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A RUBY AND DIAMOND BROOCH, the central circular facet cut ruby claw set to open borders of old mix cut diamonds to an unmarked white frame (Est. plus 24% premium inc. VAT)Condition Report: 1.4g gross, 3.5 x 2.7cms. Unmarked and untested, with loop for safety chain and a scroll (for a pendant chain?). Claws to ruby require attention, fair. Ruby approx. 0.4cms diameter.
A TOP WIND POCKET CHRONOGRAPH stamped 18K, the white dial with black Roman and Arabic numerals to the chapter ring, centrally numbered 80133, three quarter backplate, ruby endstone and hinged metal cuvette, in a plain case with slide and button to the foliate chased band (Est. plus 24% premium inc. VAT)Condition Report: Does not work, winder winds both ways, slide inoperable, 102.3g gross. Dial 4.5cms diameter, case 5cms.
A MATCHED SET OF THREE STONE SET 9CT GOLD BANGLES, set with either eight diamonds, rubies or sapphires, London 2005, 2013 &2019, sponsor Lawson, Ward & Gammage, 45.3g gross (Est. plus 24% premium inc. VAT) Condition Report: All good, the ruby bangle has a short engraved inscription to the inside. Inner dimension 6.6cms, outer 7cms
A RUBY AND DIAMOND HALF HOOP ETERNITY RING, the four pairs of claw set small brilliant cut diamonds alternating with three pairs of rubies and with a small ruby to each end, to a plain 18ct gold shank, Birmingham 1994, sponsor Dominoe, size Q (Est. plus 24% premium inc. VAT)Condition Report: 3.4g gross, generally good
A RUBY AND DIAMOND TARGET PLAQUE RING, the oval cut ruby of approximately 1ct collet set to a border of point set small brilliant cut diamonds totalling approximately 0.5cts and a further outer rim of square cut rubies, the shoulders each set with three further diamonds to a plain 18ct white gold shank, size M, with Anglo-Belgium Certificate (Est. plus 24% premium inc. VAT)Condition Report: Assessed diamond colour F-G, shoulders TCW 0.33cts, clarity VS. 7.4g gross. Plating wearing on shank, otherwise generally good.
A DRAGONFLY BROOCH with engraved wings, facet cut ruby eyes and cabochon thorax, and channel set graduating calibre cut emerald body, with screw-off pin fastener, unmarked (Est. plus 24% premium inc. VAT)Condition Report: Unmarked and untested, 10.9g gross, pin 3.5g, the pin screws off to be worn as a pendant with a fine chain (not present) threaded through the loops on the wings, 7.2cms wide, good condition
A CARTIER ART DECO 9CT GOLD CIRCULAR COMPACT, London 1945, the concentric circle engine turned cover centred by a ruby and diamond cluster, hinged and opening to reveal a mirrored (detached) interior, 2 1/2" diameter, 61.9g gross (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Exterior is good, no engraving, cluster is 8mm diameter, nice colour ruby, diamonds a little mismatched with some inclusions. Hinge and thumb piece good. Clear marks to interior on base and cover, maker's mark JC to base only. The mirror (probably not original as it is badly cut) is detached but present with chips and losses, weight includes the cluster and small amount of red seal (?) but not the gilt metal inner ring. Also with probably original material mesh powder cover. The inner 'clip' does not hold this particular mirror in place (it is probably too thick) but the clip itself fits without the mirror.
A RUBY AND DIAMOND FIVE STONE RING, the three circular facet cut rubies claw set with two brilliant cut diamonds between, each of approximately 0.10cts, all claw set to a plain 18ct gold shank, size L (Est. plus 24% premium inc. VAT)Condition Report: 3.1g gross. Birmingham no date letter, sponsor WJB, generally good.
A 20thC ruby and diamond multi stone dress ring, set with oval cut ruby, 6.5mm x 5.5mm x 4.72mm, approx 1.52ct, flanked by four section two round brilliant cut diamonds, eight in total, each approx 2mm x 2mm x 1.2mm, 0.03ct, yellow metal with rubbed markings to band, believed to be 18ct, ring size O½, 4.3g all in.
Bril, Paul -- Umkreis. Pittoreske felsige Landschaft mit Hirten. Radierung. 21,7 x 30,9 cm. Unbeschrieben. Wz. Wäppchen. Die atmosphärische, mit souveränem, flottem Strich behandelte Landschaft dürfte von der Hand eines anonymen Künstlers aus dem engeren Umkreis des Paul Bril stammen, jedoch sind die stilistischen Übereinstimmungen mit den überlieferten Radierungen Brils so eng, dass es sich auch um ein bisher unbekanntes, autographes Blatt des Künstlers handeln könnte. Thematisch und stilistisch ist die Radierung engstens mit Zeichnungen Brils aus den frühen 1590er Jahren verwandt (vgl. beispielweise die Zeichnungen in Chatsworth, Devonshire Collection und Edinburgh, National Gallery, vgl. L.W. Ruby, Paul Bril: The Drawings, 1999, Abb. 20 und 46). Kräftiger, markanter Druck mit feinem Rändchen um die Einfassungslinie oben und rechts, sonst geringfügig beschnitten. Minimale Erhaltungsmängel, sonst sehr gut erhalten. Von großer Seltenheit. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
This collection of pre and post-WWII Disney sheet music contains some of the most lovable tunes of all time and two songs involving disputed topics that are still relevant even today. Included are loved songs from two of Walt's masterpieces. Set includes a signed copy of Alice In Wonderland Fox-Trot Song signed by the song's lead singer, Ruby Johnson, dated Mar. 7, 1934, Whistle While You Work from Snow White. Also Blue Shadows On the Trail from the Disney hit musical Melody Time, and a book of Walt Disney Favorites arranged for piano. Also included are songs from the very controversial 1946 film Song of the South in Uncle Remus Said, and the concert transcription for Short'nin' Bread Piano Solo. All are measured standard sheet music size 9"W x 12"L. Artist: Walt DisneyIssued: 1933 - 1951Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.
15th-16th century A.D. Flat-section hoop with raised heart to each shoulder, square bezel with arcading to the outer face, inset table-cut ruby. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 622, for type. 1.52 grams, 21.31 mm overall, 15.89 mm internal diameter (approximate size British K, USA 5 1/4, Europe 9.95, Japan 9) (7/8 in.).[A video of this lot is available to view on Timeline Auctions Website]From the late Alison Barker collection, 1970-1990.
20th century A.D. Carved horn-shaped vessel with stepped neck, knopped stopper; applied wire tendrils with glass and synthetic ruby cabochons. 944 grams, 18.5 cm (1.7 kg total with box, 21.8 x 21.8 x 12.2 cm) (7 1/4 in. (8 1/2 x 8 1/2 x 4 3/4 in.)). [No Reserve]Property of a South West London gentleman.
A mid-twentieth century ruby and diamond dress ring, of bombé form, designed as a cluster of flowerheads with brilliant-cut diamond or circular-cut ruby centres, engraved decoration throughout, stamped ‘18.C’, ring size M. £400-£600 --- Condition Report General light surface wear commensurate with age and use. The rubies well matched and the diamonds bright and lively. Gross weight 12.2gm.
A ruby and diamond pendant, French, circa 1910, the circular pendant pierced and decorated with ivy and scrolling foliage, with a flower set with pear-cut rubies and rose-cut diamond highlights, mounted in gold, French assay mark, length including bale 31mm. £400-£600 --- Condition Report Gross weight 7.1gm.
A boulder opal and gem-set pendant by Andrew Grima, 1984, the cabochon emerald and brilliant-cut diamond surmount suspending a polished boulder opal cabochon drop, mounted in 18ct gold, signed ‘GRIMA’, maker’s mark ‘AJ.Ltd’, London hallmark, length 5.5cm. £2,000-£3,000 --- Andrew Grima (1921 - 2007) was born in Rome to Italian-Maltese parents. Raised in London, he studied mechanical engineering at the University of Nottingham and during World War II, joined the Royal Engineers and served in Burma. After the war he started working in his father-in-law’s London jewellery firm. From 1951, when his father-in-law died, Grima took over the business, selling it to a gemstone dealer in Knightsbridge on the condition that he stayed on as a designer. Entirely self taught, his limitless imagination led him to create bold and striking designs – each piece being hand wrought, and typically only creating one of each design. In 1960 Grima’s talent was spotted by the Art Director at Goldsmiths’ Hall, Graham Hughes, who introduced his protégé to many of the rich and famous people who were to become his clients. In 1966 his success was sealed when Prince Philip chose one of his pieces, a stunning ruby brooch, as a present for the Queen, 1966 also being the year that Grima received his royal warrant. In the late 1960s he opened his exclusive gallery in Jermyn Street, Mayfair – the opening event being hosted by Lord Snowdon, then married to Princess Margaret, and his reputation continued to grow, attracting a clientele of royalty and society jet-setters of the day. Winner of numerous awards for his contribution to the jewellery industry, including the Duke of Edinburgh Prize for Elegant Design in 1966, and the De Beers Diamonds International Award – he won it 13 times (more than any other jeweller) – today Grima is recognised as being one of the great modernist jewellery designers of the 20th century. Condition Report General light surface wear commensurate with age and use. The emeralds with inclusions typical to the nature of the stone and the diamonds bright. The boulder opal with veins of green and blue. Gross weight 9.8gm.
A vari gem-set bracelet, possibly by Giampiero Fiorini, the highly decorative bangle with pierced frame and mounted throughout with carved gemstones depicting various flora and fauna, including amethyst, rock crystal, mother-of-pearl, citrine, lapis lazuli and coral, with highlights of ruby, emerald, sapphire, cultured pearl and diamond throughout, inner diameter approximately 6cm, depth 5cm. £4,000-£6,000 --- For a similar necklace by Giampiero Fiorini, see Noonans sale 12 September 2023, lot 185. Please note coral is covered by CITES legislation and may be subject to import/export and trade restrictions and USA Fish and Wildlife regulations. Please be aware that it is the buyer’s responsibility to arrange any CITES export license for their purchases. More information can be found at www.cites.org. Condition Report General surface wear throughout, with some surface reaching fissures and mild abrasion. Typical inclusions observed. All gemstones are untested, the blue carved roses suspected ‘synthetic’ turquoise. A few of the smaller circular-cut gemstones are deficient. The clasp with slight loss of tension. Viewing advised. Gross weight 233gm.
A collection of antique stick pins, set with various gemstones to include a hardstone seal with carved masonic square and compass, an opal cabochon, an oval-cut ruby, etc., some with associated antique cases, together with a silver bar brooch set with an oval-cut synthetic spinel, Russian assay mark, various lengths. (Quantity) £150-£200
A collection of rings, the majority with stones deficient, including two diamond eternity rings and a further three diamond rings, four diamond and vari gem-set rings, a marcasite eternity ring, a paste eternity ring, and one circular-cut white gemstone ring, assorted marks, various ring sizes. (Quantity) £800-£1,200 --- Condition Report Most rings with stones deficient. Red stone assumed synthetic ruby. All stones untested. Viewing strongly advised on group lots.
A small collection of hand-drawn cards, letters and catalogues relating to Louis Osman, to include personal Christmas cards, invitations and correspondence between Osman and his client / friend Branton Streeton, two copies of the printed catalogue for the OSMAN Exhibition, May 1974 at Canons Ashby, Northamptonshire and further paper cuttings etc. (Quantity) £100-£200 Please note ARR may apply to this lot (Artist’s Resale Rights). --- Provenance: See: Noonans sale 28 November 2023, lot 343 for the ruby necklace commissioned by Branton Streeton for his wife Gertrude in 1974-5. Condition Report Viewing recommended.
A ruby and diamond pendant, the pear-shaped diamond set within a surround of circular-cut rubies, the whole suspended by a fancy-link chain, diamond weight approximately 1.60 carats, pendant length 22mm. £1,500-£2,000 --- Condition Report General light surface wear to the mount and settings commensurate with use. The rubies are a medium red colour with slight purple sub-hue, well matched and with inclusions typical to the nature of the stone observed under 10x magnification. The diamond has been assessed whilst mounted by the department as having approximate I - J colour and SI2 - I1 clarity. Due to the nature of the setting these can be considered as estimates only. The pendant mount unmarked and untested, the chain stamped ‘14K’. Gross weight 5.0gm.
Three pairs of gold cufflinks, comprising a pair of woven 9ct gold cufflinks, a pair of of oval 9ct gold cufflinks, one side set with a circular-cut ruby, and a pair of double-sided sapphire-set cufflinks, first two with UK hallmarks, plaque lengths 13 - 18mm. £300-£500 --- According to a PMI test on an XRF Analyzer, the sapphire-set cufflinks are testing as 17ct gold. Condition Report 9ct gold cufflinks (two pairs) - gross weight 17.8gm. Sapphire cufflinks (16ct gold on XRF Analyzer) - gross weight - 9.6gm.
Four gem-set brooches, including two floral spray brooches set circular-cut rubies or seed pearls (one pearl deficient), together with two bar brooches set with three old brilliant-cut diamonds and an opal cabochon respectively, various lengths. £200-£300 --- Condition Report General light surface wear commensurate with age and use. The ruby stones with typical inclusions, some surface reaching and seed pearl spray brooch with one pearl deficient. The opal with a large fissure running across the cabochon but not yet surafce reaching. The brooches stamped ‘14k’, ‘9CT’ or ‘18CT’. Viewing is strongly advised on group lots. Gross weight 17.4gm.

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124080 item(s)/page