Cluster d'ammonites sur leur sculpturale matrice Ammonite Cluster on Sculptural MatrixCrioceras curnieri and Olcostephanus sayniHauterivian (Cretaceous) (130 Ma)Region of Veynes (05), Southeast FranceA hundred million years ago, a group broke with the classic winding pattern of ammonites (in a spiral with contiguous turns) to develop an infinity of other types of shells. All of these specimens, described under the term unrolled ammonites, undoubtedly correspond to the most characteristic fossils of Provence because 80% of the world's species are found there. While these ammonites are certainly among the rarest, their slender look also give them an extraordinary aesthetic shape resulting: true natural sculptures. The spines of these ammonites must have played a direct role in their protection against the large marine predators of the time. For a long time, it was considered as an evolutionary degeneration, scientists now realize that these new forms of shells were in fact attempts to adapt to environmental and climatic variations as we know them today. However, they became extinct during the great crisis at the end of the Cretaceous, 65 million years ago, at the same time as all the other ammonites. Measuring 25 x 22 x 7 cmCluster d'ammonites sur leur sculpturale matriceCrioceras curnieri et Olcostephanus sayniHauterivien (Crétacé ) 130 Millions d'annéesRégion de Veynes (05), Sud Est de la FranceIl y a cent millions d'années, un groupe rompt avec le schéma d'enroulement classique des ammonites (selon une spirale à tours jointifs) pour élaborer une infinité d'autres types de coquilles. L'ensemble de ces spécimens, décrits sous le terme d'ammonites déroulées correspond sans aucun doute aux fossiles les plus caractéristiques de la Provence car on y trouve 80% des espèces mondiales. Si ces ammonites comptent certainement parmi les plus rares, leur port aérien et leur allure élancée leur confèrent également une extraordinaire composante esthétique aboutissant à de véritables sculptures naturelles. Les épines de ces ammonites devaient jouer un rôle direct dans leur protection face aux grands prédateurs marins de l'époque. Longtemps considérées comme une dégénérescence évolutive, les scientifiques s'aperçoivent aujourd'hui que ces nouvelles formes de coquilles constituaient en fait des tentatives d'adaptation à des variations environnementales et climatiques comme nous en connaissons à l'heure actuelle. Elles s'éteindront pourtant lors de la grande crise de la fin du Crétacé, il y a 65 millions d'années en même temps que l'ensemble des autres ammonites. 25 x 22 x 7 cm For further information on this lot please visit Bonhams.com
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Très grande ammonite à pointes du Sud de la France Large Spiny Ammonite from Southern FranceCrioceras nolaniHauterivian (Cretaceous) (130 Ma)Area of Ruissas (26), Southeastern FranceA hundred million years ago, a group broke with the classic winding pattern of ammonites (in a spiral with contiguous turns) to develop an infinity of other types of shells. All of these specimens, described under the term uncoiled ammonites, undoubtedly correspond to the most characteristic fossils of Provence because 80% of the world's species are found there. While these ammonites are certainly among the rarest, their slender look lends them an extraordinary aesthetic shape producing true natural sculptures. The spines of these ammonites must have played a direct role in their protection against the large marine predators of the time. For a long time, it was considered as an evolutionary degeneration, scientists now realize that these new forms of shells were in fact attempts to adapt to environmental and climatic variations as we know them today. However, they became extinct during the great crisis at the end of the Cretaceous, 65 million years ago, at the same time as all the other ammonites. Measuring 65 x 65 x 40 cmTrès grande ammonite à pointes du Sud de la FranceCrioceras nolaniHauterivien (Crétacé) 130 millions d'annéesRégion de Ruissas (26), Sud Est de la FranceIl y a cent millions d'années, un groupe rompt avec le schéma d'enroulement classique des ammonites (selon une spirale à tours jointifs) pour élaborer une infinité d'autres types de coquilles. L'ensemble de ces spécimens, décrits sous le terme d'ammonites déroulées correspond sans aucun doute aux fossiles les plus caractéristiques de la Provence car on y trouve 80% des espèces mondiales. Si ces ammonites comptent certainement parmi les plus rares, leur port aérien et leur allure élancée leur confèrent également une extraordinaire composante esthétique aboutissant à de véritables sculptures naturelles. Les épines de ces ammonites devaient jouer un rôle direct dans leur protection face aux grands prédateurs marins de l'époque. Longtemps considérées comme une dégénérescence évolutive, les scientifiques s'aperçoivent aujourd'hui que ces nouvelles formes de coquilles constituaient en fait des tentatives d'adaptation à des variations environnementales et climatiques comme nous en connaissons à l'heure actuelle. Elles s'éteindront pourtant lors de la grande crise de la fin du Crétacé, il y a 65 millions d'années, en même temps que l'ensemble des autres ammonites. 65 x 65 x 40 cm For further information on this lot please visit Bonhams.com
Animal jewellery. A fine Victorian gold and Hummingbird's head pendant, of tear shape, the bird with gold bill and glass eyes, 60mm overall, in the original shaped maroon morocco case signed for [Rowland] WARD & CO NATURALISTS 158 PICCADILLY A rare and superbly preserved example of the Victorian fashion for birds, insects, shells or fish jewellery in the 1870s. Heads of birds, usually from South America, were bizarrely mounted as brooches, bracelets and earrings. Two honey creepers in their shimmering blue iridescent plumage worn as earrings are in the Victorian & Albert Museum. The present brooch by the best known taxidermist of the 19th c, Roland Ward is very similar to the chief exponent of animal jewellery the London jeweller Harry Immanuel whose bird's heads featured gold beaks and tiny glass eyes. Seven such heads in a row form a necklace of his in the British Museum, the gilt of R C Kwok. These are illustrated in Gere (C) and J Rudoe, Jewellery in the Age of Queen Victoria, pp 225-231, figs 182-184 A Private Collection of Jewellery, lots 300-345 In excellent preservation and quite possibly never worn. Exterior of case slightly scuffed
Hornby Bachmann Airfix 00 Gauge Multiple Unit and assorted Coaches, Hornby L6360 two car Pacer Unit two tone blue livery, two body shells for a Pacer, Hornby Buffet Restaurant Cars (2), Gresley coach, Bachmann SR green (2), BR Maroon and cream (2) BR Maroon (1) Corridor coaches, Airfix red and cream coaches (2), Mainline maroon Kitchen car and blue full brake, Replica maroon corridor coach in original package, F-VG, (17)
A pair of 19th century Chinese mother-of-pearl ornamental shells, late Qing dynasty, each one intricately carved and pierced with figures leaving small dwellings in verdant landscapes filled with birds and flowers c/w stained carved hardwood naturalistic display stands, 17 cm high o/aGood condition with some minor losses, heavier wear and losses to stands
A late Victorian gold and graduated oval cameo shell necklace, with twin strand fine chain links and set with twelve cameos depicting cupid at various pursuits, largest cameo 28mm by 21mm, the smallest 14mm by 11mm, 46cm, gross weight 23.6 grams.***CONDITION REPORT***One of the smaller cameos has a few minor scratches towards the edge of the shell. No visible chips or cracks to any of the shells. Overall condition is good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A William IV silver salver, John Welby, London 1831, the scalloped rim boldly chased with c-scrolls and shells, the well with foliate scroll engraving and centred by an inscription "Presented to the Revd Archd Nisbet / by a number of members and proprietors / of the Chapel of Ease, Albion Street / as a token of their attachment and esteem / for the faithful discharge of his duties / as their Pastor / Glasgow / anno domini 1831", raised on floral and scroll-cast feet. Diameter 31cm, 32 troy ounces
† A BRONZE 'IMMORTAL AND BLACK TORTOISE' WEIGHT, MING DYNASTY 明代仙人神龜銅鎮China, 16th-17th century. Cast in openwork, depicting an immortal leaning on a long-tailed Black Tortoise gazing up toward the sky, both standing on a rocky base, the immortal dressed in a robe with long sleeves, holding a scroll in his left, both heads raised and turned to their left.Provenance: Gerard Hawthorn Ltd. Oriental Art, London, 4 October 2005. A notable private collector in Kensington, London, United Kingdom, acquired from the above. A copy of the original signed invoice from Gerard Hawthorn, dated 4 October 2005, listing the present lot as a “Chinese bronze weight, Ming dynasty, 16th/17th century”, and stating a purchase price of GBP 2,500 or approx. EUR 4,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Condition: Very good condition with minor wear, traces of use and casting flaws, few tiny nicks and losses. Good natural patina overall.Weight: 266.9 g Dimensions: Length 15.1 cmThe tortoise is one of the 'Four Fabulous Animals' - the most prominent beasts of China. These animals govern the four points of the compass, with the Black Tortoise being the ruler of the north, symbolizing endurance, strength, and longevity. The tortoise is sometimes depicted with supernatural features such as dragon ears, flaming tentacles at its shoulders and hips, and a long hairy tail representing seaweed and the growth of plant parasites found on older tortoise shells that flow behind the tortoise as it swims. In Daoist art, the tortoise is an emblem of the triad of earth-humankind-heaven. Depictions of immortals with tortoises are very popular in China and go back to at least the Han dynasty.Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 7 April 2015, lot 3694Price: HKD 137,500 or approx. EUR 20,000 converted and adjusted for inflation at the time of writingDescription: A parcel-gilt bronze brushrest, Ming dynasty13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.明代仙人神龜銅鎮中國,十六至十七世紀。銅鑄一位仙人倚在烏龜上,雙雙立於岩石上,昂首仰天。仙人身著長袍,左手持捲軸。 來源:倫敦Gerard Hawthorn Ltd.東方藝術藝廊,2005年10月4日;倫敦肯辛頓知名私人收藏,購於上述藝廊。隨附藝廊原始發票複印件,日期為2005年10月4日,描述為 “Chinese bronze weight,Ming dynasty,16th/17th century”(明代,十六至十七世紀,中國銅鎮),價格為 GBP 2,500,相當於現在的EUR 4,500 。 品相:狀況極好,有輕微磨損、使用痕跡和鑄造缺陷,少量微小的劃痕和缺損。 整體良好的自然包漿。 重量:266.9 克 尺寸:長15.1 厘米 在中國,龜為“四靈”之一,是北方的統治者,象徵著耐心、力量和長壽。在道教藝術中,龜是地、人、天三位一體的象徵。 神仙與神龜在中國非常流行,至少可以追溯到漢代。 拍賣結果比較: 形制:相近 拍賣:香港蘇富比,2015年4月7日,lot 3694 價格:HKD 137,500(相當於今日EUR 20,000) 描述:明代局部鎏金銅牧牛圖筆擱
A near-pair of late 18th century silver table candlesticks, the stems of knopped and fluted form to shaped square base cast with scrolls and shells further decorated with a lion head crest, having detachable sconces, marks worn but possibly Robert Jones I, London c.1780s, h.20cm, gross weight 36.5oz Both stand well.With modest age/handling wear.Some marks worn, others clear.Two small holes under knop to one column.The other with very small hole to base knop.Sconces are good but unmarked.
A late Victorian silver hot water jug, of half-reeded bellied form with hinged cover, wooden handle and stepped foot, the gadrooned top further cast with shells and scrolls, the marks worn but probably William Gibson, London 1891, further stamped 593 to underside, h.14,5cm (excluding handle), 15oz
A Roman bronze oil lamp Circa 1st-2nd Century A.D.The base of the nozzle flanked by a pair of scallop shells, the ring handle surmounted by openwork decoration of a satyr mask surmounted by a scrolling palmette, 17.5cm longFootnotes:Provenance:Anonymous sale; Sotheby's, New York, 13 June 2002, lot 126.With Jean-David Cahn AG, Basel. David Rowse Collection, London, acquired from the above on the 16 June 2005.For further information on this lot please visit Bonhams.com
A porcelain covered centre piece, the pierced cover decorated in burgundy and gilt, the body with reserve panel to the front painted with sea shells to a burgundy ground with gilding, raised on three mythical sea creatures, to a triform base, with puce crown, crossed swords and D mark to base, height 9.5ins
A 19th Century Chamberlain Worcester rectangular dish decorated with a hand painted cartouche panel of a Georgian country house and gardens within a peach frame with gilt seaweed, titled Hollymount to the reverse, the border edge with encrusted shells and seaweed, painted mark, 17cm x 12.5cm, S/D.
A 19th Century Flight Barr and Barr Royal Porcelain Works, Worcester pedestal vase and cover, the vase decorated with two panels of hand painted sea shells against a pink and gilt pattern ground with ram's head handles, the slightly domed cover with a sphinx finial and pierced decoration, painted London House, N1 Coventry Street mark, height 16cm, S/D.
A 19th Century Chamberlain Worcester inkwell, the domed bowl decorated with hand painted shells raised by three mermaid creatures, the shape base and bowl inner in peach with a gilt seaweed pattern, painted Manufacturers to their Royal Highnesses the Prince of Wales and Duke of Cumberland mark, height 11cm.
A 19th Century Flight Barr and Barr Royal Porcelain Works Worcester twin handled vase decorated with hand painted shells against a milk white ground with gilt seaweed, the handles formed as entwined branches terminating in leaves, painted London House 1 Coventry Street mark, height 17cm, S/D.
A 19th Century Flight Barr and Barr teapot of silver form, bat printed with cartouche panels of classical figures against a gilt bubble ground, length 24cm, together with a matching sugar basin, a 19th Century Flight Barr and Barr teapot with bat decorated shells and gilt sprigs, length 25cm, a 19th Century sauce dish on stand decorated with a burnt orange rim and a gilt fruit border, length 18cm, and a 19th Century Chamberlain Worcester cream jug decorated with a view of Force Bridge Northumberland with a gilt seaweed ground, painted mark, length 13.5cm, all A/F. (5)
A Sèvres pink lustre double shell-shaped salt, circa 1814-24The shells decorated in pink lustre on the outside and edged with gilding, a gilt palmette thumbpiece between them, on a gilt rectangular base, 13.5cm long, interlaced LL monogram enclosing a fleur-de-lys/Sevres stencilled in blue, incised Al(?) and 18 - 12For further information on this lot please visit Bonhams.com
A Sèvres white double shell-shaped salt, dated 1837The rims heightened in gilding, a gilt palmette thumbpiece between the two shells, on a rectangular base, 13.6cm long, crowned LP monogram with SEVRES and 1837 in a circle stencilled in grey, gilt W, incised H and 21 - 8 (restored chips to one shell)For further information on this lot please visit Bonhams.com
A Meissen basket centrepiece from the Podewils service, circa 1741-42Modelled by J.J. Kaendler, with two putti clad in puce andtruquoise drapery supporting a pierced oval basket painted on each side with the arms of Podewils and with moulded and gilt shells around the gilt-edged rim, the inside with scattered indianische Blumen, the rockwork shaft applied with leaves and flowers and painted in shades of brown and green around the base, 32.3cm high, crossed swords mark in blue, gilt mark P., impressed 44 (basket cleanly restuck to shaft)Footnotes:Provenance:Ole Olsen Collection, Copenhagen (by 1927)Literature:H. Schmitz, Generaldirektør Ole Olsens Kunstsamlinger II (1927), p. 38, no. 1563, pl. LV;T. Iwe, Das churcöllnische Speiseservice für Kurfürst Clemens August von Köln, in Keramos 195 (2007), p. 12, ill. 5Heinrich von Podewils (1695-1760) entered Prussian service in 1720 and, together with his two brothers, was raised to the rank of Graf (Count) in 1741. He was Prussian envoy in Copenhagen and Stockholm in 1728-29, and subsequently was Prussian negotiator following the Silesian wars, signing the peace treaties of Breslau (1742) and Dresden (1745). It was probably in connection with the First Silesian War that Podewils was sent by the newly-crowned King of Prussia, Frederick the Great, on a mission to Dresden, where he arrived on 15 November 1741. Podewils himself recorded in a memoir, 'as of the end of 1741, I was posted by His Royal Majesty to the court of Dresden where, after having successfully accomplished my commission, the King in Poland most graciously made me a gift of a portrait of himself, lavishly set with diamonds, and a costly porcelain table service' (quoted in Samuel Wittwer, Liasons Fragiles: Exchanges of Gifts between Saxony and Prussia in the Early Eighteenth Century. In Cassidy-Geiger (ed.) 2007, p. 101)).The shapes for the service had been developed around the same time for the Elector Clemens August of Cologne (Hoffmeister 1999, II, no. 361), and a handful of slightly later examples with simple flower painting have also survived. Dr. Wittwer speculates (op. cit., p. 102) that the Podewils service decoration of indianische Blumen may originally have been intended for the Elector, who preferred more European flowers. The design may then have been adapted for Podewils, perhaps because the service was urgently required. Additions to the service appear to have been ordered at Meissen, and at the Berlin manufactory after Podewils' death. In a letter to Karl-Wilhelm Finck von Finckenstein, Frederick the Great wrote of Podewils after his death: 'I regret very much poor Podewils. He was a man of honour and a good citizen. The loss of such a worthy and faithful servant will always remain a sorrowful memory' (quoted in Hoffmeister 1999, II, p. 608). One hundred and sixty-three pieces from this service (including some Berlin replacements) including the present lot were in the collection of Ole Olsen, which was sold in Copenhagen between 1943 and 1953.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A rare Meissen cloche (Wärmeglocke) from the 'Brühlsche Allerlei' service, circa 1745Modelled by J.F. Eberlein, of high domed from with a wavy gilt-edged rim moulded with scrollwork-edged panels of basketwork and trellis with shells and flower sprigs embellished in polychrome enamels, below a large painted pomegranate, flower spray and scattered flowers, surmounted by a rose finial, 31.5cm across; 16cm high, crossed swords mark in underglaze-blue to inside (restuck, traces of discoloured old overpainting)Footnotes:Provenance:From the service commissioned by Heinrich Graf von Brühl in 1742 and listed at his death in 1763 in his Dresden palace in the Augustusstrasse;Catalina von Pannwitz Collection, 'De Hartekamp', Heemstede, The NetherlandsThe 'Brühlsche Allerlei' service was one of the most magnificent table services made at the Meissen manufactory and is comparable in scale and ambition to the better-known Swan Service. The service has been thoroughly discussed by Johanna Lessmann, Das 'Brühlsche Allerlei' Ein Service für Heinrich Graf von Brühl, in U. Pietsch (ed.), Schwwanenservice (2000), pp. 106-123. The service originally comprised over 2000 pieces, including dinner, dessert and coffee services, and at Brühl's death in 1763, still included 145 soup plates and 269 dinner plates. Most of the modelling work on the service appears to have been done by J.F. Eberlein and J.G. Ehder, whose work records include numerous references to the service.The service included cloches (Wärmeglocken) in five different sizes, modelled mostly by Eberlein in 1745, each surmounted by a different vegetable, fruit or flower finial (the present lot is most likely the second size; see Lessmann, p. 111 and cat. no. 146). Another, of the third size, is in the Museum für Kunsthandwerk, Frankfurt (U. Pietsch, Schwanenservice (2000), cat. no 146). A third, slighly larger than the present lot, is illustrated by C. Bodinek, Raffinesse im Akkord, II (2018), ill. 445a.For further information on this lot please visit Bonhams.com
A PAIR OF 50 BORE ENGLISH SILVER-MOUNTED FLINTLOCK POCKET PISTOLS SIGNED PERRY, LONDON, PRIVATE PROOF MARKS, BIRMINGHAM SILVER MARKS FOR 1781, with turn-off cannon barrels, rounded breeches, box-lock actions chiselled with trophies-of-arms carrying ovals signed on the left and inscribed ~London~ on the right, chiselled tangs decorated with flowers, walnut butts finely inlaid with silver wire tendrils, pellets and flowerheads (small losses, some lifting), fitted with grotesque mask butt-caps decorated with rococo shells, and sliding iron trigger-guards chiselled with flowers en suite with the tangs, 6.2 cm barrels (2)¦¦Provenance¦The Morton and Angela Stern Collection, sold in this room, 25th June 2014, lot 394. ¦¦
A Bushoong Pwoom Itok Wood Mask, Kuba, with projecting forehead, conical eyes, large triangular nose and small boat shape mouth, decorated with bands of red pigment; a Bamana Chi Wara Antelope Headdress, Mali, carved from wood with a pair of wrythen twisted horns, on a crimson cloth covered pill box hat trimmed with cowrie shells, 67cm (2)
A Songye Small Power Figure (Nkisi), DRC, of carved wood, set into half a calabash with thorny twigs, shells, nuts and seeds, with basket weave and twisted cloth borders, 31cm diameter; a Baule "Mouse Oracle", Ivory Coast, carved from a small hollowed out tree trunk, the exterior carved with the masks of a horse, an antelope and a fish, the interior with two compartments, the base set with a pierced metal panel, the lift-off lid with stylised antelope carved handle, 47cm; a Cham-Mwana Terracotta Divination Vessel, Nigeria, modelled as a stylised figure with flask body, 29cm (3)
An Indian Copy of a Percussion Service Pistol, with 24.5cm steel barrel, the lock plate stamped with a crown, the walnut stock with brass furniture, steel lanyard ring and ramrod, 40cm; a Similar Percussion Pistol, the 20cm steel barrel stamped 978453213674, the walnut stock with brass furniture, 37cm; a Quantity of Air Rifle Pellets, empty Remington .22 Long Rifle shells etc. and a hard plastic pistol case

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