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A Victorian cameo glass and silver-gilt mounted scent bottle or perfume bottle, the body with opal over ruby red, depicting floral sprays, with a silver-gilt domed cover, secured with a screw thread, ensuite with an integral fitted cork stopper, the glass body likely by Thomas Webb & Sons of Stourbridge, the silver with sponsor's mark of Sampson Mordan, London 1884, length 8.2cm approx
A NIGHT & DAY RING the white metal mount, set with sapphires, rubies & diamonds, the flip design enables the ring to be worn in three ways, approx size N, weight 6.3gms Condition Report:I attach two microscope image of the sapphire (with linear inclusion) and ruby with platelet/silk inclusions, they are all quite damaged (Scuffed) and there are two sapphires missing, some of the diamonds are a bit yellow. Mount ok.
PEARLS WITH A METAMORPHIC CLASP the double string of pearls has a ruby sapphire and diamond 14k gold clasp, which can be used together as a double string of pearls, individually as two strings of pearls with either a sapphire or ruby clasp,or one long opera length of pearls using both sides of the clasp. Shorter length approx 45.5cm, longest 47.5cm, weight 58.7gms Condition Report:Available upon request
GEOFFREY BAXTER (BRITISH - 1922-1995) FOR WHITEFRIARS A group of textured bark Coffin vases in assorted colours including tangerine, kingfisher, meadow green, ruby, aubergine, cinnamon and pewter, pattern number 9689, 13cm high (7) Condition Report:"ruby - cracked meadow green has an open bubble to sidekingfisher has a small chip to side surfaceAll others in good condition"
A quantity of various 12" vinyl records, including Prince Buster, The Kinks, Barclay James Harvest, Peter Frampton, Dion, Del Shannon, Freddie & The Dreamers, Jose Feliciano, Brinsley Schwarz, Emerson Lake & Palmer, Ruby & The Romantics, Tim Chandell, The Explorers, Tommy Roe, The Animals etc. - over two boxes
CARTIER: ART DECO GEM-SET ROCK CRYSTAL BANGLE, CIRCA 1930Each ruby cabochon within an engraved mount of Persian inspiration, with graduated emerald, ruby and sapphire cabochons in pinched collet settings, atop the tiered rock crystal, with ridges to the spine, tapering to a black lacquer hinge, signed Cartier Paris, maker's mark HL for Henri Lavabre, numbered, French assay marks, inner circumference approximately 15.5cm, Footnotes:If 1920s jewels are characterised by simple, flat and geometric motifs, jewels of the 1930s are distinguishable by their sculptural, much bolder forms. Rainbows of vari-coloured gemstones were replaced with subtle accents of colour, sprinkled against dramatic monochrome themes in onyx, black lacquer, diamonds, platinum and rock crystal. The solid, yet transparent quality of rock crystal creates a unique visual effect with light, sparkling like sunshine through cascading water, allowing jewellers to carve voluminous, architectural forms that retained a sense of delicacy and lightness.This exquisite bangle combines 1930s sculpturesque opulence with Cartier's distinctive use of Persian decorative motifs. Significant archaeological discoveries during the second half of the 19th century led to a rediscovery of civilisations beyond Europe's borders. By the turn of the 20th century, Islamic art had become a field of study and inspiration for museums, artists, musicians, dancers, such as the Ballet Russes, and jewellers, such as Cartier. Jacques Cartier travelled extensively throughout India and the Persian Gulf, and Louis Cartier was equally inspired by Islamic art collections in the Louvre and the Musée des Arts Décoratifs' 'Oriental Rooms'. The resulting relationship between Cartier and the East was longstanding and prolific, with Persian and Mughal-inspired motifs appearing in their jewels from the dawn of the 1900s to the 1930s. Accompanied by a document from IAJA Expertise stating that the bangle is by Cartier. Number XP1731-100424, dated 10 April 2024.Please note, VAT at the prevailing rate is applicable on both the Hammer Price and the Buyer's Premium. An additional duty of 2% plus VAT will also be charged on the Hammer Price.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
CASTELLANI: HARDSTONE INTAGLIO, ENAMEL, PEARL AND RUBY PENDANT/BROOCH, CIRCA 1860The banded agate engraved to depict Odysseus tied to a mast and a Siren playing the lyre, within a border alternating with white enamel sprays and ruby cabochons within pie-crust closed-back settings, suspending a detachable ropetwist finial issuing a 25.0mm baroque pearl beneath naturalistic leaves, mounted in gold, maker's mark CC, some enamel repair, pearl drop associated, lengths: brooch/pendant 4.7cm, detachable pearl drop 4.5cm, cased by S.J Phillips, 139 New Bond Street, London, W1.Footnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
RUBY AND DIAMOND RINGThe cushion-shaped ruby, weighing 7.10 carats, between old brilliant-cut diamonds, diamonds approximately 2.70 carats total, ring size approximately L (hoop off round)Footnotes:Accompanied by a report from GRS stating that the ruby is of Burmese origin with no indications of heat treatment. Report number 12721, dated 18th December 2023.For further information on this lot please visit Bonhams.com
CARTIER: RUBY AND DIAMOND BROOCH, CIRCA 1910Each cushion-shaped, rose and single-cut diamond scrolling palm frond, entwined within a French-cut ruby neo-classical geometric motif, suspending a pair of cushion-shaped diamond terminals, mounted in gold and platinum, signed Cartier Paris, principal cushion-shaped diamonds approximately 1.55 carats total, possible later pin fitting, length 5.8cmFor further information on this lot please visit Bonhams.com

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124080 item(s)/page