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Lot 65
An early 19th century mahogany apothecary`s box, with a sunken brass handle above a twin hinged front revealing a fitted interior with divisions for sixteen bottles, thirteen present, with various labels for `COMMANS & WILSON, 11 GEORGE STREET, BATH`, `EDGAR NEALE, High Street Chippenham` and `GODFREY & COOKE, SOUTHAMPTON STREET COVENT GARDEN, LONDON`, with two drawers with brass scales, leather boxed grain weights, a pestle and mortar and further bottles, the back with a sliding cover revealing four bottles and stoppers, 26.3cm high, 22.3cm wide, 17.8cm deep. Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke.
Lot 66
An early 19th century mahogany apothecary`s box, with sunken brass handles, the divided interior with nine glass bottles and stoppers, some with labels for `J. B. LANGFORD, CHEMIST, WELLINGTON` and other labels for the previous contents `AMMONIA`, `SPIRIT OF HARTSHORN`, `POISON`, with a base drawer fitted with further bottles, brass scales and tortoiseshell fleams, 21.9cm high, 23.5cm wide, 12cm deep. Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke.
Lot 171
An amethyst glass and swirl decorated conical paperweight, inscribed "Spomasz Torun Poland", with hollow base, together with a rectangular table mirror with bevel edged plate in carved and moulded frame decorated with foliage and berries, a kukri, a polished white stone lidded pot, an etched glass tankard with metal hinged lid, glass knife rests, pocket watch with Arabic numerals to dial, the dial marked "Metro", with subsidiary seconds dial in white metal casing with a yellow metal chain, one clasp marked to the side "R9?", a pewter lidded pot embossed with grapes on vine, a set of scales, brass figure of a gentleman as a candlestick, another brass figure, and a bronzed figure of a classical style archer
Lot 37
**AN OTTOMAN SILVER-MOUNTED SWORD (SHAMSHIR), TURKEY, EARLY 19TH CENTURY with curved single-edged blade of watered steel, inlaid with two later silver calligraphic panels on one face (small areas of deep pitting), silver hilt comprising border-engraved cross-piece with a pair of quillons with bulbous finials and back-strap, and a pair of horn grip-scales rising to a pronounced bulbous pommel (age cracks), in its wire-covered wooden scabbard with large cast, chased and engraved silver mounts comprising locket and chape (the former missing its locking-catch), and a pair of middle mounts for suspension, struck throughout with silver marks 83.5 cm; 32 7/8 in blade
Lot 50
**AN OTTOMAN BALKAN SILVER-MOUNTED SHORTSWORD (YATAGHAN), 19TH CENTURY with curved single-edged blade cut with a brief inscription on one face and decorated with gold, the hilt extending in a pair of shaped silver panels over the forte, fitted with a pair of horn grip-scales (one chipped) retained by four pairs of rivets with silver foliate heads, and each grip profusely studded with minute silver nails, in its wooden scabbard encased in chased silver, decorated with scrollwork and flowers 62 cm; 24 3/8 in blade
Lot 51
**AN OTTOMAN SWORD (SHAMSHIR), TURKEY, 19TH CENTURY with curved single-edged blade (small edge nicks), the hilt bound with brass and fitted with a pair of horn grip-scales rising to a pronounced bulbous pommel with a gilt pear-shaped washer on each side, and later cross-piece 79.2 cm; 31 1/4 in blade
Lot 156
A THIRD DRAGOON GUARD TROOPER`S HELMET, CIRCA 1871-1901 with brass skull fitted with white horse hair plume, white metal helmet plate charged with the number `3` enclosed by the motto of the Most Noble Order of the Garter, and brass chin-scales (chin-scale lining missing, worn) 40.6 cm; 16 in high
Lot 198
**VARIOUS OWNERS A COMPOSITE GERMAN AND ITALIAN CAP-A-PIE FIELD ARMOUR IN THE SO-CALLED `MAXIMILIAN FASHION, PARTLY NUREMBERG, EARLY 16TH CENTURY comprising close helmet with rounded one-piece skull rising to a low boldly roped medial comb, fitted at the nape with a broad neck-guard of three lames (the first restored) and at each side by means of common dome-headed pivots with a `bellows` visor and bevor, the visor stepped beneath its centrally-divided vision-slit, pierced with eight horizontal ventilation-slots arranged in two rows and fitted at the right of the chin with a short lifting-peg (replaced), the bevor fitted at the right cheek with a pivoted visor-prop (replaced) and struck at the left of the neck with the quality-control mark of the city of Nuremberg, each secured at the right by a spring-catch with push-button release (the button in each case replaced); `Almain` collar of four lames front and rear, the lowest in each case significantly deeper than the rest (the front one cropped at its lower corners), the two sections connected to one another at the left by an internal hinge, and each side of the whole fitted with a short spaudler of three lames (restored), the last fitted with a turning-pin to attach an arm-defence; breastplate formed of a rounded main plate fitted within each of its arm-openings with a movable gusset boldly roped en suite with its straight upper edge, and within its lower edge with a waist-lame (restored) flanged outwards to receive a fauld of four lames bearing a pair of integral tassets each again of four lames (restored), the latter having wired between them a small skirt of modern butted mail; backplate formed of a main plate with straight upper edge, fitted within its lower edge with a waist-plate (restored) and an associated culet of one lame; spaudlers each of five lames overlapping outwards from the second and connected at its lower end to the one-piece turner of a fully articulated tubular vambrace fitted at the elbow with a couter of three lames (perhaps reworked in part), the central one formed with a medially-puckered oval side-wing; gauntlets (the right restored) formed of short straight-ended cuff (the left patched at its upper edge) with a separate hinged inner plate, five metacarpal-plates (the last of the left patched at its inner end), a knuckle-plate decorated with a transverse ridge, five finger-plates and a hinged thumb-defence of three scales; cuisses (restored) each formed of a gutter-shaped main plate fitted at its convex upper edge with a short extension-plate and at its lower end with a winged poleyn of three lames having riveted within its lower edge a full-length tubular greave terminating in an integral broad-toed sabaton of eight lames embossed at each of its corners with a decorative whorl; all parts of the armour, with the exception of the collar and greaves decorated with panels of predominantly vertical flutes emphasised by pairs of incised lines and accompanied on the insides of the cuffs of the gauntlets by vertical `slashes`, the main edges of the armour largely formed with inward turns, often boldly roped except on the collar where it is elaborately writhen; and the borders of the wings of the couters and of the lower ends of the lower cannons of the Italian vambraces etched in line on a hatched ground with running acanthus foliage and guilloche; all mounted on a wooden stand with a wooden base
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