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A set of three South Staffordshire enamel candlesticks, mid-18th Century, each urn shaped sconce and baluster stem painted with polychrome flowers within puce shell and scroll borders, on a similarly decorated domed quatrefoil base, cornered with salmon and puce scallop shells above a turquoise and puce band, height approx 27cm (some repairs and replacement nozzles).
A 19TH CENTURY CARVED HARE COURSING POWDER HORN The curved horn engraved with a hare coursing scene with the Hare being pursued. On another panel entitled 'The Finish of the Course', the dog looks on, over the dead hare. The Horn has an inscription, 'Engraved with a Pen Knife by C Wood'. 16 in (40 cms) long. * Charlie Wood is one of the most celebrated Scrimshaw carvers. In 1865 he had a cabin on the S S Great Eastern, across the Atlantic, where he engraved plans and dimensions of the vessel on nautilus shells brought up in the dredge. For similar example see accompanying leaflet from July 1977 offering a horn for sale by Morris Tucket in Chudleigh Knighton, Devon'
A late Victorian figured walnut and ebonised collector's rectangular cabinet by C. Ash & Sons of London, the top opening to reveal fitted divisions and five graduated drawers under, 11.75ins x 8.25ins x 10.5ins high, containing a collection of shells and mineral specimens (ebonised stringing missing, cracked, slightly damaged and with later folding handle to lid)
A 19TH CENTURY GILT GESSO PICTURE FRAME, the shallow border pierced and moulded with scrolls, foliage and shells, sight size 38 1/2" x 27"; another similar frame; a Victorian gilt cushion moulded frame with egg and dart border, now painted grey, sight size 27 1/2" x 36" and one further 19th century gilt gesso frame (re-gilded) (4)
A George III oak and mahogany longcase clock, painted arched enamel dial inscribed Geo. Slater, Burslem, Roman numerals, moon phase dial painted with a sailing ship on a choppy sea, shells and leaves to spandrels, seconds subsidiary, twin winding holes, eight-day movement striking on a bell, the hood with swan neck pediment, turned columns, shaped rectangular trunk door flanked by turned split columns, canted base, outlined with boxwood stringing, shaped apron, bracket feet, 234cm high, c. 1820
A mahogany twin pedestal bow centre sideboard, in Chippendale Revival style, shaped back carved with S-scrolls, gadrooned borders, two drawers flanked by a pair of oval panelled doors, blind fret canted angles, cabriole legs, carved shells to knees, ball and claw feet, 184cm wide, 122cm high, c.1920
A Victorian oak mirror back sideboard, the stepped cornice above a swell frieze carved with stylised dolphins, shells and scrolling leaves above a central rectangular bevelled mirror, carved panels and bowed upstands, the canopy supported on tapered spirally fluted acanthus carved uprights, the projecting base with three drawers above an open niche flanked by heavily carved leafy doors, plinth base, bun feet, 214cm wide, 214cm high, c.1870
A good pair of Victorian E.P.N.S. comports, in the Oriental taste, gadrooned borders, each deep circular bowl resting on beaded and foliate engraved stems above three supports cast as camels draped with tasseled hangings, shaped canted triform base cast with shells, scrolls, stiff foliage and flowers, faux tasseled apron, fluted feet, 29cm diam, numbered 4188, c.1870
A Portrait Miniature, European School 19th century, depicting a gentleman, wearing a red coat with blue lapels, white stock and a powdered wig tied with a black bow, opaque colour on ivory, in a 19th century Rocco pierced gilt bronze frames, with various 'C' scrolls and foliage surmounted by scallop shells, oval, 3.5x3cm: A Portrait Miniature, British School Mid 19th Century, depicting a young woman, wearing a scarlet shawl over a white dress, opaque colour on ivory, bears inscription "Copied by Mr. Egly June 16 1847", 11x9cm., (2)
A small Delftware wet drug jar, painted in blue with the inscription 'S:E:Spin:Cerv' within a scrolling cartouche of cherubs, shells and floral motifs, with strapwork handle and raised on a flared foot, c.1730-50, minor chipping, 17.5cm. Cf. John C. Austin, British Delft at Williamsburg, p.228 pl.539 for a similar example.
A Delftware wet drug jar, painted in blue with a cartouche of shells and putti around the black inscription 'S. Croci', 18th century, minor glaze wear, 16.5cm. Syrup of saffron was used as a colouring and flavouring agent in medicinal preparations but sparingly; it being an abortifacient and a fatal poison in larger quantities. It was also used to treat nervous disorders.
A rare Chelsea fish tureen, cover and stand, modelled as a plaice with gaping mouth, the handle formed as seaweed, the stand moulded with groups of shells and painted with rushes, unmarked, c.1752-58, damages and restoration, 28.2cm. (3) Cf. F S McKenna, Red Anchor Wares, pl. 82. The British Museum, Room 46, MLA1994,7-3,1 and MLA19285-22,4.
AN 18TH CENTURY SILVER AND SILVER GILT CIRCULAR BOX, with hinged rising lid, decorated shells and flowers, on the reverse are two crests, that of Sir William Morden Harbord, stalled in The Most Honourable Order of the Bar in October 1744, the other that of Baron Suffield of Gunton Park, Norwich (see attached note), 2 1/2" diameter.
Crested China inc. Arcadian, Carlton, Swan, Willow etc. model of British Tank "Canterbury", Tommy & His Machine Gun "Cinque Ports of Rye", tank "Colchester", open topped bus "Weymouth & Melcombe Regis", petrol can "Sandgate", barrage balloon "Southampton", 2 gun shells "Southend-on-Sea" & "Invergorden", clock tower "Hastings", Edith Cavell City of London, lantern "Whitstable", pair of binoculars "Hastings" (12)
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24850 item(s)/page