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A Belle Epoque natural pearl, ruby and diamond pendant/brooch, circa 1910, designed as a bow suspending a drop-shaped natural pearl of grey tint measuring 13.0 x 10.1 x 13.9mm, within three articulated concentric frames set with circular-cut diamonds and channel-set calibré-cut rubies, mounted in silver, gold and platinum, length 5.3cmAccompanied by GCS report no. 5783-2998, dated June 19th 2023, stating that the pearl is natural, saltwater, with no indications of treatment.
A collection of stick pins and brooches, 19th and early 20th century, comprising: two gold stick pins, one capped with a gold seashell set with a seed pearl, the other topped with the letter H set with rose-cut diamonds, surmounted by a seed pearl, longest 6.2cm; a jabot pin set with rose-cut diamonds and a tooth, dated 29 January 1927; and four bar brooches, including one set with a cabochon star sapphire and rose-cut diamonds; one set with three cabochon moonstones; one centring on a partridge set with rose-cut diamonds and a ruby eye; and one set with a line of pearls, longest 4.5cm, each mounted in silver and gold, pearls untested
No reserve - a ruby and enamel mourning locket, mid 19th century, designed in the 'Holbeinesque' style, centring on a foiled cabochon ruby, within a border applied with red, green, blue and white enamel, and set with cabochon rubies in lozenge borders, suspending a cabochon ruby pendant, the reverse with a glazed locket compartment containing a lock of hair, mounted in gold, length 5.6cm
A collection of five rings and a pendant, comprising: a ring mount of ballerina design, set with tapered baguette and brilliant-cut diamonds, mounted in white gold, size L1/2; a synthetic ruby ring, mounted in gold, size I1/2; a platinum ring mount, size L1/2, stones deficient; a ring set with marquise-shaped garnets and single-cut diamonds, size N1/2; an enamel ring, size N1/2; and a gold zodiac pendant for Capricorn, length 2.7cm
A collection of six stick pins, late 19th century, comprising stick pins topped with: a horseshoe in half pearls, pearls untested; a horseshoe in circular-cut garnets; a floral micromosaic; a hardstone cameo depicting a classical woman wearing a tiara; a gold fox head with cabochon ruby eyes; and a colourless paste within a black enamel border, longest stick pin 7.5cm, six cases
Attributed to Maynier et Pinçon, a fine Art Deco multi-gem-set and enamel brooch, circa 1925, designed as a spray of flowers, leaves and berries, within a scalloped circular frame on a horizontal bar, set with circular-cut diamonds, outlined in black enamel, and accented with cabochon rubies, sapphires and emeralds, mounted in platinum, length 6.5cm, French assay mark for platinum, partial French maker's marks for Maynier et Pinçon, caseMaynier et Pinçon were based at 10, Rue Castiglione in Paris, and were one of the capital's most prestigious jewellery workshops. Later known as the training ground of the jeweller Pierre Sterlé, jewels made by Maynier et Pinçon appeared in the cabinets of Boucheron, Linzeler et Marchak and Marzo at the seminal 'Exposition Internationale des Arts Decoratifs et Industriels Modernes', which took place in Paris in 1925. The abbreviation of the fair's rather long title gave its name to the bold new aesthetic that was reflected in the jewels and objects exhibited there, as well as their architectural surroundings - 'Art Deco'. Though it is widely reported that Maynier et Pinçon produced important jewels for these famed jewellery houses in the mid 1920s, documented examples of the workshop's jewels are extremely scarce, making this extraordinary jewel an exciting rediscovery from one of the unsung heroes of Art Deco jewellery, made at one of the great turning points in jewellery design history.The combination of carved or cabochon rubies, sapphires, emeralds and diamonds with accents of black enamel was a defining 'Art Deco' jewellery design aesthetic of the mid 1920s, and can be seen in designs by Cartier, Lacloche Frères, Mauboussin, Boucheron and Marzo, often used for stylised, geometric depictions of flowers and birds. Cf.: Pierre Contreau et al., Le Grand Négoce, organe du commerce de luxe français: Exposition des arts décoratifs 1925, Paris, 1925, pages 11, 19, 29 and 35, for stylised floral jewels of comparable style and technique exhibited at the 1925 fair by Mauboussin, Boucheron, Lacloche and Marzo. Cf.: Laurence Mouillefarine and Véronique Ristelheuber, Lacloche Joaillers, Paris, 2019, p.168-9 and 183 for additional mid 1920s jewels by Lacloche of comparable design, and p.265 for a later platinum, ruby and diamond bracelet later made by Maynier et Pinçon for Jacques Lacloche in 1938.
λ A group of jewellery, comprising: a gold collar of woven design, length 41cm, stamped 750; and a white gold bracelet of gaspipe linking, length 18cm, stamped 750, Italian maker's marks, combined gross weight 85 grams; a gold and diamond bow brooch, length 3.3cm, a fine white gold rope twist chain, length 39cm, stamped 750; a gold cross pendant, length 3.1cm; and a pair of synthetic ruby earrings, length 2.1cm each, screw fittings; and two coral cabochons
No reserve - a group of six necklaces, comprising: a cord necklace suspending a pendant set with a coin within a border of polished lapis lazuli, the bail set with chevrons of brilliant-cut diamonds, mounted in gold, length 34cm, Italian maker's mark, stamped 750; a bead necklace composed of sodalite beads spaced by gold rondelles, length 42cm, British hallmarks for 18ct gold; a bead necklace composed of lace agate, pink and white hardstone beads and cultured pearls, mounted in gold, length 42.5cm, stamped 750; a cultured pearl, synthetic ruby, simulant diamond and dyed quartz necklace, length 42.5cm; a necklace composed of tumbled emerald beads and cultured pearls, mounted in gold, length 43.5cm; a cultured pearl and lasqué diamond bead necklace, length 43cm; and a four-row onyx bead choker centring on a stylised white gold 'A' motif pavé-set with brilliant-cut diamonds, length 32cm
An Edwardian ruby, emerald, pearl and diamond brooch, circa 1910, of floral scroll design, set with rose-cut diamonds and circular-cut rubies, suspending a pear-shaped emerald and a pearl pendant, mounted in gold and platinum, length 4.9cm, detachable brooch fitting, fitted case stamped Arthur & Co.
λ A collection of four carved coral and hardstone brooches, mid 20th century, comprising: a coral and nephrite brooch designed as a branch of berries, length 5.1cm, Austrian assay marks for gold, stamped 585, maker's mark FP; a coral and nephrite brooch designed as a rose, length 6.4cm, a carved chalcedony and nephrite brooch designed as a stylised flower, accented with single-cut diamonds and a cabochon ruby, mounted in gold and platinum, length 4.5cm, Portuguese assay marks and maker's mark; and a brooch designed as a bouquet set with carved sodalite, chalcedony, rhodonite and nephrite, accented with a simulant diamond, length 6.1, Austrian assay marks for gold
A fine ruby, sapphire, enamel and diamond regimental brooch, circa 1930, designed as the insignia of the 9th Lancers Regiment, set with calibré-cut rubies and circular- and rose-cut diamonds, the ribbon and crown accented with blue and red basse taille enamel respectively, mounted in platinum and gold, measuring 4.4 x 4.8cm, case stamped James R Ogden
A collection of four gold and gem-set rings, 19th century, comprising: a pink topaz and chrysoberyl ring, size M; a five-stone diamond ring, size British hallmarks for 18ct gold; a three-stone ruby ring, size K1/2, British hallmarks for 9ct gold; a three-stone turquoise ring spaced by rose-cut diamonds, size L, stamped 18CT
A collection of buttons, shirt studs and a fob seal, late 19th/early 20th century, comprising: three buttons composed of faceted almandine garnets inset with circular-cut diamonds, 1.3cm diameter each; three shirt studs in blue enamel, applied with a fly set with rose-cut diamonds and cabochon ruby eyes, 0.8cm diameter each; four pendants set with small rose-cut diamonds, length 1cm each, hook fittings, central stones deficient; four guilloché enamel buttons, 3.2 x 2.3cm each; two malachite buttons centring on coronets, larger 3.7 x 3.0cm; and a bloodstone fob seal, height 2.7cm, stamped 9CT
A group of jewels, comprising: a gold necklace composed of chain festoons connected by two geometric links set with brilliant-cut diamonds, length 55.5cm, stamped 585; a tricoloured gold pendant designed as a skier descending a mounted slope, accented by a brilliant-cut diamond, signed 1989 Bryson, stamped 583; a ring designed as two leopard's heads, set with emeralds, sapphires and brilliant-cut diamonds, size L1/2, stamped 750; a ruby and diamond ring, size N1/2, stamped 585; a cross pendant set with blue and colourless cubic zirconia, length 4.6cm, stamped Italy 14K; a brooch designed as a butterfly set with brilliant-cut diamonds and marquise- and pear-shaped garnet, blue topaz, amethyst, citrine and peridot, length 5.2cm, stamped 750; a gold brooch designed as a safety pin, threaded with a malachite bead, length 4.9cm; a gold and diamond pendant suspending an interchangeable hoop of black onyx or lapis lazuli, length 3.7cm, French assay mark for 18ct gold; a chain necklace in high carat gold, length 99cm, stamped 916; two rings in high carat gold, one stamped with Chinese characters, the other a signet ring enamelled with the letter G, size H, one with sizing band; and a gold crucifix pendant, length 4.1cm, total gross weight 112 grams; together with a gilt metal necklace and ring, and a base metal and enamel bangle
Boucheron, a gold, rock crystal and diamond demi-parure, comprising: a necklace of torque design in flexible bicoloured gold gas pipe linking, each end accented with a line of brilliant-cut diamonds and terminating in a fluted rock crystal bead inset with a cabochon sapphire and ruby respectively, inner curve 37.5cm, signed Boucheron, numbered 58282, French assay marks for 18ct gold, maker's mark JB for Bondt; and a pair of ear clips of similar design, length 3cm each, each signed Boucheron, French assay marks for 18ct gold, maker's mark for Bondt, stamped OR750
A collection of rings, comprising: two ruby rings, an onyx signet ring; two turquoise rings; a sapphire and diamond ring; a gold buckle ring set with a colourless paste; a garnet and seed pearl cluster ring; a pale blue chalcedony ring; three garnet rings; a cabochon moonstone ring; a ring set with a cabochon moonstone and circular-cut garnets; two seed pearl cluster rings; a black enamel memorial ring reading 'Memory'; a gold ring of knotted design; a gold and elephant hair ring; a synthetic ruby ring; a lapis lazuli intaglio ring; and a garnet intaglio ring, each mounted in gold, sizes K-S1/2, nine with British hallmarks for gold; together with a silver ring set with cushion-shaped pastes, size N1/2
A collection of three stick pins and four brooches, early 20th century, comprising: three gold stick pins, capped respectively with a sphere set with step-cut rubies and rose-cut diamonds, a dachshund with ruby eyes, and a chick set with rubies and rose-cut diamonds emerging from an egg, longest 7.6cm; a brooch designed as an arrow, set with a natural pearl measuring approximately 7.8mm diameter, and a circular-cut rhodolite garnet, accented with rose-cut diamonds, mounted in gold, length 3.3cm; and three matching bar brooches, set with step-cut rubies, rose-cut diamonds and pearls, each mounted in gold, length 2cm each, pearls untestedA verbal report from GCS states that the pearl in the brooch of arrow-design is natural, saltwater, the remaining pearls untested.
Boucheron, a rare enamel, ruby and diamond desk timepiece, early 20th century, the circular white enamel dial inscribed '8 Jours', with black enamel indicators and gold hands, within a border of rose-cut diamonds to a gilt silver case designed in the Rococo revival style on four cabriole legs, applied to the front and sides with pink guilloché enamel, accented by floral motifs set with cabochon rubies, measuring 8.5 x 5.6 x 2.4cm, reverse signed Boucheron, French sponsor's mark LK with cockerel, French assay marks for silver, stamped 900, gilt metal winding key, original fitted case stamped Boucheron
No reserve - an enamel and ruby vinaigrette pendant, France, late 19th century, the hinged gold locket of openwork design, decorated with a horse chestnut leaf motif applied with green enamel, set with circular-cut rubies, the reverse pierced with an openwork horse chestnut leaf design in engraved gold, to a later gold chain, length 3.1cm, French assay mark for 18ct gold, chain length 40cm
A gold, enamel and diamond snuff box, of oval outline, centring on the cipher of Tsar Nicholas II, set with rose-cut diamonds, within a border of larger rose-cut diamonds and surmounted by a crown set with cabochon rubies, to a ground of radiating pale and deep blue guilloché enamel, the box sides with deep blue guilloché enamel, the juncture between box and lid lined with a border of laurel leaves in gold, centring on a cabochon ruby within scrolled borders of rose-cut diamonds, opening to reveal a plain gold interior, measuring 6.2 x 5.1 x 3cm, spurious Russian marks for Fabergé and Henrik Wigström, gross weight 141 grams, fitted wooden case with spurious Fabergé stamp
A diamond, emerald and ruby brooch, France, 1960s, of abstract rosette design, set with brilliant-cut, single-cut and baguette diamonds, step-cut and circular-cut emeralds, and a line of channel-set calibré-cut rubies, mounted in platinum and white gold, length 5.5cm, French assay marks for 18ct gold and platinum, indistinct French maker's mark HP
A group of jewellery, 19th and early 20th century, comprising: a ruby and diamond cluster ring, mounted in gold, size O; a bar brooch designed as a swallow, set with rose-cut diamonds, mounted in silver and gold, length 4.7cm, one stone replaced with paste; an enamel and seed pearl horseshoe bar brooch, fitted case; an amethyst cluster ring; a shell cameo ring; a garnet cabochon and gold ring; a gold and smoky quartz fob seal; a pair of mourning earrings; a rock crystal pendant; an enamel and simulant pearl brooch; a carnelian and gilt metal hook pendant; a mourning brooch with vacant glazed compartment; three gilt metal locket pendants; an Arts and Crafts silver and enamel brooch, stamped 800 Silver; and three watches
A group of jewellery, including a Tiffany & Co. demi-parure, comprising: a hematite, cultured pearl, gold and onyx necklace, suspending a heart-shaped gold and onyx pendant, length 41cm, pendant length 4cm, signed KMcD for Kiki McDonaugh, partial British hallmark; a pair of gold, citrine and onyx earrings by Kiki McDonaugh, length 3.1cm each, clip and post fittings, signed KMcD, British hallmarks for 9ct gold; a ruby and diamond turtle brooch, length 4.3cm; an oval citrine and half cultured pearl brooch, length 3.2cm, two cultured pearls deficient; a silver 'X'-shaped demi-parure of brooch and earrings by Paloma Picasso for Tiffany & Co., brooch length 6.2cm, earrings each 3cm, each signed Paloma Picasso and Tiffany & Co., stamped 925 for silver, a gilt metal watch by Chanel, length 18cm, quartz movement; and a bicoloured platinum and gold ring, size L1/2

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124080 item(s)/page