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IMPRESSIVE RARE LARGE CAPODIMONTE NAPLES LIDDED EWER in the manner of Meissen / J J Kaendler's 'Elements' jug, circa 1880, applied with shells, maidens, putti and mythical sea-creatures, four sea-serpents to the square base, impressive mythical figure handle and trumpeting merman cover, blue ground with gilding, believed 19th Century, base marked with crown, 76cms high Condition Report: no obvious damage or restoration apparent Provenance: cleared from a Grade II listed historic house, Snowdonia
A Cambrian Pottery Swansea dinner plate, circa 1820, transfer printed in black with the 'Women with Baskets' pattern, along with a side plate, transfer printed in green black with a shells and flowers design, circa 1800, attributed to Cambrian Pottery Swansea. (Dimensions: 25.5cm and 18.5cm diameter respectively.)(25.5cm and 18.5cm diameter respectively.)
Tapestry evening purse with ornate gilt frame made by Finnegans of New Bond St. Tapestry depicts figures in a pastoral landscape, the highly decorated frame with lions, shells and swags, the gilt chain suspended from swans necks. Provenance: From a collection of mostly custom-made, couture evening purses, formally the property of an Italian Countess. (Dimensions: 20.5 x 21cm)(20.5 x 21cm)
A BEAD NECKLACE, BALTIC, 11TH CENTURY OR LATER, A NECKLACE WITH GLASS AND AMBER BEADS, BALTIC, 9TH TO 12TH CENTURY, AND SEVEN FURTHER PIECES OF EARLY JEWELLERY the bead necklace with five bronze cross pendants and two silver disc-shaped 'shield' pendants with punched decoration, bronze spiral beads and tubes, the tubes with gold leaf decoration, and glass beads; the necklace with glass and amber beads including some with gold leaf; together with three further necklaces from the Baltic region dating from the 9th to 12th Centuries, four axe pendants, and four loose beads; one necklace with glass and bronze beads, cowrie shells and a bear-tooth pendant, another with glass beads and cowrie shells, and the third with small beads; two axe pendants of silver and two of bronze, one with ring and dot and the other with punched decoration (all necklaces re-strung but stated to be as-found) (9 plus 4 beads)
A PAINTED LANCE, 18TH/EARLY 19TH CENTURY, PROBABLY FOR THE CAROUSEL with robust tapering conical iron spike formed with a pair of short straps, on its black-painted turned wooden haft with weighted base, decorated in polychrome with linear ornament and numbered '15' 161.5 cm; 63 5/8 in overall Similar lances were used in the Swedish Royal tournament held by Gustav III at Ekolsund in 1776. Carousels were not a solely male pursuit, in 1671 an event was held in Copenhagen at which the ladies of the Royal family tilted at the ring. The North European Courts developed a specific form of carousel for women, often taking place in fantastically carved sleighs formed as fabulous beasts or mussel shells, racing on the snow and tilting at the ring. Though these were favoured in the North where they were best suited to the climate, they did take place elsewhere. In 1721 Augustus the Strong had two thousand carts of snow delivered to Dresden for a Court Sleigh Carousel. See Rangstrøm (ed.) 1992, pp. 424 - 442, cat. nos. 274, 275 and 276 and p. 418 and Krause 2017, p. 295.
‡AN EXCEPTIONAL PAIR OF 120 BORE FLINTLOCK BOX-LOCK POCKET PISTOLS WITH SILVER BARRELS, ACTIONS AND MOUNTS, SIGNED MORTIMER, LONDON, TOWER PRIVATE PROOF MARKS, BIRMINGHAM SILVER HALLMARKS FOR 1774, MARK OF CHARLES FREETH with turn-off cannon barrels formed in two stages divided by raised mouldings, engraved with a band of foliage at the breeches and one numbered '1' beneath, engraved actions decorated with border ornament, signed 'Mortimer' on a scroll carried by a ground of rococo scrolls on the left and inscribed 'London' on a scroll carried by trophies-of-arms and rococo designs on the right, fitted with border-engraved iron steels and ring-neck cocks, engraved tangs decorated with rococo flowers, highly figured rounded walnut butts profusely inlaid with silver wire and engraved silver plaques forming a design of scrolling tendrils, flowers and rococo shells within a wrigglework frame enriched with minute silver pellets (small pieces of wire lifting), silver mounts comprising, sliding trigger-guard safety-catches with moulded borders and each engraved with a diamond-shaped panel on the bow, vacant silver escutcheons, and grotesque mask butt-caps with engraved borders 3.5 cm; 1 3/8 in barrels (2) Provenance Clay P. Bedford Collection (inv. no. 1512), one pistol Christie's, London, 18th July 2002, lot 339, one pistol Bonhams, London, 30th November 2011, lot 391, the pair Exhibited Early Firearms of Great Britain and Ireland from the Collection of Clay P. Bedford, The Metropolitan Museum of Art, New York, 1971, cat. no. 197 Literature Clay P. Bedford and Stephen V. Grancsay, Early Firearms of Great Britain and Ireland from the Collection of Clay P. Bedford, exhibition catalogue, The Metropolitan Museum of Art, New York, 1971, pp. 174 and 177 H. Lee Munson, The Mortimer Gunmakers 1753-1923, 1992, pp. 151-152, pl. 234. This pair of pistols are probably unique and, as Munson states, are amongst the earliest known examples of H.W. Mortimer's work.
‡A RARE 120 BORE FLINTLOCK BOX-LOCK POCKET PISTOL WITH TUTENAG BARREL, ACTION AND MOUNTS BY MORTIMER, LONDON, TOWER PRIVATE PROOF MARKS, BIRMINGHAM SILVER HALLMARKS FOR 1776 with turn-off two-stage cannon barrel engraved with a band of foliage at the breech, engraved action decorated with border ornament and scrolls carried by rococo foliage, the scrolls respectively signed 'Mortimer' and inscribed 'London', engraved tang, highly figured rounded walnut butt profusely inlaid with silver wire scrolling tendrils, flowers and rococo shells within a wrigglework frame, silver mounts comprising grotesque mask butt-cap and escutcheon engraved with the owner's initials 'JH', and tutenag trigger-guard engraved with a diamond-shaped panel on the bow 3.5 cm; 1 3/8 in barrel Provenance William Guthman, sold Bonhams & Butterfields 12th October 2006, lot 5.
A 54 BORE FRENCH FLINTLOCK TRAVELLING PISTOL BY DUVAL À NANTES, CIRCA 1760-70 AND A 28 BORE FRENCH FLINTLOCK PISTOL SIGNED À PARIS, CIRCA 1760 the first with two-stage barrel engraved with scrolls and retaining traces of gilt decoration over the breech and muzzle, struck with London proof marks on the right of the breech, engraved breech tang, signed rounded lock, full stock carved with a bouquet about the tang, iron mounts including solid side-plate, trigger-guard with urn-shaped finial and spurred pommel, vacant silver escutcheon and associated wooden ramrod; the second with tapering barrel formed with a long flat, moulded muzzle incorporating the fore-sight and retaining some gilt decoration over the breech, engraved tang, engraved stepped lock, full stock moulded over the fore-end and carved with foliage about the tang, engraved iron mounts comprising solid side-plate decorated with rococo shells and foliage, trigger-guard with baluster finial, spurred pommel and a pair of moulded ramrod-pipes, a retaining a portion of an early ramrod the first: 8.1 cm; 3 1/4 in barrel (2)
KENT - TOPOGRAPHY AND NATURAL HISTORYBOYS (WILLIAM) Testacea minuta rariora... A Collection of the Minute and Rare Shells, lately Discovered in the Sand of the Sea Shore near Sandwich, FIRST EDITION, 3 engraved plates of shells 'accurately drawn, as magnified with the microscope, by Geo. Walker,... at Faversham', contemporary calf, red morocco spine label, scuffed [Nissen ZBI 524], 4to, J. March, for J. White [and others], [1784]--PACKE (CHRISTOPHER) Ankographia [in Greek] sive Convallium descriptio... Explanation of a New Philosophica-Chorographical Chart of East Kent, FIRST EDITION, without the map (as usual), light spotting, modern half cloth over marbled boards, 4to, Canterbury, J. Abree, for the Author, 1743--The Kentish Traveller's Companion, in a Descriptive View of Towns... Situated in or Near the Road from London to Margate, Dover and Canterbury, second edition, 3 folding engraved maps (2 frayed with minor losses at fore-edge), contemporary calf, spine gilt, 8vo, Canterbury, Simmonds and Kirkby, 1789 (3)This lot is subject to the following lot symbols: •
A Victorian mahogany three-tier whatnot, spirally turned supports, drawer to frieze, 98cm high; A George II Revival walnut silver table, dished rectangular top above a long frieze drawer, straightened cabriole legs applied to the knees with shells, protuberant pad feet, 82.5cm wide; A small walnut chest; A Regency Revival mahogany work table, near-square top with fall leaves above three drawers, turned column applied with foliage, quadform base, paw feet, casters, 72cm high; A mahogany occasional table, fluted columnar supports
An early Victorian cake basket Robert Garrard, London, 1844, in the late George II style, shaped oval, the sides chased with beaded flutes the sides pierced with alternate panels of diaperwork and quatrefoils between, the border cast and applied with shells and foliage, the swing handle with applied with rococo cartouche, marked underneath and on handle, the underside further stamped 'R&S GARRARD PANTON ST. LONDON' (Dimensions: Width: 37cm, weight: 56.5 oz)(Width: 37cm, weight: 56.5 oz)Condition report: of good heavy gauge. The centre is vacant but not thin. There are repairs to either side of the cartouche on the handle. The marks underneath are clear. The marks on the handle are worn but legible. The cast foot is not quite straight but sits flush on a flat surface.
Pair of 19th century porcelain two-handled bowls and stands, each painted with whelk shells and coral, a Victorian pottery pedestal sucriere and cover painted in Japan pattern colours, a small Belleek porcelain baluster jug, a Dresden cabinet cup and saucer and a blue and white Royal Crown Derby china pin tray Condition Reportcup and saucer: Some loss of gilt and colour jug- no obvious damageplate - no obvious damagebowls and stands- One stand has a major crack/repair and a bowl has a surface crack inside, there is also loss of gilt to bothsucriere and cover- Lots of cracks to body and lidSee attached images
A pair of George II silver salvers by Benjamin Godfrey, London 1739, each circular and on three reeded panel feet, with reeded rim, with spiralling and fluted border with serpentine edge, the border and the field flat-chased with trellis, scrolls, and shells, the field engraved with a baroque coat-of-arms, each marked on the back, the backs further numbered and engraved with a scratchweight 'No 4 13"17' and 'No 3 13"18', 18.5 cm. diam., 840g., approx. 27 troy oz

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27327 item(s)/page