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An Arts and Crafts white metal and enamel ink well, of pentagonal form and set with ruby glass cabochons, the underside engraved 'W.G.C.G July 14th 1906', 7.5cm, with an early 19th century navette shaped tortoiseshell needle case, an over sized shoe pin cushion, a pocket watch and various jewellery etc (Qty) (as found) CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.Inkwell - sadly enamel very damaged to cover, one panel has enamel missing to the side, crazed and cracked to other panels, cover has a replaced finial and crudely repaired and glued to interior, enamel gone in its entireity to the inside cover, dents and knocks throughout, crude pins to underside - see the additional images for clarification of these points. Overall the piece has had a hard life.
A 9 carat white gold ruby and diamond ring, a tapering plaque pavé set with pear cut rubies and round brilliant cut diamonds, total estimated diamond weight 0.40 carat approximately, finger size R1/2The ring is in good condition. It is hallmarked with sponsor's mark 'AC', Birmingham, 2000. The approximate qualities of the diamonds are; colour G/H, clarity SI1/SI2. Gross weight 9.6 grams. Condition Report made 25th October 2017.
ROYAL SALUTE AGED 21 YEARS - RUBY DECANTER Blended Scotch Whisky. 70cl, 40% volume, in Wade decanter, felt pouch and carton. ROYAL SALUTE AGED 21 YEARS - SAPPHIRE DECANTER Blended Scotch Whisky. 70cl, 40% volume, in Wade decanter, felt pouch and carton. ROYAL SALUTE AGED 21 YEARS - EMERALD DECANTER Blended Scotch Whisky. 70cl, 40% volume, in Wade decanter. 3 bottles. CONDITION REPORT: All good condition.
1994 Fender 40th Anniversary Concert Edition Stratocaster electric guitar, made in USA, no. 09 of 40; Finish: rich ruby red; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: very good *This rare guitar is one of forty pieces made by Fender under Ray Minhinnett's specifications to celebrate the 'Curves, Countours and Body Horns' film and the fortieth anniversary of the Stratocaster. The gold plated back plate is inscribed "'Curves, Contours & Body Horns', the concert and documentary, Schemeglobal Productions". Sold with a hardback copy of 'The Story of the Fender Stratocaster: Curves, Contours and Body Horns' by Ray Minhinnett and Bob Young
A Carter & Company Poole Pottery wall plate designed by Owen Carter, circular, moulded in low relief with a scroll design, covered in a ruby lustre glaze, and another Carter & Company wall plate glazed green lustre incised marks to red lustre wall plate, green wall plate dated 1906, 22.5cm. diam. (2) Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 25 for a comparable example illustrated.
A Carter's Poole Pottery tall lustre vase designed by Owen Carter, dated 1906, waisted, cylindrical form, covered in a streaked green lustre glaze over ruby lustre, incised Carter's Poole dated 1906, 46cm. high Provenance The Poole Pottery Archive, Christie's South Kensington, 31st March 2004, lot 15. Literature Jennifer Hawkins, The Poole Potteries, Barrie & Jenkins, page 97 for two comparable gadrooned lustre vases illustrated.
A William De Morgan shallow dish by Charles Passenger, painted with an eagle stretching its wings before a fruiting tree, in gold and ruby lustre on a white ground, the reverse with alternate gold and ruby bands, painted CP monogram, 25.5cm. diam. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis page 41 catalogue number 1255 for the original design.
A William De Morgan charger, painted with a heraldic lion regardant before foliage, the border a frieze of foliage, in ruby on a white ground, unsigned, museum repaired damages 44cm. diam. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis page 31 catalogue number 1250 for the original drawing for this design.
A rare William De Morgan Galleon charger, painted to the well with a galleon at full sail, the border with a frieze of cherub Winds blowing the galleon, each with a dove, glazed in ruby and golden lustre on a white ground, the reverse with a scrolling foliate design in ruby, unsigned 44cm. diam. Provenance Private collection Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 63 catalogue number 1316 for the border original design illustrated.
A Pilkington's Lancastrian bowl by Annie Burton, painted to the top rim with a simple band of berried foliage inside and out, glazed ruby and golden lustre, and a Pilkington's Lancastrian box and cover similar, impressed marks, painted artist cipher, damages, 9.5cm. diam. Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by William S Mycock, dated 1912, ovoid with collar rim, painted with a hound chasing a deer, in bronze lustre on a vivid orange ground, the rim with stylised border in ruby lustre impressed factory mark, painted artist cipher and date code, 11.5cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian bottle vase by Charles Cundall, dated 1912, ovoid with cylindrical neck, painted with a frieze of scrolling Tudor rose, in ruby and bronze lustre on an orange ground, the neck with vertical columns of foliage impressed marks, painted artist cipher and date code, 22.5cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by Richard Joyce, dated 1915, waisted cylindrical form, painted with columns of fruiting grape vine, in bronze and ruby lustre on a vivid orange ground, impressed marks, painted artist cipher and date code, 21cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Royal Lancastrian vase and cover by Richard Joyce, model no. 3152, the shouldered, cylindrical vase modelled in low relief with scaly fish amongst waterweed, the cover with moulded fish finial, covered in a golden and ruby lustre glaze, impressed mark to base, painted artist cipher, 15.5cm. high (2) Literature Anthony J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable, larger example by Joyce in the Manchester City Art Gallery collection. Provenance The Collection of Mrs J Collier.

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124080 item(s)/page