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A Victorian Shell Necklace, five natural shells suspended from a yellow fine woven chain by lovers knot motifs, length 42cm; A Victorian Shell Brooch, the natural shell with a cultured pearl centrally, length 3.7cm; and A Similar Pair of 9 Carat Gold Drop Earrings, with cultured pearl surmounts, length 3.1cm, with post fittings see illustration . The pieces are in fair condition, the chain has obvious areas of wear/damages, the earrings have had additional cultured pearls added. The necklace fastens with a tongue and barrel clasp, it bears no hallmark nor stamp but in our opinion would test as gold. The brooch fastens with a pin and hook catch, it bears no hallmark nor stamp but in our opinion would test as gold. Earrings are hallmarked with sponsor's mark 'JRT', town mark and date letter illegible. Gross weight 39.0 grams. CR made 29.07.20.
An Aynsley tea service with tray, late 19th/early 20th century, comprising a teapot and cover, three cups, four saucers, a milk jug, a sucrier and a tray, each piece with scallop shell shaped rim with gilt highlights above blue, pink and yellow tones, the tray handles modelled as scallop shells and the cup handles with scallop shell motifs, all with pattern number 145814 to base, the tray 40.5cm wide (11) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
A collection of Waterford Crystal decorative glass pieces, comprising a polar bear, 8cm high, leaping dolphins, 19.5cm high, and a pair of trinket dishes modelled as scallop shells, each 13cm wide, with a pair of Wedgwood glass horses, each 16cm high (6) For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
dating: Third quarter of the 19th Century provenance: France, Curved, single-and short false-edged blade, with large fuller and grooved next to the back (some pitting in the second half). Gold-inlaid, relieved drawings with floral motifs at the forte; a cartouche on the right side, with remains of gold inscription, only partially readable: 'DELACOUR & ... F.rs BREVET ... S.M. L'EMPEREUR PARIS'. Beautiful, cast and gilded bronze hilt. Big quillon block on the front part with elliptical shield with inscription in Arabic (meaning 'Vali': chief, commander) on a grained ground and surrounded by frames with palmettes, leaves and shells. Pierced langet to effigy fretwork laurel branches. Quillons (one of which restores) on a circular base and curled downwards. Long cap, finely carved in bass-relief with floral motifs, spirals and frames; pommel with a hole for sword-knot. Back of the quillon with a shield with floral decoration, finely carved in bass-relief. Preserved in a wooden, later case. length 100 cm.
The first in a generation of game-changing, small Triumph Roadsters.In recent years this car has formed part of a large collection and as such has received little or no use and an element of recommissioning is to be expected to return it to the road once again. Your inspection pre-sale is welcomed and encouraged to appreciate the potential of this rarely offered motor car which is strictly sold as seen.Until October 1954, the first 4,000 TR2s were produced with 'long door' body shells and were lighter and more agile than later carsPowered by a notably torquey twin-carb version of the 2-litre Vanguard OHV engine which produced 90bhp and, fitted with the four-speed gearbox, could propel the little car to 60mph in 11.9 seconds on its way to a top speed of 107mphOwned and restored as an ongoing project by an engineer, Mr Peter Vickery-Jones from 1974 until 2012Very nicely presented in Old English White with a smart black interiorEarly (1954) TR2s were successful in International Motorsport and these rare 'long-door' cars are the preferred choice in modern Historic motorsportYou can now book a one to one appointment (up to one hour) to view this lot at our central location between 11th and 17th September. Please contact Simon Langsdale on 07496 556 325 / simon@classiccarauctions.co.uk to secure your appointment or to discuss the car in more detail. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions for arrival and inspection protocols will be given when making your appointment.Click here for more information, condition report and additional photographsSpecification:Registration: OXV 665Year: 1954Make: TriumphModel: TR2 Long DoorRHD/LHD: RHDChassis Number: TS 1062Engine Capacity: 1991Engine Number: TS 2430EBody Colour: Old English WhiteInterior Colour: Black
A very, very impressive, upgraded Mk2 subject to a £100,000 restoration a few years ago.Comprehensive bare metal, glass-out restoration in 2012 by Watjag Ltd of BakewellFitted with Coombs-style rear wheel arches and bonnet louvres and refinished in Sherwood GreenFully retrimmed in Sage Green with Jaguar X300 seats, restored veneers and new carpetsComplete engine rebuild to 'Fast-Road' spec during restoration inc. crank re-ground & balanced, shells, lightened flywheel, timing chain, camshafts, and a rear crankshaft oil seal conversion etc.Fitted with a Borg-Warner 5-speed gearbox, 321 electronic ignition and a heavy-duty alternatorFurther upgrades include S3 E-Type Chrome Wire wheels, Coopercraft brakes, Harvey Bailey anti-roll bars to F&R, Derek Watson front springs and electric power-steeringLots of details of rebuild and pictures, invoices etc. Past MOTs, tax discs and service invoicesWith little use since the rebuild and a fresh MOT, this rather special Mk2 is now ready for its next ownerYou can now book a one to one appointment (up to one hour) to view this lot at our central location between 11th and 17th September. Please contact Nick Bicknell on 07957 279 000 / nickb@classiccarauctions.co.uk to secure your appointment or to discuss the car in more detail. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions for arrival and inspection protocols will be given when making your appointment.Click here for more information, condition report and additional photographsSpecification:Registration: 745 MWPYear: 1961Make: JaguarModel: Mk2RHD/LHD: RHDChassis Number: 155329DNOdometer Reading: 51205 milesEngine Capacity: 3.4Body Colour: Sherwood GreenInterior Colour: Sage
Selection of British Pattern MKII Steel Helmets consisting 4 x steel shells (no liners). Various paintwork ... Green painted example with 3 holes drilled to each side of the rim . Lining with canvas sweatband. Chinstrap broken ... MKIII/4 turtle pattern helmet. Complete with liner (damaged). 6 items.
1970 Bentley T Series mulliner park ward 2-door fixed head coupe Grey paintwork with red coach-lining Magnolia seat leather, automatic transmission Bentley Motors chassis CBH 8237 Rolls-Royce 6230cc V8 engine 8237 Matching numbers, driven only 85,285 miles by three owners Original registration ‘BLC 750H’ Note: The Bentley T was the Bentley version of the Rolls-Royce Silver Shadow, a total of 1868 being produced 1966-1970, the majority 4-door saloons and only 114 of them 2-door coupes, of which 1 was bodied by Pininfarina, 15 by James Young and 98, as this car, by in-house coachbuilders Mulliner Park Ward. When launched, the more understated luxury Bentley T saloon’s pre-tax ‘list price’ of £5,375 undercut the equivalent Rolls-Royce by £50, while the price charged for a more sporting Bentley coupe was some 50% greater than that of the standard saloon. The Bentley differed from its Rolls-Royce sibling by having a more rounded grille, while the badging on the wheel covers, boot lid and gauges naturally featured Bentley motifs rather than the Rolls-Royce logo. Although some of the panels on a Bentley coupe were shared with the standard 4-door saloons, their 2-door body-shells featured a distinctive dipping upper wing with parallel crease, and revised, more rounded rear bodywork. One of only 89 Bentley badged MPW coupes in right-hand drive, this statistically rare 1970 T Series 2-door 8237 was registered BLC 750H, the registration that has remained on the car to this day (confirmed in a current V5C registration document), when sold new 8 April 1970 by supplying London West End Bentley dealers Jack Barclay Ltd (their plate in door aperture) to first owner Ruth Matilda Brown of Staplefield, near Haywards Heath. After 21 years in her care, the Bentley was purchased 06 September 1991 by second owner Peter M Afia of Hatton Grange Shifnal, before being auctioned nine years later in a Halls Fine Art sale 30 April 1999 with 83,000 mileage. The original invoice for the sale is the history file along with an impressive run of tax discs from 1971 to 1999. Since acquisition by our Shrewsbury client however, who was therefore only the third owner, the 50 year old Bentley has only been driven a further 2,285 miles in just over 20 years (an expired tax disc from 2011 is still on the screen), having been mainly preserved in the dry sanctuary of a damp-free residential garage. Previously repainted bodywork is clean and the chrome shines today. Patinated seat leather, which may be original, although lightly age-cracked in the front, is still soft, and the dashboard wood and door top capping are all present and correct. While after half a century, the engine bay presentation is fair for the year. Although well stored and cosmetically tidy, the battery has been flat for some time however and the car has not been maintained or serviced recently. It is therefore being sold as seen and as a ‘Non-Runner’. The fullest professional recommissioning of all electrical and hydraulic systems would therefore be advised and the potential renewal of tyres, brake and steering components and an MOT test pass prudent before the car is driven on the public road. This still stylish Bentley, which is categorised by the DVLA as a ‘Historic Vehicle’ and eligible for free road tax, has nonetheless been most realistically estimated.
AN OLD SHEFFIELD PLATE EPERGNE, EARLY 19TH C the reeded oblong frame with scallop shells and domed finial to the stretchers, with cut glass dish and four later smaller dishes, 33cm h Frame - good condition; replaced. Glass - cut glass dish chipped on rim, one of the four smaller dishes chipped on rim
TWO ROCKINGHAM CAMPANA SHAPED POT POURRI VASES AND COVERS, C1830-42 encrusted with flowers, one vase painted to either side with shells or fruit and flowers, the other with a wooded landscape or flowers, the interior of the second vase with three flowering boughs alternating with gilt seaweed, 34cm h, puce printed griffin mark and painted Cl. 3 in gilt or In Italy in red scriptComparative Literature: Another example, also finely painted with shells and marked Cl. 3 in gilt, is illustrated Cox (A & A), Rockingham 1745-1842), Woodbridge 2001, col plt 92 Vase (shells) good condition with some typical but slight chipping of the flowers and leaves and on the painted fruit one or two spots of flaking of the enamel, the shells undamaged, the gilt leaves overhanging the rim undamaged, scarce in this conditionVase (landscape and flowers) a piece of the foot broken out and restuck; hairline crack in foot, wear to gilding on handles, slight chipping of the leaves and flowers. One cover cracked and flower dome broken off and restuck, the other cover with extensive old restortion
TAXIDERMY. A VICTORIAN CASE OF BIRDS, MID 19TH C the two shags and an oystercatcher realistically mounted on a sandy shelved mound before sky painted background, the boarded case with figured mahogany frame, 55cm h, 83cm l, printed trade label of J Mather Museum 23 Williamson St Liverpool Bird & Animal Preserver Shells and Curiosities Bought and SoldProvenance: Edge Hall, Cheshire, seat of the Wolley-Dod familyJohn Mather is listed in the 1841 and 1851 Censuses and resident at 58 Mount Pleasant, Liverpool Good original condition
An early 20th Century lacquered brass black painted and chrome plated monocular microscope stamped "Foreign" with various test tubes, slides, etc and another simple lacquered brass monocular microscope and a mahogany cased surgical kit with ivorine plaque "Surgical Manufacturing Co. Surgical Instrument Makers 83-85 Mortimer Street London W1" (incomplete), together with a box of various microscope slides, mainly animal sections and a box of blank slides, a pair of steel hair tongs and a bag of various vintage shells, fossils and geodes and a cased vintage drawing set
A RENASSANCE REVIVAL CARVED MAHOGANY BOX SETTLE, c.1900, the back with central panel crisply carved with shells and foliate scrolls flanked on either side by a plain fielded panel below a moulded top rail and cushion frieze, downswept open arms with lion head finials on turned fluted supports, hinged flush panel seat, ogee base carved with acanthus, on lion paw feet, 56 1/4" x 19 3/4" x 41 1/2" (Est. plus 21% premium inc. VAT) (Illustrated)
A RUBY AND DIAMOND BRACELET BY WEST, CIRCA 1970 Of openwork textured gold design, set throughout with circular-cut rubies and brilliant-cut diamonds within collet-setting, mounted in 18K gold, diamonds approximately 2.50cts total, Dublin hallmarks for 1970, length 18.1cm During the 70's, independent British jewellery designers challenged the established manufacturers with their innovative designs, mass produced jewellery using new materials was startling in design and easy on the pocket. The top end jewellers had to rethink their output to keep a foothold on the market. They had to work out how to push back the boundaries while retaining wearability for their customers. The result was a move towards striking sculptural designs, new cuts of gemstones and different textured finishes. One of the most important exhibitors was the influential Andrew Grima. His groundbreaking ideas using textured gold with rough or unusual stones, in organic shapes, based on rocks, leaves and shells, was copied throughout the decade and his ideas still influence jewellery designers today. Another exhibitor was John Donald who used innovative ways of producing texture and sculptural effects in gold, using heat and flame. This included working molten gold in water. He combined these effects with uncut precious stones and crystal. West jewellers is considered the oldest European jewellery store and one of the oldest companies in Ireland. The fine-jewellery retailer has been trading on and off in Dublin for 290 years. It first opened as West Sons on Capel Street in 1720. In 1845, the firm moved to College Green and then to 102 Grafton Street. In 1965 it relocated to its current premises at 33 Grafton Street, on the junction of South Anne Street, and finally closed in 2010. West has always attracted a wealthy clientele and had links with Queen Victoria. The British Royal Collection has two brooches that Prince Albert bought for Queen Victoria from West & Son on a visit to Dublin in 1849.
1960 Royal Enfield Meteor Minor Sport 500ccReg. no. VSU 447Frame no. 6209Engine no. SM CB 7737The Meteor Minor described as the 500 that handles like a 250 and incorporating all the most up todate features of design, giving a sleek looking machine which has tremendous performance withuncanny ease of handling and stability. The Meteor Minor had the new short stroke engine 70 x64.5mm with replaceable big end shells, 17” wheels and larger brakes and came as Standard, De-Luxe or the Sport version.Condition - This is a lovely, rare, well cared for motorcycle. It has been with the present owner for16 years and he describes it as a very nice bike to ride and everything is working as it shouldalthough the horn can be a bit temperamental at times so will require attention.Comes with - Current V5C, old MOTs and tax discs, plus some receipts.
AN EARLY VICTORIAN SILVER DESK STANDISH, London 1839, Edward, Edward Jnr, John and Wm Barnard, the rectangular base having twin handles and on four scrolled bracket feet, cast with acanthus and shells, twin pen slides and fitted with a silver lidded inkwell and pounce pot, centred by a taperstick and snuffer, cartouche inscribed 'William Tracy from one who knows him as a profound lawyer, a staunch friend, a Christian gentleman 1878', 34.5cm wide x 18.5cm deep x 14cm high, approximately 40oz. See illustration
I H Barker, Sodbury early 19thC longcase clock, with 31cm painted Roman dial, the spandrel corners decorated with shells, nesting bird and roses to the arch and date aperture, oak case with full length arched door, swan neck pediments and brass capitols to pillared hood, the 30 hour movement striking on a gong, the whole raised on bracket feet, H214cm
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24987 item(s)/page