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Lot 851
A yellow metal, diamond, and ruby ring, set with a cabochon ruby (treated), four-claw set in a rectangular mount, the shoulders each set with three round-cut diamonds, shank unmarked, size K.Condition report: 6.3 grams. Shank unmarked, likely 18ct. Ruby showing heavy signs of resin treatment.
Lot 1169
Ruby and old cut diamond dress ring, set with four old cut diamonds, and three round cut rubies, in diamond shaped mounts along a wide band, 8.2mm width, with wirework decoration, testing as 18 ct white and yellow gold, ring size K Gross weight 7.2 gramsOne diamond has small chips to surface and rubies surface are lightly scratched
Lot 1143
Antique ruby and diamond circular cluster ring, central octagonal cut ruby encompassed by a double halo of old cut diamonds, the outer border interspersed with round faceted rubies, pierced under gallery, marked for 18 ct, ring size P Gross weight 2.8 grams.Rubies have abraded facet edges, two diamonds have small chips on the table
Lot 1338
Chronograph Poljot Aviator I.Sikorsky watch, black dial and Roman numerals, date window, minute track, 23 Ruby movement, back of the case depicts an early helicopter, together with a Rytima De Luxe, a Accurtist 21 jewel and a Service 5 watch (4) All watches are currently working but none have been tested for time keeping Service 5 watch glass is crackedPoljot Aviator was designed to commemorate the 100 year anniversary 1903-2003 of Russian-American aviation pioneer Igor Ivanovich Sikorsky, entering the Naval Academy in St Petersburg, he was known for his work in both helicopter and fixed wing aircraftSigns of wear commensurate with ageEwbank's do not guarantee the working order or accuracy of any lots sold
Lot 1053
Mixed group of jewellery, including a Victorian bar brooch, central heart set with a diamond, ruby and sapphire, with foliage decoration, stamped 15 ct, together with a mourning brooch with plated hair compartment, seed pearl set surround, a diamond set star signet ring, size O, both testing as 15 ct, Edwardian amethyst and seed pearl pendant, hidden portrait pendant, pair of ruby earrings and a cross pendant, all marked as or testing as 9 ct 15 ct gross weight 8.2 grams9 ct gross weight 9.6 gramsVictorian bar brooch 4 x 1.3cmMourning brooch missing one pearl, 2.2 x 1.6cmOval locket when closed, 2.1 x 1.5cmAmethyst and pearl pendant: one side of the chain loose as loop bail fittings need to be re-soldered on to pendant, pendant measures 4 x 2.2cm
Lot 1167
Early 20th C ruby and diamond ring, in 18 ct, hallmarked Birmingham 1918, ring size N 1/2, with a blue and white sapphire cluster ring, size K 1/2 and red paste dress ring, size L 1/2, both stamped 9 ct 18 ct gross weight 3 grams9 ct gross weight 4.7 gramsRuby and diamond ring makers mark A.W.O, all three rubies have small chips to surfaceBlue and white sapphire ring all stones have scratches and small chips to surface
Lot 1022
Three eternity rings, including a blue and white sapphire full eternity ring, ring size L, a ruby and diamond half eternity ring, ring size L 1/2, both in 18 ct, and a pink tourmaline half eternity ring, set with seven square step cut tourmalines, in 9 ct, ring size L 9 ct gross weight 2.76 grams18 ct gross weight 5.99 grams
Lot 1155
Ruby and diamond pendant, with a round cut ruby measuring 11.19mm diameter, in a four claw setting, suspended from a diamond set bail, on a fine chain, together with a pair of ruby earrings, round cut rubies measuring approximately 7.5mm, rub over set with post and butterfly fittings and a single stone pink sapphire ring, oval cut pink sapphire measuring 9.18 x 6.84mm, ring size R, all mounted in 9 ct Gross weight approximately 11.28 gramsRubies and pink sapphire are heavily included
Lot 1252A
Group of ruby set jewellery, one oval cut ruby ring, size M 1/2, with a matching oval pendant 4 x 2.2cm, a large multi stone set pendant 7 x 8.4cm, another smaller cluster pendant, seven bracelets and a necklace, mounts mainly stamped silver Gross weight 433.5 grams Rubies are included and may be glass filled
Lot 1082
Victorian ruby and diamond ring, central square cut ruby set in a quatrefoils setting surrounded by four old cut diamonds and engraved detail, with diamond set shoulders, estimated total diamond weight 0.15 carats, under gallery has small round glazed panel under the ruby setting, mounted in 18 ct, ring size J Gross weight 4.1 gramscrack running through the shankOne cut diamond has chip to top surfacetop of ruby surface is rubbed
Lot 1183
Antique diamond, emerald and pearl pendant with central portrait of a Georgian lady, and a diamond set dress stud, both stamped 18 ct, a bar brooch with monogram and crown testing as 18 ct, 1930's ruby and diamond bar brooch testing as 14 ct, and aquamarine and seed pearl brooch stamped 9 ct 18 ct gross weight 14.5 grams. 14 ct gross weight 3.2 grams. 9 ct gross weight 4.0 grams
Lot 1102
Ruby and diamond bombé dress ring, with a central oval cut ruby weighing an estimated 1.71 carats, surrounded by baguette and round brilliant cut diamonds, estimated total diamond weight 1.00 carat, mounted stamped 18 ct, ring size N 18 ct gross weight 8.56 gramsTwo baguette cut diamonds missingRuby has slightly abraided facet junctions18 ct stamp very rubbed, partial makers mark
Lot 1240
Art Deco travel clock, with a silver lizard brooch set with synthetic ruby eyes and marcasite body, other gilt metal brooches to include Jacqueline Bobin for Limoges France, Mever Metal aviation and wing, Red Coat drummer on horseback, Rupert the Bear, paste set heart and horseshoe, mosaic and Wedgwood, a pearl and beaded necklace, carved bone pendant and other items Silver gross weight 5.2 grams
Lot 61
A DIAMOND, PEARL, RUBY AND EMERALD COCKTAIL RING, CIRCA 1960 The baroque pearl trapped within three talons of a dragon's claw, entwinned a by a snake decorated with a brilliant-cut diamond body and cabochon rubies for eyes, to a textured gold mount accented with four circular-cut emeralds, mounted in 18K gold, diamonds approximately 0.80ct total, ring size L While the subject is still open for debate, the majority of sources conclude that the 'ball & claw' design first appeared in China. With the expansion of trade during the 17th and 18th centuries, marvels from the east flooded into the European market and many designers assumed artistic affectations in order to emulate Chinese works. Thus, we see the ball and claw being integrated into several facets of European design. In China, the motif is depicted as a dragon gripping a ball derived of crystal, pearl or other precious material. In Chinese mythology, the dragon is symbolic of the emperor, with a ball being representative of purity and wisdom. By grasping these traits in his talons, the emperor swears to uphold these ideals and to protect them from evil forces which would otherwise bring destruction.
Lot 62
A LARGE JADEITE JADE, RUBY AND EMERALD PENDANT Composed of a large engraved colourless jadeite jade with inscriptions, framed by two textured gold dragons with cabochon emeralds for eyes and two cabochon ruby accents, mounted in 18K gold, French assay marks, maker's mark 'BJ', length 7cm Four-word phrases are popular within Chinese culture and have been used for the last three thousand years. With each word carrying just one syllable, there is a delight in conjuring enchanting imagery and complex thoughts in four simple sounds. Inscribed on this pendant are the words 'quang jin pei yu', which literally means 'the clanking of gold and the wearing of jade'. Reading further into this, the phrase denotes wealth and beauty, wishing these attributes on the wearer. This collection of words occurs frequently in the poetry of the Tang and Sung dynasties and is easily recognised by those with an understanding of the language.
Lot 56
A GEMSET NOVELTY BROOCH, BY BOUCHERON, CIRCA 1965 Designed as an openwork textured gold turtle, with fancy-shaped turquoise cabochons for the shell and ruby cabochon for eyes, with articulated head and feet, mounted in 18K gold, signed Boucheron Paris, numbered, French assay marks, length 3.7cm
Lot 32
AN ELEGANT PAIR OF RUBY AND DIAMOND CUFFLINKS, BY CHAUMET, CIRCA 1925 Single-sided, each square plaque set with calibré-cut rubies, highlighted by four collet-set brilliant-cut diamonds, to a T-bar terminal embellished with a line of similarly-cut rubies, accompanied with two matching shirt buttons, all mounted in 18K gold, all signed Chaumet Paris, all with maker's mark 'JC' for Joseph Chaumet (mark registered between 1890-1928), French assay marks, with maker's case, length 2.2cm Since its inception in the 17th century, the cufflink has been an item of opulence, bringing flair to an otherwise humble sleeve. Shirt cuffs were initially held together by a piece of string or ribbon, but the arrival of the stitched buttonhole led the more fashionable to seek a different method. They settled on two buttons held together by a chain. This was threaded through the holes on the cuff, giving birth to what we now know as the cufflink. At the time, they were referred to as 'boutons de manchettes' by French tailors or, quite literally, sleeve buttons. They were particularly popular with King Charles II and his continued use helped to establish the cufflink within high society. It is thought that a further push was given to the fashion through the writing of Alexander Dumas. In 'The Count of Monte Cristo
Lot 90
A FINE GEM-SET AND DIAMOND BRACELET, BY FRED PARIS, CIRCA 1970 - 1980 Of articulated design, composed of four large openwork bombé links set with alternating sapphire, ruby and emerald cabochons highlighted with brilliant-cut diamonds throughout with textured gold detail, mounted in 18K gold, diamonds approximately 10.00cts, signed Fred Paris, with maker's mark 'AV' for André Vassort, French assay marks, with maker's case, length 17cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents satisfy the constant appetite for glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, exemplified in this lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.
Lot 31
A SILVER, GOLD AND RUBY CIGARETTE CASE, CIRCA 1935 The rectangular reeded case, with a gold polished plaque with squirrel and floral engraving accented with circular cabochon rubies, the thumpiece set with calibré-cut rubies, in silver and gold, French assay marks, numbered 'C2', length 8.1cm, width 6.1cm
Lot 194
A FINE RUBY AND DIAMOND THREE-STONE RING The oval-shaped ruby, weighing approximately 2.20cts, between old European-cut diamond shoulders, within claw-setting throughout, mounted in platinum, diamonds approximately 2.60cts total, ring size L Accompanied by a report from GCS laboratory in London, stating that the ruby weighing approximately 2.20cts is of Burmese origin, with no indications of heat treatment. Report no. 5776-6349, dated July 19th 2016
Lot 101
AN ENAMEL, RUBY, SAPPHIRE AND DIAMOND BROOCH Modelled as a stylised dragonfly, the plique-à-jour wings accented by round-shaped cabochon sapphires and brilliant-cut diamonds, with an oval-shaped cabochon sapphire and similarly-cut diamond body, completed by round-shaped cabochon ruby for eyes, mounted in gold, length 6cm, width 7.3cm
Lot 89
A FINE GEM-SET AND DIAMOND PENDANT/BROOCH, BY FRED PARIS, CIRCA 1975 -1980 Designed as a stylised present bow, centring a ruby cabochon within a surround of brilliant-cut diamonds, the ribbons of openwork decorated with alternating sapphire, emerald and ruby cabochons with brilliant-cut diamond highlights throughout, mounted in 18K gold, diamonds approximately 6.00cts total, signed Fred Paris, with maker's marks for André Vassort (partially rubbed), French assay marks, with brooch and pendant fitting, length 6.4cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents feed the ever-hungry mouths of glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, such as the current lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.
Lot 174
A RUBY AND DIAMOND CLUSTER RING, modelled as a stylized flowerhead, the central round brilliant-cut diamond collet set within a border of pear-shaped ruby petals, 18ct gold mounted, together with a diamond cluster ring, millegrain set with single-cut diamonds, stamped '18ct & Pt', first ring diamond weight approximately 0.12ct, size L (2) Condition report: First ring: Rubies have deep pinkish-red hues with light surface wear and occasional small chips/surface-reaching fractures. Diamond is bright and lively, estimated VS2 to SI1 clarity and H to J colour, assessed mounted. Diameter of setting 12.5mm. Surface wear to mount, worn ‘SS’ maker’s mark to hoop. Gross weight approx. 4.5gm. Second ring: Diamonds have a greyish appearance, some stones with chips and surface-reaching fractures. General surface wear to mount. Gross weight approx. 1.5gm.
Lot 379
A RUBY AND DIAMOND SET BRACELET WATCH BY DELANEAU FOR KUTCHINSKY, the circular dial pavé set with single-cut diamonds, to a circular convex case and shaped panel shoulders, pavé set throughout with graduated round brilliant-cut diamonds and circular-cut rubies, (rubies untested for natural/synthetic origin), on a fancy brick-link bracelet, the glass and case signed DeLaneau, the case also signed Kutchinsky and numbered 'L397 1684', with 18ct gold convention mark, the bracelet stamped 'MM 750', with inscription to clasp dated '23-7-89', total diamond weight approximately 0.75ct, case width 2.05cm Condtion report: Dial - good, crystal - good but with slight losses to the L and A of Delaneau signature, case - good, movement - not currently working, bracelet – good. Rubies are untested for natural/synthetic origin, most have light surface wear with occasional chips and scuffs. Diamonds are well matched, bright and lively, with estimated VS1 to SI1 clarity and H to J colour, assessed mounted. Approx. gross weight approx. 26.6gms. The movement has not been tested and working order cannot be guaranteed.
Lot 38
A DIAMOND SINGLE STONE RING, of crossover design, the round brilliant-cut diamond in illusion setting, two colour precious metal mounted, together with a diamond two stone ring, 18ct gold mounted, a diamond and gem set dress ring, stamped '750', a star ruby single stone ring, stamped '18ct', and a 22ct gold wedding band, first ring size P (5) Approx. gross weights only: 22ct wedding band 2.5gm, diamond set band 3.3gm, star ruby ring 5.3gm, diamond single stone ring 2.4gm, gem set ring 5gm
Lot 341
A COLLECTION OF JEWELLERY, comprising a cultured pearl and diamond pendant necklace, a ruby set pendant on chain, 9ct gold mounted, two 9ct gold and gem set spray brooches, a diamond set nugget pendant, on a gilt metal chain, a pair of blue stone ear studs, a Blue John single stone ring, a diamond set dress ring, and further items, first necklace length (excluding extension chain) 40.5cm (qty) Approx. gross weights only: pearl pendant on chain 4.3gm, ruby pendant on chain 8.1gm, two spray brooches 9gm, nugget pendant 1.5gm, cross pendant on chain 3.6gm, diamond set ring 1.8gm, blue John ring 1.4gm, ear studs combined 5gm
Lot 313
A DIAMOND AND GEM SET PANEL BROOCH BY CARTIER, modelled as a tree, with cabochon ruby and green agate flowerheads and foliage, accented with individual round brilliant-cut diamonds in millegrain collet settings, above a round brilliant, Swiss and single-cut diamond set trunk and vase of pierced, millegrain design, white precious metal mounted, with yellow metal pin, signed CARTIER and indistinctly numbered, total diamond weight approximately 0.55ct, length 2.65cm Condition report: Rubies have variable pinkish-red hues, most stones with fracture, feather, ‘silk’ and mineral inclusions that are visible under magnification. Some of the rubies have surface-reaching fractures and nicks/chips, all have light surface wear. The green agates are well matched with a cloudy/milky transparency and light surface wear. Diamonds are well matched, bright and lively, with estimated VS1 to SI2 clarity and H to J colour, assessed mounted. Largest diamond weight approx. 0.07ct. The mount has surface wear, scuffs, nicks and occasional areas of thinning to the edges of the setting. The pin is yellow metal, possibly later replaced, and functioning. The signature is positioned to the side of the vase, the number is positioned to the back of the vase but is difficult to read. Metal standard is untested. Gross weight approx. 7.9gm.
Lot 70
TWO DIAMOND SET GYPSY RINGS, the first a ruby and diamond three stone ring, 18ct gold mounted, the second a diamond single stone ring, yellow precious metal mounted, ring sizes J and H½ respectively (2) Condition report: First ring - scuffs, nicks and chips to ruby, which measures approx. 3mm length x 2.5mm width. Diamonds are well matched, bright and lively, but one of the stones has a large surface-reaching fracture, estimated I to J colour and SI2 to P2 clarity, assessed mounted. Total diamond weight approx. 0.08ct. The mount has general wear, scuffs, scratches and nicks and a solder join to the shank. The hallmark has capital ‘F’ date letters to the interior and exterior (on one shoulder) but we cannot see an assay office mark. Width of band at top approx. 6mm. Gross weight approx. 4.2gm. Second ring - the diamond has a bright and lively appearance, with estimated SI1 to SI2 clarity and J to K colour, assessed mounted. Diamond weight approx. 0.15ct. The mount has general wear, scuffs, scratches and nicks and solder joins to the shank. Width of band at top approx. 7.8mm. Metal standard is untested. Gross weight approx. 5.2gm.
Lot 164
A DIAMOND AND GEM SET GIARDINETTO BROOCH, designed as a pierced and millegrained vase, pavé set with graduated Swiss, single and baguette-cut diamonds, issuing a spray of pear-shaped, round brilliant and semi-circular cut diamonds, interspersed with circular and navette-shaped mixed-cut rubies, sapphires and emeralds, and round brilliant-cut diamonds of yellow tint, (diamonds untested, assumed to be of treated colour), the panel with additional threaded fittings and vacant threaded apertures to the reverse, white precious metal mounted, total weight of white diamonds approximately 2.70ct, width 4.1cm Condition report: The panel is fitted with two hinged screw fittings and two threaded tube fittings, suggesting that it may previously have be worn as part of a larger jewel or with alternative fittings. The brooch fittings are possibly later added and the visor clasp requires adjustment to allow the pin to be secured in it. The mount has general surface wear, with a small dark solder join/repair to the lower section of the vase. One of the larger brilliant-cut diamonds, weighing approx. 0.30ct, is drawing a yellowish tint, with estimated M colour. Remaining ‘white’ diamonds are well matched, bright and lively, some stones with small fracture or mineral inclusions, with estimated VS2 to P1 clarity and H to J colour, assessed mounted. The diamonds with a pronounced yellow tint/hue are assumed to be of treated colour as all have a greenish LWUV fluorescence, weighing approx. 0.90ct in total. Rubies, sapphires and emeralds are well matched, some stones with surface-reaching fractures/fissures, most stones with multiple inclusions and faint colour zoning. All have surface scuffs, small chips and nicks. Diameter of largest ruby approx. 4.8mm. Metal standard is untested. Gross weight approx. 15gm.
Lot 312
A DIAMOND AND GEM SET PANEL RING, modelled as a spray of cabochon ruby and green stone flowerheads and foliage in closed-back settings, accented by individual round brilliant-cut diamonds, between bifurcated shoulders of graduated further brilliants, white precious metal mounted, (one cabochon deficient), total diamond weight approximately 0.35ct, ring size O Condition report: One cabochon is missing. Rubies are well matched, of deep pinkish-red hues, all contain fracture, feather and mineral inclusions that are visible under magnification. Some stones have surface-reaching fractures and nicks/chips, all have surface wear. The green stones are untested but have yellowish-green hues and a greasy lustre, with surface wear. Diamonds are well matched, bright and lively, with estimated VS1 to SI2 clarity. The ring mount has surface wear, scuffs and nicks throughout, with a small split to the side of one setting. There are yellowish solder joins/repairs to the reverse of the setting. Metal standard is untested. Gross weight approx. 8.5gm.
Lot 78
AN EDWARDIAN RUBY AND DIAMOND HALF HOOP RING, with scallop pierced setting and scrolled shoulders, 18ct gold mounted, hallmarked for Birmingham 1908, together with a similar ruby and diamond half hoop ring, stamped '18ct', and a sapphire and diamond three stone ring, of crossover design, stamped '18ct', first ring size L (3)Condition report: General surface wear, scuffs and chips to all ring mounts, and chips/scuffs/fractures to all gemstones. Diamonds have variable colour and clarity, some stones with chips and fractures. The second ring has a later shank, with solder joins visible at the junctions of the shank to the shoulders. The third ring has been re-sized. Approximate gross weights: 1st ring 2.5gm, 2nd ring 2.4gm, 3rd ring 1.6gm.
Lot 682
AN EDWARDIAN SILVER CYLINDRICAL SCENT BOTTLE, engraved with scrolling foliage and having pierce decorated band with cranberry glass liner, by George Edwin Walton, Birmingham 1904, 8cm high; a faceted lime green glass scent bottle, the hinged cover stamped "S. Mordan & Co. London", 12cm, and a further faceted ruby glass small scent bottle. (3) Condition report: silver overlaid scent bottle has some dents and knocks to the lid and end. The neck of the glass is broken/damaged, but is held intact by the encasing mount. The stopper is present, and has a few minor edge chips. Green scent bottle is in good condition overall, though the mount is a bit loose, and the inner glass stopper has been broken off with part stuck in the neck. Small red scent bottle has loose cover/mount, and the inner glass stopper is chipped and appears stuck.
Lot 484
A CONTINENTAL LATE 19TH CENTURY BLUE OVERLAID WHITE GLASS SCENT BOTTLE, the waisted and panelled body painted and gilded with birds, insects, and flowers, and having embossed white metal hinged cover, 10cm long, and a late 19th Century ruby glass double ended scent bottle with embossed silver plated mounts, 12.5cm (2) Condition report: overlaid scent bottle has a couple of chips to the raised blue areas on one side, otherwise ok. Red scent bottle good overall, with a couple of minor dents to the cover. Neither has an inner stopper.
Lot 162
A VARI GEM-SET DRESS RING, modelled as three entwined flowerheads, individually centred with a round brilliant-cut diamond, a circular mixed-cut ruby and a circular mixed-cut emerald, between foliate shoulders, two colour precious metal mounted, stamped '18ct', diamond weight approximately 0.12ct, ring size O
Lot 229
A LATE VICTORIAN/EDWARDIAN RUBY, DIAMOND AND PEARL CRESCENT BAR BROOCH, centred with a crescent of graduated oval mixed-cut rubies, edged by old and single-cut diamonds, enclosing a single pearl, on a knife edge bar with ruby and diamond terminals, gold and silver mounted, (later fitting, pearl untested for origin), total diamond weight approximately 0.25ct, length 5.1cm Condition report: Rubies have slightly variable mid to deep purplish-red hues, most stones containing small mineral, fracture/feather and colour zoning inclusions that are visible under magnification. Rubies graduate from approximately 4.5mm x 3mm down to 1mm in length x width and have surface wear and occasional chips/fractures. Diamonds are well matched, fairly bright and lively, some stones with chips or fractures, estimated SI1 to P2 clarity and H to K colour, assessed mounted. The pearl has a creamy-white hue and surface wear. The brooch mount has general surface wear, nicks and chips and some of the outer pinched claws are broken. The brooch pin is functioning but later replaced. Gross weight approx. 6.8gm.
Lot 274
THREE GEM SET RINGS, comprising a cabochon ruby single stone ring, 18ct gold mounted, a diamond set dress ring, 18ct gold mounted, and a cabochon turquoise single stone ring, stamped '750', first ring size R½ (3) Approx. gross weights only: diamond set ring 8.8gm, ruby ring 5.5gm, turquoise ring 10.2gm
Lot 67
A DIAMOND AND VARI GEM-SET 'REGARD' LOCKET PENDANT, circa 1830-40, the circular hinged locket applied with a cannetille work panel modelled as a sunburst, highlighted with cushion-shaped gemstones and a central diamond, each in a wirework cluster, to include ruby, emerald and amethyst, opening to reveal a glazed hairwork compartment, on a later fancy-link chain with clasp stamped '15', pendant length 3.7cm, chain length 40cm Condition report: There is a small split to the edge of the locket mount, near to the loop fitting. The emerald is chipped and fractured. Remaining gemstones have surface wear, scuffs and nicks. The beads and mount have areas of porosity and staining/tarnishing, and there are occasional small dark solder joins/repairs to the cannetille decoration. The pendant mount and decoration have surface wear, scuffs, nicks and scratches throughout. Dust and dirt residue is trapped beneath the cannetille decoration and this may require professional cleaning. The locket hinge is functioning and opens/closes fairly tightly. The interior glazed panel has surface wear and dust/dirt residue to the hairwork compartment. Metal standard is untested. The later chain has general surface wear and the clasp is functioning. Gross pendant weight approx. 13.1gm, gross chain weight approx. 4.2gm.
Lot 128
A RUBY AND DIAMOND CLUSTER RING, the oval mixed-cut ruby claw set within a border of round brilliant-cut diamonds, 18ct gold mounted, total diamond weight approximately 0.50ct, ring size M Condition report: The ruby has a deep pinkish-red hue and contains feather/fractured inclusions, with light surface scuffs/scratches and small nicks/chips to facet edges. The ruby measures approx. 5.5mm length x 4.3mm width x 3.3mm depth. Diamonds are well matched, bright and lively, with estimated VS1 to SI2 clarity and H to J colour, assessed mounted. The ring mount has light surface wear, nicks and scuffs, with maker’s mark ‘DB’ in lozenge-shaped punch. Length of setting approx. 1.2cm. Gross weight approx. 3.4gm.
Lot 93
A COLLECTION OF DRESS RINGS, comprising a ruby and diamond half hoop ring, stamped '750', a blue synthetic spinel single stone ring, with openwork abstract mount, stamped '9ct', and two garnet cluster rings, first ring size I½ (4) Condition report: Approx. gross weights only: half hoop ring 6.5gm, synthetic spinel ring 13.8gm, 9ct gold garnet cluster ring 7.2gm, other cluster ring 6.2gm
Lot 173
A FLOWERHEAD PENDANT ON CHAIN, the textured flowerhead stamped '18c', suspended from an abstract baton-link chain stamped '585', together with a pair of ruby and diamond half hoop earrings, on post fittings, stamped '14k' and signed CEI for Colombian Emeralds International, and a pair of sapphire set knot ear studs, 9ct gold mounted, pendant length 3cm (3) Approx. gross weights only: pendant necklace 15gm, ear hoops 3gm, ear studs 2.4gm
Lot 214
A COLLECTION OF GEM SET BAR BROOCHES, comprising a diamond set bar brooch, designed as an openwork scroll of rose-cut diamonds, a diamond single stone bar brooch, applied with ropetwist wirework and bead decoration, stamped '15ct', a half pearl, synthetic ruby and diamond bar brooch, with French eagle's head mark to pin, and two further examples, (pearls untested for origin), first brooch length 3.8cm (5)
Lot 230
A PAIR OF RUBY AND DIAMOND CLUSTER EAR STUDS, each designed as a flowerhead cluster, centred with a cushion-shaped ruby bordered by lasque-cut diamonds, on post fittings, diameter 0.95cm Condition report: Rubies are well matched, of mid pinkish-red hues, one stone with an area of iridescent ‘silk’ inclusions, both stones with surface wear and facet edge abrasion. Each measures approx. 3.5mm to 3.7mm in length/width. Diamonds have a greyish, fractured/chipped appearance. The mounts have surface wear, nicks and scuffs and patchy tarnishing. Metal standard is untested, but possibly gold and silver. The post fittings may be later replaced. Gross weight approx. 2.5gm.
Lot 101
A CULTURED PEARL TRIPLE STRAND NECKLACE WITH RUBY AND DIAMOND SET CLASP, comprising three strands of graduated cultured pearls, to a shaped rectangular panel clasp of pierced and millegrain design, centred with a circular mixed-cut ruby bordered by graduated old and single-cut diamonds, white precious metal mounted, total diamond weight approximately 0.30ct, shortest length 35cm Condition report: Cultured pearls are well matched but some individual pearls have wear and losses to the nacre finish, possibly caused by degradation of the nacre due to perfumes/creams. Most of the pearls also have subtle surface blemishes, scuffs, pitting and creases. Diameter of cultured pearls graduates from approx. 7.2mm to 3mm. The ruby has a fairly deep purplish-red hue but contains a large feather/fracture inclusion ad has considerable wear, chips, nick and scuffs to the surface, measuring approx. 4mm in diameter. Diamonds have variable colour and clarity, some stones with chips and surface-reaching fractures, but give an overall lively appearance. The clasp measures approx. 20mm length x 12mm width. Metal standard is untested. Gross necklace weight approx. 35gm.
Lot 337
A DIAMOND AND VARI GEM-SET TREFOIL BROOCH/PENDANT, designed as a three-leaf clover of graduated old and single-cut diamonds, the leaves centred with a half pearl (untested for origin), a circular mixed-cut synthetic ruby and a turquoise-coloured cabochon respectively, enclosing an old-cut diamond of brown tint (untested for natural colour), white precious metal mounted, with hinged pendant fitting, total diamond weight approximately 1.30ct, length 3.6cm Condition report: The coloured gemstones may be later replaced and all have scuffs, scratches and small chips to the surface. The brown tinted diamond has surface-reaching fractures and chips and weighs approx. 0.30ct. Remaining diamonds have an overall lively and fairly bright appearance, with estimated SI1 to P2 clarity, some stones with surface-reaching fractures and chips, and H to L colour, assessed mounted. The mount has surface wear and scuffs, wear to the tips of the claws, and some of the claws may require re-tipping. There are occasional creases/blemishes to the reverse of the settings and some deeper scuffs to the sides of the mount. The clasp fittings are functioning. Metal standard is untested. Gross weight approx. 12.3gm.
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