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Lot 214
Brass three draw telescope with 1.5``, 3cm objective lens and leather covering 22.5``, 57cm (cased), a reproduction Stanley theodolite head sighting compass in brass case with internal spirit levels, mirrored interior and natural sine tables to back, a set of Opium scales in wooden case shaped like a duck and a Cotton & Johnson lighter (4)
Lot 722
An enamel and emerald `Serpenti` bangle wristwatch by Bulgari, circa 1968, the highly flexible triple coil serpent`s body with turquoise and white enamel scales, to a similarly enamelled head with pear shaped emerald eyes, the head hinged to reveal a concealed watch movement by Jaeger LeCoultre, 17 jewel Jaeger LeCoultre back wind and set movement, signed Jaeger LeCoultre and Bulgari on the dial, and signed Bvlgari to the back of the snake`s head with Italian control marks, in a brown leather bound velvet fitted Bulgari Roma box. Introduced in the late 1940s, Bulgari initially constructed their serpenti watches from hollow `tubogas` coils of interlocking strips of gold, but by the 1960s the enamel versions were elaborately handmade from sheets of gold which were screwed and pivoted together, with a white gold spring inside the bangle giving the incredible flexibilty. The serpenti watches found celebrity acclaim when Elizabeth Taylor was photographed wearing a gold and diamond version on the set of `Cleopatra` in 1962. The enamel versions begun to be produced from around 1967 onwards in exotic colour combinations, such as the example offered here. Literature: Triossi, A., `Between Eternity And History: Bulgari: From 1884 To 2009: 125 Years of Italian Jewels`, Skira, Milan 2009, Exhibition Book, pp 188 - 199 for the history of Serpenti watches and illustrations of some of the different colours produced by Bulgari. Chapman, M. & Triossi, A., `The Art Of Bulgari: La Dolce Vita And Beyond: 1950 - 1990`, DelMonico Books & Fine Art Museums of San Francisco 2013, Exhibition Book p 60 for original design sketches of enamel Serpenti watches, and pp64 - 67 for illustrations of similar examples of Serpenti watches from the 1960s. Triossi, A. & Mascetti, D., `Bvlgari`, Milan 1996, pp 250 - 252 for illustrations of other similar enamel Serpenti watches.
Lot 307
Chinese unglazed white porcelain of Guanyin standing on a wave with serpents, applied seal mark, height 35cm, on wooden stand; also two Kutani eggshell porcelain teabowls and three saucers (a lot)Condition report: The figure has been glued to the base. The body is not cracked or restored; there are small chips and losses to the highpoints such as finger tips, dragon teeth and scales. Both of the teabowls and the three saucers are cracked or chipped or both; the lids are not damaged. One teabowl does not have a matching saucer.
Lot 307
Chinese unglazed white porcelain of Guanyin standing on a wave with serpents, applied seal mark, height 35cm, on wooden stand; also two Kutani eggshell porcelain teabowls and three saucers (a lot)Condition report: The figure has been glued to the base. The body is not cracked or restored; there are small chips and losses to the highpoints such as finger tips, dragon teeth and scales. Both of the teabowls and the three saucers are cracked or chipped or both; the lids are not damaged. One teabowl does not have a matching saucer.
Lot 236
POMEROY FREDERICK WILLIAM (BRITISH) (1856-1924), bronze study of a satyr playing pan pipes mounted on an urn, unsigned, all-over dark brown patina, green marble plinth (loose), height of bronze 27cm (Provenance: Includes a letter from the artist’s grandson Desmond Loftus. Pomery designed and made The Scales of Justice Sculpture atop The Old Bailey Law Courts, London)
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63833 item(s)/page