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A PAIR OF MEISSEN RETICULATED PLATES finely painted with groups of three putti on clouds with a dove and birdcage or warming themselves around a fire, the gilt open trellis border moulded with panels of colourful flowers alternating with gilt shells, in shaped rim, 24.5cm diam, painted crossed swords, late 19th c Both of fine quality and in fine condition. In the local private family ownership for several generations
A SHEFFIELD PLATE WINE COOLER BY THE M BOULTON PLATE CO of lobed ovoid design with handles issuing from leaves, detachable rim and liner, the domed foot with shells and leaves, engraved with armorials , 25cm h, c1825 Complete and in good condition with the odd minor dent and of the good quality associated with this eminent maker
A GEORGE III TEA AND COFFEE SERVICE BY PAUL STORR the form derived from a Roman oil lamp with cast and chased band of double shells alternating with palmettes, beaded shoulder and entwined snake handles on low domed and reeded foot engraved with the arms of the Duke of Manchester, comprising teapot, the domed lid with integral hinge, anthemion spout and carved ivory handle, 17cm h, marked on base and stamped 562/S, sugar bowl, 11cm h, cream jug with anthemion spout, 11cm h, London 1810 hot water jug or coffee pot and lampstand with domed lid, carved body handle, the stand on three incurved acanthus capped lion monopodiae, platform and three feet, shallow urnular lamp with chained cap, 28cm h, marked on base, stand and lamp, London 1810, hot water urn with domed cover with rising cast flower finial with steam vent, the interior with plain cylindrical seamed sleeve with ring handles, cover and hot iron, acanthus clad reed loop handles issuing from lion masks, conforming spout with carved ivory palmette tap, on reeded foot, square plinth stamped RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE, on outset curling stiff leave paw feet flanked by volutes, 38cm h, marked on base and cover, London 1810, (urn 1809) sleeve and cover unmarked, 348ozs gross Provenance: William Montagu, 5th Duke of Manchester (1771-1843). He married in 1793 Lady Susan Gordon, third daughter of Alexander Gordon, 4th Duke of Gordon. Manchester held office as Governor of Jamaica for nineteen years from 1808, where he prepared the colony for the emancipation of slaves. It is possible that he commissioned the present service from Rundells in connection with his new posting to the Caribbean; thence by descent at Kimbolton Castle until the 20th century and acquired by the present vendor by private treaty in 1996. The design of this elegant serpent handled tea service by Paul Storr was one of the most popular marketed by his firm, Rundell, Bridge & Rundell. Such was the demand that Penzer (1954) recorded no fewer than nineteen examples of the hot water jug or coffee pot alone. The most prestigious goldsmiths of the age, they employed leading artists as designers and their craftsmen were highly skilled in all branches of the craft - raising, casting, chasing and engraving. Based on the ancient Roman oil lamp, its adaptation to the individual forms of a tea service was probably executed by the French painter and designer Jean-Jacques Boileau (1787-1851). His design for a very similar hot water jug or coffee pot is in the Victoria & Albert Museum. Boileau was in England at the time, having been employed by Henry Holland in the redecoration of Carlton House for the Prince of Wales. A similar service in the Gilbert Collection is fully discussed and illustrated Schroder (Timothy B), The Gilbert Collection of Gold and Silver, Los Angeles 1988, pp 371-7. An earlier hot water urn made by Paul Storr for the Duke of Manchester (London 1802) was sold, Christie`s, 16 March 1949, lot 38. It is illustrated Penzer (N M), Paul Storr, 1954, plt XVIII. Each piece in very good condition and complete
A PAIR OF GEORGE III WAITERS BY PAL STORR engraved with the arms of the Duke of Manchester in shaped and gadrooned rim with double shells and leaves at intervals, on three acanthus volute feet, 21cm diam, maker`s mark, London 1813, numbered under the rim 1110, London 1813, 32ozs 10dwts In good condition with a few light scratches/wear, no repairs the marks good
A PAIR OF GEORGE III SAUCE TUREENS AND COVERS of gadrooned oblong form, the rims with shells and acanthus leaves to the corners, the handles conforming, on substantial paw feet, engraved with contemporary armorials, the domed cover with the initials C beneath a crest, 15cm h, by William Bruce, London 1814, 86ozs Of fine quality and in an excellent state of preservation, crisp and practically as new in appearance, the metal of fine colour, no wear to the engravings. The tureens/covers correctly numbered 1 and 2 and of very heavy gauge
AN EXTENSIVE COLLECTION OF LATE 19TH AND EARLY 20TH CENTURY CHOCOLATE, CONFECTIONARY AND ICE CREAM MOULDS BY LETANG FILS PARIS, ANTON REICHE AND OTHER FRENCH AND GERMAN MANUFACTURERS of cast alloy and hinged at the centre or stamped tinplate, the subjects including novelty and traditional Easter eggs, Santa Claus and other figures, rabbits, other animals, birds, miscellaneous shapes of a great variety including fruit and vegetables (eg asparagus spears), mushrooms, shells, ornaments and objects, tray moulds, etc, the Letang moulds cast LETANG FILS PARIS 108 RUE VIELLE DU TEMPLE, several Victorian pewter ice cream banquet moulds and eight Victorian copper jelly moulds (approx 950) Provenance: Café Buol, Nottingham. One of the most fashionable Nottingham meeting places in the 1920s and 30s, Café Buol was established by its eponymous Swiss founder, Monseiur Henri Buol, a talented Chocolatier. In its heyday it operated from large premises on Market Street just off the Market Square and branches at Mansfield Road Sherwood and Carrington Street with a large bakery in St James Street. Pictures courtesy of Nottingham City Council and www.picturethepast.org.uk Very dusty and some items rusty having been stored for decades in an outhouse. Consigned by the executors of Mr Buol`s descendants and a collection of this size is very seldom offered for sale
A RARE DERBY FLORAL ENCRUSTED VASE of blind trellis moulded design with pierced border and green rope handles, on rocky foot with gilt shells, 16cm h, c1760-65 No other example of this rare shape and size is recorded in the literature. A pair of smaller examples with covers are in the Victoria & Albert Museum. They are discussed and illustrated Rice (D G), Derby Porcelain..., 1983, pp57-201, plt 122. The shape of extraordinary complexity and in generally very well preserved condition with the odd firing crack here and there and some typical but generally light chipping of the flowers and leaves. The handles undamaged
Charles and Ray Eames Zenith shell chairs Charles and Ray Eames Zenith shell chairs, pair, by Herman Miller/Zenith, transitional version with large shock mounts, x-base, with black rod legs, rope edge shells, all feet intact, original finish, each signed with Herman Miller/Zenith square paper label, 25"w x 24"d x 31"h, shells are faded, very good original condition No water rings or stains. No chips or cracks. Light wear consistent with age and use over time. All feet intact. Sturdy and structurally sound. Some color loss/fading.
Verner Panton Fun 4 DM chandelier Verner Panton Fun 4 DM chandelier, chains suspended from a large painted disk hold a large cluster of mother of pearl shells, 22"dia x 42"h, approximately 6 chains are missing, some shells are detached, good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
George Mulhauser Mr. Chair by Plycraft George Mulhauser "Mr. Chair", by Plycraft, molded plywood shells, four-point bentwood bases, original off-white vinyl upholstery, original finish, signed with Plycraft labels, chair: 30.5"w x 30"d x 36.5"h, ottoman: 21"w x 17"d x 16"h, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs, and abrasions. No repairs. Light wear consistent with age and use over time. All feet intact. Sturdy and structurally sound. The upholstery is splotchy and discolored.
Charles & Ray Eames Zenith rope-edge shells Charles & Ray Eames Zenith rope-edge shells, two, by Herman Miller, no bases, molded elephant gray fiberglass, original finish, signed with Herman Miller/Zenith square red and white paper label, 25"w x 23"d x 16"h, very good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Charles & Ray Eames shells Charles & Ray Eames shells, four, by Herman Miller, no bases, molded light yellow fiberglass, original finish, signed with Herman Miller stamped marks, 25"w x 23"d x 16"h, good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Charles & Ray Eames Zenith rope-edge shells Charles & Ray Eames Zenith rope-edge shell, by Herman Miller, no base, molded orange fiberglass, original finish, signed with Herman Miller/Zenith square red and white paper label, 25"w x 23"d x 16"h, faded good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
E Cheeswright (?) gilt framed watercolour study of seashells, 8cm by 26cm; another oval framed watercolour study of shells, 18cm by 26cm; a pair of framed colour prints; four framed prints of birds; colour print of a country house; a framed watercolour study of shells and a large colour print in 18th century style
Royal Worcester vase shaped as a shell, raised on a dolphin, a similar with a conch shell supported by branches with shells below, a cup and saucer with transfer decoration of castles, quantity of small ceramic figurines, possibly the cries of London, two decorative plates, and a model of Mary, Queen of Scots (af)
A 19th Century and later white marble mantel clock and stand, with eight day movement striking on a bell, the gilt dial with inset white enamel hour plaques on a relief moulded foliate scroll ground, the back plate inscribed `Howell & Co`, the later matched balloon shaped case moulded with scrolls, shells and dolphins, on a similarly scroll moulded stand, overall height approx 37cm, with pendulum (repaired).
PAIR OF DRESDEN (Helena Wolfsohn) PORCELAIN CABINET PLATES, the central roundels enamelled with Boucheresque figures within gilt cartouches on a gros-bleu ground , within scalloped borders pierced and gilt accentuated with trellisage, shells and flower sprays, 9 3/4" (24.6cm), also an EARLY TWENTIETH CENTURY ROYAL CROWN DERBY PORCELAIN CABINET PLATE, the central roundel enamelled by C. Gresley with a named Scottish scene, date code for 1924 and inscribed `Near Aberfoyle, Scotland` (3)
A Royal Worcester white glazed porcelain sweetmeat dish, the bowl moulded with scallop shells and bullrushes, raised on a dolphin stem and circular foot, impressed mark, 11cm high, a Graingers Worcester porcelain vase modelled as a water lily, 98/G, printed mark, 8cm high, and a pottery charger, early 19th century, transfer decorated in blue and white with Buddhist emblems, 41cm diameter. (3)
Satanic themed artistic assemblage made up of four corner cowrie shells surrounded by semi-precious stones and other minerals, with a central stylised cross with tortoiseshell ammonite and amber embellishment against an oil paint background with leather surround, reverse with secondary image and descriptive text, 53cm x 44cm
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24981 item(s)/page