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Seashells: A Collection of Various World Sea Shells and Coral, to include Scorpion spider, Candy snail, Fig shells, Salisbury spindle, Auger turitella, Sundial, Millipede spider conch, Strawberry turbo, Japanese landsnail, Spotted tonna, Donkey's ear abalone, Babylonia spirata, all contained within a three-drawer plywood collectors chest, 46cm by 28cm by 16cm, together with three coral specimens (qty)
Taxidermy: A Pair of Cased Smew (Mergus albellus) circa 1886, By C. Helstrip, York, male and female full mounts, the female stood upon a large faux rock in stooped position with beak open, the male stood atop a faux seaweed surrounded faux rock with head turning to the right, both amongst a seashore setting with grit seaweed and shells to the base, set against a watercolour painted back board, enclosed within a period single-glass ebonised display case with gilded moulding, 65.5cm by 23cm by 46.5cm , taxidermists full trade label to verso
Taxidermy: Great Northern Diver (Gavia immer) circa 1950, female full mount in recumbent position looking straight ahead, against a pink painted interior, enclosed within a single-glass ebonised display case, 63cm by 21.5cm by 36cm, Black Headed Gull (Larus ribidundus) By Joseph Ripley, Frasergate, York, full mount in winter plumage stood upon faux rock groundwork amongst tall grasses and fauna, against a painted blue interior, enclosed within a single-glass ebonised display case, 36.5cm by 16cm by 42cm, Northern Gannet Morus bassanus) and Red-Legged Kittiwake (Rissa brevirostris) juvenile full mount stood upon a faux rock ledge turning to the right, the Gannet stood below on faux grit covered rock work amongst a seashore themed setting with seaweed and shells, against a plain interior, enclosed within a single-glass scumbled pine display case, 74cm by 21cm by 61cm (3)
Taxidermy: Juvenile Gannet (Morus bassanus) circa 1900, by H Burton 120 Wardour St London, full mount bird stood upon seaweed covered large faux rocks with head raised amongst a seashore themed setting of pebbles and sea shells, set against a watercolour painted back board with taxidermists label to lower right corner, enclosed within a period three-glass ebonised display case, 69cm by 27.5cm by 73.5cm
Fossil/Mineral: A Collection of Various Minerals Seashells and Fossils, a varied collection of tropical sea shells minerals and fossils to include cowrie, kings crown, clam, scallop, cone, conch, cockle etc. Fossils to include ammonite, clam shells, petrified wood and a Megladon tooth, fossilised tooth (qty)
Taxidermy: A Cased Gannet (Morus), circa 1870, in the manner of Henry Shaw, juvenile full mount stood upon a painted faux rock with sea shells and seaweed to the base, set against a painted blue interior, enclosed within a single-glass ebonised display case with gilded moulding 73.5cm by 29.5cm by 68cm
Fossils: Two cased displays of various fossils and shells entitled Animals without backbones to include- Brittle Star, Sea Urchin, Prawn, Insect ''Arglon'', Trilobite, Gastropod, Belemite etc, all enclosed within two five-panel perspex table display cases with green painted wooded bases, 42cm by 39cm 16cm including base, together with a Tarantula Spider full specimen stood upon large green leaves, enclosed within a five-panel perspex table display case with green painted wooded base, 25cm by 25cm by 14cm (3)
Taxidermy: Giant Clam (Tridacna gigas), circa 1920, two separate half shells, 56cm width by 35cm depth, and 58cm width by 36cm depth (not from a single animal) (2) Appendix II Annex B The Giant Clam is the largest living bivalve mollusc. They inhabit the shallow coral reefs of the South Pacific and Indian oceans and measure as much as 1.2m across, and have an average lifespan of 100 years or more.
A pair of WWI engraved trench art shells, one dated 1917 and the other 1918, together with three later example, two having Royal Army Ordnance Corps badges, together with a grenade and a cloth badge (7)This is something we could possibly post for you. Only mainland UK approx £20-£25, postage costs will be worked out after the sale
A PAIR OF SHEFFIELD PLATE BUTTER SHELLS, C1825 on three ball feet, 16cm l and six other articles of Sheffield Plate comprising a wirework cake basket, pair of spiral stem sugar bows, mug, oval tea canister and cover, salt cellar and inkstand with blue glass bottles (8) ++The inkstand adapted from a snuffer's tray. The mug worn and slightly dented the other items in good condition
A small collection of snuff and medicine containers Kenya including four Turkana gourds, decorated animals, figures and symbols, three with stoppers, the highest 9cm, six Masaai double ended, bone, horn and hide, three further gourds, three further horn and a wood container with inlaid metal pins, and two Masaai neck charms, cloth and beads, one with cowrie shells. (19) Provenance Sherri Hunt Collection. Sherri Hunt was the owner of Studio Arts 68, Nairobi.
A collection of shells, to include; oyster shells; coral ; and others or various shapes and sizes; together with a Crown Devon lustre jug, galleon decoration No. 3257; a Crown Devon wall pocket No. A1584/7; Mason's ironstone 'Mandalay' pattern square dish; a Mason's ironstone circular bowl; a Devonmoor Toby Jug; a W.H. glass model of jug in Kendall museum dated 1602; and other items.
AN EARLY 19TH CENTURY YELLOW TOPAZ AND TURQUOISE NECKLACE, CIRCA 1825Composed of graduating cushion-shaped foiled yellow topaz links, each within a frame of gold cannetille, interspersed with floral motifs and highlighted with round-shaped cabochon turquoises, gemstones in closed-back settings, mounted in gold, length 38cmNapoleonic classicism came to an end in 1820, bringing forth immense changes in style of both fashion and jewellery. A more natural style and silhouette came into vogue that year with the lowering of the waistline. Motifs of leaves and flowers which had been stylised in the Napoleonic era flourished and became more organic and representational. After a decade of European war, precious metals and stone were scarce and highly expensive. This period saw the rise in economical jewellery, employing less expensive gemstones and delicate, often elaborate, cannetille work to give an expensive and luxurious effect. The gemstones, originating mainly from Brazil of amethyst, topaz, aquamarine and chrysoberyl were mounted in clusters and closed foil settings to compliment and match in colour. The ornate gold work, formed of wire, granulation, tendrils and scrolls was complemented with small leaves and shells in different coloured gold.
Dinky 615 U.S Jeep with 105mm Howitzer, U.S markings, driver, aerial, military green with plastic hubs and shells, mint condition, on inner pictorial stand with packing piece in yellow and white picture box, excellent to good condition, together with a 602 Armoured Command car, excellent condition, in pictorial box, excellent condition, (2 items).
Fascinating Collection of Letters from the Trenches and interesting replies from a "Friend" Some 38 letters mainly from Pte Roger Cook A Coy 5th Battalion (Western Cavalry from British Columbia) 1st Canadian Division. Well written letters to Ada, Roger's friend back in the UK. They start in 1914, though his embarkation to France is in July 1915. His letters describe the lack of sleep and lots of firing from the Germans. The continual wet weather and the mud are a constant "so much damn mud" He talks about death which doesn't seem much of a shock as men die everyday. He talks of narrow escapes with big shells bursting and bullets flying around we "Must be awfully Jolly". Rumours abound with the expectation that the war will be over by Spring 1916. He gets a well earned rest and with no excitement he volunteers for Trench mortars. As 1916 dawns he reports on daily straffing from Fritz, but shells are going over. He gets leave and spends a week in the UK, some with his friend Ada. Back to the trenches and this time snow. He reports on the guns roaring continuously "like a long string of thunder!" He mentions that he cannot send her flowers as the only ones are on soldiers graves. During early July 16 he suffers under drum fire, though he manages to pick and presumably send her a rose which was picked at a Farmstead behind the lines. He sends photos home because going into a charge he is not sure he would get out of it. He proposes marriage to Ada and wants her to come back to Canada after the war. Sadly he completely misjudges her sentiments and she politely turns down his offer-she is young and clearly marriage and leaving England are not what she wants. A few more letters are exchanged and then the correspondence ends. Some 38 letters in all, many with envelopes and censor signatures etc. contained in a perspex file with the key contents of each letter highlighted very usefully on a separate sheet. Interesting collection providing an insight into the trench experience and the suffering of the troops from all corners of the British Empire, sadly emphasising the difficulties of conducting a relationship from the battle zone with very few leaves in England.
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24987 item(s)/page