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An assortment of collectables. Including a buttonhook, shells, glass ashtray, pin cushion, etc

An assortment of shells and minerals. Including an Indian white metal adorned conch shell

A wicker basket containing sea shells.

A Two Portuguese Lidded Pots with Majolica Type Glazed Lids the One Having Shells, Clams, Shrimp etc and the Other Fruit

Two opalescent sea shells and a third decorative sea shell.

A large Meissen style ceramic centrepiece formed as shells. With cherubs and flowers. (44cm) Damage to some of the cherubs and shells repaired.

Carved American plaque for Hornady bullets framing a collection of various calibre shells

MARKUS BOHM for Lake Mueritz Pottery; a tall lugged wood fired stoneware bottle with pronounced ribbing, side fired on shells and partially covered in green ash glaze, height 54cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

NICHOLAS MARSH; a large raku disc side fired on shells and mounted on slate, incised mark dated 2019, height 38cm. (D)Provenance: Purchased from the artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

TWO ELIZABETH II SILVER DECANTER LABELS AND A NORWEGIAN SILVER WINE FUNNEL, 20TH CENTURY the decanter labels by C Robathan & Son, Birmingham 1983, engraved 'BRANDY' and 'WHISKY' to the oval reserves, within a chased border of shells and foliage, 5.5cm wide; the wine funnel by David Andersen, Oslo, c.1910, stamped '830', with beaded loop handle, the flat rim engraved with a wreath of leaves, the exterior of the funnel engraved with ribbon swags and leafy branches, 7.4cm diameter, 6.7cm high. (3) 2.3 troy ounces gross

Qty of fossils, rock samples, shells inc fish & shell fossil, quartz sample etc

Anita Harris 'Ammonites and Shells' Large Teardrop Vase, gold signed, 22cm high.

A 20th Century Dogon Mask, Mali, with double horned headdress, semi circular forehead, square cut eyes and mouth and block nose, encrusted with darkened ochre pigment; a Dogon Mask, Mali, with small antelope headdress over two pierce circular eyes centred by a chip carved medial ridge; an Early 20th Century Baule Mask, Ivory Coast, with combed triple domed coiffure, domed forehead, arched eyebrows extending down to the slender nose, pierced eyes and pursed lips, 30cm; a Kuba Headdress, DRC, of domed circular form with figural top, applied with panels of blue, yellow and red glass beads and bands of cowrie shells; a Grasslands, Cameroon Figural Rattle, the handle with head carved pommel and with basket woven wicker base enclosing seeds; a Yoruba Shango Staff, Nigeria, carved as a kneeling worman; a Lega Wood Spoon, Cental Africa, with diaper carved handle and double mask finial; a Pende Wood Rattle, Central Africa, carved as two Janus heads, each heart shape face painted with kaolin (8)

Mahogany inlaid wheel barometer/ thermometer, the 8" silvered dial signed Colin Masters, Calne, within an ebony and boxwood bound case inlaid with flowerheads and conch shells; also a Mappin & Webb oak barometer/thermometer within a carved case (2)

Interesting continental easel verge bracket clock with cow tail pendulum, the 4" brass chapter ring within a brass surround repoussé with sea scrolls, foliage and shells, 9.75" high (pendulum)

A Collection Of Inert / Spent Artillery And Rifle Shells.

A Small Collection Of Mixed Militaria To Include Two Inert Brass Artillery Shells, A Trench Art Ashtray, A Navy HMS Manchester Plaque, A Trench Art Game, Flight Helmet And Goggles.

SHELLS, SPECIMEN STONES, SHOTGUN CLEANING ACCESSORIES, DISHES, BIBLES AND AN OWL

SHELLS, ASPARAGUS PLATES, CERAMICS, STAFFORDSHIRE GREYHOUND FIGURES AND METAL WARES

Two Meiji period Japanese shibayama wall plaques, rectangular frame with blossom detail, black lacquered back round with shades of mother of pearl, bone and abalone shells of an exotic bird. 54cm H x 37cm W

Neptun auf Delfin. Ungemarkt, 19. Jh. Polychrom bemalt, goldstaffiert. H 24,5 cm. Auf einem wasserspeienden Delfin sitzender Neptun mit Dreizack, auf einen durchbrochen gearbeiteten Natursockel mit Muscheln und Korallen. Linker Arm restauriert, rechte Hand defekt, rechtes Bein geklebt, Sockel brandrissig. Neptune on dolphin. Unmarket, 19th century Polychrome painted, gold decorated. H 24,5 cm. Sitting on a water-spouting dolphin Neptune with trident, on an openwork natural base with shells and corals. Left arm restored, right hand defective, right leg glued, base fire cracked. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 kleine Durchbruchschalen mit Blütenbelag. Potschappel. Marke ab 1901. Polychrom bemalt, goldstaffiert. H 2x 9,5 cm, L 1x 21 cm. 2 Fußschalen mit Korbdurchbruch, Vergißmeinnichtblüten und Blumenmalerei. / 1 Ovalschale mit Grillagedurchbruch, vier Füßen, zwei Handhaben und Blumenmalerei. 1 Blüte bestoßen. 3 small breakthrough shells with floral coating. Potschappel. Mark from 1901. Polychrome painted, gold decorated. H 2x 9,5 cm, L 1x 21 cm. 2 foot bowls with basket aperture, forget-me-not flowers and floral painting. / 1 oval bowl with grillage aperture, four feet, two handles and floral painting. 1 flower bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Saliere mit Putto. Fürstenberg. Ungemarkt, 2. H. 18. Jh. Polychrom bemalt, goldstaffiert. H 12,5 cm, L 15,5 cm. Zwischen zwei Muschelschalen mit Vogelmalerei sitzender Putto. Linke Fußspitze restauriert, Gold partiell berieben. Saliere with putto. Fürstenberg. Unmarket, 2nd h. 18th c. Polychrome painted, gold decorated. H 12,5 cm, L 15,5 cm. Putto. Seated between two shells with bird painting, left foot tip restored, gold partially rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 silberne Vogelskulpturen. Ungepunzt. 20. Jh. Silber, geprüft. Ca. 16,5 x 26 x 26 cm. 967 g. Kampfläufer-Paar auf Sockel mit versteinerten Muscheln. 2 silver bird sculptures. Unmarked. 20th c. Silver, tested. Approx. 16.5 x 26 x 26 cm. 967 g. Pair of combat runners on base with fossilized shells. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Royal Navy Cooks Long Service Medal Group of Five for Service in the Somaliland Campaign of 1908 and the Great War, Africa General Service medal EVII, 1 clasp Somaliland 1908-10, “3469689 W.V. HOAD ACT. LG. CKS. MTE. H.M.S. PHILOMEL”, 1914-15 Star medal, “346989 W.V. HOAD, SH.CK., R.N.”, British War and Victory medals, “346989 W.V. HOAD CH. SH. CK. R.N”, Royal Navy Long Service and Good Conduct medal GV (1st type), “346989 W.V. HOAD C.P.O. COOK H.M.S. GLORY.”William Victor Hoar was born in Portsea, Hampshire on 14th June 1886 and entered the Royal Navy as an Acting 2nd Class Cook’s Mate on 19th September 1904. He is confirmed on board Philomel for the Somaliland campaign of 1908-10 and on 1st September 1912 was promoted to Ships Cook whilst at Victory I. He served all bar the last 6 months of the Great War on H.M.S. Superb and was on board during the Battle of Jutland where she fired a total of 54 12-inch shells. Promoted Chief Ships Cook on 1st July a1916 and Chief Petty Officer Cook on 17th May 1919. Pensioned to shore on 18th September 1926. Mobilised on 28th September 1938 he was demobilised a week later on 3rd October 1938. William Victor Hoad died on 25th August 1949 in Chichester, West Sussex

WW1 German Wicker Shell Transport Case, fine untouched example with the leather buckle fittings, no lid. Used to transport the large heavy artillery shells. Stands 75cms.

A pair of George III Old Sheffield Plate sauce boats, beaded borders, flying scroll handles, hoof feet with shells to knees, 14.5cm long, c.1770; another, larger paw feet, c.1760; others, double lipped; cream jugs (8)

A pair of George III Old Sheffield Plate table candlesticks, reel shaped sconces with detachable nozzles, kopped pillars, fluted square bases with shells to angles, 24cm high

A post-Regency gilt brass patent folding five section wall hanging letter rack, pierced and stamped with shells and scrolling leaves, 29cm long, c.1835

A pair of 18th century Irish provincial silver sauce boats, acanthus-capped flying scroll handles, wavy borders, hoof feet with shells to knees, 16cm long, Stephen Walsh, Cork c.1765, 474g

A pair of George II/early George III cast silver table candlesticks, detachable nozzles, knopped pillars, fluted shaped square bases with shells to angles, 25.5cm high, John Cafe, London 1755 & 1761, 1440g

A set of four GIII silver cauldron salts, raised on three cabriole legs and stepped pad feet, embossed with scrolls and styalised shells, London, c.1760, 9.6 oz

An Edwardian silver rounded rectangular inkstand, cut glass wells with hinged cover, gadrooned border, shells and leafy scrolls to angles, tapered feet, 23cm wide, Charles Stuart Harris, London 1902, 364g weighable silver

A collection of copper gun shells, castings and a dummy hand grenade

collection of various works of art to include sea shells, metal ware etc housed within two boxes (Qty)

A box of sea shells and various seaside related ornaments.

Approximately 700 spent shotgun shells. Not available for in-house P&P

Box of mixed sea shells. Not available for in-house P&P

A Shell-Work Double Sailor's Valentine, 'A Present from Barbados', Barbadian, 19th century,the hinged octagonal mahogany cases mounted with pink, green, white, and brown shells, one reading A PRESENT FROM BARBADOS, each with glazed top, 8 3/4in (22cm) wide when closed 2 1/2in x 8 3/4in x 8 3/4in (6.5cm x 22cm x 22cm) overallFor further information on this lot please visit Bonhams.com

A George III silver caddy spoon, by Joseph Taylor, Birmingham 1809, vine leaf shaped bowl, plus a Victorian silver caddy spoon, by Hilliard & Thomason, Birmingham 1852, gilded bowl embossed with shells, pierced lily pad tendril handle, approx. weight 0.7oz. (2)

A set of eight Knoll Studios 'Tulip' dining chairs,of modern manufacture, originally designed in 1955 by Eero Saarinen by Knoll as part of the Pedestal Collection, comprising six singles and two carvers, all with swivel function, with silver coloured shells and bases, labelled to the underneath with manufacturer's badge and facsimile signature,carver 68cm wide59cm deep81cm high, seat 48cm high,single 49cm wide51cm deep81cm high, seat 48cm high (8)Provenance: The Collection of the former Dunhill Pipe Factory in Notting Hill.Condition ReportThe chairs with some scratches and marks to the frame. The upholstery is generally in good order - with wear commensurate with age and use. Acquired by the present owner 10-15 years ago with wear reflecting domestic use since.

A Knoll International 'Tulip' armchair,1960s, originally designed between 1954-1958 by Eero Saarinen, the shaped polyurethane seat raised on a lacquered cast aluminium pedestal base, with a seat with mustard yellow upholstery, cast to the base 'Knoll International', 63cm wide58cm deep79cm high, seat 44cm high, together with a single armless chair of the same manufacture (2)Condition ReportBoth examples with wear to the frames and matting to the polyurethane shells. Some scratches and marks occurring. Areas of dried in dust to the foot. With some chips to the rims of the feet. With some stains and marks to the upholstery.

SUITE DE QUATRE FAUTEUILS D'ÉPOQUE RÉGENCE EN HÊTRE SCULPTÉVers 1720 A SUITE OF FOUR REGENCE BEECH ARMCHAIRS Circa 1720Each carved with shells and scrolling foliate motifs, the back with shaped and eared toprail above waved armrests with acanthus motif, upholstered in close-nailed beige suede, the seatrail carved with foliage and centred by a lambrequin against a hatched ground, on cabriole legs headed by shell and terminating in upswept acanthus sabots, joined by a x-shaped stretcher. 95cm (37 1/2in) high x 68cm (26 3/4in) wide x 59cm (23 1/4in) deep. (4)Footnotes:約1720年 攝政時期櫸木扶手椅 一組四件For further information on this lot please visit Bonhams.com

STATUE ULINouvelle IrlandeBois. 119cm (46 7/8in) high.Footnotes:Provenance:A. Vecht, AmsterdamRobert Rousset, Paris (1901-1981), acquired from the above on 15 April 1948Jean-Pierre Rousset, Paris (1936-2021) Les statues uli sont rares dans les collections, tant publiques que privées. Selon les divers spécialistes, seuls deux-cent-vingt-six ou deux-cent-cinquante-cinq exemplaires seraient recensés. Elles semblent toutes avoir été collectées entre le dernier quart du XIX° et le début du XX° siècle avec une majorité entre 1904 et 1909, durant la domination germanique de la région qui portait alors le nom de Neu-Mecklenburg. Jusqu'au tout début du XX° siècle, ces statues uli représentant des ancêtres puissants participaient aux longs et complexes rituels funéraires Malagan des populations du centre de la Nouvelle-Irlande.Supportées par des jambes courtes, les figures uli dégagent une rare puissance. Celle-ci est exprimée par un visage rehaussé de pigments blancs mettant en évidence les peintures de guerre noire, une large bouche armée de dents agressives, des coquillages destinés à créer un regard, un menton barbu projeté vers l'avant, un sexe mis en évidence et une poitrine développée qui a poussé les premiers observateurs à les considérer comme hermaphrodites.L'iconographie de ces figures d'ancêtres masculins est associée à l'expression de la force, de la puissance absolue, et à la fertilité. Même si leur fonction exacte dans les cérémonies funéraires demeure assez imprécise et parfois contradictoires d'une source à l'autre, ils n'auraient pas été conçus en tant que représentations d'individus spécifiques, mais comme des réceptacles ou instruments de leurs esprits, afin de permettre la transmission de leurs pouvoirs à leurs descendants.Les figures uli ont fait l'objet d'un classement en un corpus douze types principaux. Avec ses mains croisées sur l'abdomen, celle de la collection Rousset se rattache au groupe dit lembankakat egilampe possiblement associé à une lignée ou un ancêtre précis. Un opercule de turbo était initialement disposé au centre du croisement des mains.Le sexe de la statue Rousset est absent, probablement brisé par un missionnaire lors de la collecte, comme cela fut fréquemment le cas. Le numéro 1882 inscrit au dos est probablement lié à une collection, ou la date de collecte.Cf: Gunn & Peltier, Nouvelle-Irlande: arts du Pacifique Sud, Paris, 2007.ULI STATUE New Ireland Uli statues are rare in both public and private collections. According to various specialists, only two hundred and twenty-six or two hundred and fifty-five examples have been identified. They all seem to have been collected between the last quarter of the 19th and the beginning of the 20th century, with the majority between 1904 and 1909, during the German domination of the region, which was then called Neu-Mecklenburg.Until the very beginning of the 20th century, these uli statues representing powerful ancestors were part of the long and complex Malagan funeral rituals of the people of central New Ireland.Supported by short legs, the uli figures exude a rare power. This is expressed by a face enhanced with white pigments highlighting the black war paint, a large mouth armed with aggressive teeth, shells designed to create a look, a bearded chin projected forward, a highlighted sex and a developed chest that led the first observers to consider them as hermaphrodites.The iconography of these male ancestor figures is associated with the expression of strength, absolute power, and fertility. Although their exact function in funerary ceremonies remains unclear and sometimes contradictory from one source to another, they would not have been conceived as representations of specific individuals, but as receptacles or instruments of their spirits, in order to allow the transmission of their powers to their successors.The uli figures have been classified into a corpus of twelve main types. With its hands crossed over the abdomen, the one in the Rousset collection belongs to the so-called lembankakat egilampe group, possibly associated with a specific lineage or ancestor. A turbo operculum was originally placed in the centre of the hand crossing.The sex of the Rousset statue is missing, probably broken by a missionary during the collection, as was frequently the case. The number 1882 on the back is probably related to a collection, or the date of collection. See Gunn & Peltier, Nouvelle-Irlande: arts du Pacifique Sud, Paris, 2007.For further information on this lot please visit Bonhams.com

Three boxes of assorted sea shells

A collection of shells and coral.

A collection of shells and minerals

Collection of mixed copper and brassware, to include a copper kettle, copper coal scuttle, large copper Joseph Sankey & Sons 'crocodile skin' effect jug, 32cm high, copper haystack jugs, brass artillery shells, copper measures, etc, together with two carved wooden plates

19th century Oil Painting Head and Shoulders Portrait of an Old Woman with a basket of shells and a book on a table before her, 64cm x 77cm, unframed

Set of six coloured glass Margarita cocktail glasses with stems modelled as shells, approx 16cm high

Collection of mixed ceramics to include a pair of small Royal Worcester vases in the form of shells, a pair of Royal Worcester white porcelain figural pin dishes, Royal Worcester circular floral pin dish, two Wedgwood WWF dinner plates, etc, together with a Murano glass air bubble design dish

A quantity of mixed shells, conch, sea urchin, lambis chiragra, melon, etc.

Joanna Lumley Signed 12x8 inch Colour Beach and Shells Photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Camel bag and knife - A hand knotted camel bag decorated with tassels and shells, 110 x 60cm, together with a antler handled knife, length 23cm.

A late Victorian blanket chest - An oak and pine chest with a lift up lid, the hinged front and ends carved with shells and other decoration on five short carved legs, height 57cm, width 140cm, depth 43cm.

J. MCNAIR (CONTEMPORARY SCOTTISH),SHELLS AND A FEATHER,mixed media, mounted, framed and under glass, 39.5cm x 48cm, along with another contemporary acrylic by Pat Duguid, titled Sunset over the Sea (2)

A George II silver salverWilliam Kidney, London 1735 Shaped-circular with a chased acanthus, shells and scrolls and diaper-work panels, with engraved arms for the LEMAN family of Brampton Hall, Suffolk, all within a chased cartouche, on four scroll feet, diameter 32.8cm, weight 37oz.For further information on this lot please visit Bonhams.com

JOCELYN BURTON: two similar silver and agate paper knivesLondon 1980Cast handles, both sides with varying sea shells in relief among a wave textured surface, also with collet set cabochon stones, with blue / coloured agate blades, contained in an original protective wallet, length 25cm. (2)For further information on this lot please visit Bonhams.com

A set of six Italian silver stacking platesMazzucato, Milan circa 1968, stamped 925 STERLING, CESELLATO A MANO The six graduated sized plates of shaped octagonal form, the central one of bowl form, all matching with parcel-gilt Rococo style cast and applied borders, moulded acanthus leaves, shells and elaborate scrolling motifs in high and low relief, the raised areas polished against a matt ground, the central areas plain polished silver, diameter largest 40cm, weight 183oz. (6)For further information on this lot please visit Bonhams.com

A George II silver sweetmeat / dessert dishJohn Hugh Le Sage, London 1747 Shaped-circular, the shaped scroll rim with seven applied shells and leaves, the ribbed sides with twenty-one flutes, centred with an unusual armorial engraving, diameter 14.6cm, weight 6.4oz.Footnotes:A set of three dessert dishes of this design by Paul de Lamerie are illustrated in publication Paul de Lamerie, The Work of England's Master Silversmith (1688 - 1751), An Exhibition of his work Goldsmiths Hall, 1990, page 124For further information on this lot please visit Bonhams.com