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A stump work needlepoint panel, decorated with shells and flowers, unframed, 62cm x 73cm, a 19th century panel of a cherub on a dark pink ground, 46cm x 68cm and a collection of five needlepoint place mats (7)Condition report: Both panels are unframed, the stumpwork panel with small gaps opening at the point of the shells. One placemat has a thread bare patch
Rivarossi trans Europ Express carriage, a two passenger car unit and an Easy build 4MMkit with 2 body shells etc in original box (not guaranteed complete)PROVENANCE: From a deceased estate. This collection was put together by a gentleman who worked on the railways for many years and carried on his passion for trains at home with this collection, purchased over a number of years
A belemnite fossil, of irregular shape, approximately 83cm x 45cm/Note: Orthocerus lived more than 300 million years ago and their remains are found in fossil beds. The animals developed into our modern day squid, leaving behind their fossilised shells in the black marble that they lived in.
A Victorian set of silver and shibayama dessert and fish servicesElkington & Co Ltd, Birmingham 1899Comprising nine pairs of dessert knives and forks, nine pairs of fish knives and forks, the blades and tines engraved with birds, butterflies among flowering branches and fish among plant life, all with aesthetic geometric panels, the ivory handles with carved and inset applied fish, insects, shells, sprays of flowers and fruits, in mother of pearl / hardstone, together with two fruit spoons, Birmingham 1906, with gilt bowls. (38)This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A pair of Louis Philippe giltwood salon chaisesin the Regence styleEach with frames carved with scallops and stylised shells, acanthus, volute scrolls and rosettes, on slender cabriole legs terminating in leaf wrapped scroll feet, re-gilt, 48cm wide. (2)This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French carved white marble 'Pompadour' chimneypiecein the Louis XV stylethe serpentine moulded shelf above an elaborate shaped frieze centred by a formalised scallop shell and flanked by scrolling acanthus panels, the angled scrolling jambs carved with formalised shells and acanthus leaves, raised on bock feet, with later inset concave shaped copper plates, overall dimensions approximately, 121cm high x 160cm wide, the inner aperture, 103cm wideFootnotes:Sold together with a later smaller shelf, apparently ordered by the vendor when the chimneypiece was situated in a smaller room.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Ludwig Deutsch (Austrian, 1855-1935)The Performance signed, inscribed and dated 'L. Deutsch/PARIS 1885' (upper right)oil on panel 40.6 x 30.5cm (16 x 12in).Footnotes:ProvenanceArthur Tooth & Sons, Paris.M. Newman Ltd., London.Private collection, UK (acquired from the above 6 April 1970).Thence by descent.In the present lot Deutsch illustrates an African dancer, caught mid-step during his energetic routine. Deutsch's reliance on photography to achieve such hyper-realistic effects – he is known to have frequented the well-known studio of G. Lékégian in Cairo – is here evident, as is his extraordinary skill as an ethnographer. The cowry shells adorning the waist of the dancer would, as Deutsch knew from personal experience and his virtual library of literary references, have held special meaning in Egyptian culture, as a protective against the evil eye, and the distinctive hairstyle of the man would have immediately identified him as of Nubian origin. In addition to the Description de l'Egypte (1809-29) still widely available in Paris at this time, Deutsch also drew regularly from illustrated newspapers, Edward William Lane's iconic An Account of the Manners and Customs of the Modern Egyptians (London, 1836), Owen Jones's The Grammar of Ornament (London, 1856), and Georg Ebers' Egypt: Descriptive, Historical, and Picturesque, published in German in 1878 and illustrated by Deutsch's compatriot and acquaintance Leopold Carl Müller. The musician by the dancer's side is equally remarkable. The elaborate instrument he strums is an archaic Arabic simsimiyah or kisser, bedecked with ostrich feathers, amulets, and beads, and still used in Egypt today. Deutsch's appreciation of local music is made clear through several other pictures in his oeuvre, and may have been inspired by the revival of interest in Europe in historical music and, at the same time, in 17th and 18th century Dutch genre painting. So too, Deutsch may have been capitalising on an established and popular theme among Orientalist painters, who often portrayed male and (more commonly) female performers in the midst of their mesmerising routines.We are grateful to Emily M. Weeks, Ph.D for compiling this catalogue entry.The work will be included in a critical catalogue of the Orientalist work of Ludwig Deutsch currently in preparation by Emily M. Weeks, Ph.D.For further information on this lot please visit Bonhams.com
Binding.- Medicine.- Methodus curandorum omnium morborum corporis humani. De dignoscendis morbis. De febribus. De morbo Italico. De internis et externis. De pharmacopolarum officina. De fucis, woodcut head-pieces and decorative initials, lacking title and following f., worm trace to upper corners towards end, affecting some page numbers, some staining and spotting, lightly browned throughout, attractive contemporary panelled calf, central panels with gilt head of a warrior, clam shells and foliage corner-pieces, all within wide blind-stamped border with a repeat of the warrior's head and various floral and foliage tools, spine in four compartments, each with central gilt clam shell, head of spine and corners worn, some chips, rubbed, 8vo (binding 180 x 126mm.), [Lyon], [Guillaume Rouillé], 1586. sold as a binding and not subject to return.
A Georgian silver three piece tea set, the tea pot with serpent finial, bands of gadrooned decoration and embossed shells to the corners, London 1814, weight 40ozCondition Report: Teapot - ivory insulators which are cracked, dents and repairs to the end of the spout, a large dent to the lower body.Milk jug and sugar bowl both have minor dents to the lower body. All hallmarks match
Inert 3x Pom-Pom Shells and 2x Projectiles, one pom-pom shell with trench art engraving to the case, complete with the head and fuse, the other two are complete with heads, one minus fuse tip. Accompanied by a British 3pdr projectile head and 2pdr HE projectile head. (5 items) This lot is a inert lot and is legal and safe to own in the UK. We are not able to offer post and packing on this lot. Please note only available to clients bidding from the UK who can arrange collection.
AN EDWARD VII SILVER SAUCE BOAT, THE RIM APPLIED WITH SCALLOP SHELLS AND SCROLLING FOLIAGE, LEAF CAPPED FLYING SCROLL HANDLE, ON HOOF FEET, 20CM L, BY J. DIXON & SONS LTD., SHEFFIELD 1908, 11OZS 8DWTSCondition report Very minor tarnishing underneath the rim, otherwise good, clean, solid condition
A GEORGE II MAHOGANY SUPPER TABLE IN THE MANNER OF FREDERICK HINTZ, C.1740 the dished ten-lobed fixed top inlaid with mother of pearl shells and brass flowers and stringing, with a cinquefoil reserve on a probably associated spiral fluted stem and a tripod base 56.5cm high, 55cm wide Catalogue Note Frederick Hintz was born in East Germany in 1711 but by 1737 he was recorded as living in London. Along with the cabinet maker John Channon, Hintz was part of a small community of émigré artisans resident in London. A number of similar tables were exhibited at the Victoria & Albert Museum in 1993 in the exhibition 'John Channon and brass inlaid furniture 1730-1760'.
AN EARLY GEORGE IV LEMON STRAINER with a gadrooned circular bowl and twin openwork handles, decorated with foliage gadrooning and shells, the bowl with a geometric pattern of drilled holes, engraved on one side with a crest and motto "NE Oublieze", by John Reilly, London 1821; 9.5" (24 cms) long; 7.1 oz
A GEORGE IV SILVERGILT WINE LABEL of rounded oblong form with a border of gadrooning and shells, by Charles Rawlings, London 1827 and a George III canted rectangular wine label with a reeded border incised "CAPE", maker's mark only "IR", possibly provincial, c.1810; the latter 1.55" (4 cms) long; 0.7 oz (2)
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24981 item(s)/page