TOTOYA HOKKEI (1780-1850), KATSUSHIKA HOKUSAI (1760-1849), AND OTHERSEdo period (1615-1868), early 19th centuryTwo surimono prints and one chuban print: the first a shikishiban surimono by Hokkei, from the series Kai zukushi (Assortments of Shells), depicting a family collecting shells, with three poems, signed Hokkei, 20.9cm x 17.9cm (8 3/16in x 7 1/16in); the second a chuban tate-e of Miya by Hokusai, from the series Tokaido gojusan-tsugi (53 Stations on the Tokaido Road), published probably by either Iseya Rihei or Nishimuraya Yohachi, unsigned, 23.2cm x 17.5cm (9 1/9inx 6 7/8in); the third probably a yotsugiriban surimono depicting a family and a man at the precincts of a shrine, unsigned, 10.3cm x 18.7cm (4 1/16in x 7 3/8in); all mounted on card. (3).Footnotes:For another impression of the first in the Harvard Art Museums, see harvardartmuseums.org/collections/object/207577This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
We found 24987 price guide item(s) matching your search
There are 24987 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
24987 item(s)/page
Late 19th century French oak framed mirror, the framed with scrolls and shells, rectangular glass, 61x78cm.Condition report:Slight parting at the corner joins but appears structurally sound. The glass sits a little loosely in the frame and is probably a replaced plate. Some random scuffs to the frame.
1st-2nd century A.D. From the upper part of a vessel with two hippocampi (one partial) and a standing figure of a Nereid, floral and foliage decoration to the field, ornamental upper border; repaired. Cf. Beutler, F. et al., Der Adler Roms. Carnuntum und die Armee der Cäsaren, Bad-Deutsch-Altenburg, 2017, item 697, for similar fragment.77 grams, 12 cm (4 3/4 in.). Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister The complete vessel probably represented scenes linked with the cult of Poseidon and Amphitrite. The riches of the sea and the dangers of navigation were merged by the ancients into a myth of great fame known as the wedding procession between Poseidon - brother of Zeus and Hades, god of the sea and the Nereid Amphitrite. The Nereids were the divinities of the sea, grandchildren of the ocean. Like the nymphs, all the Nereids were beautiful young women who spent their time singing or weaving. Also involved in the procession were the tritons and hippocampi, who provocatively played shells or were ridden by Nereids. [No Reserve]
Simon Legald for Normann, Copenhagen, a set of eight blue form chairs, the injection molded polypropylene armless shells on brass plated steel legs, 80cm high x 48cm wide x 52cm deep CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Poe,E.A.: The conchologist's first book: or A system of testaceous malacology, arranged expressly for use of schools, in which the animals, according to Cuvier, are given with the shells. Second ediion. Philadelphia, Philadelphia, Haswell, Barrington, and Haswel 1840. Kl.8°. Mit 12 lithogr Tafeln. 166 S. Opbd. (Fehlender Rckn. mit Leinenband laienhaft restauriert). BAL 16131. Nicht bei Nissen. - Eine Auftragsarbeit Poes, der als einer der ersten in Amerika die Existenz als freier Schriftsteller gewagt hatte und der zeitlebens meist in ärmlilchen Verhältnissen hatte leben müssen. - Vord. Innengelenk gebrochen. Tls. etw. stockfleckig. N.a.T. Exlibris.
ASSORTED JEWELLERY, to include a white metal cuff bangle set with two shells, stamped 'Silver 925', a faceted agate bead necklace fitted with a lobster clasp, with matching stretch bracelet, a white metal marcasite pendant necklace stamped 'Silver' fitted onto a fine curb link chain with spring clasp stamped 925, a white metal marcasite bar brooch stamped 'Sterling Silver' (condition report: general light wear, the pendant necklace would benefit from a gentle clean and polish)
A box of vintage Ethnographlia, including carved bangles, beaded items, shell jewellery and bag and more.The beads on some necklaces appear to be discoloured lengths of bamboo. The brown rings appear to be made of hardwood and tortoiseshell. The white rings appear to be made of bone and shells, there are approx. 30 of these rings. The small purse is shell studded.
Impressive Modern Made Model of the German Ammunition Tracked Transporter for the Karl Gerät Giant Mobile Howitzer’s, In the Gert Duscha style for use with Lineol and Elastolin figures. Camouflage paint finish to the body, Complete with large shells and other accessories mounted. 28cms in length.
Supplied new to British actor Robin Ellis, this outstanding Interceptor II has been beautifully restored with absolute attention to detail and will continue to turn heads for another 50 years.Jensen's C-V8 replacement debuted in 1966 reviving a name first employed in the 1950s. However, several of the firm's traditions were broken in that the design was outsourced to Carrozzeria Touring and the bodies made of steel not glass fibre. Early shells were built in Italy, by Vignale, prior to production being established at Jensen's Kelvin Way plant in West Bromwich. Power came from a 6,276cc (383ci) Chrysler V8, driving through either a 4-speed manual or 3-speed TorqueFlite automatic transmission to an LSD Salisbury rear axle. Specification included electric windows, reclining seats, wood-rim steering wheel, radio with twin speakers, electric clock and reversing lights. Production of the Interceptor II (occasionally called the Mk.II or Series II) commenced in October 1969 and lasted for two years.This particular car has a chassis prefix, #123, so was one of 694 right-hand drive, UK-cars powered by the E-Series 383ci V8 generating around 330bhp. It was first registered in the spring of 1970 and supplied new to British actor, Robin Ellis, best known for playing the leading role in the BBC series, Poldark, based on the novels of Winston Graham. Purchased for just under £8,000 or the equivalent of £150,000 in today’s money, the Jensen was a serious car for special customers.Several enthusiastic owners enjoyed the Jensen over the years until 2015 when the decision was made to completely restore it. The car's condition today is testament to the outstanding workmanship of the specialist team commissioned to complete the restoration and we understand that this glorious long-legged GT performs as well as it looks. The provenance and history of the Jensen is supported by a large history file containing the factory pre-sale inspection documents and paperwork which confirms that its first owner, Robin Adair Ellis, took delivery of the car on 6th May 1970. Also within the file is a detailed account of the restoration with supporting documentation, the current V5C ready for transfer or export, old MOT Certificates, the Heritage Certificate and a wealth of invoices for care and maintenance over the years, with the most recent service carried out in January 2023. Although exempt, the current MOT is valid until 1 February 2024.Finished in a lovely shade of very pale grey, the Jensen continues to attract all the right attention and, as a well restored and very well-maintained example, should only require basic maintenance. A rare blend of Italian styling, an American engine and British craftsmanship, these big GTs are comfortable and relatively practical with rear seats and a decent boot. It’s a beautiful British classic that will undoubtedly be the talking point at any classic car show or event the new owner wishes to take it to.SpecificationMake: JENSENModel: INTERCEPTOR IIYear: 1970Chassis Number: 1233736Registration Number: SUX 879HTransmission: AutomaticDrive Side: Right-hand DriveMake: RHDInterior Colour: BlackClick here for more details and images
A well restored example of one of the most exciting hot hatches to emerge from the late 1970s.The Talbot Sunbeam Lotus was originally conceived when Chrysler Group's competition manager, Des O'Dell, decided that there was a need for the company to create a car that would be competitive in International 'Group 4' rallying. The Sunbeam 1.6 GLS appeared to be their most relevant product, so he approached Lotus and offered them one as a basis. Lotus Engineering rose to the challenge and within a couple of months had developed the GLS into a potential winner. As well as their expertise, Lotus' supplied the 2.2 type-911 version of their 16-valve, four-cylinder engine coupled to a 5-speed ZF dog-leg gearbox, and also engineered a number of chassis and exhaust system improvements aimed squarely at beating the dominant Escort RS and Vauxhall Chevette HS/HSRs at their own game.Lotus' efforts were rewarded in 1980 when a Sunbeam piloted by Henri Toivonen won the RAC Rally of Great Britain, and indeed, this would be the last time a rear-wheel-drive car ever took the title. In 1981, the Constructor's World Championship was claimed by Sunbeam for the newly christened 'Talbot' team (having been renamed by new owners Peugeot in 1979).Homologation rules at the time dictated that for a new car to be eligible to compete internationally, it would also have to be offered to the general public and sold in a specified minimum number. In order to comply with this requirement, Talbot set up a separate production line at their Linwood factory to fabricate the body shells which would then be shipped directly to Ludham Airfield where Lotus would fit the engine, suspension, and gearbox etc. These road-going Talbot Sunbeam Lotus 'homologation specials' were more than just fast, they certainly looked the part as well. Initially, they were offered only in Embassy Black with Silver stripes and sporting a brace of Marchal spotlights and bespoke 'double four-spoke' cast alloy wheels. Launched to an eager public in 1979, the 2,174cc twin-cam engine, breathing through twin Dell'Orto carburetors developed 150bhp and delivered excellent performance.Finished in Embassy Black and Silver, this Talbot Sunbeam Lotus was originally supplied to Jersey and was first registered on 1st April 1979. It's a matching numbers car and is in superb condition throughout having been fully restored and upgraded in recent years. With a high-quality finish in mind, the car's current custodian has completed a no-expense rebuild with a full engine overhaul by Andrew Jones at Shrigley Engineering which included a Tony Law manifold and a lightweight flywheel and clutch. Further upgrades include a Quaife differential, a suspension upgrade incorporating Gaz front coil-overs, Bilstein rear dampers and improved braking with Wilwood front brake calipers. It should also be noted that competition-style front seats are currently fitted with the originals to accompany the car should they be required, however, these will require refinishing prior to being refitted.Despite dating from the late 1970s, these little Sunbeams are still considered a truly thrilling drive, set apart from most by their rear-wheel drive balance, beautifully weighted controls, overall lightness and surprisingly rapid pace.NB: Please note, this vehicle has arrived in the UK under ‘temporary admission’, upon successful sale and if remaining in the UK, the seller has agreed to settle import taxes due and obtain ‘NOVA Certification’ to enable UK registration.SpecificationMake: TALBOTModel: SUNBEAM LOTUSYear: 1979Chassis Number: R4OC79L1S81175Registration Number: UNREGISTEREDTransmission: ManualEngine Number: DC91179059115817SEDrive Side: Right-hand DriveOdometer Reading: 66000 MilesMake: RHDInterior Colour: Black / GreyClick here for more details and images
John Morley (b.1942) - Moving the bell jars, artists proof wood engraving, signed, titled and dated '92 in pencil to the margin, 11 x 8cm; together with six others by the same hand, entitled Evening Star, Shells, Pansies, Garden Remembered, Voyage Home, and Barn Owl, the largest measuring 11 x 14.5cm (7)All pencil signed.All clean and crisp.
A Regency Chinese Export Games Box, an eight sided rolled lid, decorated in gilt on black lacquer with figures amongst pavilions and park, the interior containing seven counter boxes some filled with exotic little shells representing different values, along with a selection of Mother of Pearl Chinese gaming counters, twelve card trays some decorated with Royal cards, in need of some restoration, the dragon feet are off but present in the box. 38cm x 32cm.
Books. Marine and Freshwater. Gosse, Philip Henry. Actinologia Britannica. A History of BritishSea Anemones and Corals. London. 1860. 11 lithograph plates, 1 black & white plate. Originalcloth and a further 13 titles - Baird, W. The Natural History of the British Entomostraca. London.The Ray Society. 1850; Turton, William. A Manual of the Land and Fresh Water Shells of theBritish Islands. New Edition revised John Edward Gray. London. 1840. 12 plates; Landsborough,Rev. D. A Popular History of British Sea-Weeds. London. 1851. 2nd edition. 20 colour plates.Southwood, T.R.E. and Dennis Leston. Land and Water Bugs of the British Isles. London. 1959.Ex-library; Jenkins, J. Travis. The Fishes of the British Isles both Fresh Water and Salt. London.Reprint 1954; Russell, F.S. & C.M. Yonge. The Seas. London. 1928; Sowerby, GeorgeBrettingham. Popular British Conchology. London. 1854. 20 colour plates. (14)
A Chinese fahua-glazed meiping,Ming dynasty (1368-1644), 16th century, the baluster body with wide rounded shoulders and a short neck, boldly decorated with a lotus pond with waves, the shoulder decorated with alternating conch shells and ruyi-shaped clouds, with suspended tassels and lozenge or round tops joined by beaded garlands, all in a palette of yellow and turquoise reserved on a lustrous dark-blue ground,29.5cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.For a similar vase, see British Museum, museum number Franks.67.明十六世纪 珐华釉荷塘图梅瓶Condition ReportChips to rim and base. Base possibly reattached.
AN ENGLISH RAPIER, slender 35in diamond section blade with single fuller indistinctly stamped. Hilt comprising of a pair of Walloon style pierced shells, surrounded by two horizontal rings, 'S' shaped quillons with globular terminals, triple bar knuckle bow screwed to fluted pommel, twisted brass ribbon & twisted wire grip with Turk's heads. Circa 1620.
A NORTH EUROPEAN PAPPENHEIM RAPIER, slender 43in diamond section blade with single fuller stamped 'MARIA MA' on both sides. Hilt comprising two fish scale pierced shells, side bars, straight quillons, triple knuckle bow engraved en suite, engraved ovoid pommel, wooden grip (lacking wire). Circa 1630.
A GEORGE III SILVER SALVER by Robert Garrard I, London 1806, with flat-chased decoration to the base, engraved with a crest, the shaped rim cast with scrolls and scallop shells, raised on three hoof feet. 23.6cm diameter, 12.7 troy ouncesThe marks are rubbed. Some minor age-related wear. Stands flat and does not rock. In generally good condition.
A GROUP OF SILVER PLATE COMPRISING A CANTEEN OF CUTLERY, AN HORS D'OEUVRES DISH, AND A TEA SERVICE the canteen a marriage, comprising a matching service for six settings, and an additional two settings in Kings pattern, in a wooden case, (58 pieces), Kings pattern table knives 24.4cm long; the hors d'oeuvres dish by Henry Wilkinson & Co, Sheffield, of three sections, chased with oak leaves, the two smaller oval sections with opaque glass liners, the bi-furcated loop handle cast with oak leaves and an acorn, approx. 25.5cm deep by 28cm wide; and the tea service by Elkington & Co, Birmingham 1923, lobed melon shape, comprising teapot, sugar and cream, each engraved to the top third with decorative panels of shells, latticework and foliage, the sugar and cream with leaf-capped S-scroll handles, the teapot with rattan-bound handle, teapot 29cm handle to spout. (5)Canteen comprising eight table knives, side knives, table forks, dessert forks, soup spoons, dessert spoons, teaspoons and two serving spoons.
Large group of Minnesotan fossils including: crinoids and assorted shells including resserella, rafinesquina, plaesiomys, among others, and various snails. Additionally included is a now out of print 1965 "Guide to Fossil Collecting in Minnesota" from the Minnesota Geological Survey.Condition: Likely wear and minute losses throughout. Please note that each fossil has not been inspected. Wear and staining to the guide book.
* Manuscript Cookery Book. A late 17th-century manuscript recipe book, comprising 58 pages of recipes written on 29 leaves in manuscript (numbered 15-124 and approximately 45 other unnumbered), and two leaves with few lines of manuscript at head of rectos (one leaf with lower half torn away), with four blank leaves at rear, damp stained at head with consequent fraying and soiling (with some loss of manuscript), original limp vellum covers, rear of upper cover with ownership inscriptions of Eliza Smedley and also John Smedley, both dated 1683, covers soiled, creased, edges torn with some loss, worn, slim folio (leaf size 32 x 20 cm)QTY: (1)NOTE:The manuscript book contains a large quantity of recipes for cakes, puddings, biscuits, cheese, pies, cooking meat, chicken and fish, preserves, pickles and syrups, including To make fritters ye Lady Hush(?) way, To make mackeroons, How to make Jumballs, To make French biskit, A Lumbor pye, To make Quince creame, To make a whypt syllabub, To preserve Cherrys of an excellent color ye Lady Northamptons way, To presserve Orringes whole, To candy cowslips, To make sugar puffs, To make egg shells, To make syrrop of Roses or Gilleflowers or cowslips, To make syrrop of marshmallows..., To make syrrop of Violetts, plus several medicinal or household recipes, including 'The yellow salve good for any soare'.The Derbyshire Hearth Tax Assessments (1662-70) lists a John Smedley living in Ticknall or Calke in 1662, having five hearths. Smedley appears to have been a relatively common name in that part of Derbyshire. The area was home to Lea Mills, specialising in the production of muslin and spinning cotton, which was owned by four generations of the Smedley family, all of which were called John Smedley.
GEORGES PAUL LEROUX (FRENCH, 1877-1957)Soldiers signed 'GeORGeS LeROUX' (lower left) oil on canvas 81 x 105cm ARR Provenance Purchased in a brocante in Saint-Valery-sur-Somme, France, circa 2005 by the current ownerFootnoteBorn in Paris in 1877, to parents with strong connections to Trelly in Normandy, Georges Paul Leroux undertook his formal art training first at the Ecoles des Arts Decoratifs and then under Leon Joseph Bonnat (1883-1922) at the Ecoles des Beaux-Arts in Paris. A frequent exhibitor at the Salon des Artistes Francaise, he was awarded the 3rd Class Medal in 1903 and, in 1906, the Prix de Rome, which enabled him to stay at the Villa Medici in Italy from 1907-1909. In 1908 Leroux was awarded the Chevalier de la Legion d'Honneur. In 1911 he won a 2nd Class Medal and in 1932 was elected as a member of the L'Institut de France.Today, Leroux's works can be found in private collections as well as major galleries and museums, including the Imperial War Museum, the Petit Palais in Paris, and the Musee Departemental de l'Oise in Beauvais.During the First World War, Leroux served in the French army and saw action on the Western Front, in France and Belgium. These experiences lead him to paint various pictures of soldiers and war. It is understood, for example, that when out on a reconnaissance mission he saw 'a group of French soldiers taking shelter in a great shell hole full of water', and later that evening started making sketches of what he had seen, which later lead to perhaps his most famous work, L'Enfer (Hell), completed in 1921 and now in the collection of The Imperial War Museum (Art.IWM ART 4415).In the present work, of French soldiers marching, one might assume it was painted during a similar period to L'Enfer, in those years that followed the end of the First World War after 1918, drawing on Leroux's earlier experiences. Clearly French, due to the blue uniforms they wear, it appears as though they are near, or have been near The Front, as one soldier to the left wears a pair of brown German boots, presumably acquired from a German soldier on the battlefield, as opposed to his own. Leroux presents us with an engaging composition, not dissimilar to the one used in Gassed by John Singer Sargent, as a line of men cross the canvas from left to right. Leroux places the viewer close to the men, as if they were stood on the edge of the path watching them go by, with only half a man visible to the extreme left and right sides, out of the viewers field of vision, as they march past. This provides us with a study of a small group of soldiers whilst also reminding us of the almost continuous procession of men sent to war, bringing to mind works by C. R. W. Nevinson.In some ways it is a painting of juxtapositions, the soldiers are marching through a beautiful landscape, with glimpses of ploughed fields and woodland, set against a huge sky full of billowing clouds with pockets of blue above, in stark contrast to the atrocities of war. However, these same clouds, so dominant in the picture, also remind the viewer of the smoke from exploding shells and the oppressive nature of it, the ploughed brown fields are perhaps reminiscent of the mud enveloped, desolate landscape found at The Front.None of the men are wounded and they do not appear particularly dirty as if they have spent weeks in the trenches. They are clearly singing, all with their mouths open; one holds a pipe, as another one, with a bandaged rifle and the German boots, strains forward, determined to keep going. One wonders where they are going, out to, or coming home from, The Front? Perhaps this is deliberately ambiguous? Taken as a whole, Soldiers is a stunning and rare work, evocative of the period and layered with meaning.
SAINT LOUIS, A MODERN CLEAR GLASS AND ACID ETCHED PART TABLE SERVICEDecorated with stylised foliage and shells, Comprising; sixteen water glasses, thirteen whiskey glasses, a decanter (no stopper), a water jug, sixteen red wine glasses, twelve liqueur glasses, fourteen champagne flutes, thirteen white wine glasses, sixteen hock glasses, eleven port glassesAcid etched marks Condition Report: Two red wine glasses have minute rim chips; one whisky tumbler with rim chip; one whisky tumbler with crack and a water glass with crack. Condition Report Disclaimer
Three items of lustred pottery comprising a P Regout & Co Maastricht large pink lustre circular dish, printed black marks and impressed numerals, 36cm diameter, an early 20th century Moorcroft pale yellow lustre ginger jar and cover, impressed marks, pattern no.288/299 and a Gray's pottery mid century pink lustre oval tea caddy and cover, printed with shells and a crab (3)
Loading...-
24987 item(s)/page