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A GEORGE III SILVER LOBED OBLONG TEAPOT WITH GADROONED RIM WITH SHELLS AT THE ANGLES, THE DOMED LID WITH INTEGRAL HINGE, 15CM, LONDON 1813, 22OZS 10DWTS

Shot Gun -A large collection of used (12) bore shotgun cartridges, A long side well known names such as 'Eley and Winchester' there are many local names -' Norfolk Royals'-'Bones of Norfolk' 'Dereham Gun and Tackle'- these multi coloured shells could be made into attractive displays by the gun and country enthusiast.

Stereoscope-A stereoscope photographic card the Great War showing trench war fare, a group of seaports take cover as German shells rain down.

Stereoscope-A stereoscopic card from the Great War showing German shells bursting on British trenches.

Stereoscope-A stereoscopic card from the Great War showing British troops watching German shells bursting through a periscope.

*Anglo-Chinese School. Shells, circa 1830, six fine watercolour studies of shells, each approximately 245 x 155mm, mounted, framed and glazed (6)

THREE PIECES OF LOCKE & CO ROYAL WORCESTER, to include biscuit barrel shaped as a sack, a trumpet vase height approximately 30cm and a horsd' oeuvres dish formed as three shells (3)

FOUR BOXES OF CERAMICS AND GLASS, to include frog ornaments, shells, Royal Doulton Series Ware etc

A BOX OF SUNDRIES TO INCLUDE WOODEN TRIVET, BRASSWARE, SHELLS, ETC

2 SHELLS

GERMAN PORCELAIN CACHE POT, bucket shaped, the exterior diaper moulded and having castellated top embossed with shells and rococo scrolls, parcel gilt, the sides painted in polychrome with four pairs of birds on flowering shrubs, raised on four scroll feet, 8 1/2" high, 6 1/2" diameter, blue 'Augustus Rex' cipher on base

An Edwardian mahogany boxwood inlaid and strung pier glass, the architectural frame decorated with flowering urns and conch shells, the twin stepped pilasters enclosing a plain rectangular plate, 140 x 65cm

An almost matching oval pair of Victorian gilt Girandoles, decorated with scrolls, shells and leaves, and each with three candles sconces. (2)

An extremely fine early 19th Century carved giltwood Console or Side Table, the serpentine shaped moulded marble top, over a profusely carved and pierced apron or frieze with flowers, shells and scrolls, and with four similarly decorated legs, united by stretcher with small shelf, scroll feet, 95cms (37 1/2") high; 144cms (54 1/2") wide. (1)

A very attractive late 18th Century / early 19th Century inlaid mahogany Longcase Clock Case, in the Sheraton style, the broken pediment over an earlier square engraved brass dial with Roman numerals and signed "Tho. Parker, Dublin," above a crossbanded panel door with large inlaid oval satinwood panel and a similar box base, with inlaid shells etc., 227cms (89") high. (1)

Two similar 19th Century Sailors Valentines, each in square frames and attractively decorated with various coloured shells, one 8" square in hogarth type frame, the other approx. 9" square in gilt frame with 19th Century Cork framers label on reverse. (2)

An Attractive Silver-Framed WWI Memorial scroll awarded to Major Reginald John Lowcock D.S.O. M.C., Royal Flying Corps, late Notts & Derby Regiment, twice wounded in action and who, having been presented with the D.S.O. personally by King George V in 1917 he was later killed in a flying accident in a Bristol Fighter at home on 22 June, 1918, comprising a large, glazed silver frame, 20.5mm x 34mm, with R.A.F. emblem above, containing an original WWI memorial certificate, hallmarks probably for Charles S Green & Co., Birmingham, 1918. M.C.: London Gazette, 11.12.1916: ‘For conspicuous gallantry in action. He beat off an attack by four enemy machines and continued his ranging. Later, he flew under 1,000 feet, in a zone full of our shells, in order to silence hostile batteries.’ D.S.O. London Gazette 09.01.1918 – ‘For conspicuous gallantry and devotion to duty in carrying out artillery observation with great skill and success, in spite of very unfavourable weather and strong hostile opposition. On one occasion, although attacked by five hostile machines, he carried on with his work until his machine was riddled with bullets and he was wounded in the leg. He then succeeded in landing in safety, having destroyed one of the hostile machines. He has also done some exceptionally fine patrol work.’

A contemporary water feature with cherubs, shells and dolphins and a Tiffany style glass shade, 50cm high

Regency Mahogany Bow Fronted Hanging Corner Cabinet with Satinwood Inlay Depicting Shells and Other Motifs

Two Painted Wooden Trugs together with Five Packets of Sea Shells and Three Wooden Toadstools

Two cribbage boards and a good boxed set of dominoes together with shells, cards and card games including Jaques "The Great Galumphus" card game.

A collection of sea shells

Charles and Ray Eames for Vitra, a pair of side chairs, the red moulded plastic shells on chromed spayed legs *Please Note: VAT will be added to the hammer price of this lot

Charles and Ray Eames for Vitra, a set of six 'DSS' stacking chairs, the red moulded plastic shells on black legs *Please Note: VAT will be added to the hammer price of this lot CONDITION REPORT: Some scuffs to seats

A George III period mahogany and crossbanded two division Tea Caddy, the hinged lid decorated with an elliptical marquetry patera with a bird on a branch and opening to reveal two lidded compartments (lined), the front with two boxwood conch shells flanking a kite shaped escutcheon

Harry Bertoia for Knoll - 'Diamond' lounge chair and footstool with blackened steel shells and original upholstery, the chair 45" wide, 26" high (2)

Set of six Edwardian novelty silver menu holders in the form of open oyster shells with pearls, maker Marks & Cohen, Birmingham 1905, each 1.5" high, original case (6) (box a.f)

Pair of Victorian silver table salts, with hoof feet, beaded borders and original blue glass liners, maker Robert Harper, 2.5" diameter; together with a pair of Edwardian novelty silver salts in the form of scallop shells, maker William Henry Leather, Birmingham 1906, 2" long (4)

A continental porcelain plate 19th Century painted with shells and butterfly set against moss, central panel 14cm, framed

Tiles - a set of eight Minton Hollin's tiles, each printed with Fish & Shells; others Mr Pickwick and Mrs Bardell, etc (12)

A pair of late 19th / early 20th century mahogany Georgian design armchairs, the back splats carved and highlights in gilt with shells and scrolls, open carved arms and drop in upholstered seat, supported on shell carved cabriole legs with turned stretchers.

A large Dutch style silver plated rectangular photograph frame, of shaped edge, the copper body cast with foliate scrolls and scallop shells, with vignettes of tavern scenes, textile back and support, 46cm x 35cm

A collection of natural stones including 4 geodes, a large piece of quartz crystal, slices of crystal/agate geodes with some shells and 2 collectors books.

A mixed lot comprising a Kodak Bullseye No2 camera, a brass letter rack, a brass wire photograph frame and two others, a marquetry box containing cowrie shells, an inlaid rosewood box, a cut glass lamp base and a metal paper clip. Condition - small chip to lamp base, general wear throughout.

A quantity of metalware collectables, including; an oak and metal bound kostrel, a policeman's whistle and leather belt, various engraved sea shells, a papier mâché and inlaid blotter cover, a shagreen and ivory mounted whip, a mahogany and inlaid bridge box, a champlevé enamel posy holder and sundry. (qty)

A large quantity of sea shells, and a small pine top display case. (qty)

A pair of George III silver chambersticks by Nathaniel Smith & Co., Sheffield, 1809, with shell, leaf, gadroon and anthemion borders, handles with shell thumbpieces, detachable nozzles, shells around the campana-shaped capitals, aperture to take scissor snuffers, engraved with dragon's head erased crest, 11.2 cm. high, wt. 705 gm. CONDITION REPORT: In good condition with good marks but both almost certainly originally had a small piece at end of handles to take a conical extinguisher which have been filed off.

Victorian Wedgwood Majolica sardine dish, decorated in relief with seaweed and shells - impressed marks and registration lozenge to base, 21cm long CONDITION REPORT In good order. Some glaze rubbing on corners and two hairlines to borders. One corner of box restored

A quantity of pictures and prints including a small oil painting on board of a still life with shells, various decorative Victorian greetings cards in frames, coloured nursery print after Margaret Tarrant of rabbits amongst primroses, black and white etchings of topographical views, etc

A Tudric pewter dish,designed by Archibald Knox for Liberty, mounted with abalone shells impressed '109 Tudric',24cm diameter

Martin Stoll for Giroflex, a cantilever office chair, circa 1980, tubular chrome frames, bent ply shells, black leather seat and pads, applied label, 87cms high.

Royal Doulton stoneware vase, decorated with a rose, 24cms, a Royal Crown Derby Imari pattern miniature pail, other pottery, Amethyst crystal, shells, etc.

SUSIE COOPER PART COFFEE SET comprising coffee cans and saucers (12 pieces), a pair of Wedgewood green Basalt plates decorated with applied shells, a pair of Wedgewood Tiger Lily bowls, a boxed Spode 'The Iona' plate, a Carltonware Rouge Royale shaped bowl, seven pottery ladels, two Govancroft of Glasgow rope design jugs, and various other items

EARLY XVIII CENTURY DUTCH SCHOOL, 'Still life with shells and flowers', oil on slate, 25cm x 27cm, ebonized frame.

A 17th Century Joined Oak Coffer. The planked top with moulded edge. The triple panel front emblazoned with flowering plants and divided by moulded muntins carved with ownership initials M P beneath a frieze of scrolling foliage and scallop shells. Standing on moulded stile supports 29½ ins (75 cms) high, 48 ins (122 cms) wide, 21½ ins (55 cms) deep.

A Charming Late 17th Century Oval Oil on Copper: Half length portrait of a girl holding a garland of flowers 7½ ins x 6½ ins (19 cm x 16.5 cms), set on a fine 19th century gilt frame decorated with sprays of flowers and crested shells to the corners, 18½ ins x 17¼ ins (47 cms x 44 cms).

A 19th century brass eight day mantel clock, with Arabic chapter ring and movement stricking on a gong, the square section case elaborately cast and pierced with scrolls, shells and masks, 40cm

C19th Oil on Board Dutch Interior Scene, figures seated at a table with muscle shells scattered on the floor, monogrammed TD, approx. 20 x 17 inches

An interesting antique Mahogany tripod Occasional Table having circular tilt-top, carved with leaves, shells, swags and bows, on turned pedestal base with three carved shoulder legs, 31 1/2'' diameter x 27 3/4'' high

A vintage Banjara tribal Textile Wallhanging, decorated with Cowry shells

World War One (WWI) trench art - two German shells converted to form lidded cylindrical pots the covers with finials decorated with eagle motif, the bases marked 1915 and 1917 - (2) - Est £30 - £50

A collection of 19th Century and later English pottery blue and white wares to include a 19th Century Spode drainer decorated with the "Willow" pattern, together with two further 19th Century drainers, to include one with heart shaped pierced holes, four "Clovelly" pattern soup plates decorated with shells, three Wedgwood "Onion" pattern plates, "Willow" pattern meat plates and various other plates

A brass 'Hockley' lamp and 'Lime Light Company' miner's lamp and two brass shells

BOOK: Donovan (E). A Natural History of British Shells. 5 vols. London Rivington & Co. 1804 (1799) Half gilt tooled green leather. (5)

Taxidermy: Two green turtle (Chelonia mydas) shells, approximately 55cm (2)  

The white fiberglass La Chaise lounge chair by Vitra designed by Charles and Ray Eames in 1948 for the Museum of Modern Art's International Competition for low cost Furniture Design. The two bonded shells are held on chrome plated steel rods and on a base of crossed oak feet. Ironically La Chaise proved too expensive to make. It wasn't until 1996 that long term Eames partner Vitra International went into production. (See illustration) Condition Report: Surface scratches, repair to front. Top edge chipped and worn. Some small chips to edges. Two holes to rear edge. No bill of sale.

A cube parquetry work jewellery box, 9½"; another 19th century box inlaid with shells, 11½"

A marble statue of Venus Marina by Benjamin Edward Spence, dated 1866 the semi naked standing subject wearing a wreath of sea shells in her hair and flowing swags of satin, standing on a base carved with waves and a scallop shell 120cm (47in) Literature: A biographical dictionary of sculptors in Britain, 1660-1851 Edited Ingrid Roscoe Benjamin Edward Spence was born in Liverpool 1823 and trained at the Liverpool Academy as a stone carver. In 1844 he moved to Rome to work in Richard James Wyatt's studio where he developed a soft neo-classical style similar to that of Wyatt. He took over Wyatt's studio after his death in 1850. Most of Spence's work was sold directly from his studio although he did exhibit at the Royal Academy of Arts six times. He died young in 1866. His work forms part of the Royal Collection at Buckingham Palace. In 1993 the Musee d'Orsay, Paris purchased a piece; one of the few works of a British sculptor to find a place in the museum. The Venus Marina, also known as Amphitrite, is typical of Spence's style. The figure stands draped in flowing robes, her right arm raised with waves and shells at her feet. It is signed and dated B.E. SPENCE / FT ROMAE 1866. There are three other known versions of this sculpture. One dated 1865 was at Hereford Town Hall, another situated at Lytham St Anne's Town Hall and the third sold at Christie's 17 January 2006 Lot 253. This sculpture's provenance can be traced back to the 1950s and has been in a garden for over 60 years. It is possible that it is one of the two untraced Venus' sold at Christies' Spence Sale 4 June 1870.

A Victorian cast iron stick stand, three shells at the base of the coral cast back, a carrying handle above two oval ring stick supports separated by a triton, 80cm 931.5 in) high

AN ARTS AND CRAFTS NEWLYN COPPER TRAY, c.1900, of plain rounded oblong form, the central vacant shaped panel on a planished ground and with a repousse border of fish, shells and seaweed, stamped Newlyn, 16 1/2" x 23"