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Lot 488
Assorted modern pendants and ear pendants to include; pair of 18ct gold ruby and white sapphire examples, diamond set cross pendant on finelink neck chain, butterfly pendant, pair of citrine and garnet set ear pendants in 14ct gold mounts (4) Condition Report / Extra Information Ear pendants only marked 18K and 14k, no makers marks.
Lot 393
A Beluch style rug, the central panel set with eight repeating square medallions on a burgundy ground within a stepped burgundy, brown and blue floral decorated border, 195 cm x 95 cm, together with "Ruby Bird of Paradise...." plate eight of Castels Book of Birds "The Oronoko Coracina...." plate 20 of the same book, two further coloured engravings of birds and three modern prints of Sevres vases
Lot 242
§ Charles Ginner, CBE, ARA (British/French, 1878-1952) Little Venice, London oil on canvas 59 x 45cm (23 x 18in) Provenance: Miss Ruby Ginner, the artist's sister, until 1969 (according to an old label to the reverse); Purchased by the vendor's father directly from Miss Ginner, and by descent Other Notes: Charles Ginner was a British painter of landscape and urban subjects and a leading figure in the Camden Town Group. Born in the south of France at Cannes, of British parents, in 1910 he settled in London, where he was an associate of Spencer Gore and Harold Gilman. In 1910 Ginner went to London, to serve on the Hanging Committee of the Allied Artists Association's third exhibition. Harold Gilman and Spencer Gore became his friends and persuaded him to settle in London. He lived at first in Battersea, but afterwards in Camden Town, where he was a neighbour of Gilman and Gore and regularly attended the Saturday afternoons at 19 Fitzroy Street, meeting Robert Bevan, John Nash, Albert Rothenstein, Christopher Nevinson, Jacob Epstein, Walter Bayes, Walter Sickert and Lucien Pissarro. In 1911, he became a member of the Camden Town Group; in 1913 of the London Group; in 1914 of the Cumberland Market Group. In the same year he showed jointly with Gilman at the Goupil Gallery. His work is in the Tate. The present painting dates from 1914 to 1915, when Charles Ginner and Robert Polhill Bevan lived in Cumberland Place, Little Venice, on the canal basin. The Church in the painting has since been demolished. Dr Denys Wilcox has confirmed the location as Little Venice, depicting one of the most desirable parts of London, and we are grateful for his assistance. Condition report: Three small holes to canvas. Framed. Old attribution label to Robert Polhill Bevan to verso.
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