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Late 17th Century William and Mary lacquered cabinet on stand, the cabinet decorated with chinoiserie ornithological scenes with gilt metal pierced and shaped corner brackets, hinges and ornate escutcheon enriched with engraved flowers and foliage, the interior fitted with eleven variously sized drawers lacquered with landscape scenes, with concealed compartments hidden behind sliding panels, the silvered softwood stand having scallop shells, swags and ribbons above the leaf capped tapering legs and arched feet, see a similar example at the Victoria & Albert Museum, the Dr. Susan Weber Gallery, and on page 112. of World Furniture by Helena Hayward. Provenance: acquired at the 2001 BADA Fair, London. 104cm wide x 53cm deep x 171cm high
Group Captain Gilbert Stuart Martin Insall VC MC signed 1970 The Victoria Cross, National Army cover set with corner mounts into an A4 biography page. On 7 November 1915 near Achiet-le-Grand, France, Second Lieutenant Insall, on patrol in Vickers F.B.5 Gunbus No. 5074 with 1st Class Air Mechanic T. H. Donald, engaged an Aviatik two-seater and forced the German pilot to make a rough landing in a ploughed field. Seeing the air crew scramble out and prepare to fire, Insall dived to 500 ft and his gunner opened fire, whereupon the Germans fled. After dropping an incendiary bomb on the downed German aircraft, Insall flew through heavy fire at 2000 ft over enemy trenches. The Vickers' petrol tank was hit, but Insall brought the plane 500 yards back inside Allied lines for an emergency landing. Insall and Donald stayed by the Gunbus through a bombardment of about 150 shells while awaiting nightfall. After dark, they then set to work by torch light to salvage their plane. After they repaired the machine overnight, Insall flew them back to base at dawn. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A George II silver shaped circular salver by Richard Rugg I, London 1754, the raised moulded border with shells at intervals, engraved with an armorial and on three stepped pad feet, 33cm (13in) diameter, 948g (30.5 oz)The arms here are those of a married woman, the wife of a member of the FODON or FODEN family. In the 17th century the main paternal arms are recorded in the Staffordshire Herald's Visitation of 1680 and were granted 1664 to Thomas Foden of Fulford, Staffordshire. The family were derived from the ancient FODON family of Fodon Cheshire. The same arms are also later used by the Fodon family of Market Overton, Rutland. The Fodon family are very poorly documented in the eighteenth century and later and many family members emigrated to America and still later to New Zealand. As a result of this it is not possible to identify the arms of the father of the married woman displayed in pretence, to whom she was the heir. Condition Report: Marks are partially obscuredSlightly warpedStands wellEngraving is crispPossible solder repair to footLight scratches and wear commensurate with age and use Condition Report Disclaimer
An early 19th century mahogany eight day longcase by Nathan Hunter of Port Glasgow, the bell strike movement faced by a painted arched Roman dial (restored), signed to centre with subsidiary seconds and date dials, floral spandrels and painted shells to arch, the case with swan neck top with urn finials, a flame mahogany trunk door and plain base with later plinth, 86¼in. (219cm.) high.
Heron-Allen, Edward. The Great War: Journal of a Visit to the Front, October 1918. Typewritten draft bearing presentation inscription from the author (presumably to the typist) in black ink on front free endpaper, 'To Iris (who copied it) from EHA (who wrote it) 1919'. The hole-punched pages are bound in dark blue buckram, the spine lettered in gilt, top edge gilt. 163 numbered pages, 12 October 1918 to 26 October 1918, with occasional ink corrections by hand. 'The train left at 12.35, and as my car was a rear one, I had a most remarkable Panorama of Farewells. Every emotion seemed to blaze out in fierce truth as the men really left for the front, on the faces of the women - and others - who were left in a long row on the platform, grief, anxiety, gaiety, relief, bravado, indifference, the whole gamut of feeling...Captain Rees arrived at about 12, very shaky and nervous, a combination of old Trench fever and cigarette smoking (he smokes sixty a day) and not, for the moment, companionable...the moon and stars had come out and shone through the mist, the blazing ammunition dump bursting up every now and then into new flames, green flashes all along the horizon from the heavy guns at the Front...a land ploughed up by shells into billows and waves of earth, into what seemed to me to be the Hinterland of Hell.' Internally good and bright; binding tight and solid; wear to the surface of buckram in places; some bumping and light wear to headcaps/corners. WW1 / First World War Interest
A Flight Barr & Barr Worcester tripod cabinet cup and stand: with beaded rims, finely painted, possibly by John Barker, with shells and seaweed within gilt cartouches on an apple green ground, the cup on claw and ball feet, stand with impressed mark and 'London House 1 Coventry Street' address in script, circa 1820-30, stand 10.5cm diameter [some tiny chips to rims].
An early 18th Century and later carved walnut twin chair back settee:, the cartouche-shaped backs with shell crestings and solid vase-shaped splats, having shaped arm supports with mythical bird's head terminals, the upholstered tapestry slip-in serpentine-fronted seat with anthemion decorated seat rail, on cabriole legs headed with scallop shells and birds heads, terminating in claw and ball feet, 140cm (4ft 7in) long.
VERNA SOLOMON (born 1949) of Laguna Pueblo, New Mexico; a bear adorned with shells and feathers mounted on a wooden base, painted signature, height 16.5cm.Provenance: Purchased from Institute of American Indian Arts, Santa Fe, New Mexico.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
A BERLIN WHITE PORCELAIN GROUP, late 18th century, the base with a blue sceptre mark, modelled as a young gardener and three female companions carrying baskets of flowers standing on a neo-classical plinth decorated with masks and shells, the circular base with berried swags above a ribbon-tied reeded border, 28cm high
TWO GEORGE III TEA CADDIES, Circa 1800, the mahogany example with inset marquetry panels depicting conch shells to cover and front; the walnut example with canted front and back angles to the cover, with twin subsidiary covers within; with two white metal caddy spoons, the former caddy: 12cm high, 12cm wide, the latter: 12.5cm high, 18.5cm wide
* Seashells. A pine case containing 2 trays and a drawer of seashells, with hinged lid and metal carry handles, the front with removable section revealing drawer, shells include: a variety of cowries (including a number of Cypraea depressa, Cypraea caputserpentis, Cypraea vitellus and others), a few small bubble shells, various clams, a couple of spider conches, cone and turban shells, ark shells, a pen shell, a few cockles and oysters, etc., 21cm high x 48cm wide x 39.5cm deepQty: (1)
* Taxidermy. Leucistic curlew (male) by Rowland Ward Ltd, 1919, on plinth topped with sand and mounted pebbles and shells, Rowland Ward Ltd label to underside, height including plinth 38 cmQty: (1)NOTESProvenance: Captain Vivian Hewitt (1888-1965), aviator, ornithologist and conservationist; originally shot by C. W. W. Hulse at Tonakilly Point, Tralee Bay, Ireland, 21 May 1919, and acquired by Hewitt from Hulse in 1943. With accompanying letter and notes from Hulse, two annotated photographs of the specimen, and manuscript purchase note by Hewitt (all in envelope).
* Taxidermy. Woodcock by W. Kidd of Godalming, 1829, in wooden case, glazed on three sides (front panel loose), landscape backdrop painted in oils, W. Kidd's printed label completed in manuscript to rear, 25 x 33 x 10.5 cm, together with: Sandpiper, 19th century, on naturalistic base of shells and seaweed, watercolour backdrop on vellum or canvas depicting sailing ships (damp-stained), 26 x 34 x 15 cmQty: (2)
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24981 item(s)/page