A COLLECTION OF SIX BLUE AND WHITE MOULDED PIECES 16TH CENTURY AND LATER Comprising: a Chinese dish painted with a scroll and tassels, framed by scales and fylfot patterns, the reverse with a paper label reading 'O.C.S. 1994 16TH C. STUDY EX. NO.123'; four Japanese moulded bowls, variously decorated with figures on boats, flowers, auspicious characters and other formal designs; and a dish with two figures playing go in a star-shaped panel to the well, 21.2cm max. (6)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
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Of local interest - A 19th century Bristol cast iron green grocers shop scales. Having an ebonised metal base with single twist column supporting a balance bar. With having a copper dish another ceramic plate reading, Parnall & Co 108 Victoria St, Bristol. Trade mark Justitia. Measures approx. 44cm tall.
A RARE PAIR OF CHINESE CANTON PAINTED ENAMEL ‘DOLPHIN’ CANDLE HOLDERSYONGZHENG/QIANLONGModelled after 17th century French glass prototypes by Bernard Perrot. In the form of dolphins or makara with their bodies curving upwards towards the tail-fins and brightly painted in the famille rose palette with blue scales, greenish-yellow heads and pink and white mouths, baring sharp teeth. Their large heads with bulging eyes are set above projecting pectoral fins, all worked in repoussé; the heads and tails support gourd-shaped vessels painted with flowerheads and foliate scrolls, and are applied with protruding leaves, all supporting wax-pans in the form of open lotus blossoms, and raised on circular, domed bases, 24 cm. (2)Cf. J A Lloyd Hyde, Chinese Painted Enamels, the Chinese Institute in America, New York, no.55, p.39, for a closely related pair of candle holders with their bodies in the form of lions, rather than dolphins, which were sold by Christie’s London, 17th September 2008, lot 203.These rare figures appear to be unrecorded, although the lotus blossom wax-pans are known from the lion candle holders referenced above and from an enamel candelabrum in Roseborg Castle in Copenhagen, which was commissioned in Canton by the supercargo Lintrup of the Danish Asiatic Company in 1740, and illustrated by M Beurdeley, Chinese Furniture, p.154, fig.207. The shape of these models is directly copied from 17th century French glass tableware, and more specifically from glass dolphins made by Bernard Perrot (1619-1709), who worked in the Royal glass workshops of Orléans in the reign of Louis XIV. Perrot’s candlesticks can be found in the Musée du Louvre, Paris, accession number OA12170.清雍正/乾隆 銅胎畫琺瑯摩羯形燭臺 一對
Boîte en or, Simon Achille Léger, Paris, début du XIXe siécleA gold box, Simon Achille Léger, Paris, early 19th centuryA small rectangular gold box chased and engraved with scales and foliage, the hinged lid monogrammed, marked Simon Achille Léget (1815-1826), the bottom and sides with a Wolf's head, title 3e mark (1795-1798), 7.5cm high, weight 25gFor further information on this lot please visit Bonhams.com
A quality 19th Century Irish mahogany Stick Barometer, the rectangular glazed top with stamped capital, etched scales marked 'Mason, Essex Bridge, Dublin," and vernier adjustment, the trunk with glass thermometer (damaged) enclosed mercury tube, and urn shaped cistern cover, approx. 97cms (38") long. (1)
A rare gold-koftgari steel combined walking stick and percussion gun India, mid 19th Centurythe handle finial in the form of a tiger-head with movable tongue, the tapering shaft also forming the barrel, the top unscrewing to reveal the nipple, with sprung action cocked and released by a lever along the back, decorated in gold overlay with a repeated design of lobed cartouches containing quatrefoils to the shaft, the handle with lobed cartouches containing floral motifs, above scales 103 cm. longFootnotes:ProvenanceBonhams, Antique Arms, Armour and Militaria, 28 April 1999, lot 134. Private UK collection. A comparable example is in The Royal Collection (RCIN 11484).For further information on this lot please visit Bonhams.com
A CHINESE GREY JADE 'THREE FRIENDS OF WINTER' VASE 18TH CENTURY Formed as a section of the trunk of a hollowed pine tree, finely detailed with knots and scales to the wood, the exterior pierced and carved in high relief with gnarled branches of pine, prunus and bamboo, the base incised with tree rings, with speckles and natural pale areas in the dark stone, 15.9cm. Provenance: formerly the collection of Hugh S Whitaker; and then the Lawrence Collection of jades and hardstone carvings, purchased from Spink & Son prior to 1959. Whitaker was a collector of Oriental art in the early 20th century, and many items from his collection are now in major western museums, including the British Museum and the Victoria & Albert Museum. Whitaker is recorded in the Sparks' ledger books between 1914 and 1938 as a buyer. Cf. Compendium of Collections in the Palace Museum, Jade, vol.8, p.227, no.186 for a comparable black and pale celadon jade vase carved with a phoenix amidst bamboo and lingzhi. Pine, prunus and bamboo together are collectively called the 'Three Friends of Winter', or Suihan sanyou. As these three plants are particularly durable in winter, they have long been admired for their natural ability to withstand and even thrive in adversity. Objects bearing these motifs are often made for someone considered to be a valued friend. The origin of this notion is found in literature as early as the Song dynasty. Pine, bamboo and prunus were the favourite plants for any scholar's residence. In Chinese thought, the pine is always green and upright, symbolising a gentleman who stands for his principles. As for bamboo, whilst it may not be as imposing or as sturdy as the pine, it too remains mostly green through the winter. Moreover, the stalk of the bamboo is hollow, and has come to symbolise tolerance and open-mindedness. The flexibility and strength of bamboo also represents cultivation and integrity in which one may yield but not break. Prunus is renowned for its gnarled hardiness during winter that bursts into fragile blossom at the first breath of spring. The fragrance of the prunus also serves as a reminder of a person's inner beauty. 十八世紀 灰白玉雕歲寒三友瓶來源:Hugh S Whitaker舊藏,勞倫斯珍藏玉石,1959年前購於Spink & Son。
the steel skull with brass, copper and white metal mounts, rayed Guard's star helmet plate with enamelled centre, white metal eagle on brass base, brass domed rivets, brass edge trim, the drawn out peak with raised medial ridge, Imperial and Prussian cockades, leather backed chin scales, repainted black interior with leather and silk liner.
this early stepped peak example with copper coloured skull, the neck guard stamped GKR E, white metal trim, the embossed rayed star helmet plate with central black painted eagle, white metal eagle on white metal base with removable crown, Imperial and Prussian cockades, leather backed chin scales, leather liner. While the helmet is original it has multiple drill holes to the top, beneath the eagle mounting plate and with associated fittings over all.
the copper coloured tombak skull with white metal trim, the helmet plate of bi-metal and composed of the crowned Saxon arms on a white metal star burst, plated brass parade lion crest applied with the crowned Royal cypher, Imperial and Saxon cockades, leather liner, leather backed chin scales. Liner in relic condition, no markings to helmet or lion. Composite or later.
the black patent leather body with brass trim, white metal Prussian eagle helmet plate, posts re-affixed, three-part Imperial cockade, leather backed chin scales, leather liner with owner's name and number Korner 1592 white and black cloth covered field cockade, black and white horse hair plume.
the black patent leather body with white metal trim, white metal Prussian Guards plate, three-part Imperial cockade, leather backed chin scales, leather liner, black and white cloth covered field cockade, silver bullion and black cloth cap lines, the underside of the board with bullion trimmed ribbed yellow cloth cover.

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63833 item(s)/page