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Every piece is hand made in Kabul by the men and women artisans of the Turquoise Mountain Foundation. Training and employing young people in meaningful creative jobs is vitally important now in Afghanistan when the young desperately need hope and a sense of purpose in a beautiful country tragically caught up in conflict. London based jeweller Pippa Small has been making jewellery since she was a child and was always finding pebbles, beads and shells to string on to her ever-growing collection of bracelets. Gathering collecting and creating jewellery was like a tactile diary of her existence, the pieces came to represent memories, emotions and people. As a child, she travelled widely with her family and became entranced with the cultures and peoples she encountered. As her travels began to inspire her distinctive jewellery designs, Pippa soon gathered a following of admirers. She started collaborating with Christina Kim from Dosa, Nicole Farhi and Tom Ford at Gucci. She then went on to work with Bamford, helping to bring an ethical jewellery collection to the company. Pippa opened her first shop in 2007 in Notting Hill in London and soon after opened a shop in Santa Monica, California. Pippa was named ambassador of the human rights organisation Survival International and awarded an MBE by the Queen in 2013 for ethical jewellery and charity work. She won Ethical Jeweller of the Year and the prestigious Walpole Corporate Social Responsibility award in 2016. Pippa was also named winner of the Green Sustainability Award by Town and Country magazine. She continues to venture further in exploring ways of making jewellery, reviving traditional skills and techniques in communities in Central and South America, Southern Africa, Asia and the middle East. Pippa has been working with arts foundation Turquoise Mountain in Kabul, Afghanistan started by his Highness Prince Charles and Hamid Karzi to protect and promote traditional craft in this beautiful but war torn country for over 10 years. In 2016 she started to work with Turquoise Mountain in Myanmar to revive traditional gold work and provide training and employment opportunities for the next generation. In 2018 Pippa visited Jordan and is now working on collections incorporating ancient motifs from the middle east with Jordanian goldsmiths and refugees from the troubled region on a training programme with Turquoise Mountain. Pippa has worked extensively with the goldsmiths and stone cutters of Rajasthan, inspired by the immense creativity of the artisans and the diverse flora and fauna and landscapes and is now working with the first certified Fair mined gold from Yani, Bolivia. Kindly donated by Pippa Small.
A collection of majolica wares comprising a moon flask decorated with shells and Greek mythical scenes, 35cm high, a pair of ewers with shaped rims, foliate handles and florally decorated panels to the body, 22cm high, a further pair of ewers, two basket vases, three further vases and a wall plate (11)
A 19th century North African powder flask, leather bound and decorated with cowry shells mounted tassels, with strap handle and removable cloth stopper on chain, 35.5cm long (at fault), with further similar example and a woven satchel also decorated with cowry shells and tribal masks (at fault) (3)
dating: 19th Century provenance: France, Straight blades of triangular section, with hollow facets, engraved with trophies and floral motifs, short tang. Iron mounts, sword-shells chiselled with flowers in bass-relief. Grips with leather covering with remains of metallic wire binding. Pommels shaped as in-the-round plumed helmet. length 107 cm.
dating: 19th Century provenance: Klingenthal, Straight blades of triangular section, with hollow facets, short tang with signature 'Coulaux & Cie Klingenthal'. Brass mounts, sword-shells decorated with net and relieved frames. Wooden grips, covered with metallic wire binding (to fix). Pommels decorated with floral motifs with grooved base. length 105 cm.
dating: First half of the 20th Century provenance: Kalimantan, Fine, long and heavy blade of typical shape, chiselled and pierced on the back and at the base. Bone hilt, richly embossed, base with metallic wire binding, pommel with red and white horsehair. Wooden scabbard, richly decorated with shells and colored horsehair, with suspension rope, pendant and scabbard for accompanying knife. length 87 cm.
Four 19th Century Pear-Shaped Powder Flasks, comprising a copper example, stamped, ''Frith Patent'', the body chased to one side with a scene of hounds chasing flushed game birds, 19.5 cm long; another brass example, chased to both sides with designs of foliage and shells, 17 cm; another brass example, chased to both sides with teardrop shaped, flowerhead diaper panels, 19.5 cm long, and another brass example, chased to each side with a shell pattern, 19.5 cm long (4). All with slight dents and dings. All springs operating well.
Britains set 2064, 155mm Gun khaki finish with brass elevating wheel and aluminium shells (one missing), and an additional not matching trail wheel assembly with instruction leaflet and stocklist (Condition Good, trail wheels Fair, onespoke of trail wheel assembly missing, spades not matching) and set 2107 Mobile 18inch Heavy Howitzer, bright green finish, in original boxes, and various additional ammunition, including a set of ammunition for a first version 18" Howitzer (two shells missing) (Condition Very Good, boxes Fair) (2)
ϒCharles and Ray Eames for Herman Miller, a Lounge chair model 670 and ottoman model 671, designed in 1956, this 1960s, laminated rosewood faced ply shells with black leather buttoned upholstery, on enameled aluminum bases, labels, the chair 80cm high, the ottoman 63.5cm wide Please note: Dreweatts has a licence in order to offer this lot containing post 1947 rosewood at auction. If the purchaser wishes to make onward financial gain from this lot then a new licence would need to be applied for - The Article 10 licence reference number for this item is: 586303/01 ϒ indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A PAIR OF GEORGE III CAST SILVER CANDLESTICKS BY ROBERT JONES I, LONDON 1781, shaped square removable sconces with shells to the corners, cylindrical tops, on knopped and waisted columns to shaped square bases, height 25.5cm (2) (condition: both sit level on a flat surface, sconces marked with maker's mark and lion passant and both are rubbed, one sconce has a couple of small nicks/splits to the rim, the candleholders are slightly mishapen)
Scilla (Agostino). De corporibus marinis lapidescentibus quae defossa reperiuntur. Addita dissertatione fabii columnae de glossopetris. 1st Latin edition, Rome: Antonii de Rubeis, 1747, engraved frontispiece, half-title (with signature J.W. Wilton to upper margin), 30 engraved plates (of 31, appears to be bound without additional plate 23), some spotting and browning, sewing weak and initial leaves loose, contemporary mottled calf, gilt decorated spine, lacking title label, upper board detached and lower joint cracked, spine and extremities worn, 4to (Qty: 1)NOTESNissen, ZBI 3780 (calling for frontispiece & 31 plates). An important work on marine fossils, originally published by the author in Italian in 1670 and first translated as here into Latin in 1747. The plates show a variety of partially fossilized animal bones, teeth, shells, corals, snails, a hammer head shark and white shark.
A collection of publications relating to sea shells; 'Sea Shells of the West Indies by Michael Humfrey, Marvellous World of Shells by Donata Lucifora / Peter Tallon, A Collector's Guide To Seashells of the World by Jerome M. Eisenberg, Shells in colour by Sandved / Abbott, Shells Treasures from the sea by James A. Cox and Sowerby's book of shells, etc (7)
An unusual Victorian shell, cast metal and alabaster service bell, the central push finial mounted with a seated bird, above four sea shells set within shaped borders, flanked with hop leaves, over a shaped border, raised on a cut circular alabaster base, 12 cm high, the base measuring 10 cm in diameter.
A George III mahogany and oak long case clock, the break arch dial painted with shells, thistles, rose and bird, chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement, with bell strike, the hood with swan neck pediment and turned brass finials, line inlay and fluted columns, the trunk with fluted quarter pilasters, raised on a shallow plinth base, with pendulum, 218cm H.
With Hand-Coloured Plates of ShellsWood (W.) & Hanley (Sylvanus) Index Testaceologicus, An Illustrated Catalogue of British and Foreign Shells, Sm. folio L. 1856. New Edn., hd. cold. frontis & 46 full page hd. cold. plts., t.e.g., cont. hf. green mor. attractive tooled gilt spine with shell decorations. (1)
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24981 item(s)/page