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Click here to subscribeAN AFGHAN KHYBER KNIFE, 19TH CENTURY of characteristic form, with straight single-edged blade formed with a slender groove along the low triangular back-edge on each face, faceted iron ferrule engraved with a series of circles each centring on a dot, back-strap en suite, small pierced button, and a pair of banded horn grip-scales, 59.8 cm blade
‡ A FINE COMPOSITE FLEMISH THREE-QUARTER CUIRASSIER ARMOUR, CIRCA 1600-20 comprising close helmet with two-piece skull rising to a ring finial with large star-shaped washer, fitted at the nape with a plume-holder and embossed with a radiating pattern of V-shaped flutes decorated at their crests with pairs of incised lines, peak, visor and bevor attached by common pivots, the peak projecting forward to an obtuse point, visor embossed with a pronounced transverse-rib pierced with four diagonal slots and a panel beneath them at each side with numerous circular holes, secured at the right by a hook and a pierced stud, bevor shaped to the chin and secured by a later strap and buckle, three gorget plates front and rear (visor with an early repair at the left lower edge); collar of one plate front and rear (with large repaired lamination at the front right); medially ridged one-piece heavy breastplate of late peascod fashion, struck on the right with the proof mark of a bullet, fitted with later swivel-hooks and pierced studs for attaching shoulder-straps, flanged outwards at its lower edge to receive a pair of tassets each of seventeen lames and divisible at the eleventh (the lower lames with areas of pitting, extensive pitting on the tenth, eleventh and twelfth of the left tasset, the top lame of the right cracked around its key-hole slot); poleyns of six lames, the third in each case embossed with a central rosette and formed with a pointed spade-shaped wing; matching backplate (fitted with an early extension at each side formed of a riveted plate, corresponding with two similar areas on the breastplate), shoulder-straps with pierced terminals for attaching to the breastplate (restored, some scales perhaps early) and later belt, flanged outwards at the base and fitted with an associated hinged bracket (rivet replaced) to attach a culet of five lames (some with patched repairs), symmetrical pauldrons of eleven lames connected by turners to articulated vambraces each formed of tubular upper and lower cannons linked by an intervening winged bracelet couter of five lames embossed with a central rosette, a pair of fingered gauntlets, each with a flared and pointed cuff, five metacarpal-plates, a knuckle-plate, hinged thumb-piece and finger scales (restorations, one lame on the right gauntlet cracked in two, left gauntlet with a small chip), the main edges of the armour scalloped and accompanied by pairs of incised lines, studded throughout with numerous copper-alloy rivets (replaced), and retaining some early blued finish (small areas of light pitting, expertly releathered); all on a wooden stand ProvenanceSir Guy Francis Laking, 2nd Baronet (1875-1919)Important Specimens of Arms and Armor…..from XII to XVII Century, American Art Association, New York, 24th November 1923, lot 254 ($400)The Metropolitan Museum of Art, New YorkChristie’s London, 23rd November 1960, lot 171 (£280 to Robinson) The present armour is closely related to a distinctive group of high quality Flemish armours now mainly preserved in the Real Armeria, Madrid (A 380-401 & 414-21), which can in some instances be identified as the work of the 'Master MP', purchased for Philip IV of Spain in Brussels in 1624 and 1625. See Karcheski 1985, pp.307-14. He records helmets similar to the present example in the Musée de l'Armée, Paris (H. 150), the Hermitage Museum, St Petersburg (Z.O.3288), the Livrustkammaren, Stockholm (2635), the Art Institute, Chicago (2661), and the Smith Art Museum, Springfield, Massachusetts (17.23.9). Another helmet from this group was sold in this room 5th December 2005, lot 114.
◉ A FOLDING BOWIE KNIFE FOR THE AMERICAN MARKET, SPENCER, LONDON, CIRCA 1870 with folding blade formed with a long clipped-back point, inscribed 'of the best quality' in capital letters and signed at the ricasso 'Spencer, London' on one face (areas of light pitting and wear), German silver foliate cross-guard, German silver pommel formed as a horsehead on a field gun, copper alloy fillets, sprung lock on the back, ivory grip-scales (small chips) retained by four rivets and a vacant rectangular German silver escutcheon on one face, 15.0 cm (closed) ProvenanceDavid Hayden-Wright (1936-2006) LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 239. Hayden-Wright (op. cit) suggests that this was Sheffield made by Wragg or Lindgard, and signed by the London retailer, Spencer. This lot is offered with UK Ivory Act 2018 certificate number O1VN27ER.
‡ A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY, THE BACKPLATE SIGNED BY THE MASTER ‘P’ comprising morion with rounded one-piece crown rising to a high roped medial comb, and 'swept' integral brim rising to an acute point front (restored) and rear, the latter fitted with an associated etched and gilt copper alloy plume-holder, the interior with an early padded maroon velvet lining interspersed with small tassels; collar of three plates front and rear (the upper two of the front, and the uppermost and lowermost of the rear restored); breastplate formed of a main plate of deep 'peascod' fashion (the metal of its lower right showing internal delamination), embossed with a volute at each side of the chest, fitted at its arm-openings with moveable gussets, flanged outwards at its lower edge (the centre of the flange patched) and fitted with a fauld of two lames (the lowest patched at its left end) and a pair of pendent tassets each of nine lames (the left restored); well matched backplate embossed en suite, fitted with shoulder-straps and a belt; a pair of large symmetrical pauldrons, each formed of seven lames of which the third is in each case patched and the lowest four (restored) extend inwards only to the armpit; a pair of fully articulated tubular vambraces each fitted at its upper end with a turner of two lames and at its elbow with a winged bracelet couter of three lames; two gauntlets almost forming a pair, each formed of a flared and pointed tubular cuff (holed for display), four and five metacarpal-plates respectively, a shaped knuckle-plate (the right restored), later thumb-plate and finger-scales; the main edges of the armour formed almost throughout with file-roped inward turns, and its surfaces decorated with etching on a stippled and blackened ground (areas of wear), that of the morion consisting of a large cartouche at each side of the skull filled with the figure of Fortune enclosed by the inscription ‘Semper Fortuna Docet’ and ‘Semper Fortuna Iuna’ respectively, the comb with a central cartouche filled with a coat-of-arms, two moor’s heads addorsed above a further head and a bar between charged with three mullets, flanked by mythical beasts and birds on one face and further beasts and putto on the other, and that of the remainder of the armour consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes of the fronts and rears of the pauldrons, classical busts, and involving at the neck-opening of the backplate the device of a cross and orb, the latter charged with the letter ‘P’, and a pair of modern cuisses each of three lames, fitted at their lower ends with winged poleyns of five lames, hinged tubular greaves and articulated sabatons of eight lames; all on a wooden stand ProvenanceRussel J. Char
◉ A SALESMAN’S DISPLAY OF TWENTY-SIX POCKET KNIVES, LOCKWOOD BROTHERS, SHEFFIELD, LATE 19TH/EARLY 20TH CENTURYeach struck with the maker’s details at the ricasso, including eleven with ‘Real Pampa’ blades; the remainder by various makers including Lockwood, Elliott and Allen, fourteen with ivory or ivorine scales, six with natural staghorn scales, three with tortoiseshell scales, one with polished horn scales and one with wooden scales, mounted on board with stock numbers in ink and the makers details in gilt letters, with cover, 40.8 x 35.5 cm ProvenanceDavid Hayden-Wright (1936-2006) LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 200. The apparent founder of Lockwood Brothers Ltd was John Lockwood of Ecclesfield, who was apprenticed to file maker John Burgin and became a Freeman in 1767, when he was assigned the mark ‘CX’. In 1861 Lockwoods employed 500 staff and in 1865 they expanded their premises at Arundel Street. The enterprise became more closely involved in cutlery and trade catalogues show a wide range of knives and pocket cutlery with an emphasis on complicated sportsman’s patterns, hunting and skinning knives. By 1862 German counterfeiting had forced the company to adopt another mark: a Pampas rhea with the words ‘REAL KNIFE’ and ‘PAMPA’. The firm’s main trade mark was ‘C:X’. Lockwood’s also acquired a Maltese cross ‘L’ mark. This lot is offered with UK Ivory Act 2018 certificate number HNFUP6XT.
◉ A RARE COMBINED 140 BORE IVORY-MOUNTED PERCUSSION PISTOL AND CUTLERY SET, STIRLING, BURNLEY, CIRCA 1880 with blued octagonal sighted barrel signed within a scrollwork frame and engraved with further scrolls over the breech, engraved hammer and back-strap, gilt copper alloy fillets, a pair of ivory grip-scales on each side of the butt, the fore-end with a further ivory fillet on each side with folding knife and fork respectively, the latter fitted over the fore-end sides with a pair of key-hole slots acting on studs: in lined and fitted case veneered in rosewood, complete with bullet mould, powder-flask, ivory cap flask (cracked) and rammer with engraved separate head, 8.5 cm barrel ProvenanceDavid Hayden-Wright (1936-2006) LiteratureDavid Hayden-Wright, The Heritage of English Knives, Atglen, Pennsylvania, 2008, p. 105. For other examples see Winant 1965, pp. 122-125. This lot is offered with UK Ivory Act 2018 certificate number SDT9CU7O.
PURCHASER MUST BE 18 YEARS OF AGE OR OVER A Webley .177 Calibre Mark II (Target Model) Air Pistol, number 42137, batch number 137, blackened finish with sprung safety button and chequered black plastic grip scales; an RMJ Old Frontier Non-working Replica of a .36 Navy Percussion Revolver, with dull grey finish, in original box; an RMJ Non-working Replica of 44-40 Six Shot Revolver, with dull black finish and woodl grip, with brass dummy bullets, in original box (3)
A 19th Century Percussion Pepperbox Six Shot Revolver by Boston of Wakefield, the 9cm steel cylinder with Birmingham proof marks, the nickel backstrap and cylindrical action signed and engraved with foliage, with bar hammer and walnut grip scales, 21cm, af; a 19th Century Percussion Travelling Pistol, possibly cut down from a sporting gun, with 13cm octagonal steel barrel, foliate engraved lock plate, walnut stock with traces of chequering to the grip and with star engraved German silver pommel cap and trigger guard, 34cm; a Replica Flintlock Pistol, with faux ivory grip (3)1 - Deep pitting to the cylinder, bar hammer and trigger guard. Action not working. 2 - Action works; holds at full and half cock; barrel, fore-end and butt have been cut down from a long gun.
An Italian Model 1871/87 Vetterli-Vitali Shortened Bayonet, the blade stamped TERNI, with brass mounted leather scabbard; a Czechoslovakian VZ-24 Mauser Bayonet, with blackened steel scabbard; a Soviet Russian AK-47 Bayonet, with bakelite grip scales, the hooked pommel stamped 2094, with black painted steel scabbard and webbing frog; a Polish AKM Type I Bayonet, with brown composition pistol grip hilt and type I rubber mounted black steel scabbard with leather retention straps; a US 1917 Bayonet, in relic condition, lacks scabbard (5)
A Pietta, Italy .380 (9mm) Blank Firing Copy of a Colt 1860 Army "Sheriff" Six Shot Revolver, with blackened finish, the left side of the barrel stamped WESTERN ARMY1860 CAL.9mm KNALL, with case hardened frame, brass trigger guard and back strap, with walnut grip scales, in original box with box of blanks and instruction booklet, as new.
A Second World War Italian Fighting Knife, the 20.5cm single edge steel blade double edged for the last 8cm, with elliptical steel crossguard, the two piece wood grip crudely incised 1/V/S.E., the steel scabbard with diagonally set belt clip, 33.5cmBlade with black patching to the surface and two small nicks to the edge. Crossguard and scabbard with orange rust pitting. Scuffing to grip scales.
A 1796 Pattern Light Cavalry Sword by Thomas Gill, the 82cm single edge curved steel blade etched Thos. Gill, Warranted never to Fail at the ricasso, the steel stirrup hilt and scabbard in rust pitted relic condition, 98cm; a French M1892 Mannlicher Berthier First Pattern Bayonet, the 39.5cm steel blade with notches to each side at the ricasso, the steel hilt with hooked quillon stamped 74576, with horn grip scales, black painted steel scabbard stamped with differing number; a British No.4 Mk.II* Spike Bayonet, with steel scabbard; a Wilkinson Fraternity Sword, the blade etched with jouisting knights, the gilt cruciform hilt with wire bound black composition grip, lacks scabbard; a Moroccan Nimcha Short Sword, with 22cm scallop incised steel blade, diaper carved wood grip and scabbard (5)
A British 1856 Pattern Sword Bayonet, no visible markings to the blade, the hilt with chequered black leather grip scales, with steel mounted leather scabbard, af; a British 1873 Pattern Socket Bayonet, the triangular section fullered steel blade stamped S.HILL, lacks locking ring and scabbard; a Second World War German K98 Mauser Bayonet, the blued blade with waffenamt markings, with steel scabbard (3)All with deep rust pitting.
A Puma White Hunter 6377 Hunting Knife, the 15cm single edge steel blade with 3cm serrated section, and diamond shaped back edge towards the tip, etched with maker's name, the aluminium bolster with curved finger rest, staghorn grip scales and leather sheath embossed PUMA , the belt strap stamped MADE IN GERMANY DBGM 1865840, 28cm
An Erma EG 294 .22 Calibre Blank Firing Under-lever Rifle, numbered 000774, with blackened finish to the octagonal barrel, tube magazine and cocking lever, foliate engraved silvered breech block, with instruction manual and a tin of Eley blank firing cartridges; an H Schmidt Model 121 Single Action 9mm Blank Firing Revolver, with blued finish, case hardened frame, brass trigger guard and back strap, with walnut grip scales, together with instruction leaflet, a tin of blank cartridges, a black leather holster and belt set with a Bowie knife with horn grip; also, a Stetson hat, two brass Sheriff's badges, a brass Brothel Inspector's badge etc
A Victorian OR's Brass Albert Pattern Helmet to the Suffolk Yeomanry, with two piece skull surmounted by a trimmed white horsehair plume and additional later white nylon full plume, the brass helmet plate stamped with Queen's crown over a laurel leaf and oak leaf wreath enclosing a white metal star with VR monogram within SUFFOLK YEOMANRY garter, brass ear rosettes, leather backed chin scales and leather liner
A Late 19th Century Bowie Knife, the 15cm double edge steel blade with raised medial ridge, with German silver shaped crossguard, staghorn grip scales and leather scabbard, 26cm; a Normark Skinning Knife, with Fiskars steel blade and leather scabbard; a Scandinavian Small Skinning Knife, with bone grip; a Pair of Truflite Throwing Knives, by William Rodgers, Sheffield, with chequered ebony grip scales, in a leather pouch; a Small Collection of Gilt Metal Fraternity Jewels, including R.A.O.B. and Knights of the Golden Horn, an Orange Order sash applied with badges (qty)
A Late 19th Century Folding Bowie Knife by J A Henckels of Solingen, the 18cm clip-point folding steel blade stamped at the ricasso with maker's name and logo, with hinged nickel crossguard and stag horn grip scales with nickel release button, 30.5cm extended, with original leather scabbard.Some orange rust pitting and black patching to blade. Leather scabbard is a little shabby.
A Second World War German HJ Knife, one side of the 13.5cm single edge steel blade etched Blut und Ehre!, the opposing side with maker's squirrel in an oval logo for Eickhorn, over SOLINGEN, GES, GESCHÜTZT, the plated steel hilt with chequered black plastic grip scales inset with HJ enamelled badge, the black painted steel scabbard with leather belt strap, 25.5cmWear to the plating on the hilt with small areas of rust pitting. Small chips and scratches to the enamel badge.
Postcards, Comic, a selection of approx. 76 comic cards all featuring overweight men and women. Includes 'Has anyone seen my little willie'. Artists include McGill, Parlett, Spurgin, Maurice, Buxton, Taylor etc. Themes include seaside, donkey rides, diving, weighing machines, striped costumes, enormous behinds, scales etc (mixed condition)
Two Barnstaple art pottery wall pockets in the form of fish, late 19th century, comprising Alexander Lauder, blue glaze, 17.5cm overall length; and C H Brannam Barum, green glazed with white scales and brown fins, 19cm long, each with inscribed marks (2)Condition:Blue fish - end of tail restored.Green fish - One nibble to the top of a scale, further chip to the open mouth and another small chip to the underside of the tail. One section of glaze/paint loss to the brown paint on the head.
British Military ‘Vee Tee’ Slide Rule Instrument – c.1920s. This unusual slide rule instrument is designed for military vehicle logistics. It is similar in design to a version (thought to be slightly later) known as the MT Rule. The Vee Tee Meter is intended to be used for calculating the length of a column of vehicles and the time it takes them to pass a given position. It consists of a closed frame duplex stock of laminated plastic (ivorine), held together with four pins, and a double-sided slide. It comes in a brown leatherette pouch. On the front of the meter there are two scales on the stock: Vehicles (number of) and Times Past S.P. The slide also has two scales: V.T.M. (vehicles to the mile) and M.P.H. On the reverse, there is a small window where Length of Column in Yards & Miles can be read from the reverse of the slide. The reverse also bears the legend ‘Vee Tee Meter’. There is no manufacturer’s mark. Scarce
Two modernist pendants, one in the Scandinavian style , a white metal pendant and chain having a hammered finish plate with green enamel centre supporting two pendant drops with matching enamels, flat oval link chain 70cm; a 16cm articulated fish pendant with polished scales,74cm fancy bar and bead chain.Qty: 2
A GEORGE III 18 INCH CELESTIAL FLOOR-STANDING LIBRARY GLOBE W. AND T.M. BARDIN, LONDON, CIRCA 1800 The sphere applied with two sets of twelve hand-coloured engraved split half-gores incorporating oval panel inscribed To the Rev., NEVIL MASKELYNE D.D. F.R.S., Astronomer Royal, This New British Celestial Globe, Containing the Positions of nearly 6000 Stars. Clusters, Nebulae, Planetary, Nebulae & c. Correctly computed & laid down for the year 1800; from the latest observatons and discoveries by Dr, Maskelyne, Dr. Herschel, The Rev'd. Mt. Wollaston &c &c., Respectfully Dedicated, by his most obedient h'ble Servants, W. & T.M. Bardin, with fully graduated equatorial and ecliptic with twilight zone, the constellations depicted by mythical beasts and figures with dotted boundaries, the stars shown to nine orders of magnitude with clusters and nebulæ, pivoted via the polar axis within brass meridian circle divided for degrees, set within printed paper horizon ring with compass points and degrees in both directions, Zodiac labelled in Latin, calendar scales and wind directions, in a stand with four down-curved quadrant supports cradling the globe baluster and ring-turned upright and three outswept supports each terminating with tapered feet and brass castors 106cm high, 61cm diameter overall William Bardin (1783-98) was a freeman of the Leatherseller's Company who starting making globes in around 1780. His first globes were 9 and 12 inch diameter published in collaboration with Gabriel Wright on 1st January 1782. Wright was a mathematical instrument maker who had previously worked for Benjamin Martin who, in turn, had acquired the plates of Senex's celebrated globes from James Ferguson. William's son, Thomas Marriott, is recorded in Clifton, Gloria Directory of Scientific Instrument Makers 1550-1851 as a globe maker apprenticed to his father, in 1783 with whom he went into partnership in 1790. Bardin and Son initially worked from 4 Hind Court, Fleet Street, London before moving to 16 Salisbury Square in 1975. William Bardin died in 1795 leaving the business in the hands of Thomas Marriott. The firm was taken-on by Thomas's daughter, Elizabeth Marriott, after his death in 1820 and then by her husband, S.S. Edkins. on their marriage in 1832. They took a son into partnership in 1848 and the business continued until shortly after S.S. Edkins's death in 1853. Condition Report: Globe is generally in original unrestored condition retaining original/old surfaces however has overall age-related faults. The most significant of these is a crack which traverses around approximately 40% of the sphere along the horizon; this crack shows some slight movement and losses. Other areas around the horizon also exhibits concentric rubbing/scuffing where the globe has rubbed against the horizon. There is another historic concentric scratch further up the sphere and some historic opening to some of the joints between the gores. Otherwise notable faults to the sphere are mostly limited to varnish losses, scuffing and other age-related bumps, scuffs and blemishes. The brass ring is in good original condition and the pivots appear sound; the lower carrier (applied to the top of the baluster upright of the stand) has a later insert onto which the ring rests. The Horizon ring is intact but has losses/flaking to the varnish and a flake to the paper at Pisces.The stand is in sound original condition; all but two of the small brackets applied to the underside of the horizon ring (to brace the joint for the quadrant-shaped supports) have been replaced. One castor has been reset and is now a little loose/misaligned. The finish is a little flat but stand appears free from breaks and/or repairs.Please see additional images which supplement this condition report. Condition Report Disclaimer
An interesting collection of Sundries to include a set of 19th Century postal or letter scales with five weights, the brass scales on an oak base with disc feet, 23.5cm wide, 13cm deep, 10.5cm high; a 19th Century leather travelling writing case fitted with metal mounts and two metal inkwells, a cased set of small tools by Dumont et Fils, a 19th Century tan leather holstered saddle flask of tapering form with a brass lid; a Tudor Crystal boxed presentation goblet with a twist decorated stem, engraved for the Civic Society of Kidderminster and further with 'To Rt. Hon The Lord Sandys DI, President 1993-2005; and another similar presentation glass goblet presented by the Worcestershire Archery Society, 1970; a silver lid to a pomade jar, London 1834; two pairs of fabric coronets; an oak desk sign painted with 'The Lord Sandys'; a satinwood tea caddy painted with rural scenes with the bookplate for Michael Lord Sandys affixed to the underside and annotated 'my father's tea chest' and a printing block of a map of Ombersley and surrounding areas; a 66ft measuring tape by Edward Preston & Sons, Birmingham and a metal stationary die-stamp (14)Provenance: Ombersley Court, Worcestershire
A LATE 18TH CENTURY INK AND WATERCOLOUR ARCHITECTURAL DRAWING DEPICTING LAVENHAM CHURCH IN SUFFOLK, Given to Reverend James Buck from his obedient servant James Scales in 1792 James Buck was the Reverend of the Parish of the chronologically important rich tudor town of Lavenham. Edward Dewing of the Archaeological Institute has given a precise account of the importance and significance of the church and town to the present day. 51cm x 32cm
Corgi Classics - Oxford - Fifteen diecast vehicles in varying scales to include 07202 Land Rover Public Address & Clowns, 97896 AEC Pole truck, 97123 Bedford 0 Series Van NSPCC and similar items. Items appear to be in very good-excellent condition. Some items do not contain certificates. Boxes are good-very good, some storage wear. Also an unboxed damage Corgi kit of a Circus Transport Cage (No 607) with rhino figure. Contents not checked for completeness. (This does not constitute a guarantee) RG
Corgi - Lledo - Kinsmart - A collection of mostly unboxed miscellaneous vehicles in different scales including Coca-Cola and a few Eddie Stobart lorries and a selection of Fire Brigade vehicles in varied condition . Lot also contains A Corgi #42729 in a case that is scuffed but the item inside is in excellent condition. The overall condition of this lot ranges from worn to very good. (This does not constitute a guarantee) RG
Corgi - Solido - Diecast - A mixed lots of Fourteen Corgi diecasts in varying scales to include 06203 Royal Mail Morris J Van, 30310 Cadbury's Chocolates Thames trader Van, 43917 Daimler CW Utility Bus Yelloway Motor services and similar items. Items appear to be in very good-excellent condition with wing mirrors and certificates in their boxes. Boxes are fair-excellent with some storage wear. (This does not constitute a guarantee) RG
Corgi - Classics - Original Omnibus - 20 diecast vehicles in varying scales to include four limited editions; VA008908 Austin 1800 Dragon's Taxis, Zodiac MkII Ambassador Blue Over Pompadour Blue, 40102 Park Royal Trolleybus Hasting Tramways Co and 43006 Leyland Olympian North Western Bee Line. Items appear to be in very good-excellent condition. Boxes are good-excellent with some storage wear. Some items loose in their boxes (This does not constitute a guarantee) RG
Corgi - Matchbox - Oxford - Others - Approximately 20 diecast vehicle in varying scales to include 06505 British Caledonian Airways Morris 1000 (Factory Sealed), CC82206 Mini 40 Mulberry Red, Limited edition CC82203 Mini Seven Formula Christopher Huck and similar items. 97837 has crack paint work to the item but all other items appear to be in very good-excellent condition. Some items come in very good-excellent cases and others are in boxed good-excellent, some storage wear. (This does not constitute a guarantee) RG
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