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An early 20th Century Caldas de Rainha Pallisy style plate, with a lobster to centre with assorted shells and sea grasses surrounding, diameter 30cm, together with another pair of plates, one with central lobster and the other with central crab, with assorted shells and sea grasses surrounding, diameter 23cm. (3)
A Senufo Kpeli-Yehe Double Faced Mask, with hornbill headdress, the faces with hobnail type scarifications, 45cm; a Yaure Mask, the combed coiffure with antelope horn type decoration, the long oval face with painted and hooded eyes, aquiline nose and small open mouth, 34cm; a Marka, Burkino Faso Mask, of wood with high comb headdress set with cowrie shells, with recessed eyes and long nose, 44cm (3)
A Porcelain Dessert Plate from the Dowry Service of Grand Duchess Olga Nikolaevna IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF NICHOLAS I (1825–1855), CIRCA 1844Diameter 23.5 cm.Circular, with scalloped gilt rim, the cavetto painted with a view of the Red Square, Moscow, within gilt band, the border decorated with gilt cisel laurel wreath tied with a ribbon inscribed “Vid Krasnoi Ploshchadi”, shells and scrolls on a cobalt ground, the reverse with a blue Imperial cypher for Nicholas I.The cavetto of the present lot is painted after the work Vue de la Place Rouge by Louis-Jules Arnout (1814–1868).Provenance: Important private collection, Europe.
A Porcelain Dessert Plate from the Dowry Service of Grand Duchess Olga Nikolaevna IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF NICHOLAS I (1825–1855), 1844 Diameter 23.5 cm.Circular, with scalloped gilt rim, the cavetto painted with a view of the Palace Embankment, St Petersburg, within gilt band, the border decorated with gilt cisel laurel wreath tied with a ribbon inscribed “Obshchii Vid Dvortsovoi Naberezhnoi”, shells and scrolls on a plum ground, the reverse signed “N Kornilov” with a blue Imperial cypher for Nicholas I and dated 1844.Provenance: Important private collection, Europe.
Natural History - a Coco de Mer (Lodoicea), Seychelles, early 20th century or earlier, of typical form in an unpolished natural state, 10in x 11in x 9in (25.5cm x 28cm x 23cm) approx. Note: Coco de Mers were originally found floating in the sea, hence the name, and it was thought that they greo on mythical trees at the bottom of the sea. Known for their resemblance to the female form, they became fashionable curiosities during the 16thC when European nobles would often have the shells of these nuts polished and decorated with valuable jewels. In 1768 by Marc-Joseph Marion du Fresne discovered that they grew in the Seychelles; Coco de Mer now only grows on the Praslin and Curieuse islands where it is now a rare and protected species.
A late 19th/early 20th century Cantagalli majolica centrepieceThe central shell supported on stylised dolphins issuing water into scallop shells above further scalloped bowls typically painted, the whole supported on a tortoise, painted mark to base. 37 cm high. CONDITION REPORTS: Generally good, with expected wear, old repairs, slight chips and nibbles, some possible areas of restoration.
A large silver caster, Atkin Brothers, Sheffield 1929; a toast rack, James Dixon & Sons; and a pair of butter shells; together with a Victorian oval electroplated roll top breakfast dish with foliate engraving, Joseph Rodgers & Sons, the dish 33cm wide over handles, the caster 20.5cm high, 15.4ozt
First World War.- Royal Army Medical Corps.- Grant (Colin, Captain, RAMC, medical practitioner, of Kirkaldy, Fife, invalided from the front after a fall from his horse in 1916, b. 1885) Collection of manuscripts, letters and artefacts relating to his service on the Western Front in the Great War, including: (1). Correspondence Book, carbon paper duplicates of c. 60 reports sent while in command of the 70th Field Ambulance at Erquingham and L'Estrache, the Advance Dressing Station at Brasserie etc., manuscript, 65pp. excluding blanks, original cloth, soiled, sm. 4to, September - October 1915 § (2). Diary, autograph manuscript, 53pp. excluding blanks, a few ff. loose, original cloth field-book, rubbed, 108 x 74mm., August - October 1915, browned; and a group of dispatches written to him in the field and letters after return to England and hospitalization, a group photograph, lecture notes, his medals (the silver Faithful Service and 1914-1918 medal, etc.), regimental badges, his beret, chevrons, and set of trench maps in their holder, v.s., v.d. (sm. qty).(1). Correspondence Book. "Report for 24 hours... 13 Oct. 1915. At 11.15 last night, two shots from our heavy guns landed at a point almost due south from us. In a few minutes a large fire occurred at the spot, and was followed apparently by an explosion. At 9 am four very heavy enemy shells exploded in the field behind us, near railway avenue. Our batteries kept up a fairly heavy fire... . From 4 - 6 p.m, the Germans dropped numerous shells in this vicinity, some shrapnel balls and fragments landed on the roof of this house."(2). Diary. "... after inspecting the RAP I went right on to the fire trenches, which just here are within a stone's throw of the Germans. One could hear them talking, and with a periscope could examine their works, but of course no men were to be seen at all. Below ground... one could hear them moving. One German who spoke excellent English, had the cheek to call out 'Tommy lend me staples, my barbed wire comes undone'! Coming down another way, six shots came smack into a brick wall very close to us, but we got out with our wounded without any mishap. In the evening we watched the shelling of an aeroplane by the Germans , but they were hopelessly out of range."
Pre-Columbian, South Coast Peru, Paracas, ca. 500 to 300 BCE. An impressive pectoral comprised of hundreds if not thousands of petite seashells of creamy white hues, sewn to a black fabric backing and mounted to a museum quality stand. Given its size and the sheer number of shells included, this piece was likely created for the Paracas elite. Shells as well as other beings from the sea were highly symbolic to the ancients of the Andes. Scholars believe that they played a major role in indigenous religious beliefs, and they were oftentimes used to create jewelry and decorative ornaments as symbols of rank. Size: 27.5" L x 2.75" W (69.8 cm x 7 cm); 11" H (27.9 cm) on included custom stand. Provenance: private Hawaii, USA collectionp; ex-private Hans Juergen Westermann collection, Germany Condition: Shells are ancient. Sewn to a modern black fabric and mounted to museum quality stand. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #145400
Pre-Columbian, Ecuador, Manabi Province, Jamacoaque (Jama Coaque or Jama-Coaque), ca. 500 CE. A hollow mold-made terracotta female figure who sits with four birds perched upon her arms and her hands placed upon two percussive drums. She is highly decorated with an elaborate beaded necklace of turquoise hues and multiple yellow strands, multiple armlets and bracelets adorned by turquoise blue and yellow hues, large ear ornaments incised so as to resemble shells, an enormous yellow nose ring, pointed blue labret flanked by four hemispheric face piercings - as well as a striking headdress and coiffure - the headdress comprised of 3 raised hemispheric sections (with twin pointed lobes of hair emerging from the outer 2) - that are incised with zigzag and ray motifs and present traces of turquoise blue pigment, over a plain yellow caplike section. Liberal remains of aqua blue, golden yellow, and green pigment adorn the figure and her accoutrements. Size: 8.375" W x 10.5" H (21.3 cm x 26.7 cm)It is clear that the Jama-Coaque artists were a sophisticated lot who could create finely modeled sculpture as well as various textiles adorned with imaginative ornamentation, quite evident in the workmanship required to create the elaborate regalia of this seated figure's highly decorated state. The Precolumbian worship of sky animals, here referenced by the birds, stemmed from their belief that these winged creatures served as messengers between man and his deities. Provenance: Morton Dimondstein, Los Angeles; Acquired from the above in the 1970's and early 1980's; ex John Rich collection, Beverly Hills CA. John was a notable Hollywood producer/director. Condition: Repaired from multiple pieces with restoration over the break lines. Bird on right hand has been restored. Liberal amounts of original pigment save areas of restoration. Nice manganese deposits. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #145916
Southeast Asia, Indonesia, Borneo, Central Kalimantan, Dayak peoples, ca. early 20th century CE. A beautiful example of a headhunter's trophy skull, known as an "ndaokus," adorned with intricate linear, zoomorphic, and anthropomorphic motifs. Fine patina has developed along the exterior surfaces. Large cowrie shells cover the eyes and a string of cowrie shells sewn onto a woven grass fiber cord is wrapped through the zygomatic arch on either side. Size: 5.5" W x 6" H (14 cm x 15.2 cm)The Dayak people of old were feared hunters known for their occasional cannibalistic tendencies as well as their affinity and cultural attachment to headhunting. Young men would symbolically transition into manhood by being tasked with taking the life of an enemy combatant. This practice enabled young warriors to prove their masculinity and bravery by taking possession of the soul of the slain foe. The collected skulls were kept in the house of the hunter as trophies, proof of their prowess as a warrior. Ndaokus skulls generally lack a lower jaw because the mandible was removed and given to the women as necklace pendants for a penultimate insult toward the defeated enemy. Provenance: private San Francisco, California, USA collection Condition: Rich patina on surface. Most of the teeth are lost and there is no mandible present as some examples have. Some of the teeth present have been reattached. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146550
A FINE QUALITY JAPANESE MEIJI PERIOD CARVED IVORY & SHIBAYAMA TUSK VASE ON STAND, profusely decorated depicting two birds in trees amongst chrysanthemums and other native flora, the side of the vase with a red seal signature, the tusk section distinguished in high relief using carved inlays most commonly made up of sea-shells, horn, stained ivory and wood, the tusk section 25.5cm high x 11cm wide, overall 36.2cm x 20cm.
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24987 item(s)/page