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A Royal Worcester model, Polly Put the Kettle On, af, together with two unmarked Royal Worcester blank figures, a pair of Royal Worcester blank table salts, formed as shells supported on serpents and a Royal Worcester blank shell centre piece

Cutlery and shells

A large silver plated tray with shaped edge with scallop shells, monogrammed 'H', 73x48cm

An early 20th century Meissen part dessert set, including comport and four side plates, hexagonal scalloped form, the fan shaped hexagonal panels decorated in gilded high relief with portrait busts, anthemion shells and floral garlands, with gilded trellis and floral moulded border, painted underglaze crossed sword and impressed marks, plates 20.5cm diameter, comport 10cm high (5)

C. Cornelisz. 21st century. Still life with shells. Oil paint on panel. Dimensions: H 13 x W 18 cm. In good condition.

A large silver plated scallop shell dish 28cm x 26cm and 2 clam shells.

Zeremonialstab/ Zepter/ Keule, regionale Zuordnung unbestimmtHolzkeule, das obere Ende beschnitzt in Form eines anthropomorphen Kopfes im Stil Ibibio/ Igbo Nigeria. Eisennägel, Antilopenhorn. Weiße Pigmente. Reptilhaut, Kaurischnecken, Nägel, angehängte Schnüre von Holzperlen, Knochensplittern, amerikan. Ein-Penny-Münze (1920) u.a. L. 93 cm Provenienz: württtembergischer Privatbesitz Ceremonial staff/ club/ scepter of unknown origin, anthropomorphic head carved in the style of the Igbo/ Ibibio people of Nigeria. Iron nails, antelopes horn, skin, kauri shells,... L. 93 cm

Große Maske, geographische/ regionale Zuordnung ungeklärtHolz, geschnitzt, von rötlicher Farbe o. rötlich patiniert, anthropomorphe Gesichtsform. Sehschlitze fehlen. Punzierte Tatauierungen mit weißem Farbpigment eingefärbt. Kaurischnecken. Kopfschmuck aus Federn stark fragmentiert. Bart von Raffiafasern. H. ca. 40 cm Provenienz: württtembergischer Privatbesitz Large mask , region/ tribe unknown, wood, carved, anthropomorphic face, no cutouts for sight. Puncture marks and kauri shells. Feathers. H. ca. 40 cm

Maske im Stil der Kuba, Kongo (?)Anthropomorphe Gesichtsmaske, Holz, geschnitzt, Lochbohrungen im Bereich der Wangen (Sichtlöcher), rotes und weißes Farbpigment, geometr. Verzierungen, Gewebe aus Pflanzenfasern, teils ausgepolstert, Bastfasern, Kaurischnecken, Glasperlen, Federn. L. 42 cm Provenienz: württtembergischer Privatbesitz Kuba style mask, Congo (?), wood, fibre, kauri shells, glass beads. L. 42 cm

Orakelschale, unbekannte regionale und StammeszuordnungSchale Keramik/ Ton, darin einzementiert magische Figur Holz, geschnitzt, schwarz/ rot bemalt, mit Gasperlen, Federn, Kaurischnecken u.a. geschmückt, des weiteren Federn und Schnüre von Pflanzenfasern. D. 29 cm Provenienz: württtembergischer Privatbesitz Oracle bowl, region/ tribe not identified, clay, attached power figure, feathers, kauri shells etc. D. 29 cm

Tanzaufsatz (?), ElfenbeinküsteHolz, geschnitzt, Form eines weiblichen Kopfes, schwarz, rosafarben, rot, grün und blau bemalt. Weiße Pigmentanhaftungen. Am Halsansatz grobes Textilgewebe mit Kaurischneckenbesatz. H. 22 cm Provenienz: württtembergischer Privatbesitz Helmet mask (?), ivory coast, wood, carved, polychrom painted. Textile fibre, kauri shells. H. 22 cm

'THE BARON LIONEL DE ROTHSCHILD CANDELABRA' A PAIR OF FRENCH LOUIS XVI ORMOLU AND PATINATED BRONZE FIGURAL CANDELABRA AFTER THE MODEL BY PHILLIPPE CAFFIERI, LATE 18TH CENTURY each modelled with a cherub seated on a rock, one holding his hands aloft, the other blowing a shell, issuing three acanthus wrapped branches with fluted vase shaped nozzles decorated with stiff leaves, the stepped base with fluted, guilloche and leaf decoration, later drilled and fitted for electricity, with faux candles and shades (8) 45.8cm high (excluding fittings) Provenance Baron Lionel de Rothschild (1808-1879) at 148 Piccadilly, London Alfred de Rothschild (1842-1918) the Central Hall / Salon, Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Literature Rothschild Archive, London, Manuscript 000/176/11, 'The Division of the property of the late Baron Lionel de Rothschild between Sir Nathaniel de Rothschild, Leopold de Rothschild, Esq., and Alfred de Rothschild, Esq., 1881'. Listed as 'A pair of fine small Louis XVI bronze three light candelabra' and recorded as going to Alfred. Rothschild Archive, London, Manuscript: 000/174/C/3, Christie, Manson & Woods Probate Valuation of 'The Estate of Alfred C. de Rothschild, Esq. C.V.O. Deceased, Halton House Tring'. 1918. Listed as 'A pair of Louis XVI, candelabra, with bronze figures of boys playing conch shells and supporting ormolu branches, for three lights each. ' Charles Davis,' A Description of the Works of Art forming the collection of Alfred de Rothschild', 1884, p. 228, no. 244, listed as 'A pair of three-light candelabra, of the period of Louis XVI, each is formed by a bronze figure of a kneeling boy blowing a trumpet and supporting the branches, which are chased metal, and designed as foliated scrolls. The stands are square, and each has a hollow border enriched with a bead moulding'. Catalogue Note Although the design of candelabra has traditionally been attributed to Philippe Caffieri (1714-1774) with the rights to their production held by Simon-Phillippe Poirier and his business partner Dominique Daguerre, the putti themselves have a longer history with an attribution to Alessandro Algardi (1595-1654) and his circle, a pair of which are now held in the Wallace Collection having been acquired by the 4th Marquess of Hertford. This attribution by the Wallace Collection is further enhanced by Jennifer Montague in her publications on Algardi (1985) and Bronzes in the Wallace Collection (2002). Poirier delivered a pair of candelabra incorporating porcelain figures among three gilt bronze branches, to Madame du Barry in 1770. It was soon after this date that the design appears to have gained popularity amongst the English Gentry with examples appearing in inventories of country house collections from the early 19th century. In recent years, closely related examples have appeared at auction, see Christie's Lord St Helens and Sir William Fitzherbert, 22nd January 2009, lot 541 and Christie's, The Gothick Pavilion, Byron to Beaton, 9th December 2010, lot 111.

AN EDWARDIAN SATINWOOD 'SANDRINGHAM WORKSHOP' FRUIT STAND IN SHERATON REVIVAL STYLE, EARLY 20TH CENTURY inlaid with marquetry conch shells and with banding and stringing, the dished top with a pair of handles and oval panels inscribed 'Sandringham', the base with an undertier and swept legs and brass castors 73.2cm high, 53.4cm wide, 27cm deep Provenance Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Catalogue Note The Sandringham 'Technical School of Woodwork' was established by Princess Alexandra (later Queen Alexandra) in 1863. It was originally set up for the children of estate workers, however it later became Her Majesty Queen Mary's 'Carving School' for ex-servicemen and local workers.

A silver tea strainer, the handles formed as openwork shells, by Royal Irish Silver Co, Sheffield 1973, retailed by Mappin & Webb, and a silver quaich, with presentational inscription, by Mappin & Webb, Edinburgh 1992, 179gms (2) Condition Report:Available upon request

A pair of Barr, Flight & Barr oval serving dishes of shaped form, painted with shells, gilt borders, 28cm 

A nautilus shell, 2 conch shells etc, largest 30cm

Various shells, to include nautilus, pearls etc (7) (boxful)

5 polished nautilus shells

A MODERN LARGE BALUSTER SHAPED SHELL ENCRUSTED LAMP BASE with faded pink shade 75cm high Condition Report: Section of shells missing to the rim. Some areas of damage to the shells including naturally occuring damage. Pink shade in poor condition. The fittings should be tested by an electrician before use. Condition Report Disclaimer

A GEORGE III MAHOGANY ARMCHAIR With scroll end crest rail, pierced splat, shepherd's crook arms, on cabriole legs carved with scallop shells, ball and claw feet 102cm high   Provenance: Supplied by Christopher Gibbs Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use. There are losses, observations and restorations including: the pale fine possibly wool upholstery worn to the central area and corners more than some other areas; some cracks along the grain of the timber; some dowel fixings some possibly later; some repairs to the ears at the top of the legs; some later staining behind the legs with restorations including the back seat rail being a later replacement, later blocks; there is evidence of worm including to the seat rails; it is not possible to inspect under the fixed upholstery. Please see the additional photographs as a visual reference of condition.   Condition Report Disclaimer

THREE EARLY 19TH CENTURY YELLOW SHELL PATTERN TEA BOWLS possibly by Hicks & Meigh, painted in colours with shells and seaweed, the interiors with stylised borders, to with blue tally marks to bases, one unmarked. (3) 5cm by 8.5cmTwo bowls with various hairlines, all with some wear to the painted designs.

A LARGE COLLECTION OF SHELLS in a green-painted display case. 79cm by 53cm

Two boxes of shells.

Collection of sea shells, etc.

A collection of sea shells from Mauritius and other Indian Ocean locations.

COLLECTION OF VARIOUS COLOURED PRINTS, WILDLIFE, INSECTS, SEA SHELLS ETC (6)

A WALNUT AND UPHOLSTERED WING ARMCHAIRCIRCA 1740 AND LATERThe rectangular winged back, outscrolled armed and seat upholstered in yellow damask, on cabriole legs carved with scallop shells and husks on moulded pad feet153cm high, 90cm wide, 76cm deep Provenance:Formerly the Messel family collection in the Padouk Room at Holmstead Manor and thence by descent to Oliver Messel Supplied by Messel to Frederick and Phyllis Watkins for Flaxley AbbeyCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there is evidence of worm; the loose covers are worn and torn, the underlying calico also worn including to the arms; there are multiple repairs including splicing, replaced seat rails, staining, traces of glue; the undersides of the feet recessed with later fittings.We cannot photograph or inspect upholstered parts of the chair and are unable to comment on the originality although the additional photographs show replaced sections.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Palitoy, Action Man - A vintage Palitoy Action Man brown painted head figure in American Green Beret outfit. The hard hand figure, marked 'Made in England by Palitoy Under License From Hasbro © 1964' appears to be in Excellent condition. The figure comes with jacket, trousers, camo scarf, tall brown boots, green beret, M16 rifle with elastic strap, camo radio, camo bazooka two shells, .45 pistol in holster and belt with three grenades - outfit and accessories appear to Very Good - Excellent. The figure is housed in an unassociated display box. (This does not constitute a guarantee)

A GROUP OF CERAMIC ORNAMENTS comprising an ostrich egg on a square wooden stand, a Royal Doulton 1910 blue and white Burns wall plate, decorated with Robert Burns characters, a Royal Ivory - John Maddock & Sons 1932 Eucharistic congress commemorative plate, showing Pope Pius XI surrounded by vignettes of Irish scenes and Celtic decorations in green and yellow (crazing, two chips visible on the front, hairline crack on the back), a Charles Meigh Bacchanalian dance relief moulded jug, sage green, height 23cm back stamp dated September 30th 1844 (two chips on lip), a Carlton Ware Lustre Pottery cream cup to commemorate the International Year of the Child 1979 (crazing inside and out), a Shorter & Son Ltd character jug 'Chelsea Pensioner' (has some crazing), an early Toby jug, black and white body smoking a pipe (crazed, restoration work to hat and hair, chipped hat), a Royal Albert Woodland Series 'Robin' cup and saucer, a Royal Albert 'Sweet Pea' pattern cup and saucer (second quality), two small Royal Doulton 'Anais Anais' Cacharel bud vases and a rectangle trinket dish, a Copeland Spode's Tower rectangle blue and white dish, a Royal Albert 'Sweet Pea' dish (second quality), a Wade 'Rose of Tralee' figure, height 10cm, from a series portraying Irish song characters (chipped and restored bonnet), a Belleek yellow swan creamer, a Wade Whimsies Otter No12 (head has been glued on), a small pot of Royal Doulton china flowers (damaged and glued, chipped petals), a 1995 Royal Doulton 'Tchaikovsky' D7022 character jug, modelled by Stanley James Taylor, an Aynsley 'Pembroke' pattern pot, height 12cm, two large sea shells, a glass ship in a bottle' Mary Rose', etc (27) (Condition report: obvious damage is mentioned in description)

An Art Nouveau circular coloured print, depicting a maiden collecting shells, within a moulded circular gilt frame. 50CM. Sold together with an early 20th century oil painting depicting small child, signed Sterling, within an an oval gilt frame. 43CM. X35CM. And a Victorian colour print of a Continental fruit collector.

A selection of natural history sea shells and marine items

MANNER OF EDWARD WADSWORTH (1889-1949), 'Shells' oil on panel, 59cm x 80cm, framed.

An Elizabeth II Silver Jubilee (1977) commemorative silver dish, Hamilton & Inches, Edinburgh 1977, the shallow well engraved with the Garter crest, the shaped square rim with reeded border and chased with shells, edition no. 37 to the underside. 19.25cm square, 11 troy ounces

A collection of shells including cowrie, cone, clam and nautilus examples, some carved or souvenir including Lord's Prayer, Capri etc (approximately 70)

A Victorian Silver Scent Flask, by Horton & Allday, Chester 1883, of tapered form, the whole embossed with serpents, shells, sea scrolls and floral ornament, on a textured ground, the cartouche engraved with entwined initials, 9.5ins overall, gross weight 7.5ozs, in red velvet covered case retailed by Howell & James Ltd., 5, 7 & 9 Regents Street

A small quantity of mixed shells and a small piece of coral, four hand embroidered greeting cards, three small Beatrix Potter books including 'Mrs Tiggy-Winkle,' 'Tailor of Gloucester,' and 'Two Bad Mice,' plus a metal figure of a horse.

An elegant white Marble cased mantle Clock having a two-train movement, the white face with Roman numerals and regulator spindle concealed in the rim of the face above the 12 o'clock position, the face with the name ''Polonie Paris'', the brass movement stamped 1834 and having an external count wheel. The clock is surmounted by the figure of a young fisherman holding a lute, leaning on a rock with a fishing net draped and gazing at a portrait miniature of his loved one, the ground at his feet with sea-shells, 16 3/8" high x 9 7/8" wide x 5 7/8" deep. (chip to rear of case, bell and winder not present).

A GROUP OF WOOD, HORN CARVINGS AND WALNUT, 19/20TH CENTURY. To include two carved horn scroll ends, a pair of walnut shells and a hardwood cylindrical pot, possibly Anglo-Indian. Pot 13.5cm tall. (5)

Collection of tropical shells and coral

WW2 grenade shell, other shells, copper dish, Gillette Safety razor in box, binoculars and draughtsman's tools in wooden box.

Collection of tropical sea shells

Military 303 Rifle Brass Blanks Shells, with a quantity of fire starting flints.

19TH CENTURY GLASS DISPLAY CASE OF SHELLS & MINERALS walnut encased, of octagonal form with lift-off glass cover and with a spoked arrangement of seashells and mineral specimens seated on cotton wool, 33.5cms diam

A BRONZE 'IMMORTAL AND BLACK TORTOISE' WEIGHT, MING DYNASTYChina, 16th-17th century. Cast in openwork, depicting an immortal leaning on a long-tailed Black Tortoise gazing up toward the sky, both standing on a rocky base, the immortal dressed in a robe with long sleeves, holding a scroll in his left, both heads raised and turned to their left.Provenance: Gerard Hawthorn Ltd. Oriental Art, London, 4 October 2005. A notable private collector in Kensington, London, United Kingdom, acquired from the above. A copy of the original signed invoice from Gerard Hawthorn, dated 4 October 2005, listing the present lot as a “Chinese bronze weight, Ming dynasty, 16th/17th century”, and stating a purchase price of GBP 2,500 or approx. EUR 4,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Condition: Very good condition with minor wear, traces of use and casting flaws, few tiny nicks and losses. Good natural patina overall.Weight: 266.9 g Dimensions: Length 15.1 cmThe tortoise is one of the 'Four Fabulous Animals' - the most prominent beasts of China. These animals govern the four points of the compass, with the Black Tortoise being the ruler of the north, symbolizing endurance, strength, and longevity. The tortoise is sometimes depicted with supernatural features such as dragon ears, flaming tentacles at its shoulders and hips, and a long hairy tail representing seaweed and the growth of plant parasites found on older tortoise shells that flow behind the tortoise as it swims. In Daoist art, the tortoise is an emblem of the triad of earth-humankind-heaven. Depictions of immortals with tortoises are very popular in China and go back to at least the Han dynasty.Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 7 April 2015, lot 3694Price: HKD 137,500 or approx. EUR 20,000 converted and adjusted for inflation at the time of writingDescription: A parcel-gilt bronze brushrest, Ming dynasty13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.明代仙人神龜銅鎮中國，十六至十七世紀。銅鑄一位仙人倚在烏龜上，雙雙立於岩石上，昂首仰天。仙人身著長袍，左手持捲軸。 來源：倫敦Gerard Hawthorn Ltd.東方藝術藝廊，2005年10月4日；倫敦肯辛頓知名私人收藏，購於上述藝廊。隨附藝廊原始發票複印件，日期為2005年10月4日，描述為 “Chinese bronze weight，Ming dynasty，16th/17th century”（明代，十六至十七世紀，中國銅鎮），價格為 GBP 2,500，相當於現在的EUR 4,500 。 品相：狀況極好，有輕微磨損、使用痕跡和鑄造缺陷，少量微小的劃痕和缺損。 整體良好的自然包漿。 重量：266.9 克 尺寸：長15.1 厘米 在中國，龜為“四靈”之一，是北方的統治者，象徵著耐心、力量和長壽。在道教藝術中，龜是地、人、天三位一體的象徵。 神仙與神龜在中國非常流行，至少可以追溯到漢代。 拍賣結果比較： 形制：相近 拍賣：香港蘇富比，2015年4月7日，lot 3694 價格：HKD 137,500（相當於今日EUR 20,000） 描述：明代局部鎏金銅牧牛圖筆擱

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013),BLACK HOUSE ON THE WESTERN ISLESoil on canvas, signedimage size 91cm x 122cm, overall size 96cm x 127cm Framed. Note 1: John Bellany is an artist who needs little introduction to collectors of Scottish art. In recent times the appreciation of his work and the rapidly growing value of his paintings make him amongst the most coveted of Scotland’s modern artists.Note 2: The West coast of Scotland has some of the most dramatic of all of Scotland’s landscapes. Rock formations including sea stacks, sea arches and huge cliffs have been created over millions of years. The West coast islands have been sculpted by volcanic heat, ice, wind and the constant pounding of the sea. Scenes such as this can be found near Mangersta Beach, in the Outer Hebrides where steep pink granite sea stacks rise out of the crashing waves and line up for the perfect scenes. Huge waves crash into the rocks, crushing shells into a finely-ground white sand. Bellany has used an isolated cottage on the shoreline to intensify this dramatic scene, together with his magnificent use of colour to capture the different rock formations and the ever-changing sky and sea.

A VERY GOOD NEAR PAIR OF 18TH CENTURY CARVED AND GILDED CONSOLE TABLES with serpentine marble tops. the base carved with scrolls, acanthus and shells 3ft 7ins long, 3ft 2ins high 1ft 9ins deep.

A FRENCH SILVER CIRCULAR WRYTHEN FLUTED FRUIT DISH with cast edge, with shells and acanthus, on four curving legs. 9.5ins diameter, stand .925. Weight 15ozs 10dwt

15 Boxed & unbuilt plastic model kits to include 2 x Hales (G231 Peace Maker "45", G225 French Wheellock Pistol), Matchbox PK-175 Monty's Caravan (squashed box), 2 x Emhar (EM 3503 German WWI Infantry, PKEM2404 Bedford 'OSB'), 2 x MiniArt (35172 US Motorcycle WLA - sealed, 38021 LGOC B-Type London Omnibus), Hales 09690 Naval 24-Pounder, Grafix Attack Helicopter (missing paints), Dora Wings DW 48022 Lockheed Vega, Heller No 304 Canadair C.L 215, Roden 014 Felixstowe F.2A, Valom 48008 BN-2/BN-2A Islander and 80378 Hobby Boss Me 262 B-1a, plus a bagged Super Shells Trailer kit, 2 x Hobby's craft kits and a quantity of model kit spare parts (contents generally appear gd but unchecked for completeness, unless stated, boxes vary) (2 boxes)

Seven OO gauge locomotives to include Triang and Bachmann examples featuring Triang The Princess Royal, plus many spares and repairs parts to include engines and shells

Box of shells and box of costume jewellery

Collection of Scalextric to include boxed Scalextric C363 Porsche in red (tatty box), slot car shells and spare parts, track, 3 x controllers, power packs, buildings, etc

A Regency "Grecian" style double-ended chaise with pale green painted frame and double sabre supports with lion's paw castors, 198 cm long x 64 cm wide x 64 cm overall height. Together with an unusual possibly Irish George III style cabriole legged rectangular stool with large St. James scallop shells carved frieze, also painted green,97 cm wide x 50 cm deep x 55 cm overall height.The stool has no upholstered topThe chaise is firm but shows old repairsBoth are crudely painted mint green

A Tolai hardwood and hardstone ceremonial war club, Gazelle Peninsular (PNG), the hardstone pommel set with two bands of small shells and a distinctive barbed spike on the alternate end of the club. 108 cm long.

Three Egyptian silver ashtrays shaped as shells, L9cm, standing on bun feet, with animal shaped handle, marked 900, weight: 103g, mid 20th century. (3) Provenance: N & L Karantokis Estate.

Sailors sweetheart or valentine photo frame 19th Century, in double sided wooden hinged case, with shell work interior, one side with empty cartouche, the other reading 'Home sweet home', 23cm acrossOverall wear and scratches. Hinges loose. Some of the beading is slightly loose or damaged. Some shells under the glass are loose and detached. Glue yellowing in places. Some dust/dirt trapped under the glass. Wear and marks consistent with age and use. Signs of old woodworm to the case.

A mid-17th century bronze mortar, by the Whitechapel Foundry, London, circa 1650Cast to the waist with band of shells, foliated scrolls and open leaves, with stepped and rounded base and inset footrim, rim diameter 17,7cm, height 14.4cmLiterature;See M. Finlay, 'English Decorated Bronze Mortars & their Makers' (20100, p. 66 for a comparable mortar from Whitechapel dated 1632

A mid-17th century bronze mortar, attributed to the Whitechapel Foundry, London, circa 1650               Cast to the waist and rim with a band of shells, foliated scrolls and open leaves in a slender cartouche-like rim, with stepped decoration at the base and inset footrim, 20.5cm rim diameter, 16cm high Literature:  See M. Finlay, English Decorated Bronze Mortars & their Makers (2010), p. 66, Figure 87 for a similar mortar from Whitechapel dated 1632 Nibbles and losses to rim, some pitting. Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com

A mid-17th century bronze mortar, by the Whitechapel foundry, London, circa 1650 Cast to the waist and rim with a band of shells and foliated scrolls, with stepped decoration at the base and inset footrim, diameter 18cm, height 14cm

Kemlow True Scale Artillery Set, complete with Field Gun, Shells, Limber & Military Bedford 3 Ton Lorry, military green, in good original condition, dusty where models have been on display, original lidded box is fair and a scarce Kemlow Master Model Army Quad, in excellent original condition, box is fair, missing both end flaps .(2 items)

Britains guns including No.1 18-in Heavy Howitzer, boxed with instructions, loader, three springs and five shells, 1264 4.7 Naval gun, condition: both good, boxes good to fair, boxed Gun of the Royal Horse Artillery, condition: good, box fair, lid label poor, unboxed Naval gun, JoHillco tank, small canon, condition: good tank tracks perished, and three Britains seated gunners, condition: one perfect, other two with damage/loss, (9 items).