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A MAHOGANY LONGCASE CLOCK, mid/late 18th century, the brass arched dial with sunburst, 11" silvered chapter ring, subsidiary seconds dial and date aperture and inscribed 'Storr, London', on an eight day three train movement chiming to a nest of eight bells and striking to a single bell, the case with gilt eagle and blind fretwork cornice, the hood and trunk inlaid with shells and floral panels, height 245cm
Silver, comprising; a hinge lidded tea caddy, of oval form, with partly fluted decoration, a gadrooned rim and raised on four paw feet, the front monogram engraved, London 1907 and a pair of butter shells, each crest engraved and raised on three bead feet, London 1898, combined gross weight 291 gms.
SOWERBY (G.B.) Illustrated Index of British Shells . . . First Edition. 24 hand-coloured plates, 3 advert. leaves; original gilt-lettered cloth, 4to. 1859; BROWN (T.B.) Illustrations of the Land and Fresh Water Conchology of Great Britain and Ireland. First Edition. 27 hand-coloured plates & 2pp. adverts.; original gilt-pictorial cloth, 4to. 1845
A Victorian walnut, floral marquetry and gilt metal mounted breakfront credenza:, crossbanded in tulipwood, bordered with boxwood and ebony lines, the top with a kingwood crossbanded edge, the frieze decorated with trailing flowers and foliage, the central cupboard enclosed by an oval panel door decorated with a ribbon tied display of flowers and foliage, having rounded pilaster stiles with applied foliage, shells and scrollwork and flanked by an enclosed glazed cupboard of serpentine outline to either side, on a shaped apron base, 184cm (6ft 0 1/2in) long.
A Meyer & Elliott transfer printed punch bowl of generous proportions: of circular form supported by three dolphins, seaweed and shells, the interior printed in the Bacchanallians at Play pattern within a broad band of grapes and vines, the exterior with an encircling band in the same pattern, impressed date code for January 1863 with painted pattern no. 608, [light interior crazing].
Francois Maurice, a Paris School Palissy Ware dish: of shallow circular form modelled with a lobster, snake, frog, two fish and scattered sea shells, the rim with a large stag beetle, fern, foliage and bull rush on a textured brown ground, the rim incised F. Maurice, circa 1875-85, 40 cm diameter, [minor chips to foot rim].
HUNTING INTEREST: A two-handled soda syphon coaster on a gadrooned foot & a shaped, gadrooned rim interspersed with foliate shells, inscribed on one side "Sparkford Vale Harriers Puppy Show 1921, 1st Prize Dogs Presented by Mrs W. Pepper", by H. Atkin, Sheffield 1913; 5.9" (15 cms) high; 24.3 oz
AN 18TH CENTURY FRENCH CARTOUCHE-SHAPED SNUFF BOX with figures, shells & scrollwork on the cover & base, maker's mark "JDB", other marks distorted c.1750, another silvergilt example similar, the interior inscribed, unmarked c.1740 and a late 18th / early 19th century Dutch rectangular box with embossed decoration; the latter 2.4" (6.2 cms) long; 5.75 oz (3)
A GEORGE II SCOTTISH BULLET TEA POT with a part-fluted spout and a leaf-capped scroll handle, the upper body chased with a mantle of shells, fruit & scrolls, circular pedestal foot & knop finial, engraved on one side with a crest & motto, & initialled "MW" under the foot, by Edward Lothian, Edinburgh 1740 (Assay Master Dougal Ged); 6.1" (15.5 cms) high; 23.5 oz
An Edwardian cut glass and silver mounted bowl, of good size and lobed circular form, each panel engraved with leaves and flowers, adorned with pierced silver mounts, the whole raised on silver base with C scroll, shells and flower heads, on scroll feet, maker William Comyns & Sons, London 1901, dia. 25.5cm, h.19cm (glass a/f) Condition Report / Extra Information Two lobed glass panels with body cracks. One silver mount with losses. Two feet with solder repairs.
* Britains British Infantry in Khaki sets 258 in gas masks, 195 in steel helmets and 160 Territorial Infantry, seated machine gunners and Royal Artillery gunners in peak caps, six second grade kneeling gunners with shells and infantry in action with gas masks (G, some F, two swords missing, seven helmets repainted, four rifles damaged) and postwar set 1907, General Staff in service dress, Infantry, Gunners and Machine Gunners (VG, one machine gun and two arms missing, one machine gun damaged) (87)
* Britains Anti-Aircraft Guns and Equipment two 1717 2pdr AA Gun on chassis, white treaded tyres, 1715 2pdr AA Gun, Sound Locator, Range finder, Height finder and Predictor with operators, additional operator and set 1730, Gunners carrying shells (VG-G, heightfinder tripod legs missing, sound locator and range finder loose on tripods, set 1730 one standing man missing, one kneeling man arms broken, one operator base damaged) 1940 (18)
India, ca. late 19th to early 20th century CE. This is a colorful narrative scroll painted in bright reds, blues, yellows, greens, and oranges, with white and black details. The scroll is composed of over a dozen panels, each telling a portion of a story in delightful detail. This style of scroll painting originated in the 15th century CE and is known by the name of the town it originated in, Cheriyal, located near Hyderabad in Telangana state in south central India. Scroll painting has been described as one of the earliest forms of audio-visual entertainment -- storytellers would travel throughout the villages of Telangana, singing stories and narrating them with these bright scrolls. The visuals tell stories not just about the gods or from famous myths, but also about the lives of ordinary farmers, vendors, or children. The story in this scroll seems to center around the interactions of a variety of colorfully dressed humans with Vishnu, the blue-skinned, four-armed, deity who is central to Hinduism. The scrolls are drawn on handmade cloth called "khadi" which is specially processed by applying a paste of tamarind seeds, tree gum, and white clay. The paste is applied three times and then the outline of the story is drawn on using a squirrel-haired brush. The backgrounds are always red; blue skin always signifies a god. When this piece was made, the watercolor style paint was created from natural dyes, such as white obtained from ground sea shells and black from lamp soot (today, commercial watercolors are often used). This colorful scroll will transform a wall in any home or office! Size: 123" L x 17" W (312.4 cm x 43.2 cm). Provenance: Ex-Sarkisian Estate, Denver CO. Condition: Slight wear to paint and edges, but colors are very bright and artwork is all clear. Some of the pigment has stained the back of the scroll but it does not impact the display of the artwork. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111110
Luristan, Modern day Iran, ca. 1000 to 650 BCE. This is a cast bronze bowl with a single indented line around its interior lip, a design of concentric circles at its base, and a radiating design on its exterior that calls to mind shells. The people of ancient Luristan made many objects from bronze, including utilitarian objects like this one. This piece represents the artistry in everday Luristan life. Size: 6.75" W x 2.5" H (17.1 cm x 6.4 cm). Provenance: Ex-Private PJ. Piscopo Collection, Ex M. Pedersen acquired before 1990. Condition: There is slight cracking to the rim; the piece has some rust caked to it as if it was in the ground for an extended period with some iron objects. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111766
Near East, Early Islamic, possibly Nishapur, ca. 800 CE. This is a large jug with a handle and swirling, geometric black on white artwork. Brilliant blue shell fragments embedded in the handle, as well as carved details. A jug of this size would most likely have been used for carrying water. Nishapur was located along the Silk Road and had a cosmopolitan character at this time period; the new Islamic religion and its corresponding artwork met Mediterranean and Chinese styles. Size: 17"H and 14" at its widest point (43.2 cm x 35.6 cm). Provenance: Ex-private Southern California collection acquired in the 1990's. Condition: Repaired with minor rim chipping and wear. Shells are still visible and bright. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #100619
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24981 item(s)/page