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Japanese - Meiji Period 1864 - 1912 Well Carved and Signed Okimono Ivory Figure of a ' Fisherman ' Holding a Large Crab / Lobster In One Hand and a Fishing Net In The Other Hand Standing on a Large Craggy Rock Below a Small Boy Holding a Fishing Net, The Other Hand Holding Shells. The Figure Is Signed to The Underside and Stands 11.25 Inches High, Age Related Patina and Hairline Crack to Back of Figure - Please See Photo - Does Not Distract. Provenance - Comes From a Deceased Gentleman's Private Collection. Please Note This Figure Cannot be Exported Without a Cities Permit. This item can not be exported outside of the EU.
Five Various Aesthetic Period Blue Moulded Jugs, the largest decorated with bamboo and birds in flight in a typical example of Orientally influenced Aesthetic style; 9 inches high; the second with allover decoration of underwater plants interspersed with shells; 9.25 inches high; a Dudson jug with scenes of a singing bird perched on a tree branch with blossom, with shrubs below; 6.5 inches high; one with stylised oak leaf and acorn design above a reeded base; 6 inches high; and one pewter lidded jug with single Spring flowers between anthemion to the bulbous base, with larger flowers above; 7.5 inches high overall (5)
Small Selection of WW1 Trench Art Shells consisting a pair of brass shell cases. The bases marked '75 Dec'. The case engraved with 'The Yorkshire Regt' badge and 'Somme 1916' with chain linked flower panels and lower French 75 mm cannons. Cases with flower cut top ... 18 pr. shell base dated 1916, converted to an ashtray and engraved ÔSouvenir of War' ... Brass shell nose cover with mounted REME badge ... Brass Elec. Eng. starting case mounted with an RAF cap badge. 5 items.
A rare Worcester globular teapot and cover, slightly grooved handle, pencilled in black enamels and highlighted in gilt with formal Chinese style plants beneath a border of shells and scrolls, domed cover, flower finial, 14cm high, c.1772-75 (amended date) Provenance: Zorensky Collection. Part II, Bonhams, P.37 Vendor's Note: Pencilled means a small pointed brush, which paints the fine outline. Condition Report: Restoration to cover, nibbles to its finial. Minor nibble to top of teapot neck. Both with minor rubbing to gilding.
*Thompson (D'Arcy Wentworth, 1860-1948). Two Typed letters signed and one autograph letter signed, 'D'Arcy W. Thompson', St Andrews, 13 December 1935, 19 November 1938 & 5 February 1941, both addressed to [Ronald] Winckworth, the first thanking him for the two boxes of Murex and letter, 'I must begin by saying that I am abashed and ashamed by the trouble I have given you. In the way of notes all I ever expected was a few words to draw my attention to characters that might escape my notice; but you have given me what amounts to a revision of the entire group. I am immensely obliged to you, - but still more than a little ashamed. The figure of M. Scolopax in the sand is only one of the many interesting things that your notes contain', continuing on the same subject before asking 'When are you going to begin to a "Manual of the Mollusca"? I am not flattering you in the very least when I say that there is nobody else who could do it...', with an initialled postscript saying that he was shocked to find the letter lying around unsigned and unposted for the best part of a month, 2 pp., 4to, the second letter a technical letter concerning Mare Sporco and including classical references to Aristotle with a few words inserted in ink in Greek, both 2 pp., 4to, the third autograph letter saying that he will be honoured to have honorary membership of the Malacological Society, talking of his love for shells from early boyhood and recounting 'I was about 13 or 14 when I had my first apprenticeship for collecting, in the old classic ground of Birtubay Bay. You may assure the Society of my warm gratitude...', talking of other good natural history societies and talking about his correspodence writing projects, 2 pp., small folio Ronald Winckworth (1884-1950) was a British natural historian and president or vice-president of three learned societies in the field, specialising in British and Indian mollusca. (3)
SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS, POSSIBLY SCOTTISH LATE 19TH CENTURY including two carvers, in the Hepplewhite style, the cartouche shaped backs with pierced splats carved with Prince of Wales plumes and shells, over wide serpentine padded seats covered in red leather, raised on flower carved cabriole legs ending in acanthus carved scroll feet (8) 64cm wide, 94.5cm high, 56cm deep
ELIZABETH COBBOLD (BRITISH 1764-1824) TWO PAPER-CUT PICTURES, EARLY 19TH CENTURY with handwritten verses, on pink paper grounds, in glazed ebonised frames; the first depicting a snail on leaves below a tree, 19cm x 24cm; the second a soldier in uniform on horseback, 19cm x 23.5cm (2) Note: Elizabeth Cobbold was a woman who could quite easily inhabit a Jane Austen novel; strong of character, independent by nature, smart, talented, resourceful, and philanthropic, she was a fascinating woman fully engaged in life in the early part of the 19th century. She published her first group of poems at nineteen, followed by others. At the age of twenty-six she married a man thirty-four years her elder, who sadly died less than a year into the marriage. During this time she wrote her first novel, juggling her domestic duties with an active work and social life. Her second husband, a wealthy brewer in Ipswich, was twenty years her senior and a widower with a brood of fifteen children. The success of the marriage was evidenced by the seven additional children Elizabeth had with him. She also had a keen interest in science, particularly the study of shells, corresponding with leading specialists in the field. So astute were her observations and enthusiasm for the subject, a fossil bivalve shell was named after her. In 1812 she founded a charity to provide clothing to poor children, and in 1820 she started a charitable bazaar. Every year in Ipswich she and her husband hosted a Valentine's Day ball for which she created individual cut paper valentines for unmarried guests. These she inscribed with her own verse on topics related to love and matchmaking, some for men and others for ladies. These sentiments proved to be so popular that in 1814 she published a volume of her designs and verse under the title 'Cliff Valentines', Cliff being the name of her house in Ipswich. That these small bits of paper survive after two hundred years is remarkable, but testament to how they must have been cherished and kept by their recipients. They offer a remarkable window into life in the Regency period, and one can't help imagining the excitement in receiving one at Cobbold's Valentine's Day ball at Cliff House.
LARGE FRENCH PATINATED AND GILT BRONZE MANTEL CLOCK, JAPY FRERES, PARIS 19TH CENTURY the gilt dial with enamelled chapters with Roman numerals, surmounted by a seated figure riding an elephant with trunk raised, on an elaborate rococo scrolled and pierced base with shells, the eight-day movement striking a bell, stamped JAPY FRERES and E.P. LÉPOSÉ/ 5564 54cm high, 42cm wide
Royal Artillery Order of the British Empire and Military Cross Medal Group of Seven, O.B.E. Military, George V Military Cross (M.C), 1914 star and bar, awarded to “2.LIEUT. H.L. PALMER. R.F.A.”, British War Medal and Victory Medals “CAPT. H.L. PALMER.” WW2 Defence Medal and 1939-45 British War Medal. The medals have been mounted into a glazed display frame. Residue on the reverse of the medals. Accompanying the medals are miniatures, medal ribbons and various Royal Artillery badges. The Military Cross appeared in the London Gazette, 11th March 1918, “For conspicuous gallantry and devotion to duty. On two occasions he succeeded in bringing up ammunition to his battery firing line in spite of a very heavy barrage of gas shells, and when the track leading to his battery was under heavy shell fire and blocked with traffic for a considerable time” Herbert Lionel Palmer, a native of Aylesbury, Buckinghamshire served in France from 1914 with the 8th Division Royal artillery and also served as a Major in the 2nd World War.
An early 19th century Barr Flight Barr Worcester coffee can with monochrome bat printed decoration of shells and coral, further gilded decoration and loop handle with impressed mark to base, together with an 18th century Worcester tea bowl and saucer of fluted form with pink bat printed decoration of a lady and her attendants walking in the park and a lady and a gentleman taking tea both with painted cross hatch mark to base
A set of William and Mary black and gilt japanned furniture, comprising a three-seat settee and four open armchairs decorated figures and foliage in the chinoiserie taste, with cane backs and seats, late 17th Century with alterations and restorations/Provenance: Lord McAlpine, West Green House, Hampshire, Sotheby's sale 16th May 1990, Lot 77/Provenance: Little Sodbury Manor, South Gloucestershire/see illustration Condition Report: Settee - paintwork to seat and stretcher re-worked, decorative seat shell finials and scroll work restored in places. Single chairs - one with re-worked decoration and back moulding scrolls and shells. Other three chairs - badly rubbed on arms and back rails. Restorations throughout.
An elegant 18th century Hepplewhite carved, painted and parcel gilt showframe sofa, the serpentine back over a serpentine fronted seat and channel and scroll carved swept arms, raised on a conforming rail and six cabriole style legs, headed by carved shells, with remnants of the original paint and parcel gilding, upholstered in gold silk damask, 77in. (195.5cm.) long, 36½in. (92.75cm.) high.
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24850 item(s)/page