Y A Japanese Ivory Okimono carved as a standing fisherman wearing a reed apron and a broad straw hat as he lifts a large basket of shells, he stands on a rounded base, height 16.5cms, Meiji Period. Y Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
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A GEORGE III SILVER SALVER, LONDON, 1798with shell and scroll rim, on four scroll feet, chased with scrolls, flowers and ruffled shells on ground, standard, town and year marks on base, diameter: 30 cm (12 in.), weight: 982 g (31.55 ozt)This lot is being sold without reserve. PROVENANCEAcquired through inheritance by the descendants of Alexander Ivanovich Nelidov (1835-1910), Russian Ambassador to Turkey, Italy and FranceCollection of the Nelidov family to the present day
A selection of silver including an Edwardian marquise or boat shaped fruit bowl, the pierced sides with chased and embossed floral detailing, stylised shells to scalloped rim, 33.5 by 20.5 by 6.5cm, Chester 1901, William Neale, a silver backed hairbrush, 18cm, a silver pickle fork with knotched ivory handle, Sheffield 1897, Sutherland & Roden, together with an EPNS egg warmer with phoenix finial, a silver plated berry spoon, a plated serrated knife and silver plated basket, 10toz weighable silver. (7)
A George V silver three piece half fluted boat shaped tea service, comprising teapot, milk jug and sugar basin, hinged domed cover, gadrooned everted borders with shells and leafy scrolls to angles, scroll handles, ball feet, the teapot with ebonised fittings, 30cm long, James Deakin & Son, Sheffield 1931, 42oz
A VICTORIAN SAILOR'S VALENTINE SHELLWORK SOUVENIR with two-sides, the colourful shells contained within hinging octagonal glazed encasement, one side with heart design within circles, the other side with 'A Present from Barb'o's', 23cms acrosscondition:The box is a little worn in places. It does not hold closed properly and there are a few shells missing
An early 19th Century Barr, Flight & Barr Worcester porcelain plaque, decorated en grisaille with a scene across the Severn of the Barr, Flight & Barr Royal China Manufactory and Cathedral, within a border of sea shells and foliage, impressed mark to rim, within a gesso frame, 20cm diameterA similarly decorated vase was sold with Bonhams 13/12/06 lot 248
A Portuguese Caldas de Rainha faience dish in the Palissy style. Decorated with a large applied red crab to the centre on a textured ground and further ornamented with shells and aquatic weeds to the border. Impressed marks, 31cm diameter. Condition Report. To be used as a guide only. Minor hair crack. Slight chipping to the applied work.
A FINE REGENCY CARVED GILT GESSO PIETRA DURA EMPIRE STYLE CENTRE TABLE with circular moulded edge top above a fluted baluster stem and triform platform mounted with seated winged Sphinx's. The finely made specimen marble top with inlaid shells and simulated Lapis Lazuli boarder 87cm diameter 78cm high.ConditionThe top is in very good condition and could be later? The base has a crack in the side and the gilt is rubbed.
λ An early 19th century Chinese Canton export carved ivory fan, with guardsticks carved in relief to each side with dragons and figures, the twenty-three sticks carved and pierced recto only in low relief with scenes of oriental figures in a formal garden setting, sea shells and animals, framing a vacant central oval panel. Length 19cm.
Ryder Cup: A late Victorian, shaped circular silver salver, bordered with applied shells, on three scrolled feet, George Gibson, from The Ryder Cup Team 1955 in appreciation, autographed, hallmarked Charles Stuart Harris, London 1898, approx 402gms/12.94ozt, together with a framed photograph.
Toil and Tenderness: A Very Unusual Mid-18th Century Fan, with mother-of-pearl laid over ivory for part of the monture. The guards are noted to have mother of pearl panels overlaid in ivory, the lower section being carved plain ivory, as is the lower section of the gorge. The upper gorge consists of carved and pierced white mother-of-pearl, with intricate designs of scrolls and figures, flowers and a bird. Subtle painting highlights an already very elaborate monture. The double paper leaf tells two stories, linked by water. To the left, dock workers toil with heavy wooden crates and barrels whilst a couple observe, ships in full sail having set out to sea. To the right, a scene of leisure, one couple seated near the water side, a man waiting on the water in a rowing boat, and a tender scene of a tall well-dressed gentleman, in a blue jacket and red breeches, a wig with long ringlets tied at the nape, his slim hound beside him, presenting a single rose stem to a lady in pink, a blue flower already pinned to her lace-up formal bodice, a young boy at her side. The verso continues with the workers toiling at the harbour, stone ruins to the side, one worker using rope to pull a palate loaded with large chunks of grey stone. A smaller scene to the left shows a solitary man looking out to sea. On both sides of the leaf the scenes are separated by vibrant and varied flowers and fruits in blue, pinks, mauve and yellow. On the mother-of-pearl gorge section the verso is painted with flowers and shells in pastel colours. Guard length 29cm. Together with a pale blue silk box, fitted, with cream silk liningThe leaf folds are rubbed. Some mother of pearl overlay is detached, two panels are available.
A Circa 1830's Chinese Carved Ivory Brisé Fan, Qing Dynasty, a small central oval containing boats and buildings. Twenty one inner sticks carved with trees, figures and buildings. Central carving of shells, fruit, and in the tips, figures, birds and foliage. The guards are carved with dragons and figuresBoth guards have period repairs with metal plates. The fan is warped. Generally yellowing, some missing slivers of ivory.
A Circa 1830's to 1840's Chinese Carved Ivory Brisé Fan, Qing Dynasty, the twenty one inner sticks featuring a large central oval containing figures and buildings, above which is placed a small plain oval for a monogram, surrounded by boats, buildings, figures, a narrow border underneath the ribbon of fruit, shells, beetles, butterflies, dragons, and birds in flight in the tips, the guards featuring dragons, birds in flight, figures and trees. No carving to the verso. Guard length 19cmSlivers missing, ribbon defective.
An Early and Quite Slender 18th Century Ivory Fan, the guards with simple painted decoration, the gorge sticks much more elaborate and vibrant, the paint quite dark in colour, highlighted in gold. The designs feature shells and bold flowers, some of which seem iridescent, perhaps with crushed mother-of-pearl in the paint?, and unusual shapes, many involving two sticks, are bordered with thin lines of gold. The lower section of the guards and the gorge is elaborately carved and shaped so as to give interest to the sticks when the fan is closed and laid on its side. The vellum leaf, mounted à l'anglaise, is painted with stone arches, approaching which are a young country couple, the girl carrying a bale of straw on her head, possibly a references to Ceres, the boy perhaps a shepherd, and to the right, in their path is perhaps the altar of love. The reserves feature quite an exotic flower border, and centrally at the top are more shells. The verso shows a simple scene of trees and wood fences by water, hills in the distance. The gorge is highlighted simply around pierced sections. Guard length 26.5cmThe leaf may have been shortened to the sides. The folds are rubbed. The verso is quite marked in proximity to the ribs.
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24981 item(s)/page