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Original vintage propaganda poster issued after the Second World War in Italy to warn the population about the explosive armaments. Ordigni explosivi - non tocare - pericolo di morte - Explosive devices - do not touch - danger of death. The poster shows explosive devices that posed danger after the WWII - grenades, mines, bombs and shells. Published by the Ministry of Defence, printed in Rome. Acceptable condition, folds, paper losses on image, creasing, staining, pinholes, tears at edges and folds. Country of issue: Italy, designer: Unknown, size (cm): 70x100, year of printing: 1956
Two Indian mother of pearl shells, one hand painted with men on horseback hunting deer, the other men on horseback playing polo. 15.5cm long 11.5cm wide Both shells are in excellent condition. The shells themselves have no chips, cracks or restorations. On both there are very minor spots of paint loss, the most noticeable of which is a small loss on the centre tree.
A set of kozuka (knife handle) and menuki (paired hilt ornaments), and eight kozuka (knife handles)The set: Style of Araki Tomei (1817-1870), Edo period (1615-1868), mid-19th century; the eight kozuka: Edo period (1615-1868), late 18th/19th centuryThe kozuka comprising a shakudo nanako plate set in a gilt-metal frame, chased in shakudo, gold, and silver relief with two quails and three heads of millet; the two menuki gold, each modelled as a quail pecking on a head of millet, unsigned, with a wood storage box; the eight kozuka unsigned except as noted; the first silver inlaid with mixed-metal relief and flat inlay of a cranes and the rising sun, signed Omori Terumitsu; the second copper, surface-treated and partially chiselled to imitate basketwork, with a wasp inlaid in shakudo; the third shibuichi, inlaid in mixed metals with shells for kai-awase (the shell-matching game); the fourth copper, chased and with gold, silver, and shakudo inlay of a wild boar crouching amidst autumn plants by moonlight; the fifth shibuichi chiselled in relief and gold inlay with two sumo wrestlers, signed Naoyuki with a kao; the sixth copper gilt nanako, decorated in chasing and gold inlay with massed cherry blossom around a torii shrine gateway; the seventh shakudo nanako with gold and silver relief inlay of a swallow and flowering prunus branch; the eighth shakudo nanako, chased and inlaid in gold and silver with Raiko and his men in disguise partying on Mount Oe with the Shuten Doji monster and his attendant ogres. (12).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A very rare blue and white garlic-head vaseKangxi six-character mark and of the periodThe compressed globular body surmounted by a tall waisted neck terminating with a garlic-head mouth, finely painted in soft inky-blue tones with gnarled branches of prunus on a cracked-ice ground, between diaper-pattern bands and chilong on the neck, and fish amidst swirling waves on the body, the lowest register with sand and shells, all supported on a tapered foot. 22.5cm (8 7/8in) high. Footnotes:清康熙 青花魚龍紋蒜頭瓶Provenance: an English private collection來源:英國私人收藏A related vase with mythical beasts and waves, from the Qing Court Collection, Kangxi six character mark and period, is illustrated in Blue and White Porcelain with Underglazed Red (III): The Complete Collection of Treasures of the Palace Museum, Hong Kong, 2000, pl.19.See also a related blue and white vase, Kangxi six-character mark and of the period, which was sold at Christie's Hong Kong, 28 November 2006, lot 1536.For further information on this lot please visit Bonhams.com
A very rare pair of carved cinnabar-lacquer 'weiqi' boxes and coversLate 16th/early 17th centuryEach gently curving sides exquisitely carved with three-stringed lutes or sanxian, clappers or paiban, mouth-organs or sheng, and bells, as well conch-shells, fans, crickets, and auspicious symbols, all on a diaper-pattern ground, the gently domed covers carved with ripe lychees borne on leafy branches, each lychee carved with different patterns. Each 12.5cm (4 7/8in) wide. (4).Footnotes:十六世紀晚期/十七世紀早期 剔紅圍棋蓋罐一對The present lot is extremely rare and there seem to be few published examples. The game of weiqi (圍棋) or encirclement chess, which is perhaps better known in the West by its Japanese name of Go, was considered to be one of the four accomplishments of a scholar-gentleman in traditional Chinese society. The other three arts included playing the qin (琴), a seven-stringed zither much enjoyed by Confucius; calligraphy or shu (書); and painting or hua (畫). The decoration of various antiques and musical instruments on the present lot underscore their nature as objects for leisure and entertainment. According to some traditional accounts, the mythical emperor Yao invented the game to enlighten his son. The game which was known then as yi (弈) was also mentioned in the Analects (Lunyu 論語) ascribed to the sage Confucius.Weiqi boxes and covers were continuously made for the elites in Chinese society. See a cinnabar-lacquer carved weiqi box and cover, Southern Song dynasty, in Daiju-ji temple, Okazaki, illustrated in So Gen no bi: denrai no shiki o chushin ni, Tokyo, 2004, pl.117. Compare with a related but earlier pair of cinnabar lacquer weiqi boxes, Xuande six-character mark and of the period, which was sold at Christie's New York, 19 March 2009, lot 581. Compare also with a pair of lacquer weiqi boxes, Xuande six-character mark, late Ming dynasty, illustrated by K.Brandt, Chinesische Lackarbeiten: Linden Museum, pp.132-133, no.80. See also a pair of related cinnabar lacquer weiqi boxes and covers, Jiajing six-character mark and of the period, illustrated in China Lacquerwork & Enamelware Selection, Beijing, 2006, p.59.For further information on this lot please visit Bonhams.com
Selection of Various Items including boxed set of WW2 medals consisting France & Germany Star, Africa Star, Defence and War medals ... 1943 First Aid dressing ... Jack knife ... Alloy, field made lighter ... 2 x brass shells ... 1939 dated, white metal whistle. All contained in an armoured fighting vehicles, first aid tin.
A group of collectors' items including shells, taxidermy blue tit and whinchat (both af) and a horse's hoof, glass paperweight, scent bottle, black slate obelisk with applied thermometer inscribed 'J. Turner Buxton' (af), etc.Additional InformationThe obelisk with numerous chips, the thermometer glass tube has cracked, both of the taxidermy birds with damage, further general heavy wear throughout.
by Charles Reily & George Storer, London 1830, the half coconut shell topped with a 1.5cm reeded and concave silver border, supported on three fully marked silver foliate feet, diameter 10cm and height 11cmFootnote: Standing cups were made in Western Europe as far back as the late 15th century, with a major revival in 18th and 19th century England. Although the original examples were largely made of wood, the later examples were more flamboyant, with bowls formed out of such things as coconut shells or ostrich eggs, and were often embellished with silver mounts and feet. It was believed that the shell of the coconut would act as a natural defence against poison. The shell's scarcity meant that only the wealthy were able to afford them and they were considered a luxury item in Georgian England. Due to their comparatively fragile nature, many have not survived and a coconut cup in good condition today is a rare find.
thirty three pearls, with a central pearl of 13.9m graduating to 12mm, of natural colour in delicate shades including grey, pistachio, mushroom and aubergine and of excellent lustre, strung knotted on silk to a white metal stylised shepherd's crook shaped clasp pavé set with round brilliant cut diamonds, estimated total approximate weight of 0.40ct, unmarked tested as 18ct gold, overall length 48cm, weight 96.5gFootnote: Parented by the rare black-lipped oyster, Pinctada Margaritifera, Tahitian pearls were originally produced in Tahiti, French Polynesia, although now they also originate from the Marshall and Cook Islands, the Solomon Islands and Fiji. Even before pearl cultivation was discovered, Tahitian Pearls had gained a reputation for value and rarity. Over 15,000 shells would be opened before finding a single natural pearl. A unique aspect of this oyster is the natural dark colours of its pearls. Most 'black' Tahitian Pearls are not completely black, but instead range from silver or charcoal, to midnight black, pewter, and even a pale silvery-grey. These pearls can have overtones of green, blue, violet, silver-rose and copper. Typically, all of these pearls come with some degree of a green hue and generally range in size from 8-14 millimetres.
by William Pugh, Birmingham 1813, shovel shaped with mother of pearl handle, the blade decorated with bright cut basket weave design engravingFootnote: The caddy spoon was used for measuring out loose tea. Traditionally made of silver, they were particularly popular in the 19th century, when tea was an expensive and luxury commodity. The tea itself was stored in elaborate boxes or caddies, and the spoons were designed with short handles and wide, shallow curved bowls to be used with such containers. The short handle enables the spoon to be locked in the tea caddy itself, securing both the spoon and the precious tea. By the turn of the 19th century, caddy spoons were not only becoming more popular, but also more ornate. The sheer number of shapes and styles veered on being works of art as much as being practical tools. The imagination used in the creation of different designs ranged from natural objects such as feathers, leaves, and shells to more imaginative creations such as hands, shovels, and jockey caps, as in these examples. By the turn of the 20th century, the silver caddy spoon and indeed loose tea were becoming less popular following the invention of the tea bag. By the beginning of World War II, silversmiths were finding little demand for these once popular and now highly collectable little pieces of historical flatware.
Zsolnay, an Art Nouveau Eosin glazed ceramic vase raised on three open work feet c.1905, raised Zsolnay circular spire mark, impressed number difficult to read possibly 6892 M Of globular form, the neck rim folded over in three sections and pulled down to partly form the open work feet, decorated with applied with stylised horse chestnut fruits in their knobbly shells, covered with a lustrous Eosin glaze 12.5 cm highSome fine surface abrasions to the glaze around the the feet, with some fine crazing to the glaze and some dirt. A few tiny scratches in the bottom of the vase. Some tiny open bubbles/pitting in the glaze in the bottom of the vase but this was in the firing. Wear to the underside of the feet.
A ‘Tulip’ dinner table, designed by Maurice Burke for Arkana, rosewood veneered circular top with brushed aluminium pedestal base, circa 1975, underside of weighted base moulded 'Arkana 22', diam 121cm, height 65.5cm; together with six 'Tulip' chairs, on aluminium swivel bases with four-branch supports, the black fibreglass shells moulded mark to underside 'Arkana 116', cream upholstered seat pads, width 61cm, height 74cm.Footnote: This lot is subject to CITES regulations and offered with a CITES Article 10 license ref: 594208/01
Charles and Ray Eames for Vitra, two 'DSR' chairs, white moulded shells on Eiffel-type bases and a matching circular dining table (3)Condition ReportThe metalwork appears in good order; the table has a couple of visible scratches across the top, the chairs have some minor marks/scratches to seat and backs, commensurate with age
Included in this lot is a collection of .44 caliber ammunitions. The collection is comprised of two boxes of Black Hills Ammunition and two boxes of Remington. The two Black Hills boxes are .44 Russian 210 grain center fire cartridges. A little over one box has been spent and just the brass remains. The ammunition is manufactured in Rapid City, South Dakota. The remaining two boxes are Remington .44 Rem Magnum 240 grain lead and soft point cartridges. The lead cartridges have 17 remaining and 16 brass shells in the packaging. While the soft point cartridges appear to be full. The boxes measure 3” x 5 ¾” x 1 ¾”.
JOHN SHEARER FOR ARTHUR SIMPSONAN ARTS AND CRAFTS OAK MIRROR BACK SIDEBOARD, the superstructure with a pair of fabric backed glazed doors each centred by patinated metal biblical panels signed Justin (Justin Matthieu), flanking a pair of cupboard doors securing a fall front, each carved with ribbon tied swags over three bevelled mirror plates and a pair of shallow drawers carved with stylised foliage, the breakfront base with leaf carved edge over a frieze drawer carved with grotesque fish and foliage above a pair of three panel doors carved with vacant cartouches and fruiting vine, flanked by a pair of similar carved frieze drawers over a pair of panel doors carved with fruit filled cornucopiae, scrolling acanthus and shells, raised on short square section legs terminating in blocks. 183.5cm high, 215cm wide, 70.5cm deep
A silver-mounted desk blotter/paper pad; the highly ornate hallmarked silver front with vacant cartouche, 'C' scrolls and scrolling foliage/flower heads within a border, also decorated repoussé-style with stylised scallop shells and opening to reveal left-hand expandable pocket and blotting paper/pad to the right, the silver front with maker's mark of W&H, assayed Sheffield 1903 (27.5cm high x 25cm wide)
A Ceremonial Ikat jacket, Bengkula, Sumatra, Indonesia, with gold thread weaving and couched cowrie shells and mica mirrors, length 37cm, width including sleeves 144cm, complete with wooden display stand, height 71cm and receipt of purchase in 2006 at 'Made Rach Art Galleries, Jakarta Barat',
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24987 item(s)/page