resulting the field being somewhat `whippy` but not damaged as such and no repairs

A VICTORIAN ROCOCO REVIVAL GILTWOOD MIRRORthe unbevelled plate in shaped frame carved with shells and scrolling foliage, 112cm h, 151cm w++The plate with some slight ghosting and tiny black spots, the gilding possibly refreshed but not recently and with slight cracks showing the white ground but highly decorative

TWO WW1 TRENCH ART SHELLS THE FIRST ENGRAVED SOUVENIR ARRAS 1917 R.E. THE OTHER YPRES 1918 R.E.

Norah McGuinness HRHA (1901-1980) Shells and Rusted Wire Oil on canvas, 40.5 x 56cm (16 x 22") Signed Exhibited: Norah McGuinness Exhibition, The Dawson Gallery, April 1968, where purchased by the current owner Derry born artist Norah McGuinness won a three year scholarship to study at the Metropolitan School of Art in Dublin at the age of 18, where she was taught by Harry Clarke, Patrick Tuohy and Oswald Reeves before moving to London to study at the Chelsea School of Art. In 1923 she won an RDS medal and the following year exhibited for the first time at the RHA. During these years McGuinness supported herself by designing sets and costumes for the Abbey and Peacock theatres and illustrated books. Under the advice of Mainie Jellett she travelled to Paris to study for a period under André Lhote. In 1957 she was elected an honorary member of the RHA, but resigned in 1969. A founding member of the Irish Exhibition of Living Art, she served as president from 1944 to 1971. McGuinness exhibited regularly at the Dawson and Taylor Galleries as well as in London, Paris and New York. She also represented Ireland at the 1950 Venice Biennale with Nano Reid. A retrospective of her work was held at Trinity College Dublin in 1968 where she was awarded and honorary doctorate in 1973. Her work can be found in the National Gallery of Ireland, Irish Museum of Modern Art, Dublin City Gallery, The Hugh Lane, Ulster Museum and Crawford Gallery.

A GEORGE III LARGE SILVER SALVER, on four scroll feet with cast shell and scroll rim having stamped and engraved decoration of " C" scrolls, shells and flowers around a central inscription to " Capt & Mrs Gimblett......by the passengers on board the Madagascar from India to England, in the year 1840...." makers mark indistinct, London 1819. 19" Diameter. Weight approx 83oz.

A cased pair of Victorian silver salts, in the form of two rococo style shells, with a matching spoon, hallmarked for Birmingham 1897, maker George Unite.

A 19thC German stoneware flagon with a hinged pewter lid, decorated overall with figures, shells, leaves and scrolls, 29cm high

A 19thC giltwood overmantel mirror in Egyptian style with an inverted breakfront cornice above a frieze decorated with lion masks and shells, with three bevelled plates flanked by caryatids, 77cm high, 137cm wide

OO gauge, three Dapol Class 56 Co-Co diesel locmotives: D14 `56064`, D104 `56094`, D13 `56086`. Together with three Dapol DMUs: D82 power car and D82A dummy car Class 150 Sprinter (separate boxes); D105 two-car (two motors version) TransPennine `NE51953`, `NE51954` (body shells slightly loose); D83+D83A Class 155 Super Sprinter. (7).

BSA .22bolt action smooth bore shotgun, No. LB16393, together with ninety-five shells.

Robs case lube kit and box of walnut shells.

"Four shells, two converted for cigarette lighting collected from a WWII American bomber that crashed near Winkfied Berkshire (4)"

"Edwardian two-tier side table, carved with stylised scallop shells, and stiff leaves to legs, 71x 66x 39cm d"

A pair of Doulton Lambeth stoneware ovoid vases, each with a broad frieze of shells and stylised roundels in brown, green and blue on an ochre and mottled blue ground, dated 1882 and bears impressed and maker`s monogram, 19 cm high (ILLUSTRATED)

A Lalique style opalescent circular glass dish decorated with shells, sea urchins and seaweed, and a matching set of six smaller design bowls, 25.5 cm diameter

"Pair of German bisque porcelain vases, formed as pagoda figures on shells, and other items"

A Victorian mother of pearl card case with concertina interior, height 11cm and two conch shells (3).

Two abalone shells carved with religious scenes, diameters 12cm and 13cm.

A pair of WWII brass shells, height 15.5cm, also a pair of German CAG Dienstglas 6x30 binoculars in canvas case.

A Victorian target brooch centred with an orb flanked by shells with glazed compartment verso, unmarked, approx 9.4g.

Exploration and Surveys (Report of the Exploring Expedition to The Rocky Mountains in the Year 1842, and to Oregon and North California in the Years 1843-44), Fremont, HR Doc. 166, Washington D.C., 1845. 6 x 9”. (BW) Fremont and his colleagues covered some 10,000 miles between the frontiers of the Missouri and the shores of the Pacific. The report made substantial contributions in the fields of surveying, topography, and natural history. Fremont`s report was the most widely read account of the West before the gold rush, and its contents and maps had a profound effect on the development of emigration routes. The expedition party included such notable explorers as the German topographical surveyor Charles Preuss, the American guides L. Maxwell and Christopher Kit Carson and the celebrated botanist John Torrey. The lithograph plates in this report include illustrations of both the countryside and flora, as well as plates of fossils, ferns and shells. This is the House of Representatives issue, which preceded the Senate version. Octavo, hardbound, quarter calf with gray cloth covers, 583 pp., 23 plates and 4 maps (of 5 - lacks the large folding map). The body of the book contains Fremont`s two reports, titled "A Report on an Exploration of the Country Lying Between the Missouri River and the Rocky Mountains" and "A Report of the Exploring Expedition to Oregon and North California, in the Years 1843-`44." Ref: cf. Wagner-Camp 115:2. There is scattered foxing throughout the pages and plates, with a few pages marked with a highlighter (yellow), but the contents are tight. Both maps have scattered foxing and one has archival tape on verso to reinforce the folds. Covers and spine show some light wear and the edges are bumped. (B)

A basket weave tribal mask, Lake Tanganyika, the circular face decorated with applied snail shells, with long straw decoration simulating hair, 26cm dia.

An oak and mahogany crossbanded bookcase, with panel doors inlaid with conch shells to the centre and opening to reveal fixed shelves