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An early 20th century carved ivory bodkin case, carved in low relief with lozenges containing shells, seed pods and birds, and figures, containing four bodkin needles, H11.5cm, together with an early 20th century Chinese carved Canton napkin ring, D4.5cm. Click here to view further images, condition reports, sale times & delivery costs for this lot.

Actoy (USA), Cap Guns - A pair of vintage 'Lone Ranger' toy cap guns by Actoy (USA) with leather holster set. Both pistols show signs of play and use. One pistol appears to be bronzed, the other appears nickel in colour., and both have the words 'Lone Ranger' on both sides of the frame. The bronzed version does have a seam separation to the top of the frame. Both guns function. The leather holster is supple and has 9 of 12 dummy shells present, and has some fading to the 'Lone Ranger' print on one of the holster. Jewels are present and leg ties. A nice example of a hard to find set.

Sea Shells, the widest 34cm; green glass floats:- One Box

Two old brass drum shells, one 14" diameter and 11" deep, the other 13" diameter and 5" deep; together with a selection of various old spare drum hoops *Sold on behalf of the estate of Colin Goldsmith

Agnieszka Brezanska Untitled, 2021 Aquarelle on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Agnieszka Brzeżańska's work explores elusive links between various natural forces and life forms on Earth, which she perceives as Gaia, a living organism. In this, she uses various registers of knowledge, from physics and philosophy to systems of cognition marginalized by modern science, such as alchemy, parapsychology, esotericism, native knowledge or matriarchal traditions. She is also interested in contemporary ecological practices. She is an author of paintings, drawings, films, photographs and ceramics. Since 2016, together with artist Ewa Ciepielewska, she has been organizing a mobile artistic residency on water under the title "FLOW/PRZEPŁYW."   Education   Agnieszka Brzeżańska studied at the Academy of Fine Arts in Gdańsk (1992-1995) and later in Warsaw (1995-1997), as well as at the Tokyo University of Fine Arts and Music (1998-2001). Received scholarships from the DAAD (Berlin, 2008-2009), the Collegium Helvetic- um (Zurich/ETH, 2004), the Büchsenhausen (Innsbruck, 2005), and the Japanese government (1998-2001, Tokyo).   Exhibitions/Awards   Her works have been presented in numerous solo exhibitions, such as: "World National Park" at Królikarnia The National Museum, (Warsaw 2019/2020), "Matrix-Sratrix," Kasia Michalski (Warsaw, 2016), "Ma Terra," Vera Munro (Hamburg, 2015-2016), "This All Occurs Quickly, With Ease, Grace and Joy," Marlborough Contemporary (London, 2015), "Ziemia rodzinna/Ma Terra," Contemporary Museum Wrocław (Wrocław, 2014), "Kobayashi Maru," Nanzuka (Tokyo, 2014), "A Painting Cycle," Nomas Foundation (Rome, 2012), "Back to the Garden," Galerie Kamm (Berlin, 2012), "Cosmic Equation," Kunsthaus Baselland (Basel, 2010), "Galactic Resonance," Hotel (London, 2010), "Playlist," DAAD Galerie (Berlin, 2010)   Group exhibitions, including: "Emma Kunz Cosmos Aargauer Kunsthaus, (Aarau 2021), "Biennale Gherdeina," (Ortisei 2020), "Cosmological Arrows," Bonniers Konsthall (Stockholm, 2019), "Paint, Also Known As Blood. Women, Affect, and Desire in Contemporary Painting," Museum of Modern Art (Warsaw, 2019), "Pangea United" Muzeum Sztuki (Łódź, 2019), "How to Talk With Birds, Trees, Fish, Shells, Snakes, Bulls and Lions," Hamburger Bahnhof (Berlin, 2018), "Goddesses," BWA Warszawa (Warsaw, 2018).   In 2018, she participated in the 10th edition of the Berlin Biennale. Later that year, she received the main prize from the ING Polish Art Foundation during the Warsaw Gallery Weekend.   Gallery Representation   BWA Warszawa (Warsaw) NANZUKA (Tokyo)   About the postcard artworks  

Agnieszka Brezanska Untitled, 2021 Aquarelle on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Agnieszka Brzeżańska's work explores elusive links between various natural forces and life forms on Earth, which she perceives as Gaia, a living organism. In this, she uses various registers of knowledge, from physics and philosophy to systems of cognition marginalized by modern science, such as alchemy, parapsychology, esotericism, native knowledge or matriarchal traditions. She is also interested in contemporary ecological practices. She is an author of paintings, drawings, films, photographs and ceramics. Since 2016, together with artist Ewa Ciepielewska, she has been organizing a mobile artistic residency on water under the title "FLOW/PRZEPŁYW."   Education   Agnieszka Brzeżańska studied at the Academy of Fine Arts in Gdańsk (1992-1995) and later in Warsaw (1995-1997), as well as at the Tokyo University of Fine Arts and Music (1998-2001). Received scholarships from the DAAD (Berlin, 2008-2009), the Collegium Helvetic- um (Zurich/ETH, 2004), the Büchsenhausen (Innsbruck, 2005), and the Japanese government (1998-2001, Tokyo).   Exhibitions/Awards   Her works have been presented in numerous solo exhibitions, such as: "World National Park" at Królikarnia The National Museum, (Warsaw 2019/2020), "Matrix-Sratrix," Kasia Michalski (Warsaw, 2016), "Ma Terra," Vera Munro (Hamburg, 2015-2016), "This All Occurs Quickly, With Ease, Grace and Joy," Marlborough Contemporary (London, 2015), "Ziemia rodzinna/Ma Terra," Contemporary Museum Wrocław (Wrocław, 2014), "Kobayashi Maru," Nanzuka (Tokyo, 2014), "A Painting Cycle," Nomas Foundation (Rome, 2012), "Back to the Garden," Galerie Kamm (Berlin, 2012), "Cosmic Equation," Kunsthaus Baselland (Basel, 2010), "Galactic Resonance," Hotel (London, 2010), "Playlist," DAAD Galerie (Berlin, 2010)   Group exhibitions, including: "Emma Kunz Cosmos Aargauer Kunsthaus, (Aarau 2021), "Biennale Gherdeina," (Ortisei 2020), "Cosmological Arrows," Bonniers Konsthall (Stockholm, 2019), "Paint, Also Known As Blood. Women, Affect, and Desire in Contemporary Painting," Museum of Modern Art (Warsaw, 2019), "Pangea United" Muzeum Sztuki (Łódź, 2019), "How to Talk With Birds, Trees, Fish, Shells, Snakes, Bulls and Lions," Hamburger Bahnhof (Berlin, 2018), "Goddesses," BWA Warszawa (Warsaw, 2018).   In 2018, she participated in the 10th edition of the Berlin Biennale. Later that year, she received the main prize from the ING Polish Art Foundation during the Warsaw Gallery Weekend.   Gallery Representation   BWA Warszawa (Warsaw) NANZUKA (Tokyo)   About the postcard artworks  

A quantity of mixed rocks, stones, shells & fossils

2 DECORATIVE ELEPHANTS HAND MADE WITH SHELLS IN THE PHILIPPINES

Britains 1:32 scale metal and plastic No.9739 gun of the revolution, window boxed with inner carboard display piece, firing pin, bucket and three faux cannon balls; No.9738 Naval cannon, window boxed with inner cardboard display piece, ramrod, wedge, bucket pin and six faux cannon balls in packet; No.9783 German Scout car (Kubelwagen), olive body with decals, plastic seated driver figure and gunner figure, window boxed with inner cardboard display piece and a Crescent die-cast metal No.1251 Howitzer gun, boxed with inner cardboard display stand and three plastic shells (4)

W Britain (Britains) No.1522 Anti-Aircraft Gun, lead model finished in dark green, the barrel elevated by quadrant and pinion gears, boxed with printed paper label to box lid, inner cardboard insert, instructions sheet and various wooden shells

A Georgian silver circular salver attractively decorated with shells to central crest. London. By IW. Approx. 483 grams. Est. £200 - £300.

SECTION 13. A pair of German porcelain figural four armed candelabra encrusted with all over floral decoration, marks to base, 38cm high, together with a pair of Vienna porcelain ovoid vases and covers painted with scenes after Kauffmann and a German porcelain centrepiece with putti holding shells, a bee and flowers etc on naturalistic base, marks to base, (all af)

A collection minerals, stone objects, sea shells and sea weed pressings to include a Book of Plymouth sea weeds collected by G.B Elliott, circa 1900, with agate pill box, Cornish serpentine obelisk and other items

A Lalique Coquilles pattern glass bowl, shaped with four shells on feet in outer decoration, signed R Lalique France NI3204, 13cm diameter.

A GEORGE III OAK HANGING CORNER CUPBOARD, C1770, THE FLARED CORNICE WITH DENTIL MOULDING ABOVE A GLAZED DOOR, SHAPED SHELLS TO THE INTERIOR, H-BRASS HINGES, 102CM H X 74CM W Condition report Door later glazed, some scratches, abrasions and rubbing to polish but generally consistent with age

A GEORGE III SILVER SALVER ENGRAVED WITH INITIALS AC AND CREST IN MOULDED BORDER WITH SHELLS AT INTERVALS,  ON THREE VOLUTE FEET,  31.5CM DIAM, BY ELIZABETH COOKE, LONDON 1766, 28OZS 17DWTS Condition reportLight wear consistent with age. The engraved crest and initials probably late 18th/early 19th c

A PAIR OF FRENCH REVIVED ROCOCO PORCELAIN VASES, C1860, OF BALUSTER FORM WITH SCROLLING GILT HANDLES, PAINTED TO EITHER SIDE WITH PANELS OF FLOWERS RESERVED ON A PALE PINK OR SHADED TURQUOISE GROUND, THE APRICOT FOOT WITH TWO LARGE GILT SHELLS, 29CM H Condition reportAdapted as lamps with drilled hole in foot, neck of one chipped; slight wear to gilding

George III (1760-1820), Pre-1816 issues, Proof Penny, 1806 (early Soho), in gilt-copper, edge centre-grained, 18.88g/12h (BMC 1321 [KP 29]; Selig 1299; S 3780). Trifling handling marks, otherwise brilliant and virtually as struck; in original metal shells £800-£1,000 --- Provenance: Fellows Auction (Birmingham), 27 October 2015, lot 180

Ireland, George III, Soho coinage, Proof Farthing, 1806, in copper-gilt, edge centre-grained, 4.40g/6h (S 6622). Minor hairlines, otherwise brilliant and virtually as struck; in original metal shells [one half damaged] £300-£400 --- Provenance: Fellows Auction (Birmingham), 27 October 2015, lot 179; M.A. Eeley-Hardcastle Collection

A pair of WW1 trench art brass shells commemorating the Third Battalion, the London Regiment (Royal Fusiliers) Neuve' Chapelle, March 10th 1915, H. 36cm. Together with a further cut off shell case.

3 large sea shells

A collection of vintage and Art Deco costume jewellery consisting of mostly glass beaded necklaces including faceted and round beads, swirl glass, an Art Deco faceted faux tortoise shell glass beaded necklace, a tribal belt stitched with shells and beads, a pair of drop earrings with coral. 

A pair of stamped .925 silver plated tortoise salt and pepper condiment shakers having pierced shells with stylised etched features raised on a square base. Gross weight 155g. Measures 5cm wide 

Collection of antique silver and silver plate menu holders. A set of three stag head menu holders on ebony bases, hallmarked A & LL for Adie & Lovekin Ltd, Birmingham, 1909. A set of three silver plate engraved rampant lions standing on two shells design menu holders. H5cm.

A Trench Art itemmade from WWI bullet commemorating Ypres, a selection of decommissioned shells etc

An African hardwood stool, cut and shaped from a single piece with carved detail and further embellishment with shells, coloured bead work detailing snakes, lizards, etc, 50 cm wide

Assorted items, including a large pewter tankard, two mother of pearl shells, a pair of turned candlesticks and more

A 19th Century Collectors Cabinet of Six Graduated Drawers all With Wooden Handles Containing Various Rock, Mineral, Shells, Bone and Other Samples, 35cm Wide, 21cm Deep and 47cm High

A string of natural pink coral, Murano Glass eggs, carved cowrie shells etc (boxful)

A group of large Vintage green and clear glass Viresa carboy jars, glass vase with shells, and an embroidery (6)

A pair of open twist brass candlesticks, 52cm, a pair of Second World War brass cannon shells, a taller pair, and another, brass and iron desk weight etc

A George III Irish interst rectangular silver snuff box, apparently unmarked, the hinged cover embossed with shells, flowers, a basket of flowers and scrollwork framing a three masted ship on a river and inscribed 'Cork Arms Statio Bene Fida Carinis', 9 x 7 x 3cm, 159 gms. Condition Report The cast cover has been poorly let into the surround and there is some silver edging to the top left corner, the base of the box is somewhat strange, with an oval raised lip, see extra images.

A silver rectangular book binding, 19th century, of Italian style, openwork cast and chased with religious scenes within a shaped cartouche and with a broad openwork border of shells, scrolls, foliage, wreaths, birds and vases of flowers, the front cover with a scene of The Transfiguration, the back cover with a scene of The Anointing of Christ, the spine similarly chased with figures of children and with a single hinged clasp, size 20.7cm x 13cm, weight 565 gms.

TWO BOXES CONTAINING VARIOUS STONES AND SHELLS

TRAY CONTAINING CARVED SEA SHELLS

A collection of minerals, fossils and shells, together with a collection of rulers, fans and miscellaneous items

19th CENTURY DUTCH SCHOOL 'Still Life with Flowers and Shells', oil on board, 55cm x 66cm, framed.

VARIOUS MOTHER OF PEARL SHELLS, CHINA AND GLASSWARES, ETC.

2 WWI shells

VICTORIAN SILVER PLATED TEA TRAY, heavily cast with scrolls and shells, 71cm wide, along with a gentleman's cane (2)

Anthony Baynes (1921-2003), Shells, watercolour, signed, 20cm x 25cm, framed

A Louis XV French silver sealing wax case, GV, Paris 1738, channelled oval form, etched with Rococo floral sprigs and shells, the lid with a windmill vignette, incuse seal to base, 11cm long, 1.30ozt

N Vidal, an Art Nouveau bronzed inkwell, cast in relief with foliate scrolls and shells, faceted glass vessel with hinged floral lid, signed in the cast, 15cm wide

VIctorian mahogany and inlaid banjo barometer, architectural pediment, the case inlaid with shells and flowerheads, silvered dials, signed G Monti, Ipswich, 100cm.

A wooden Mahjong set, two vintage AA badges plus a pair of mother of pearl sea shells

Richard Shirley Smith (b.1935) British a still life painting depicting shells, artefacts, crab carcase on a marble dentil base with some classical style elements, gouache on paper, signed and dated 1986 lower right, in glazed frame, 50 cm x 72 cm

A pair of Meiji period Japanese shibayama wall plaques, circa 1870, red lacquered oval frame with blossom detail, black lacquered back round with shades of mother of pearl, bone and abalone shells of an exotic bird. 70cm H x 54cm W x 4cm D 

REGENCY BONE CHINA TEA SERVICE, TWO DECORATIVE SHELLS, COASTERS, PAIR OF TUREENS AND COVERS

A SELECTION OF VARIOUS SEA SHELLS TO INCLUDE A CERAMIC EXAMPLE

TWO GUN CLEANING KITS AND A COLLECTION OF PLASTIC DUMMY SHELLS

2 SHELVES OF NOVELTY ITEMS INCL; CHERUBS, MODEL BOATS, GLASS HORSES HEAD, FIGURE, SHELLS & OVAL MINIATURE PICTURES

A tray of crystal, glass, jugs, shells etc

A 20th Century study of an exotic bird executed in shells, the raised picture framed unglazed, dimensions 53cm x 35cm

Edwardian silver-mounted and mother-of-pearl shell small pedestal bonbon dish, the heart-shaped loop handle supporting two shells and all on circular foot, 13cm high, Birmingham 1909 

Conch shell, other shells, driftwood, etc (1 box) 

Selection of N gauge vehicles, animals, and three body shells and one CoCo motorised chassis (unknown). P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

A CASKET SHAPED TEA CADDY WITH GILT MOUNTS,approximate height 17cm x width 31cm x depth 16cm, lacking mixing bowl, together with a Georgian toilet mirror in need of restoration, approximate height 45cm x width 34cm x depth 17cm, Chinese root carving of a male figure and a display case of sea shells

A Georgian style walnut Irish Silver Table, mounded edge square top with carved shells to corners, shaped shallow apron, carved cabriole legs terminating in scroll feet, 62cm by 60cm by 70cm high, some veneer lifting and heat stain to top

Pair of Art Nouveau style mahogany plant or bust stands, having square tops, foliate pierced and carved panels, base shells and raised on four tapering square legs, the tops 29cm x 29cm, 116cm high (2)

EARLY 20TH CENTURY ORMOLU AND SHELL COMPORT, the shallow bowl formed from one half of a shell, above a base cast in the form of coral, 23cm wide, 10cm high, along with a matched serving dish formed from two shells, and one other (3)