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A West African Ivory Coast hardwood tribal mask. With cloth and rope work coiffure adorned with beadwork and cowrie shells, the mask is further adorned with brass buttons and with kaolin pigment, 35cm. Provenance; Joost Slingerland collection. Condition report intended as a guide only. Good condition.
A Royal Doulton figurine "Fleur" (HN 2368), an Adams Jasper ware lidded pot, a Doulton Lambeth jug marked with four roundels "He that buys land buys stones", "He that buys flesh buys bones", "He that buys eggs buys many shells" and "He that buys good ale buys nothing else", together with a twin-handled loving cup
A Quantity of Commemorative Royal Worcester Porcelain Pill Boxes. The boxes including 'Butterfly', 'Lazy Day', 'Japanese Swans', 'Millennium', 'Flight Feathers', 'Morning River', 'Lilac Flower Fairy', 'Worcestershire Cottage', 'Flight Barr and Barr Roses', 'Flights of Fancy', 'Queen Mother 100th Year', '21st Year', 'Flight Barr and Barr Sea-Shells', 'Roses', 'Swallows at Dusk', 'Always in my Heart', 'Lazy Days', 'Celebration 2001'. (19)
Britains Guns and Howitzers comprising boxed pre WW2 1292 Gun of the Royal Artillery, pre WW2 boxed 1263 RA Gun, post WW2 1201 RA Gun in poor box, unboxed last version 4.7 inch naval gun and 4.5 inch howitzer, both F-G, incomplete 1950s version 155mm gun, F-G, a few faults, (6 guns, plus 'A' piece, spades and ammo) 1292 box good though dirty, gun missing pip that allows barrel to slide along elevating arm slot, otherwise G. 1263 box complete, but 2 split corners and dirty. Gun missing towing eye. 1201 Gun G, box incomplete and with tape repairs. 155mm gun has replacement white metal spades and elevation 'A' piece. Complete with towing wheels, cartridge and 3 plastic shells,
Britains: 1958 155mm gun on centurion tank chassis, item no.2175, 29cm overall length, matt green finish. 1953 155mm American gun with detachable wheels, item no.2064, 31cm overall length, matt green finish. both unboxed but original condition. Britains 9730 4.7" naval gun, unboxed, 20cm gloss green. Britains Royal Horse Artillery with 1920 pattern mechanism, boxed, with 'shells', 11cm, play worn condition. (4)
WW1 Trench Art made by German Prisoner of War of Queens Regiment Interest, two brass shells, engraved with regimental badge of the Queens West Surrey regiment with the reverses having engraved “MADE BY GERMAN PRISONER”. Both shells being 1915 German examples marked to the bases. Accompanied by two later brass shells engraved with images of boats mounted onto wooden bases and a small wooden made ashtray with copper dish inked to the bottom in permanent marker “”MADE BY GERMAN POW 1944”. (5 items)
An early 19th century pearl ware type tankard of cylindrical form with moulded and blue highlighted leaf and heart decoration, 14.5 cm tall, together with a pair of Royal Worcester white glazed salts in the form of merpeople supporting shells, green printed marks to base number 349, also together with a Mailing blue ground posy holder of shaped circular form
Circa 1900 Miao Baby Carrier, with black velvet shaped mount to the top, embroidered in pinks and creams with floral motifs and blue trim, appliquéd red, blue, black, cream and printed cotton diamond motifs to the lower half, with metal half studs, within a black cotton trim, pink checked reverse, two long embroidered straps to each side, 62cm by 43cm; Two Banjara Dowry Bag/Satchels, of similar date in faded red woven with geometric shaped embroidery in panels, decorated with cowrie shells, 30cm by 30cm and 39cm by 39cm; Hmong Thailand Baby Carrier, with central blur printed cotton, appliquéd with pink silk, with similar silk trim, pom pom adornment, 48cm by 72cm (4)
Circa 1900 Miao Baby Carrier, with black velvet shaped mount to the top, embroidered in pinks and creams with floral motifs, appliquéd red, blue, black and cream circles and diamond motifs to the lower half, with metal half studs, within a black corduroy and cotton trim, two long embroidered straps to each side, 62cm by 43cm; Early 19th Century Indian Banjara Woven Panel/Cradle Cover, comprising four square panels to the centre, within geometric woven trim, blue edging trimmed in red with zig zag embroidery, red corners with shell adornment, 69cm by 69cm; Banjara Dowry Bag/Satchel, of similar date in red woven with geometric shaped embroidery in panels, decorated with cowrie shells, 34cm by 34cm (3)
A Sheraton revival satinwood mahogany and marquetry display cabinet, dentil cornice above a deep frieze and a pair of astragal glazed doors, flanked by broad panels and glazed rounded angles, inlaid in coloured woods with ribbon-tied swags, shells and flowers, outlined throughout with boxwood and ebony stringing, tapered square legs, spade feet, 191cm high, 162cm wide, c.1900
A George V silver three piece half fluted boat shaped tea service, comprising teapot, milk jug and sugar basin, hinged domed cover, gadrooned everted borders with shells and leafy scrolls to angles, scroll handles, ball feet, the teapot with ebonised fittings, 30cm long, James Deakin & Son, Sheffield 1931, 42oz
A RARE SET OF GEORGE III TEA CANISTERS AND SUGAR BOX IN ORIGINAL MAHOGANY CADDY ALEXANDER GAIRDNER, EDINBURGH 1772 each marked to bases, comprising a set of two tea caddies and a sugar box, each of bombe form with bold rococo foliate scrolls to corners and beaded shells clasped to rim, the panels with scroll and foliate formed vacant cartouches with shell and gadrooned rim, each raised on four scroll supports, the slightly domed pull off covers with gadrooned rim and foliate formed panels. Contained in an original flame mahogany veneered caddy of rectangular form with incurved corners, ebonised stringing and brass lock escutcheon, raised on four foliate and paw supports and with hinged scroll handle, all in gilt bronze, the fitted interior with velvet lined apertures for each piece Caddies 12.7cm high, 7.3oz and 7.5oz, Sugar box; 12.5cm high, 9.4oz; Mahogany caddy; (excluding handle) 19.5cm high, 30cm wide Provenance: Sotheby's 12th June 1969, lot 94 Bought by Baroccki, £85 Grandtully Antiques, Perthshire circa 1970's Private Collection References: Compendium of Scottish Silver II, R & J Dietert, page 497 Notes: Produced at the end of the 'Edinburgh's Golden Age of the Goldsmiths art' these caddies show the height of skills practiced by Scottish goldsmiths at the time and expertly portray the rare survival of rococo design in Scotland. The survival of Scottish silver tea caddies pre 1800 is surprisingly rare. Of the references given the example under discussion being one of only two sets of three and the only set still in their original wooden outer caddy. While not all examples would have originally been housed in a wooden caddy any silver caddies without a lock, which covers most pre 1800 examples, would likely have been housed in a wooden caddy as the security of the expensive commodity was essential. It is often mooted that the fashion for rococo design passed Scotland by and that the simple plain lines of the earlier George II / III periods over shone the tastes in Scotland. While rococo is indeed rare and likely not as fashionable with the masses in Scotland items such as these tea caddies expertly show that when offered the opportunity the makers could supply clients who demanded the highest rococo tastes. Although rare some of the finest mid to late 18th century Scottish tea wares, including important examples for Leith race prizes, tea kettles, coffee urns and rare chocolate pots show these fashionable ideas were being created. Alexander Gairdner is a maker often overlooked by collectors due to such contemporaries as William Dempster, William & Patrick Cunningham and Patrick Robertson all of whom were supplying the Edinburgh public at the same time and received many important commissions. Gairdner is no less important just perhaps overlooked at a time of strong competition. He was one of Edinburgh's longest serving goldsmiths working from 1754 (after his apprenticeship to William Aytoun) until his death in 1803, a career of some 49 years perhaps only bettered by the 51 years of James Mitchelson. During this period he took some 14 apprentices, including his son John in 1773. He acted as Deacon of the Incorporation of Goldsmiths of the City of Edinburgh for one term between 1772 - 1774, interestingly when these caddies were made. Gairdner also appears to have been one of a very small handful of Scottish goldsmiths who received Royal patronage, this is noted on the occasion of the marriage of the Prince of Wales to Princess Caroline of Brunswick (8th April 1795), The Caledonian Mercury noted that 'Mr. Gairdner, Jeweller to his Royal Highness for Scotland, had a beautiful representation of the Prince's feathers in small lamps on the front of his shop, which had a very fine effect, and attracted much notice'. He also uses a variant of his maker's mark which features Prince of Wales feathers within the punch., This has so far only been recorded on a very fine Freedom box for the Burgh of Dumfries, given to Sir Henry Dundas.

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27327 item(s)/page