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Click here to subscribeA German Third Reich Polizei side-arm, having a 33cm fullered blade marked to the ricasso Alexander Coppel Solingen and with ASC scales logo to the opposing side, the crossguard with oak leaf decoration and marked L. Lg. 22., with stag horn grips and eagles head pommel, housed in a nickel mounted sheath marked S.K.Z. 242, 45cm.PLEASE SEE TERMS AND CONDITIONS REGARDING IMPERIAL GERMAN/THIRD REICH ITEMS.
A 19th century Smith & Wesson .32 calibre rimfire five shot revolver, with nickel plated finish, the 7cm barrel stamped to the side SMITH & WESSON SPRINGFIELD MASS. PAT.APR.3 55 JULY 5 59 & NOV.21 65+, the whole hinged and rising for loading, with fluted cylinder, spurred cock, sheath trigger, two piece rosewood bird's head grip scales, the back strap numbered 107468, 17cm.Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament.
A set of Mordant & Co. London brass postal scales, together with six weights, four inset and two loose, on an oak base, the tray with stamped weights for Inland, British Empire, Egypt, USA and Other Countries, together with a quantity of various bell metal and brass foundry tools, some initialled, of various sizes, a small Zeiss box camera, height 8cm, and a circular domed glass desk clock, modelled as pocket watch, (qty) Condition Report: Face to clock with cracks and second hand missing.
Fawlty Towers - (BBC Sitcom 1975-1979) - full main cast autographed 8x10" black and white photograph, signed by John Cleese (Basil), Prunella Scales (Sybil), Connie Booth (Polly) and Andrew Sachs (1930-2016 Manuel). Signed in blue and black ink respectively, undedicated. Professionally framed and glazed to a total size of 39cm x 32cm.
Prunella scales signed black and white photo Fawlty Towers actress. Dedicated 5. 5 x 3. 5 Inch. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
DAVID WEBB: ENAMEL AND DIAMOND-SET SERPENT RINGWith red enamel eyes and green enamel scales, accented by brilliant-cut diamonds, signed Webb, ring size G (sizing spring)Footnotes:The first of David Webb's animal designs appeared in 1957, with Elizabeth Taylor famously buying his 'Dragon' bracelet. The immediate success of the piece lead to the release of further animal themed jewels, including a Zebra bracelet designed in 1963. Throughout the decades, Webb continued to delight with his menagerie of bejewelled animal interpretations, both figurative and mythical, and his 'Kingdom' collection is still in production today.For further information on this lot please visit Bonhams.com
Dinky pair of Commercial Vehicles - to include (1) 425 Bedford TK Coal Lorry - Red cab, chassis, rear back & supertoy hubs, 6 x plastic sacks, weighing scales; (2) 434 Bedford TK Crash Truck "Top Rank Motorway Service" - white, red interior and plastic hubs, dark grey platforms - Good to Excellent with some chips in Good boxes. (2)
[OO GAUGE]. A MISCELLANEOUS COLLECTION comprising a Hornby G.W.R. clerestory coach; Tri-ang B.R. (S.R.) parcels van; two plastic kit-built locomotives (non-motorized); and a small quantity of model vehicles (in various scales), lineside buildings, and accessories, all but one item unboxed; together with a cast iron wagon plate, dated 1946, 28cm wide (repainted; chipped corner).
A quantity of predominantly playworn diecast model vehicles by Corgi, Matchbox, Budgie, Burago and other. Assorted scales noted. Together with Italeri 1:24 Scalia Topline 143R plastic model kit (unchecked), Subbuteo Table Soccer Super Set (incomplete), Casdon Soccer played by Bobby Charlton (unchecked), (Two Boxes).
A SPORTSMAN’S 'WHARNCLIFFE' KNIFE, RODGERS, NO. 6 NORFOLK STREET, SHEFFIELD, CUTLERS TO HIS MAJESTY, EARLY 20TH CENTURY with folding blade stamped ‘Wharncliffe’, saw, corkscrew, awl, shaped farrier’s hook, inlet picker and tweezers, natural staghorn scales, brass fillets, and vacant German silver escutcheon, 10.4 cm (closed) ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p.84.
˜ A MINIATURE POCKET KNIFE, WRAGG & SON, SHEFFIELD, LATE 19TH/20TH CENTURY AND FOUR EXTRA THIN POCKET KNIVES the first with two folding blades, awl and cork screw, brass fillets and mother-of-pearl scales; the second by Petty & Sons, with two folding blades and polished horn grips; the third with two blades and button hook; the fourth with two folding blades, one stamped ‘Innocent 1695’ and tortoiseshell scales; the fifth and sixth similar and the seventh with mother-of-pearl scales, the first: 5.0 cm (7) ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 108 and 121.
˜ AN INDO-PERSIAN DAGGER (KARD), 17TH/18TH CENTURY with straight single-edged crucible steel blade of flattened-triangular section (small areas of pitting), inlaid with gold scrolls and foliage within a shaped linear frame on each side of the forte, moulded faceted forte encrusted with gold flowers, back-strap encrusted with further scrolls of gold-encrusted foliage within delicate beadwork frames (rubbed) and marine ivory grip-scales, 36.8 cm overall Roy Elvis catalogue number D25.
‡ A COMPOSITE NORTH ITALIAN CORSELET WITH ETCHED DECORATION PARTLY BY THE 'MASTER OF THE CASTLE' OF MILAN, LATE 16TH CENTURY comprising morion in the ‘Spanish’ fashion, with one-piece almond-shaped crown rising at its apex to a vestigial backward-directed 'stalk' (pierced with a small later hole at its rear), and slightly down-turned narrow integral brim, its edge formed with a file-roped inward turn accompanied by a narrow groove with later rivets, the base of the crown encircled by fourteen later lining-rivets with brass rosette-washers; collar of a single deep plate front and rear; breastplate formed of a main plate of deep 'peascod' fashion, flanged outwards at its lower edge to receive a pair of associated pendent tassets each of four lames (altered to match and partly disarticulated); well-matched backplate flanged outwards at its base; two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (both partly disarticulated), two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (the uppermost two of each associated), a pair of fully articulated tubular vambraces, each fitted at its upper end with a turner of one lame, and at its elbow with a winged bracelet couter of three lames; and a pair of gauntlets each formed of a flared tubular pointed cuff (the right with small rust perforations), four metacarpal-plates (the third of the left cracked and patched at its inner end), a shaped knuckle-plate, and hinged thumb-plate (finger and thumb-scales missing); the main edges of the armour formed almost throughout with file-roped inward turns, the vambraces and gauntlets with file-roped secondary borders and its surfaces decorated with etching on a stippled and blackened ground, that of the morion consisting of eight radiating bands of trophies of arms framed by cabling within plain lines, and the brim with stylised acanthus foliage (areas of wear), and that of the remainder consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes on the fronts and rears of the pauldrons, busts and full-length figures of classical warriors, and involving at the neck-opening of the breastplate the device of a two-towered castle; on a wooden stand with base Provenance Joe Kindig Jr. (1898-1971), thence by descent The device of a castle etched at the neck-opening of the breastplate represents the signature of one of the most important Milanese armourers of the late 16th century, know to scholars today as the 'Master of the Castle'. It is possible that he, like his contemporary, Pompeo della Chiesa, was privileged to work in the Castello Sforzesco, residence of the Dukes of Milan. Other extant works bearing his signature include the fine garniture made for Wolf Dietrich von Raitenau, Prince Bishop of Salzburg, probably after 1587, and now divided between the Bayerisches Nationalmuseum, Munich, the Wallace Collection, London, and the Hermitage Museum, St Petersburg, as well as various armours preserved in the Museo Civico L. Marzoli, Brescia, the Real Armeria, Turin, the Real Armeria, Madrid, the Musée de l'Armée, Paris, and the Wallace Collection, London. See Beard 1924, pp. 11-12; Norman 1986, pp. 29, 32-3 & 36-7; and LaRocca 2000, pp. 181-97. A composite North Italian etched corselet with the same mark, formerly in the John Woodman Higgins Armoury Collection, Worcester Massachusetts, was sold in this room 7th May 2014, lot 138.
˜ A SALESMAN’S DISPLAY OF TWENTY-SIX POCKET KNIVES, LOCKWOOD BROTHERS, SHEFFIELD, LATE 19TH/EARLY 20TH CENTURY each struck with the maker’s details at the ricasso, comprising four with ‘Real Pampa’ blades; four with German silver scales, eighteen with ivory or ivorine scales, two with coloured enamel scales and two with tortoiseshell scales, mounted on board with stock numbers in ink and the makers details in gilt letters, with cover, 43.0 x 35.0 cm ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 197. This lot is offered with UK Ivory Act 2018 certificate number RXSIY057 The apparent founder of Lockwood Brothers Ltd was John Lockwood of Ecclesfield, who was apprenticed to file maker John Burgin and became a Freeman in 1767, when he was assigned the mark ‘CX’. In 1861 Lockwoods employed 500 staff and in 1865 they expanded their premises at Arundel Street. The enterprise became more closely involved in cutlery and trade catalogues show a wide range of knives and pocket cutlery with an emphasis on complicated sportsman’s patterns, hunting and skinning knives. By 1862 German counterfeiting had forced the company to adopt another mark: a Pampas rhea with the words ‘REAL KNIFE’ and ‘PAMPA’. The firm’s main trade mark was ‘C:X’. Lockwood’s also acquired a Maltese cross ‘L’ mark.
A LOCK KNIFE SIGNED SKIDMORE, 32 DUKE STREET, LATE 19TH CENTURY with folding locking blade, signed rectangular ricasso, two-piece German silver guard decorated with flowers and foliage, polished horn scales, vacant German silver escutcheon and German silver terminal en suite with the guard, 14.3 cm (closed)
˜ AN EXCEPTIONAL GOLD AND GILT-BRASS MOUNTED MINIATURE PENKIFE FOR ROYAL PRESENTATION, JOSEPH RODGERS & SONS, SHEFFIELD, THIRD QUARTER OF THE 19TH CENTURY with over forty eight folding blades and accessories including fleams, saw, awls, corkscrew, fork and picks, many signed and some elements in gold, finely filed fillets, mother-of-pearl scales over gold fillet each retained by three gold rivets, one side with a vacant rectangular escutcheon and the other with a shield shaped escutcheon engraved with the crowned letter ’A’, spirally-fluted burnished steel stem, cast and chiselled gilt-copper alloy stand engraved with foliage against a frosted ground, on its carved ivory two-piece base carved with neo-gothic foliage on the top and the base encircled by rectangular panels filled with further designs of foliage and the Royal initial ‘A’ beneath a royal coronet front and back, on an associated moulded wooden base with glass dome cover, 11.5 cm (the knife and ivory stand, opened), 1.8 cm (the knife, closed) Provenance The initial A beneath a British Royal coronet suggests a presentation by the makers to one of Queen Victoria’s children, Princess Alice (1843-78), Prince Alfred (1844-1900) or Prince Arthur (1850-1942).David Hayden-Wright (1936-2006) Stated by the vendor to have been part of the celebrated displays at Joseph Rodgers & Sons showrooms at 9 Norfolk Street. LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 87. In the nineteenth century, Rodgers had an unsurpassed reputation and history that was synonymous with the cutlery trade. The family's first cutler, John Rodgers (1701-85), is recorded around 1724, with a workshop near the present cathedral. In the same year the Company of Cutlers 'let' him a mark, a Star and Maltese Cross, which became world famous in later years. The company began making exhibitions knives and presented George IV with a minute specimen of cutlery with 57 blades, which occupied only an inch [25mm] when closed. In 1822, Rodgers’ was awarded its first Royal Warrant. Another fourteen royal appointments, from British and overseas royal dignitaries, followed over the next eighty years, and its company history was duly titled: Under Five Sovereigns.The McKinley Tariff Act of 1890 halved their American business and consequently they toured South Africa. Despite increasing foreign competition and the decline of the American market, Rodgers’ prospered before the First World War. Joseph Rodgers & Sons left an enduring legacy in its knives. Its dazzling exhibition pieces and other fine cutlery show that the company’s reputation as Sheffield’s foremost knife maker was well founded. Abbreviated from Geoffrey Tweedale 2019. This lot is offered with UK Ivory Act 2018 certificate number HOGO0K0X
˜ A GERMAN LIGHT CAVALRY GENERAL OFFICER'S MAMELUKE-HILTED SWORD, CIRCA 1815-33 in the Turkish manner, with curved blade double-edged towards the point, steel hilt comprising cross-piece with acorn finials, and a pair of ivory grip-scales rising to form a pierced rounded pommel and shaped for the fingers, in its steel scabbard, 76 cm bladeProvenanceSchloss Cumberland, Gmunden, inv. nos. 1529, 1530Schloss Marienburg, Hanover, sold Sotheby's October 2005, lot 3690 Ivory Registration reference 9XZZRWAU
AN OTTOMAN SWORD (KILIG), TURKEY, 18TH/EARLY 19TH CENTURY with broad curved blade formed with a long fuller chiselled with foliage at each end. double-edged point, some gold koftgari and traces of a cartouche on one side, border-engraved silver hilt including a pair of langets and quillons with faceted bud-shaped terminals, polished horn grip scales (repairs) rising to a rounded pommel, in its original leather-covered scabbard with large silver mounts chased with foliage, the locket and chape each struck with a mark (chape compressed at the base), and with two loops for suspension, 72.3 cm blade
‡ A GERMAN SMALL HUNTING TROUSSE, MID-18TH CENTURY comprising knife with broad single-edged blade struck with the letter 'P' on one face, moulded ferrule, natural staghorn scales retained by three rivets on foliate washers and engraved silver pommel, fork and bodkin mounted en suite, in its iron-mounted tooled leather scabbard (light insect damage), 26.0 cm overall ProvenanceJoe Kindig III (1923-2021), thence by descent
‡ A GERMAN POCKET KNIFE, MID-18TH CENTURY with broad folding single-edged blade struck with a heart mark on one face, polished horn scales with moulded silver collar at one end, fitted with a pair of tweezers with polished horn grips retained by three rivets over foliate washers, and two accompanying dummy pieces, 13.4 cm ProvenanceJoe Kindig III (1923-2021), thence by descent
A MASSIVE BOWIE KNIFE, WADE & BUTCHER, SHEFFIELD, LATE 19TH CENTURY, PROBABLY FOR EXHBITION with broad heavy blade double-edged at the point, signed in block capitals beneath the back-edge on one face, recessed rectangular ricasso marked ‘XCD’, off-set German silver oval guard, pistol grip hilt with milled copper alloy fillets and natural staghorn scales retained by four rivets, in a leather scabbard, perhaps its original, with belt loop, 47.0 cm blade ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 286.
˜ A SALESMAN’S DISPLAY OF SEVENTEEN POCKET KNIVES, JOSEPH ELLIOTT & SONS, SHEFFIELD, LATE 19TH/EARLY 20TH CENTURY each with three folding blades, struck with the maker’s details including Allen & Son at the ricasso, comprising nine with ivory scales, three with tortoiseshell scales, four with mother-of-pearl scales and one with natural staghorn scales, mounted on board with stock reference numbers in ink and the makers details, with cover labelled ’card no. 4, fine 3 blades’, 35.5 cm x 23.5 cm ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 205. This lot is offered with UK Ivory Act 2018 certificate number LXY6U1RX
A FINE SOUTH INDIAN GILT COPPER SHIELD (DHAL), PROBABLY HYDERABAD 15TH/16TH CENTURY of low domed convex form, comprising layers of copper joined by numerous copper rivets, the outer face with a central rondel set with four bosses with large carved rock crystal flowerheads (associated, possibly 17th/18th Century) corresponding to four later rings for enarmes on the inside, embossed with five concentric circles of pointed scales with a broad cusped band at the top and a plain band at the base, and much early gilding, 51.8 cm diameter Roy Elvis Catalogue Number B06. The scale pattern is notably unusual on Indian arms and armour. A related example in steel is preserved in the Furusiya Art Foundation Collection. See Mohamed 2007, p. 369, no. 351. A katar with similar decoration, attributed to Thanjavur, Tamil Nadu and formerly in the George Cameron Stone Collection is preserved in the Metropolitan Museum of Art, New York (acc. No. 36.25.1017). A gilt-copper bazu band decorated in the same manner is preserved in the Government Museum, Chenai (no. 1971). See Elgood 2004, p. 61.
˜ A BOWIE KNIFE FOR THE AMERICAN MARKET, TILLOTSON & CO., COLUMBIA PLACE, SHEFFIELD; A BOWIE KNIFE, PROBABLY AMERICAN AND ANOTHER, LATE 19TH CENTURY the first with robust single-edged blade formed with a spear point, stamped ‘The Hunter’s Companion’, and with Federal eagle on one face, recessed rectangular ricasso struck with the maker’s details, thin oval German silver guard, a pair of natural scales, probably narwhal, and vacant escutcheon, in its tooled and gilt leather scabbard; the second with broad blade formed with a clipped-back point and a slender fuller on each face, copper alloy guard, and natural staghorn grip; the third with tapering blade formed with a clipped-back point, German silver guard, natural staghorn grip, and German silver pommel cap, in its German silver scabbard, the first: 19.2 cm (3) ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 267.
A FOLDING KNIFE SAW, UNDERWOOD, LONDON AND A POCKET KNIFE, GEORGE GILL & SONS, LATE 19TH/20TH CENTURY the first with signed folding saw-blade, and figured hardwood scales; the second with six folding elements including awl and corkscrew (one blade associated) and natural staghorn scales with German silver escutcheon, the first: 15.9 cm (closed) (2) ProvenanceDavid Hayden-Wright (1936-2006)LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 113. Henry Thomas Underwood is recorded at 56 Haymarket between 1822 until his death in 1860. Knives continued to be marked ‘Underwood’ until 1925 when the company ceased trading.
A HUNTING SWORD SIGNED PALMER, CIRCA 1880 with robust blade double-edged at the point and stamped with the bladesmith's name on one face, recessed ricasso, burnished steel hilt formed of a pair of straight quillons with rounded terminals and back-strap, and a pair of hardwood grip scales in the Ottoman fashion (one small crack), carved with pairs of chevrons and retained by three rivets with low domed heads, it its steel mounted leather scabbard with locket and chape engraved with pair of lines, the locket with a stud for a belt and locking lever, 36.8 cm blade
A SOUTH INDIAN DAGGER (KHANJARLI), 16TH/17TH CENTURY with recurved blade formed with a pair of slender fullers and reinforced at the point, finely chiselled iron hilt extending over the forte with a pair of langets with beadwork borders, curved oval guard with a beadwork border within a writhen frame, drawn-out on each side to a small bud-shaped quillon, knuckle-guard chiselled with foliage and rising to a small chiselled recurved Yali head finial, small pommel en suite with the quillons, and associated shaped green-jade grip-scales, 37.0 cm overall Roy Elvis catalogue number D95.
Crescent Butchers and Barbers Barber's Shop with mirror, two basins, three chairs, two Customers and Barber, Butcher's Shop, three Butchers with trays, back counter, front counter, Butcher with chopping block (tenderiser loose and repaired), scales, three meat trays and four legs of lamb, five Customers with lid only of original box (Condition, Very Good, box lid Good, two corners split) (29)
A Collection of Ten Cut Throat Razors, by various maker's, with grip scales of faux ivory, faux mother of pearl, wood and horn.The Wostenholme razor has orange rust pitting over 'AL AND' of the maker's mark. There are chips to the edge of one of the horn grip scales.The Worldmaster Special has black pitting to the blade.The Cattara razor has black patching to the back edge of the blade.The Claus razor has minor black patching to the blade.The Hess razor has a small nick to the tip of the blade.The George Elliott razor has minor black patching to the blade.The German Kuckuck razor has an uneven edge to the blade and black pitting.The remaining three are in good condition.
An Erma EG 294 .22 Calibre Blank Firing Under-lever Rifle, numbered 000774, with blackened finish to the octagonal barrel, tube magazine and cocking lever, foliate engraved silvered breech block, with instruction manual and a tin of Eley blank firing cartridges; an H Schmidt Model 121 Single Action 9mm Blank Firing Revolver, with blued finish, case hardened frame, brass trigger guard and back strap, with walnut grip scales, together with instruction leaflet, a tin of blank cartridges, a black leather holster and belt set with a Bowie knife with horn grip; also, a Stetson hat, two brass Sheriff's badges, a brass Brothel Inspector's badge etc
A German Model 1898/05 Butcher Bayonet, Second Pattern, the 37cm fullered steel blade stamped with maker's name WEYERSBERG KIRSCHBAUM & CIE, SOLINGEN to the ricasso, with diagonally ribbed walnut grip scales, in steel scabbard, 52cmSome black patching to blade, orange rust pitting to pommel mounts and scabbard.
A First World War Fusilier's Busby, to a non-commissioned officer, the wickerwork frame covered in black bearskin, with leather sweatband (af); an Early 20th Century Home Service Helmet, with gilt metal cruciform base plate - lacks spike, helmet plate and chin scales (af); a British Mk.III Combat Helmet, the liner dated 1953; a British Combat Helmet, with Lift-the-dot liner dated 1979; thirteen Pieces of British Military Headgear, comprising a Green Howards officer's No.1 dress cap, a Green Howards No.1 dress cap, a West Yorkshire Regiment No.1 dress cap, and ten berets (17)
A Quantity of British Uniform Accessories, including Sam Browne belts, sword slings, leather straps, blancoed buckskin waist and shoulder belts, dress collars, collar stiffeners, spurs, spur straps, gloves, chin straps, chin scales, socks, lanyards, also, camouflage netting, 1937 pattern and later webbing belts, pistol holsters etc in five boxes
A Copy of a First World War Army Issue Kukri, the blade stamped Co.I, broad arrow/I, GII 1917 37, with brass bolster, wood grip and leather scabbard; an Indian Kukri, with wood grip scales and leather scabbard set with two sharpening knives; a Blackjack Marauder MkII Machete, with green plastic grip and green leather sheath; a US All Terrain Chopper Machete, with black hardened rubber grip and nylon sheath; a Mini Bushman Cold Steel Knife, in original leather sheath and box (5)
A Late Victorian Full Dress Uniform to an Officer Westmorland and Cumberland Yeomanry, comprising a scarlet Hussar jacket with silver lace trimmed white stand-up collar and cuffs, plaited silver shoulder cords with rank pips to a Lieutenant, large silver Russian braid loops and silver ball and half ball buttons, with silver braided cap lines and olives, cream quilted silk lining with a label inscribed in ink Captain A B Barnaby, 1894; a pair of dark blue overalls with double silver lace on scarlet side stripes; a silver lace and crimson leather waist belt with sword slings; a crossbelt with silver mounts; a barrel sash of crimson silk cords, gold metal thread barrels, acorns and runners; a black fur busby with silver cord trimmed scarlet bag, silver chin scales and plume; a pair of black leather knee boots with nickel box spurs and beech treesJacket with perishing to the silk lining, no visible moth damage. Overalls with some loss of stitches to the side stripe attachments. Busby with loose chinscale attachment to one side, and some perishing of chinscale backing. Waist belt and crossbelt are both a little shabby. Lack chains and prickers.
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![[OO GAUGE]. A MISCELLANEOUS COLLECTION comprising a Hornby G.W.R. clerestory coach; Tri-ang B.R. (S.R.) parcels van; two pla](https://cdn.globalauctionplatform.com/6f93f93e-e5a7-42c2-aef0-b0b200eea045/1b27aee0-75e7-4380-a93a-b0cf00ec0ca0/468x382.jpg)
