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Ephemera, Victorian scrap book pages, a large qty. of loose pages of scraps and greetings cards laid down double sided, subjects include soldiers, sailors, fishermen, ships, trains, police, shells, cats, dogs, clowns, angels, flowers, advertising etc. A good selection (mixed cond, gen gd)

Ephemera, Victorian Scrap Album, a large format book containing many 100s scraps both large and small, all laid down double sided on 30 pages to include wild animals, butterflies, pressed ferns, Royalty, greetings cards, Egyptian figures, dogs, cats, jungle animals, shells, Father Christmas, insects etc. All beautifully presented (gen gd). Lot also includes a selection of loose pages, many linen (mixed condition poor/gd)

A CHINESE FAMILLE ROSE PLATEthe centre with a panel of stylised flowers and scrollwork in shades of green outlined with black and the rim enamelled in polychrome with panels of flowers, precious objects and shells within a formalised border, the reverse with three floral sprays and the base with a six character mark in iron red, 21cm diameter

NEWLYN COPPER, oval lidded tea caddy decorated with galleons and scallop shells, stamped "Newlyn", 13cm height

Three boxes of Horby & Triang model vailway items, loco boby shells, coaches, track, etc.

Trekkie Ritchie Parsons, British 1902-1995 - Floral still life with mussel shells; oil on canvas, signed lower right 'T.Ritchie', 93.5 x 79 cm (ARR) Note:plaque on the frame reads: 'Presented to Backsettown by the Artist T.Ritchie in Memory of Octavia Wilberforce' Backsettown is a house in Henfield that was a place of refuge for suffragettes in the early 20th century. American actress Elizabeth Robins (1862-1952), who owned the house, and her friend Octavia Wilberforce, (great granddaughter of William Wiberforce) for whom this painting is dedicated to, ran the convalescent home in the 1920s.Octavia Wilberforce was a physican who treated Virginia Woolf in her final years at Backsettown, and was friends the members of the Bloomsbury Group. She ran a general practice in Brighton until 1954, against the support of her parents, and was one of very few female doctors at this time.Parsons was the lover of Leonard Woolf after Virginia's death. She was an illustrator and lithographer of several books.

A pair of shell-encrusted Antique pottery vases, H22.5cm, and a hand mirror decorated with shells

Three large ocean conch shells, including a horned example and three smaller shells of similar type, largest 38cm in length

A giant South Pacific clam shell, 26.5cm, various cowrie, conche, screw, scallop shells, etc in an associated dome-top box.

A LOUIS XV STYLE CARVED AND PAINTED CANAPE, 19th century, upholstered in floral petit point and carved with shells and foliage, padded back, open padded arms, raised on cabriole legs and knurl feet, 48 1/2" x 20 1/2" x 30 1/4" (Est. plus 24% premium inc. VAT)Condition Report: Structurally sound, some scuffing/minor chips to paintwork, upholstery generally good bar some staining

A collection of sea shells, to include conch, leopard cone shells, and Cowrie tigers, etc. (2 trays)

A Victorian silver dish, of oval shaped form, embossed with shells, foliate motifs, fruit to include pineapples, pierced decoration, etc., Birmingham 1897, 7.80oz, 28cm wide.

A 1920s/1930s French iridescent glass bowl, in the manner of Lalique, decorated with fish, starfish, shells, etc. raised stamp France, 25cm diameter.

A Victorian lacquered handed painted and Mother of Pearl crumb tray and brush with 4 shells.

Two mid 19th century operculum bracelets, collet-set with operculum shells, one bracelet with additional double sided operculum drop, mounted in gold, lengths 19cm and 20cm. £200-£300 --- Condition Report General light surface wear commensurate with age and use. In overall good condition. Old retailer’s stickers to the reverse. Gross weight 110.9gm.

An early 19th century armorial fob seal, the cushion-shaped hardstone engraved with a coat of arms, within a gold scroll mount with chased border of shells, scrolls and foliage, length 37mm. £600-£800 --- Provenance: The arms are those of Banks or Bankes, with those of Pytches in pretence. The arms are those of Banks (for Sir Edward Banks), with those of Pytches in pretence (for Amelia Pytches), whom he married at St Mary, Marylebone on 18 January 1820. Sir Edward (1770-1835) was a successful civil engineer, rising to senior partner of Jolliffe & Banks, contractors for public works and responsible for London, Southwark and Waterloo bridges. He was knighted by George IV at Carlton House in 1822. Condition Report Minor chips to the polished surface, close to top left corner of the shield. Weight 21.1gm.

Y &nbspA GROUP OF THREE SHELLWORK SAILOR'S VALENTINES 19TH CENTURY The largest in a glazed mahogany octagonal case, hinged lid with ivory escutcheon, key, above parterre design of shells with central encircling floral wreath, case 40.5cm wide, 6.8cm high Smaller pair each with glazed octagonal frame, one with heart design, 24.5cm wide, 3.2cm high Please note, Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: ZGDYR4QJ) Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. All with some loose shell fragments and small elements, one of smaller pair with cracked glass, frame/case to largest cleaned Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A Victorian silver mustard pot, on four leaf and paw feet, with an octagonal body and a heavy border of foliage and shells, leafy scroll handle, gilt interior and blue glass liner, by J. and A. Savory, London 1840, 8.8cm high, 8.6oz weighable silver.

A George II style mahogany elbow chair, stuffed-over back and seat, cabriole legs, shells to knees, hairy paw feet

Five Swarovski ornaments to include Bambi, a bear, two oyster shells with pearls and a pair of kingfishers on a perch, all boxed

Indian textiles including a mid/late 19th century door hanging hand embroidered, 180 cms, wall hanging 360 cms patchwork panel with mirrors. Also an antique African square with cowrie shells.

Box of shells, fossils and archaeological finds

Four military swords, as follows: a French model 1831 foot artillery side arm, broad double edged blade 19 in., cast brass neo-classical hilt, brass mounted leather scabbard; an other ranks sword similar to the British foot artillery type, straight single edged blade 24 in., brass stirrup hilt with shallow dogs-head details to the pommel, partial leather scabbard with brass frog hook; and two Spanish model 1867 Infantry Officer's swords, slender blades 30 in., brass hilts, double shell guards with Royal Arms to the outer shells, dog head back quillons, slender knuckle bows, later copper scabbards. [4] This and following items originally receipted as:A collection of swords and guns to be lotted. [15]

Six Fruits de Mer scallop shells and six cheese plates

Antique 19th century brass wiggle work charger approximately 45cm across, and a 20th century brass framed oval boudoir mirror decorated with cherubs and shells approximately 28 x 43cm

Fossil interest, a collection of sea related fossils, to include trilobites, Ammonites, teeth, shells, etc, from the isle of Sheppey and America

Fossil, Geology interest, Quantity of Fossils to include trilobites, Ammonites, corals, shells, etc, some identified and labled, from a local collection

Geology Crystal, Fossil, interest, outstanding collection of Rock, Crystal, and mineral specimens along with some fossil shells, collected from around the British Isles, mostly labelled and the smaller examples contained in specimen boxes over 500 examples, contained in a metal drawer unit, formally in the collection of an eminent local geologist

A pair of Japanese cloisonne chargers with panels decorated with flowers, landscapes and sea shells. Diameter 30.5cm. Wear and knocks to back of both.

A large pair of bronze figural candlesticks formed as storks raised on mounds of vegetation and shells. Both having detachable nozzles. Height 40cm. One slightly bent towards top.

THREE BOXES AND LOOSE SUNDRIES, to include treen, assorted cutlery, sea shells, wall clocks, ornaments, etc. (s.d) (3 boxes)

Renato BARISANI (1918-2011) 1963 "Abstraction with shells" technique on mixed media, French art.Height: 65cm; Width: 54cm;

A miscellany of items to include two car badges, AA and RAC, a Zippo Thunderbird lighter, a Ronson lighter, a file containing Hull invoices relating to the trawling industry, a quantity of brass shells, old newspapers/journals to include British Bandsmen and Contest Field newspapers, London Opinion etc, a Rolls Royce workshop manual, automobile ephemera etc.

Collection of assorted shells to include conch shells, star fish and a nautilus type shell mounted on a crystal base. Star fish measures 24cm wide.

Reproduction German stick Grenade, Inert Grenade, 2 Brass Shells and a Bayonet

A Pair of 18ct Gold Earrings, for pierced ears, in the form of shells, gross weight 14.1g

A collection of ephemera including a Picasso Christie's catalogue, postcards, photographs, books and seven sea shells

A quantity of shells, coral, pebble stones etc

Large, silver, 800 assay, casket of the turn of the 19th-20th centuries. Made and richly decorated in the Baroque style. Complex and voluminous plasticity, hoisted on 4 twisted legs. The motifs of shells and waves, plant elements are used in the jewelry ensemble. The interior is richly gilded. The lid is crowned, terracotta color, cabochon. Dimensions: 12x26x19 cm. Weight: 1179 gr. Width: 26cm, Height: 12cm, Depth: 19cm, Weight: 1.179kg, Condition: Good, Material: Gilding

Rectangular silver rocaille cigarette case with gold decoration of vignettes, framed by a pattern of baroque shells. On the lid, a gold scroll uniting flower garlands is left blank for engraving.Total weight: 95.25 gr. Width: 9.5cm, Height: 1cm, Depth: 7cm, Weight: 0.2kg, Condition: Good, Material: Gold

Robert Harper. Grand silver water jug with gilding. London 1876. Repeats the shape of a Renaissance vessel with a pear-shaped body, a wavy bell of the neck and a rocaille handle. Delightfully decorated with a plastic chord of baroque shells, wrapped in ligature of plant shoots, with garlands of roses along the facade. The reason for order is the Renaissance belts of pearls at the base and neck. Makers marks and London hallmarks 925 silver 1876. Height 47 cm. Weight: 2166 g. Imported stamps A. Tillander, Finland. Width: 20cm, Height: 47cm, Depth: 20cm, Weight: 2.166kg, Condition: Good, Material: Silver, gilding

An intricately decorated Italian silver cooler in the shape of a tall Art Deco vase, with a wavy body and vineyard swirls as handles. Along the ribs and edging the body is decorated with grape grotesques, baroque waves and shells. The waist of the base also bears charming and high-relief curls of living baroque. Italian hallmark 800 silver in an oval, the head of the Gargona Medusa in the octagon and the diamond-shaped hallmarks of Modena 1944-1934: 48, through the vertical of the lictors hatchet, MO. Height: 32.5cm. Weight: 2129 gr. Width: 30cm, Height: 32.5cm, Depth: 23cm, Weight: 2.129kg, Condition: Good, Material: Silver 800

Stefani Bologna. Double silver photo frame with easel foot in Baroque style. Paired roccaille medallions combine bob-shaped photo spots decorated with whimsical waves, shells, garlands of flowers and plant motifs. Asymmetrical waves of shells form supports for the frame and, together with the dividing arc, support the ensemble unity of the composition. Hallmarks: Stefani Bologna. 800 in the oval. 900 in a diamond. Italy 20th century. Total weight: 456 g. Width: 20cm, Height: 14cm, Depth: 2cm, Weight: 0.456kg, Condition: Good, Material: Glass, wood

Large porcelain rusk bowl from the Meissen manufactory. Large rusk bowl made of porcelain, decorated with embossed, carved (along the side of the dish) and gilded baroque flower-leaf pattern (shells, curls). With an openwork edge along the board. In the central part of the object there is a gilded relief flower arrangement. Germany, Meissen. The end of the XIX - the beginning of the XX century. Porcelain, textured processing, gilding. Collectible condition, no chips. Traces of existence - partial wear of the gilding. Length - 35.6 cm; width - 21.7 cm. Weight - 877 gr. Meissen mark, drawn in cobalt, crossed swords and under it the numbers (?) with the dot 86. (?), underglaze. Porcelain Model List Number - 150 (in test) Width: 21.7cm, Height: 5cm, Depth: 35cm, Weight: 1kg, Condition: Good, Material: Gilding

Samurai armor, Nanbando, Meiji period. Consisting of a helmet (Meiji period), breastplate (Meiji period), protective mask (Meiji period), arm and shoulder guards, hip and leg guards. Corrugated helmet body (Suji-Kabuto), front ridge protection made of wood with two metal wings. Neck protection (shikoro) consisting of five interconnected iron bars. Face mask with attached beard and teeth and three-piece throat protection. Shoulder plates. Iron breastplate, 5 parts connected with cords. Belts in the form of protection of the thighs (kusazuri). Thigh protection (haidate), top in cotton and brocade, with rectangular wooden lamellar shells painted in gold. Bracers (kote), combat gauntlets, back and hip shields made of iron sewn onto cotton, with chain mail between them. All individual panels are lacquered and connected with cotton ribbons and laces. Wooden chest with iron carrying handles, HxWxD: approx. 58x47x44 cm. Width: 47cm, Height: 58cm, Depth: 44cm, Weight: 10kg, Condition: Good, Material: Mixed media

Table lamp in gilded bronze, with a vintner putti on a roccal base, richly decorated with shells and foliage. Width: 15cm, Height: 80cm, Depth: 15cm, Weight: 5kg, Condition: Good, Material: Gilded bronze

A pair of Empire armchairs with handles in the form of bronze rams&39; heads. They represent a semi-cylindrical volume with straight, representative front and dynamically curved rear legs, with original high armchairs. The main decor is addressed to the facade. Grotesques are placed on the legs and horizontal rods, stylizing the same ram&39;s heads and arabesques with trumpeting glories around pearls and shells. They are perfectly balanced and look harmonious on the deep mahogany tone. Width: 53cm, Height: 78cm, Depth: 120cm, Weight: 15kg, Condition: Good, Material: Fabrics

Ten ammonite fossils with nacreous aragonite shells, age; Cretaceous period, location: Madagascar, largest 3cm

A Remington 1100 12 Bore/gauge Semi-Auto shotgun in excellent condition. It has a barrel length of 70cm and is chambered for 2 3/4 shells. The barrel has a low rib and a front bead sight with soft gun slip

A mixed lot to include trinket box, fans, flatware, shells and other. [W]

Tribal Art: African cowrie shells and leather necklace, another with beadwork and fly whisk

Five glass fishing floats and some shells

Marie Robinson Chelsea Bun Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat!   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Marie Robinson Measure For Measure Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat!   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Marie Robinson Beach Combing Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat!   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

A 20-Bore Flintlock Pistol With Fine Silver MountsBy Bumford, London, Circa 1760With two-stage cannon barrel turned and moulded at the muzzle and engraved 'LONDON' on a foliate scroll at the breech (partly re-engraved), waisted border engraved tang decorated with foliage, border engraved action (cock and steel replaced) signed in capitals beneath the chiselled steel-spring, sliding trigger-guard safety-catch engraved with a flower-head on the bow, figured rounded swelling butt (repaired above the back of the action) carved with a shell behind the barrel tang, mounts cast and chased in relief comprising trophy of arms side-plate involving flowering foliage, vacant trophy of arms escutcheon, and long-nosed moustachioed grotesque mask butt-cap framed by scallop shells and surmounted by a small lion-mask, steel ramrod-pipes (rear retaining screw missing), and later steel ramrod (some wear and light pitting), London proof marks and Bumford's barrelsmith's mark 16.5 cm. barrelFootnotes:John 2 Bumford was apprenticed to Thomas Hardwell in 1735 and was elected Master of the Gunmakers' Company in 1751 and again in 1756. He was Contractor to Ordnance between 1756 and 1771, to the East Indian Company between 1745 and 1773, and to the Hudson's Bay Company from 1757 until the year of his death in 1775Cf. a pair of pistols by the same maker with related mounts and sold in these Rooms, Antique Arms & Armour..., 27 November 2013, lot 347For further information on this lot please visit Bonhams.com

A Rare Early 20-Bore D.B. Flintlock Sporting GunBy Joseph Griffin, London, Circa 1760With long French barrels retaining faint traces of stamped and gilt decoration and joined by a sunken rib on the upper side only, the underside of each barrel struck with initials 'I.L', and stamped on one 'Baptiste Carieron' and on the other 'F. Tivet', silvered fore-sight, engraved tang grooved for sighting, large flat bevelled locks each with stepped tail, signed on a scroll, and retained by two side-nails, figured half-stock (the butt extended during the gun's working life) carved in relief with shells at the barrel tang, engraved iron mounts including trigger-guard with first pattern acorn finial, and broad fore-end cap pierced for the ramrod, and horn-tipped ramrod with worm 102.9 cm. barrelsFootnotes:ProvenanceProbably made for Alexander Montgomerie, 10th Earl of Eglinton (1723-1769), Eglinton Castle, Ayrshire, and from the auction by Dowell's of Edinburgh, 1-5 December 1925, which lists four double-barrelled Griffin gunsAnon. sale, Christie's, London, Antique Arms and Armour, 7 March 1979, lot 122 (£1,980 including premium)Major David Back Collection sold in these Rooms, 24 November 2010, lot 420 Sold in these Rooms, Fine Antique Arms and Armour..., 20 April 2011, lot 341LiteratureW. Keith Neal and D.H.L. Back, Messrs Griffin & Tow And W. Bailes, 1989, pp. 59-60, pls. 16 a-dJoseph Griffin was turned over to his father Benjamin in 1741 and was free of the Gunmakers' Company in 1750. He was appointed Gentleman Armourer to His Majesty's Stables-in-Ordinary in 1760 and was elected Master of the Gunmakers' Company in 1761 and 1763. He was in partnership with his father until 1770 and with John Tow between 1771-82. He died in 1784For further information on this lot please visit Bonhams.com

Military Interest - Four Carved Shells decorated with RAF Singapore 1960-63, and Memories of Singapore.

A pair of nautilus shells one half shell showing the interior. (2)

A large trench art lighthouse made with shells and bullets, the centre with turning cog and mechanism for light or watch, 31in. (78.8cm.) high.