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Lot 100
Paul Robin: A gem-set stickpin, circa 1900 Modelled as a horse's head within a horseshoe frame, accented with a brilliant-cut diamond and circular-cut ruby eye, French assay and maker's markDimensions:Terminal length: 1.5cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.Literature: Paul Robin's horseshoe designs are illustrated in French Jewelry of the Nineteenth Century, Henri Vever, translated by Katherine Purcell, pp. 1015
Lot 101
Attributed to Paul Robin: A set of four owl buttons, circa 1880 Each modelled as an owl's head with finely engraved detail and circular-cut ruby eyes, French marksDimensions:Length: 1.5cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.Literature: A larger brooch with diamond eyes and corresponding drawing are illustrated in French Jewelry of the Nineteenth Century, Henri Vever, translated by Katherine Purcell, pp. 912 and 1014
Lot 144
Cartier: An Art Deco gem-set jabot pin, circa 1920 Modelled as a parrot perched on a bar, set with a Quahog pearl body within an old brilliant and single-cut diamond surround, with an emerald eye and bufftop cabochon ruby accents, to a diamond-set spear-head terminal, signed Cartier London, in maker's green tooled and gilt caseAccompanied by a report from Gemmological Certification Services (GCS) stating the pearl is a natural non-nacreous Quahog pearl, with no indications of treatment. Report no. 5782-2783, dated 17th August 2022.Dimensions:Length: 6.5cm
Lot 145
Chaumet: An Art Deco ruby and diamond brooch, circa 1930 Of stylised crescent form, millegrain-set with a row of graduated old brilliant cut diamonds, to an outer row of calibré-cut ruby and old-cut diamond sections, partial signature behind the visor catch, fitted case by J Chaumet, Sr de Morel & CieDimensions:Width: 5.4cm
Lot 44
Elco: A retro ruby and diamond-set watch bangle, 1957 The rectangular dial with baton hour markers and Arabic quarters, beneath a hinged lattice design cover, between calibré-cut ruby and single-cut diamond edged, reeded 18ct gold lugs, to a sprung torque bangle, UK hallmarkDimensions:Case: 11mm
Lot 176
US NORTHERN 7". A splendid pack of 11 US northern 7" singles. Artists/ titles include The Traits inc You've Waited To Long (4058, US Contact. Record is VG), Some Day Some Way (4058, US Contact. G+). Roscoe Shelton - Running For My Life (445-2587, US Sound Stage. Ex), The Apollas - Mr Creator (5893, US Warner Brothers. G+), Ruby Andrews - I Just Can't Get Enough (Z1003, US Zodiac. VG+), Brothers Of Soul - Come On Back (B-1005, US Boo. G+), Johnny Williams - You've Got It (45x400, US Kent. VG), Mable John - Who Wouldn't Love A Man Like That (H-55526, US Tamla. VG), Carolyn Crawford - My Smile Is Just A Frown (M-1064, US Motown. G+), Betty Lavette inc What I Don't Know (x2) inc (102, US Calla. Strong VG+) & (102, same press. VG+).
Lot 354
Hi. Perragaux, Locle, an open-faced pocket watch: the movement having a lever escapement and signed Hi. Perragaux, Locle, No. 8522, the white enamel dial with black Roman numerals, a subsidiary seconds dial, gold spade hands and signed Hi. Perregaux,, Locle, the case numbered 2668 8522, the inner cuvee engraved Hi. Perregaux, Locle, No 8522, Chronometre Balance, Lever Escapement, 15 Jewels in Ruby, Visible Pallets, diameter 52cm, weight of watch ca. 101.9gms.together with a silver half-hunter pocket watch with wristwatch lugs, the movement having a lever escapement, the black and cream dial with subsidiary seconds dial, the case marked .925, diameter 35mm.
Lot 513
A hinged ruby and single-cut diamond bangle,: estimated total ruby weight ca. 5cts, estimated total diamond weight ca. 0.15cts, inner diameter ca. 5.8cm, total weight ca. 14gms, accompanied by report number 22067 dated 26/8/22 from the Gem & Pearl Laboratory stating that the rubies are natural with no evidence of heat treatment.
Lot 622
Two 9ct gold gemset rings,: including a cabochon-cut, oval ruby and round, brilliant-cut diamond three-stone ring, estimated ruby weight ca. 1.10ct, total estimated diamond weight ca. 0.20ct, H-I colour, SI1-2 clarity, with hallmarks for Birmingham, ring size Q; together with a sapphire and single-cut diamond cluster ring, total estimated diamond weight ca. 0.10ct, with hallmarks for Birmingham, ring size Q, total weight ca. 5.7gms.
Lot 629
Two rings set with round, brilliant-cut diamonds,: including a single-stone diamond ring, estimated diamond weight ca. 0.05ct, stamped '18CT'; length of ring head ca. 1.5cm, together with an 18ct gold, three stone diamond and probably ruby ring, estimated diamond weight ca. 0.15ct, with indistinct hallmarks, length of ring head ca. 1.2cm, ring size P, total weight ca. 4.9gms.
Lot 633
Four gemset half eternity rings,: including an 18ct gold ruby and diamond ring, estimated total diamond weight ca. 0.05cts, weight ca. 1.8gms; a 9ct gold ring set with tanzanites; and two rings set with garnets, one stamped ''9CT', length of ring heads ca. 1.5-1.8cm, ring sizes J-O, weight of latter three ca. 7.6gms.
Lot 711
A two strand, graduated pearl, emerald and ruby bead necklace,: with marquise-cut diamond clasp, estimated weight ca. 0.80ct, H-I colour, VS1-2 clarity, the pearls off round, of creamy hue, with yellow and pinkish overtones, diameter of pearls 4.3-8.9mms, diameter of emeralds ca. 4.2-9.9mms, length of inner strand ca. 52.5cm.The pearls untested for natural origin.
![A mixed lot of Bohemian and other glass, late 19th/20th century: including an engraved ruby flashed beaker [rim chip]; an ena](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/4c4fb119-15bd-48e0-8f28-af1d00c8b782/468x382.jpg)
Lot 877
A mixed lot of Bohemian and other glass, late 19th/20th century: including an engraved ruby flashed beaker [rim chip]; an enamelled and gilded blue and clear overlay beaker; a decorated glass atomiser and a scent bottle [chipped]; a similar jug; together with a Vienna-style porcelain small coffee can and saucer [7].
Lot 1091
A group of art pottery: comprising a Royal Worcester vase painted with cattle in an upland landscape by John Stinton, 41cm high, [damages and repairs], Wedgwood Ordinary Lustre bowl with ruby lustre exterior and mother of pearl lustre interior printed in gold with butterflies, marks worn, pattern no. Z4827, 23cm diameter, together with a pair of Royal Doulton baluster vases with gilt and blue decoration, 25cm high.
Lot 2231
Hallmarks: 585. Set with 24 single cut diamonds and 6 brilliant cut diamonds of all approx. 0.96 ct. in total (SI / H-J) and a marquise cut ruby ​​of approx. 0.33 ct. In good condition, ruby ​​might presumably ne treated or synthetic. Ring size: 19.75 mm / 62 mm. LxW middle piece: 2.1 x 1.3 cm. Weight: 7.86 grams.
Lot 2252
Hallmarks: 750. Set with 10 brilliant cut diamonds of approx. 0.30 ct. in total (VS-SI / J-K) and a faceted ruby ​​of approx. 1.93 ct. (approx. 8.7 x 6.6 mm). In good condition, one diamond has a chip, ruby ​​has presumably been treated. Ring size: 17.5 mm / 55 mm. Weight: 10.53 grams.
Lot 2411
Hallmarks: 750, Dutch hallmarks: 585, Pt. Set with a faceted natural ruby ​​of approx. 1.34 ct. (approx. 6.9 x 5.6 mm), rose cut diamonds and two old European cut diamonds of approx. 0.85 ct. in total (SI-P / H-J). In good condition, ruby ​​has slight room in the setting. Ring size: 18.25 mm / 57.5 mm. LxW centerpiece: 2.0 x 1.7 cm. Weight: 11.24 grams.
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124080 item(s)/page