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A George II silver basket by Edward Aldridge, the pierced, oval basket with engraved armorial at the centre, the cast, swing handle with chased shells and female caryatid brackets, the cast, chased rim with female masks and rococo 'c' scrolls, the whole on four, cast and chased, rococo legs, London 1745, 48oz, length 36.5cm. Condition Report: Dented and repaired in several places around the inside of the basket. Hallmarks slightly worn. Dents on the exterior as well. Feet have been resoldered. Dents to the centre of the handle. Piece of the foot slightly bent. Scratching to the centre. Wobbly on its feet.
British Empire Medal, to 771102 CORPORAL ERNEST MARMADUKE BOWES, RAFVR, awarded 1943 for his outstanding gallantry on two occasions dealing with burning Typhoons at his RAF base, extremely fine, RARE LONDON GAZETTE 14/03/1944: On two occasions this airman, while in charge of the crash tender, showed outstanding gallantry in his attempts to save the lives of pilots by quelling the flames of burning aircraft. The first incident occurred in August 1943, when two Typhoon aircraft had collided in the air bursting into flames on impact with the ground. The second took place in November 1943, when an aircraft landed from an operational sortie with a bomb which had failed to release; the bomb fell off during the landing run, exploded, and set the aircraft alight. In the face of great danger from exploding cannon shells and petrol tanks Corporal Bower, on both occasions, showed fine courage and devotion to duty by approach-ing, without hesitation, very close to the burning aircraft to enable his extinguisher to reach the flames. His excellent example encouraged the other airmen engaged in the fire fighting and enabled the flames to be subdued in a very short time.
A matched set of four George II/III provincial silver salts, hallmarks unclear, one by John Mitchison, Newcastle, modelled as shells supported on three hoof feet, engraved with initial `B`, 11cm long, 5.5cm high, 13oz One bearing the mark for John Mitchison. One has repaired foot, another a split - please enquire for full condition report. Provenance: private collector.
Charles and Ray Eames shell chairs, four, by Herman Miller, off-white shells with the original purple wool upholstery, four-point aluminum bases, all feet intact, seats swivel, signed, 26"w x 24"d x 32"h, stains and wear, good condition Light to moderate surface scratches, scuffs and abrasions. All feet intact. Sturdy and structurally sound. Stains and general soiling to the fabric. The fabric needs cleaning. There is a 3" tear along the seat on one seat.
Charles and Ray Eames shells, group of nine, by Herman Miller, fiberglass, 4 yellow, 3 parchment, 1 brown and 1 gray-green, no bases, good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
A miniature gold vinaigrette circa 1830, the unmarked body held in a circle of deeply cast and chased flowers and shells, the lid and base with concentric bands of engine turned decoration and the grill pierced with tulip and rose design, 1.75cm. diameter, weight 4.8g., tested higher than 9ct.
A FINE GARNITURE OF BOHEMIAN FLINTLOCK FIREARMS, COMPRISING A PAIR OF 18 BORE SPORTING GUNS, A PAIR OF .600 CALIBRE RIFLED SPORTING CARBINES AND A PAIR OF 22 BORE PISTOLS BY LEOPOLD BECHER, CIRCA 1740 the guns with blued barrels in the Spanish taste, fitted with silver `spider` fore-sights chiselled with a band of foliage ahead of gilt scrolls at the medians and further scrolls, pellets and foliage over the breeches, the latter incorporating the barrelsmith`s marks (Neue Støckel 5758), a decorative gilt-lined spur mark and a further mark, in a gilt recess the inscription `Gewundene`, engraved tangs numbered `1` and `2`, rounded locks finely chiselled against a punched ground with a cavalryman on the tails, an elaborate trophy involving a warrior beneath the pans and signed behind the steel springs, fitted with chiselled cocks, pans with water drains, and steels decorated en suite (one top-jaw and screw missing), figured walnut half-stock impressed `45` and `46`, carved en rocaille with scrolls on shells about the rear ramrod-pipes and ahead of the trigger-guards (one small chip), raised mouldings and further rococo designs about the tangs (chipped), the butts with designs of shells, scrolls and foliage on each side and raised cheek-pieces on the left (small cracks and repairs), finely cast and chased gilt-bronze mounts comprising side-plates decorated with a cavalry scene against a punched ground, trigger-guards decorated with a hunter and a falconer respectively, butt-plates decorated with mounted figures within a rococo framework beneath a grotesque and foliage, vacant escutcheons involving further figures on horseback, fore-end caps en suite, three gilt ramrod-pipes, steel sling swivels, and each with its brass-tipped wooden ramrod; the carbines with blued octagonal swamped sighted barrels rifled with seven grooves, signed and decorated en suite with the guns, the breeches stamped with the gold-lined barrelsmiths mark of Hans Johan Stifter (Neue Støckel 1042), finely chiselled locks and mounts en suite with the guns, double set triggers, full stocks impressed `43` and `44`, carved with rococo shell and scroll designs, the butts with carved cheek-pieces on the left and patchboxes with sliding covers entirely covered in chiselled gilt bronze on the right, the latter decorated with a boar set upon by hounds in an architectural landscape, and wooden ramrods, one with its brass tip (the other missing); the pistols with blued barrels in the Spanish taste, decorated and stamped en suite with the guns, the tangs, locks (one top-jaw, screw and both steels missing, one cock cracked) and mounts all decorated en suite with the carbines and the guns, figured walnut full stocks impressed `97` and `98` (one wormed), and brass-tipped wooden ramrods; and the entire garniture retaining much original blued and gilt finish throughout 94 cm; 37 in gun barrels 68.5 cm; 27 in carbine barrels 27.2 cm; 10 ¾ in pistol barrels (6) Leopold Becher is recorded circa 1725-50 and as Hofbüchsenmacher to Prince and General Johann Georg Christian Lobkowitz in Raudnitz circa 1726-7, another garniture by him still remains in the family gunroom. Becher is considered the most distinguished Carlsbad maker, his work being represented by a number of pieces in the former Imperial Gewehrkammer, Vienna, and the Danish Royal collection, Copenhagen. See J. F. Hayward 1963, pp. 128-130 and J. J. Batty 2011, p. 115-118.
Paul FOLLOT (1879-1933) Suite de deux grandes bergères, à structure corbeille en bois stuqué et doré sur assiette rouge, piétement fuselé octogonal animé à la partie supérieure de motifs de passementerie, ceinture ondée sculptée d`un bouquet fleuri, chutes d`accotoirs ovoïdes cannelées à la partie supérieure et sculptées d`écailles à la partie inférieure, le dossier et les accotoirs forment un grand motif cannelé formant lyre se terminant en enroulement en chutes d`accotoirs, pourtour du dossier en arc-de-cercle sculpté de motifs fleuris, assise et dossier recouverts d`une soierie à motifs de lambrequins et coquilles gris, blanc et noir, bordés d`une large passementerie grise et blanche. A pair of large gilt wood bergeres, re-upholstered with a silk fabric decorated with lambrequins and shells. Haut. 104 cm - Larg. 76 cm - Prof. 81 cm / Height. 40 7⁄8 in. - Length. 20. 7⁄8 in. - Depth. 31 7⁄8 in. Bibliographie : Pierre Kjellberg, "Le mobilier du XXe siècle", Les éditions de l`amateur, Paris, 2000, modèle à rapprocher de celui reproduit p. 226.
VICTORIAN LUSTRE GLAZED BULLET SHAPED POTTERY TEA POT, with underglazed burr wood effect decoration and two reserves with verses for the Merits of drinking tea, FOUR VARIOUS VICTORIAN POTTERY MILK JUGS, two with copper lustre embellishment and ANOTHER OVAL BOAT SHAPE, painted with scallop shells and seaweed (6)
A LATE VICTORIAN CENTREPIECE BOWL, of fluted oval form with crimped border, twin zoomorphic scroll handles, on conforming hippocamp supports and domed oval base, moulded with sea shells and waves, stamped BBS (possibly for Barker Bros) and numbered 9045 to the underside, 24cm high x 37.5cm wide
A GEORGE II WAITER AND A GEORGE III WAITER with moulded border, the second with shells at intervals, on three feet, 16cm diam, both London, by George Hindmarsh, 1733 with scratch weight 7=6, and apparently no maker`s mark, 1764, 12ozs 10dwts ++Both with light wear consist with the age, the earlier waiter engraved on the underside, probably in the late 18th c with a monogram. The second waiter with evidence of erasure from the field and somewhat whippy
Print of “Un Zeppelin sur Paris (Nuit du 20 au 21 Mars, 1915)”. A mounted, framed and glazed print (58cm x 43cm) of a Zeppelin over Paris on the night of 20/21 March 1915. The original was painted by Sandy Hook (Georges Taboureau). The picture is in shades of blue, and depicts a Zeppelin caught in the searchlights over Paris, surrounded by bursting anti-aircraft shells. Below the picture is the title, at bottom right is the text “Sandy Hook pinait(?)” and bottom left is the text “Copyright by Librairie de l’estampe, Paris” together with embossed letters “L——E”. GC
A French Naval officer’s sword, c 1870, slightly curved, fullered blade 27½”, with narrow back fuller, marked Coulaux & Cie Klingenthal on backstrap, traces of gilt to elaborate brass hilt, the guard with pierced panel of fouled anchor and vines on the outer edge leading into knucklebow, slightly forward sloping cap pommel,and backstrap of stylised shells in panel, fine wirebound composition grip, in its panelled black leather scabbard, brass chape, middle band and locket, 2 rings, the locket with applied fouled anchor on both sides. GC (blade replated) Plate 10
John Landseer A.R.A. (British, 1769-1852) Interior of Les Dehus Dolmen, Guernsey watercolour sketch, heightened with white, signed and inscribed, unframed 11½ x 8½in (29 x 21½cm). * John Landseer was the father of Sir Edward Landseer R.A. John was engraver to King George III and a Fellow of the Society of Antiquities. Les Dehus passage grave lies on the west side of Rue de Dehus in the parish of Vale, Guernsey, an area rich with archaeological history. Les Dehus was described as a `Druids Temple` by John Gosselin of Guernsey in 1813. The site was extensively excavated by the Lucas family of Guernsey between 1837 & 1847. John Landseer was presumably invited over to Guernsey to record stages of the excavation by Frederick Corbin Lukis, and a series of engravings depicting the Dolmen were published in `Prehistory of Northern Europe`. During the excavation deposits of shells, human bones, pottery and jars were discovered.
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24987 item(s)/page