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A pair of plaster shells, 34cm wide 13cm deep30cm high (2)Condition ReportWith loop fixed to the back. Chips to the edges.

Four ceramic clam shells. Decorated in gilt. Each measure L.45 W.15 cm.

Box containing a quantity of various sea shells

A QUANTITY OF VINTAGE PIN BADGES, mainly 1960's onwards, to include assorted Butlins badges, including a 1961 Filey Committee badge, Supercar metal badge, various fuel related badges including Esso 'Oil Drop Man' figure, complete bone dominoes set with some minor damage and wear, wooden beehive money box, quantity of shells, wooden blocks etc. and a boxed Victory Artistic Jigsaw Puzzle, contents not checked, box damaged (2 boxes)

A tray of miscellaneous shells, to include cowrie and conch shells

COLLECTION OF ASSORTED GLASSWARE, comprising two studio glass shells, two small vases, plus a semi cylindrical sculpture. (5)

A collection of shells to include Greek style shell and others

Four brass gun shells; one inscribed 'From John Walford May 1916', etc.

A circa 1830 Dilwyn Swansea black transfer printed cow creamer with shells and flower decoration, some restoration, crack to back leg, 7" wide x 5 1/2" high.

2 Große und dekorative Abalone Muscheln, innen versilbert, mit Schachtel 15 cm 13,5 cm lang | 2 Large and decorative abalone shells, silver plated inside, with box 15 cm 13.5 cm long

Stamps including Australia, Canada, Denmark etc, shells and other miscellaneous items

Collection of five Trench Art vases from artillery shells with floral design and Derbyshire Yeomanry

Three pairs of Trench Art 37mm shells , one set plain, one with floral design Verdun and a pair of alter/incense burner, Illois 1917, Cross of Lorraine

Two pairs of Trench Art vases made from WWI artillery shells. all with floral and leaf design

AKIRA SATAKE; a wood fired stoneware tokkuri, side fired on shells, height 12cm, with signed box.Akira Satake was born in Osaka, Japan and has been living in the USA since 1983. In 2003 he relocated from Brooklyn, New York to Swannanoa, North Carolina. The Philadelphia Museum awarded him the National Award for excellence in Contemporary Clay. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† SVEND BAYER (born 1946); a wood fired stoneware flagon covered in shino and ash glaze with feldspar inclusions, side fired on shells, height 30.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

CHARLES BOUND (born 1939); a wood fired stoneware yunomi partially covered in green ash glaze, side fired on shells, impressed marks, height 9.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

A pair of Diorama frames, one containing shells and butterflies.

NIC COLLINS (born 1958); a wood-fired stoneware flagon covered in ash and shino glaze, side fired on shells, incised signature, height 28.5cm, diameter 17.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

SUE HANNA (born 1963); a burnished raku shell pot, saggar fired, impressed mark, height 19cm, diameter 20.5cm.“Throughout Ancient Africa shells were used as currency. In addition to their use as money, they were also a sign of femininity and fertility and connected people with the power and strength of the ocean. My piece for FiredUp4 combines my interest in Tribal Art and my deep connection to the sea.” Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Trench art, to include: a jug, inscribed '1869 1919 POW 362', 19cms high; another jug; a tobacco jar inscribed 'D255th Brigade RFA'; a vase inscribed 'Souvenir De Guerre 14-17'; and three mortar shells.

* Lace making bobbins, English, mid-19th century, approximately 360 hand-carved bone or wood bobbins, some stained green or red, some possibly South Bucks, a number with wood inlays or metal wire bound (a few incorporating seed beads), and many highly decorated with coloured dots, bands, and other incised and applied ornamentation (including Bedfordshire tigers, leopards, and butterflies), 10 bone bobbins inscribed: Sarah, James, Nellie, Harriett, Dear George, Anne Horne, Dear Uncle, A Present From Phebe Tomkins, Sarah Ann Parry, I Love True, and a wooden one with the name Nelly, plus a bone bobbin with inked word in a foreign script, most with spangles (a few incorporating shells or buttons, 1 with a bone acorn), occasional surface rubbing, length approximately 14cm (5.5ins) and slightly shorter QTY: (approx. 360)

Three old shells including conch, etc.

Seven boxes containing a collection of sea shells, fossils, etc.

ART DECO OPALESCENT GLASS BOWL, ALONG WITH THREE DECANTERS the bowl decorated to the underside with shells and corals the bowl 14.5cm diameter Qty: 4 Bubbles in the glass decanters, small chip to the side of the bowl, some small dents and scratches along the side of the bowl, general surfaceware to the decanters , small chip to the lid of one of the decanters, images of damage have been uploaded to the website.

Collection of sea shells and coral

A Rare C.H. Wood Whale's Tooth Scrimshaw, American or English, dated 1831,inscribed 'Engraved by C.H. Wood with a penknife' and with the inscription 'Ship Eliza' and 'This tooth was taken from a whale caught in the S.P. Ocean after a desperate chase of 40 mls and the loss of one man Mch 1 1831'and 'Oil 2400', together with an American Eagle emblem, (damaged tip and root, some discolouration) 5 3/4in (14.5cm) longFootnotes:C.H. Wood was a well-known decorator of nautilus and cowrie shells working from about 1830 to 1865 in both England and in New York. For further details of this scrimshander, see Frank, Stuart M., Dictionary of Scrimshaw Artists, Mystic Seaport Museum, 1991, p.149.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

A Shell-Work Picture 'Mr. Durand Chevalier', French West Indies, 19th century,the framed rectangular picture mounted with geometric designs comprising white, pink, brown, and lilac shells of various forms and sizes, the centre with insignia design surmounted by a crown, the diamond-shaped cartouche reading Mr. / DURAND. CHE/VALIER DE LA / Lon. D'Hur [Legion d'Honneur], framed and glazed, picture 12 1/4in x 10 1/4in (31cm x 26cm)framed 14in x 12in (35.5cm x 30.5cm)For further information on this lot please visit Bonhams.com

A Shell-Work 'Vase of Flowers' Sailor's Valentine, Late 19th/Early 20th century,the single valentine in octagonal mahogany case, mounted with geometric designs comprising white, orange, brown, and lilac shells of various forms and sizes in the design of a vase of flowers, with glazed top and hanging loop to the top, 14in x 13 1/2in (35.5cm x 34.5cm)For further information on this lot please visit Bonhams.com

A mid-17th century small bronze alloy mortar, Whitechapel Foundry, London, circa 1650 Of flared form, with a band of scrolls, shells and leaves to waist, typically with inset footrim, rim diameter 13.2cm, height 10.7cm 

A GOOD 18TH CENTURY CARVED OAK ARCHED MIRROR carved with angels heads, shells and flowers. 23ins x 15.5ins.

A set of five silver place name card holders, as shells, import marks; General service medal with Malaya bar, to Pte D W Warner, Manchester Regiment etc

Two George III silver entrée dishes and covers on Old Sheffield plate warming basesPaul Storr, entrée dishes, the bases London 1810, the covers London 1813, both covers stamped 1 and 3, also stamped with number 1110 and scratch number 5681, bases numbered 1 and 4 and both stamped 470S, handle and calyx on one both stamped 1, the handle and calyx on the other stamped 2 and 4Circular form, with a cast frieze of alternating shells and anthemions in relief, the shaped dome cover with a broad band of quilting, removable acanthus leaf and reed handles with two lion head junctions on a leafy roundel / calyx, the entrée dish bases, with gadroon rims embellished with shell and leaf and anthemion motifs, on Old Sheffield plate two-handled warming bases with removable dish, the part fluted sides with four stiff leaf applications above each of the four ornate bracket supports with paw feet.Each of the covers with engraved armorial and the bases with engraved crests for Hon. Sir Galbraith Lowry COLE (1772-1842) GCB, height 23cm, length handle to handle 32cm, diameter of entrée dish bases 28cm, weight of silver 128oz. (2)Footnotes:This lot comes with copies of two card indexes, these are headed 'Christies 29th November 1972' 'The Worshipful Company of Coachmakers and Coach Harness Makers.' and describe three entrée dishes and covers on plated bases similar to those on offer here.Property of a ladyThe combined engraving represents the complete armorial for Hon. Sir Galbraith Lowry COLE, GCB (1 May 1772 – 4 October 1842) who was an Anglo-Irish British Army general and politician.Born Dublin on 1 May 1772, the second son of the Irish peer, William Willoughby COLE (1736-1803), who in 1789 was created first Earl of Enniskillen, by his wife, Anne LOWRY-CORRY (1742-1802) of Tyrone. On 15 June 1815 he married Lady Frances HARRIS (1784-1847) daughter of James Harris (1746-1820), 1st Earl of Malmesbury by Maria AMYAND (1761-1830). They had issue seven children.Cole was a professional soldier with an impressive military career, being first commissioned a cornet in the 12th Dragoon Guards on 31 March 1787. A lieutenancy in the 5th Dragoon Guards was purchased for him in 1791. He then succeeded to the 70th Foot as a captain in 1792 and a major 1793. He was appointed lieutenant colonel in Ward's late regiment of foot in 1794 and lieutenant colonel in the late General Villette's corps in 1799.On 1 January 1801, the day on which the British-Irish Act of Union came into operation, Cole was promoted colonel in the Army and appointed to command the regiment with which his family was associated, the 27th Inniskillings. He assumed the command at Malta in 1805, and from Malta he proceeded to Sicily and commanded his own regiment and a battalion of grenadiers as brigadier-general. As second in command, he commanded the 1st Brigade at the battle of Maida on 4 July 1806. In 1808 he was promoted to major-general and left Sicily in 1809.During the French Revolutionary and Napoleonic period Cole had served in Ireland, the West Indies, Egypt, Malta, Italy and the Iberian Peninsula. In 1809 Cole asked to be transferred to the Peninsula where he was to gain further distinction when he was given command of the 4th division under Wellington. The 4th division showed its strength at Albuhera where Cole was wounded in May 1811.Cole then left the division and took his seat in the House of Commons, to which he had been elected in 1803 as MP for County Fermanagh. Cole re-joined the Army and command of the 4th division in June 1812, to be present at the great battle of Salamanca in July 1812 when in the attack Cole was shot though the body.On 5 March 1813 Wellington invested Cole with the Order of the Bath (KCB) and promoted to lieutenant general on 4th June 1813.For having served with distinction in the battles of Maida, Albuhera, Salamanca, further successes at Vittoria, Pyrenees, Nivelle, Orthez and Toulouse, he received the Army Gold Cross with four clasps, along with the order of the Tower and Sword of Portugal. Cole was invested as a Knight Grand Cross, Order of the Bath (GCB) on 2 January 1815. Cole missed the Battle of Waterloo on 18 June 1815, much to Wellington's chagrin, because he was on his honeymoon, having married three days earlier Lady Frances Harris. On 15 August, however, Cole joined the army of occupation in France, and commanded the division until the final evacuation of France in November 1818.As well as representing Enniskillen and Fermanagh in Parliament Cole retired this position and went on to also serve terms as 2nd Governor of Mauritius (1823-1828) and Governor of Cape of Good Hope (1828-1833). Cole was one of the few successful Cape governors. Ably supported by Lady Cole, he played a prominent part in social philanthropy in the Cape. Colesberg, a town in the Cape, is named after him, as is Sir Lowry's Pass near Cape Town. Cole was also governor of Gravesend and Tilbury from 1818 until his death.Cole was promoted a full general in 1830. In 1833 he returned home with his family. He settled at Highfield Park, Hampshire where he died in 1842. He was buried in his family's vault at St Macartin's Cathedral, Enniskillen and is commemorated in Enniskillen by a statue surmounting a 30-metre (98 ft) column in Fort Hill Park, carried out by the Irish sculptor, Terence Farrell. Erected between 1845 and 1857, The Cole Memorial Column is a prominent feature of the Enniskillen skyline.For further information on this lot please visit Bonhams.com

A Queen Anne Britannia standard silver monteith bowlRichard Green, London, probably 1711 Hemispherical body, either side with chased cartouche with scrolls and fish scale panels, centred with armorial engraving to one and crest to the other cartouche, the handles with cast male mask junctions and hinged shaped-oblong drop handles, within a stippled surround and a chased leaf motif below, on a spreading shaped-circular foot, the detachable collar with a pronounced applied cast cresting with eight notches, shells between scrolls and acanthus motifs below with a stippled band, the lower rim with a band of punched leaf motifs, also with engraved crest, height 23.5cm, diameter at top 30cm.Footnotes:Property of a Private CollectorThese are the arms of the HALES family. A Catholic family of Kent. Three descendant lines of this family were in the 17th century created Baronets and each of them used the same arms and crest undifferenced.Although the arms bear a cadency mark (a crescent) that is borne by the second son. Edward HALES (1672-1720) was the second son of Sir John HALES (1646-1677) 1st Baronet Hales of Coventry by Ann JOHNSON (1646-1677). Edward succeeded as 3rd Baronet. In 1705 Edward married Elizabeth THORPE (1676-1766) of Godstone, Surrey.LiteratureGeorgina E Lee, 'British Silver Monteith Bowls', publishers The Manor House Press, 1978.In this publication it is the only recorded Monteith by Richard Green, see page 98, ref 256.For further information on this lot please visit Bonhams.com

A pair of 18th century style cast silver-gilt four-light candelabra, after Paul de LamerieC J Vander Ltd, London 1972 The detachable branch section with four leaf scroll arms issuing from below a knop with an octagonal finial, issuing from a central nozzle with spiral leaves and scrolls on a stippled ground, the tapering four sided stems with overhanging shell corners, incurved tapering sides with panels of overlapping graduated scales, lower knop with flower heads and plain bosses, all above a dome with shaped band of alternating spiral leaves and scales, rising from an octagonal base, the top engraved with diaper panels, the sides with shells, foliate scrolls and scales, height 44.5cm, weight 336oz. (2)For further information on this lot please visit Bonhams.com

Two Maltese silver covered bowlsmaker's mark 'LF' possibly for Luigi Fenech, stamped Pinto period (1741-1773) Squat baluster form, the pull-off domed cover surmounted by a pinecone finial on a foliate calyx, vertical gadrooning to the border, the main body featuring a collar of embossed acanthus leaves, below chased with large shells, scrolls and foliage on a textured matt ground, all on a gadrooned rim foot; together with another by Giuseppe Cousin, stamped Rohan period (1775-1797), inverted pear-shaped form, with spiral fluting, the pull-off cover surmounted by a rosebud finial on a foliage calyx, all raised on three hoof feet, height tallest 15cm, weight total 15oz. (2)Footnotes:ProvenanceProperty of a Maltese noble family, the Barony of Benwarrad, and thence by descent to the present owners.For further information on this lot please visit Bonhams.com

A unique hand raised silver and gilt 'Poseidon Loving Cup' inset with gems and pearlsSteve Wager, London 2022, marked for Queen Elizabeth II Platinum Jubilee and the Institute of Professional Goldsmiths Tall cylindrical form, the interior gilt polished, the whole in silver and 18 carat gilt, hand raised and chased, topped by a lift-off cover surmounted by a realistically cast gilded hermit crab holding a large baroque pearl mounted within its' shell, two gilt 'Fish of Peace' beneath, atop a plain polished domed cover surrounded by classical columned windows with gilded recesses, the main drinking bowl featuring two prominent drinking spouts, embossed octopi on each surrounded by waves, set against a textured ground; the gilded stem created using a hammered seaweed design of flowing folded form, with applied cast shells and four sinuous salmon swimming in and out of the upper strands, to either side a handle, one of Neptune the other a Mermaid, both holding a shell aloft inset with a pearl, wrapped around their bodies shell belts, Neptune's crown mounted with facetted semi-precious stones including aquamarine, peridot, tourmaline, rubellite, topaz, amethyst and sapphire, his trident handle oxidised, the Mermaid's net grasped in her lowered hand and created with oxidised twisted silver wire, soldered together with small cast shells taken from a beach in Western France, both figures with curving fish tails enhanced by scales; all atop a pedestal base of four 'Fish of Peace', gilt swagged seaweed beneath centred by eight sea urchin shells inset with cabochon topaz, sapphire, cornelian, amber, aquamarine, amethyst and peridot, on a plain circular base, the underside embossed with two swimming sharks, fitted in bespoke wooden case with handle, height 56cm, weight total 103oz.Footnotes:The 'Poseidon Loving Cup' was produced in the second part of the UK's Covid-19 lockdown, being entirely handcrafted by the renowned goldsmith Steve Wager in his workshop in Camberwell, London. It was a true 'passion' project, showcasing Wager's belief that fine Baroque style craftmanship can still be created today. His imagination and skill were let loose, for once free of the normal time and commercial constraints that ordinarily govern our lives. This elaborate masterpiece therefore took Wager over 500 hours to produce, and was a gift to himself - a culmination of all his years of training, with his prowess embodied in one magnificent piece of workmanship that ordinarily would not have been created. So who is the person behind this inspired achievement? Steve Wager has over 40 years' experience as a Goldsmith / Silversmith and Jeweller. At the age of 12 he began learning his craft, an opportunity initially provided by an after school club in East London, inspirationally taught by a Huguenot silversmith named Keith Tjaden. Wager discovered his artistic vocation and subsequently went on to further study at the 'St John Cass School of Art'. Afterwards, to hone his skillset further, Wager committed to a five-year apprenticeship with Algernon Asprey; he had the rare honour of being the only apprentice banded to a member of the Asprey family. He worked for over 25 years with the Asprey family in Bond Street, where he mastered a wealth of experience in chasing, box making, forging, hammering, raising and mounting. On leaving Asprey's, Steve Wager established his own company 'S.E.W. Ltd', which was set up in 2003. Wager is a Freeman of the City of London and the Worshipful Company of Goldsmiths, and is also a Fellow of the Institute of Professional Goldsmiths and the Society of Designer Craftsmen. As such, Wager has been the craftsman behind such prestigious projects as the Cricket World Cup, the Ryder Cup, trophies for the Royal Ascot races and League Cup, and carried out repairs to the FA Cup. He has also created commissions for H.R.H. the Prince of Wales and other members of the Royal Family; the Sultans of Brunei and Oman, amongst other prominent clients. His work over the years has mostly consisted of one-off pieces for private clients, which are rarely seen or published. He often cites that his work is 'a calling not a job'. Wager has lovingly hand worked this piece, using the same skills and tools that would have been used over the passing centuries. This 'Poseidon Loving Cup' is therefore truly a 'one off', representing Steve Wager's passion for his 'calling' to a craft he has dedicated his life's work to.For further information on this lot please visit Bonhams.com

A mid-18th century cased Pinchbeck chatelaineunmarkedThe belt hook with a figure of Diana the Huntress, with shell motif suspension chain, the etui decorated with classical figures amongst rocaille scrolls, shells and pillars, the fitted interior with a pen knife, a pair of scissors, an ear pick and a spoon, also with a thimble etui and another, in shaped fish skin case, height 18.5cm.For further information on this lot please visit Bonhams.com

A Victorian silver entrée dish and coverJohn Samuel Hunt, London 1863, also stamped HUNT & ROSKELL LATE STORR & MORTIMER, pattern number 2216Shaped-circular, the cover with shell scroll band and centred with a bayonet fastening acanthus scroll handle, rim of base with scroll and shells with two larger shell handles either side, length 33.2cm, weight 60.5oz.For further information on this lot please visit Bonhams.com

A Maltese silver glove trayno maker's mark, stamped Pinto period (1741-1773), five pellet mint mark indicating 'Roman standard' silver (11 deniers) Shaped-oval form, chased and repoussé central panel featuring baroque shells, fish and seaweed on a diaper-work ground, the broad rim with shellwork, acanthus leaves and ribbon-work on a similar ground, with a chased scroll border and moulded rim, length 28cm, weight 8oz.Footnotes:ProvenanceProperty of a Maltese noble family, the Barony of Benwarrad, and thence by descent to the present owners.For further information on this lot please visit Bonhams.com

A collection of fifteen silver caddy spoons, shells and scallopsvarious maker's and datesComprising, examples byElizabeth & John Eaton, London 1860, scallop bowl, feather edge short handleWB, London 1812, plain bowl and shaped handleMatthew Linwood, maker's mark only, Birmingham, circa 1800, the conical shell with silver rim mount, Fiddle handle with thread edge initialledJames Beebe, London 1836, scallop bowl, engraved handleGeorge Burrows, London 1791, engravedTudor & Leader, Sheffield, possibly 1790, scallop bowl, crestedlion passant and maker's mark script GS, possibly George Smith, scallop bowl, scroll handle with bifurcated junctionmaker's mark mistruck, London 1811, scallop bowl, handle initialledHester Bateman, London 1786, scallop bowl, handle crestedElizabeth Morley, London 1802, plain bowl, feather edge handleWilliam Knight, London 1833, plain bowl Fiddle handle, initialledJohn Walton, Newcastle 1861, plain bowl Fiddle handlePeter & William Bateman, London 1805, plain bowlThomas Wallis (II) & Jonathan Hayne, London 1817, Old English Thread handletogether with an Old Sheffield plate spoon. (15)For further information on this lot please visit Bonhams.com

George III (1760-1820), Bank of England, proof dollar, 1804, type C/2a, laureate and draped bust right, reverse Britannia seated left within oval band, (Bull 1939; ESC.154; L&S.64;, S.3768). Choice, superb as struck, superb hazy lustre, practically pristine proof.Ex. St. James Auctions, 27th September 2011, Lot 297.Ex. Glendining, 25 October 1995, lot 238.Sold with the original Soho Mint brass shells. 

CARTON WITH M.O.P SEA SHELLS & 2 OTHERS, 1 BEING CARVED

A hand made and hand decorated limited edition gnome figure in a red pointy hat, holding shells. Thomas C. Clark marked on the base. Certificate of Authenticity included. Issued: 1984Dimensions: 4.25"L x 4"W x 6.5"HEdition Number: 85 Manufacturer: Thomas F. ClarkCountry of Origin: United StatesCondition: Age related wear.

A collection of shells ranging from 15.5 to 56cm tall. Postage category D

Swarovski shells, fish, starfish pin badges LED display stands and Wonders of the sea Plaques in boxes. No obvious damage or restoration

A collection of Swarovski ocean pieces including a seahorse, shells, turtles, oysters with pearls and crabs. All in fitted boxes. No damage and restoration

Old leather bandolier, magazine round of shells and a German military cap. Postage category C

AN ITALIAN MARBLE-TOPPED 'BLACKAMOOR' OCCASIONAL TABLE IN VENETIAN STYLE 20TH CENTURY The top inlaid with shells, the figure typically decorated 79cm high, 40cm diameter Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses, the figure is painted wood (the whole of the base is) this has been refreshed to him, the giltwood base possibly the original surface - this has more signs of age than the figureMarble with the usual chips and losses to the extremities, the securing socket attached with composition filler - entirely secure at time of reportThe figure would have carried an oar, or Gondola pole - this has never been present at Dreweatts - there is a vacant socket to the base to support this absent elementPlease see additional images for visual reference to condition Condition Report Disclaimer

Visit of Napoleon III and Empress Eugenie to England, 1855, a white metal medal by J. Pinches, 42mm (W & E 697; BHM 2564). Good extremely fine; housed in original Pinches & Co brass shells, scarce in this condition £40-£60

Collection of shells

A French ebonised portico clock, circa 1870, the 10cm white enamelled dial with black Roman numerals, twin winding holes, striking on a bell, gilt brass scroll and lozenge bezel, the case inlaid with shaped cresting brass capped twisted pillars, rectangular base, stained with shells and scrolls, 53cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A Dutch silver soup ladle, the handle decorated shells and vines, approximately 267g CONDITION REPORT: Stem repaired and strengthened halfway down and also possibly just above bowl. Dents to bowl. Wear in line with age and usage.Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Four brass ammunition shells, four copper funnels and a copper plate

A contemporary pine display coffee table containing sea shells, width 61 cm

Collection of minerals, shells and fossils

A Late Victorian Four Tier Walnut Veneered Whatnot with Turned Supports and Shaped Shells having Inlaid Aprons, 50cms Wide and 124cm High, Some Condition Issues

of shaped circular outline, with an applied border of alternating shells and raised on four scroll legs, by William Suckling Ltd, Birmingham 1949; 11.5" (29.2cm) diameter; 24.9ozt. *CR A bit of wear, a few pin dents to the centre, rocks a bit in place, otherwise OK. Please contact Connor for further information connor.swanwick@lawrences.co.uk.

two shells & two in the form of Mussels; the largest 2.5" (6.3cm) long (4). *CR All with wear & in mixed conditions For further information please contact Connor connor.swanwick@lawrences.co.uk.

of shaped circular outline, with a reeded foliate scroll border with alternating shells and pierced sides, by Adie Brothers Ltd, Birmingham 1932; 10.5" (26.5cm) diameter; 16.9ozt. *CR A bit bright/ polished, the centre with black pitting and surface scratches, and general wear. Please contact Connor for further information connor.swanwick@lawrences.co.uk.