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A Chamberlain's Worcester basket, circa 1815-30, painted by Enoch Doe and George Rogers with a view of Malvern between a veined gilt border, titled to the base, 15cm wide (hairline crack around handle) *Godden, Geoffrey A.. 1992. Chamberlain-Worcester Porcelain 1788-1852.Wigston: p. pp. 138, 196 Cf. pp. 138, 196-7, 205. Another, larger basket, encrusted with shells and dating from c. 1840-5, and with a very similar view of Malvern Abbey, illustrated pl. 204 Note: Provenance: Linley Hall, Shropshire
An early George III silver baluster cream jug by John Henry Vere & William... An early George III silver baluster cream jug by John Henry Vere & William Lutwyche, London 1761, with a leaf-capped double scrolled handle, a nulled rim, the body chased with a shield, scrolls, foliage, flowers and rocaille work, the base cast and chased with fruiting vines and shells, engraved with a crest, 12cm (4 3/4in) high, 171g (5.5 oz) The crest of YEOMAN.
*Natural history. A mixed collection of approximately 120 prints and engravings, mostly 18th & 19th century, engravings and lithographs of fish, fruit, birds, flowers, shells, eggs, moths & butterflies and monkeys and apes, including examples by Houghton, Gronvold, Moses Harris, Morellon, Edwards, Mazell, Pauquet and Buffon, various sizes, all mounted (approx. 120)
An Early to Mid 20th Century delicately carved Senufo Kpelie Mask, with authentification certificate, combining both human and animal features. Although owned and worn only by men the Kpelie represented the concept of feminine beauty and fertility. The unique features which characterize the Kpelie mask include elongated flanges radiating from the bottom part of the mask, which are a reference to the hornbill bird. The horns on the mask refer to the ram, an important sacrificial animal. The nodules on the forehead represent palm nuts as well as vulva's; they are flanked by characterisation marks that symbolise the twins born to the primodial couple. The Kpelie mask was used at initiation in the societies for boys, adolescents and adults, at funeral rituals designed to lead the spirit into the land of the dead and at harvest festivals to thank the ancestors for a good crop. The piece is made of wood, cloth and cowrie shells and measures approx. 12 ins (30.5 cms) in height, 8 ½ ins (22 cm) wide.[Previously owned by the late Vaughan Lawson Baird, with documents which show communication between Vaughan L Baird and Esther A Dagan (Gallerie Anred) who wrote many books including 'The Sprits Image' to which this mask appears on page 88 and 193].
A Dayak Baby Carrier decorated for a display of wealth and prestige of a family and to protect the baby when it left the safety of the communal long house and compound. They were only used when mother and baby were away from home. The design of most women's art is defensive, designed to erect defensive barriers between their families and malignant spirits. This particular baby carrier would have been designed for a male baby as the decoration of bear teeth and claws is indicative of a male baby, female babies universally show cowrie shells. The piece is mid 20th Century made from wood, rattan, beads, bear teeth and claws and snake skin. It measures approx 14 ins (36 cm) tell, 14 ins (36 cm) wide and 5 ½ins (14 cm) deep.
A Beautiful 19th Century Kuba Kete Helmet Mask. This was collected from a village in Mushenge and owned by one of the elders of the village. The piece is made of wood, glass beads, cowrie shells, metal strips, material and shows faded pigment, it measures approx. 19 ½ ins (49 cm) tall, 11 ½ ins (29 cm) wide and 12 ins (30 cm) deep.
A LARGE FINE QUALITY SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF A BIJIN BY NOBUYUKI, possibly Noboyuki Suzuki, well carved from a single piece of ivory, the lady standing in sandals on sandy ground in a floral and wave decorated kimono and obi, one hand holding aloft an abalone shell, the other supporting a basket of piled and detailed sea shells, a few shells lying on the ground between her feet, the base with an engraved signature on an inlaid mother-of-pearl reserve, 9.5in high.
A pair of ivory painted and parcel-gilt table vitrines in Louis XIV style A pair of ivory painted and parcel-gilt table vitrines in Louis XIV style, late 19th/early 20th century, each with sliding glazed tops above diaper incised frieze centred on Apollo masks and shells, on squared baluster legs and shaped stretchers, 98cm high, 105cm wide, 44cm deep Provenance: From Cherkley Court, former home of Lord Beaverbrook
A good Chamberlain Worcester basket c.1840, the well painted with a bold arrangement of fruit including fig, pineapple, grapes, lemon, pear and plum on a marble table top, the rim applied with a variety of shells on a bed of bright green seaweed, raised on a scroll moulded base, 22cm across.
A Samuel Gilbody (Liverpool) shell salt or sweetmeat c.1755-60, formed as a deep shell painted to the interior with a flowering spray in red and gilt, the dish raised on a cinquefoil base encrusted with further small shells, 11cm across. Provenance: from a private collection in Surrey. A very similar salt from the Crane Collection (Bonhams, 31st March 2010, lot 199) was exhibited by Simon Spero in 1993, number 20. A similar dish from the Watney Collection is illustrated by Alan Smith, Some Finds at Liverpool, ECC Trans, Vol 7, Part 2, 1969, Plate 116a.
A rare Derby campana vase c.1810-15, painted to one side with an octagonal panel containing an arrangement of shells and coral, the handles each formed as a coiled serpent or lamprey, red crowned crossed batons mark and painted 36 to the foot, 17cm. Shell decoration is rarely found on Derby porcelain. Provenance: the Cordwent Collection.
A Chamberlain Worcester plate in the Princess Charlotte pattern c.1816-17, the well painted with a fruit and flower spray, the wide border probably painted by George Davis with six diamond-shaped panels of exotic birds reserved on a pale blue ground with an elaborate gilt design of shells, scrolls and seedheads, black script mark with a foliate cartouche, 21.7cm. Princess Charlotte Augusta was the only legitimate child of George IV, and ordered a service of this pattern to celebrate her marriage to Prince Leopold of Saxe-Coburg-Saalfield. She died in childbirth in November 1817 and was greatly mourned by the family and public alike. In 1814 she had appointed Chamberlain as her porcelain manufacturer and was a significant patron, ordering several services in the three years before her death, including this one which included some 144 plates alone.
An early Chelsea white-glazed small salt c.1746-48, formed as a deep scallop shell resting on a base of coral, seaweed and further tiny applied shells, a section broken and cleanly repaired, 8cm across. Cf. F. Severne MacKenna, Chelsea Porcelain: The Triangle and Raised Anchor Wares, pl.4, no.10 for an identical example bearing an incised triangle mark.
An Edward Molyneux couture lavishly embellished evening gown, circa 1955-7, with large woven satin label, 'Molyneux, made in France', no 220094, adorned with flowerheads formed from shells and pastel sequins, with iridescent sequined foliate scrolls, large band of shells and pearl beads to the lower border, layered crin petticoats, bust 97cm, 38in, waist 76cm, 30in Provenance: the late Meta Morris Evans who worked as social secretary at a number of embassies in Washington DC. CONDITION REPORT: Soiled, needs cleaning, some of the large pearl beads o the lower skirt border are missing at the front, crumpled
Wildlife assorted covers and postcards collection. Ring binder containing around 45 Wildlife and nature themed first day covers, each one with an accompanying postcard - so over 90 items. Practically all these are first day covers with full sets of stamps, with just a couple of Benham single stamp small silk covers. Covers include 2001 Royal Mail Pondlife, 1989 Food and Farming, 1989 Seabirds, 1977 British Wildlife, 1978 Horses, 1976 Roses, 1982 Natural History signed by stamp designer Gordon Beddingfield, 1983 British River Fishes, 1986 Shells and Molluscs, 1995 Cats, 2008 Insects and so much more. Good condition. All signed items come with a Certificate of Authenticity and can be shipped worldwide.
Selection of WW2 British Steel Combat Helmets, consisting of four standard British army combat helmets and two Home Front fire watchers helmets. All have the original liners and most the original webbing chinstraps. Helmets have all suffered from poor storage and have various degrees of surface rusting to the exteriors of the shells. (6 items)
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24987 item(s)/page