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Click here to subscribeA Pilkington's tile, modelled in low relief and painted with a lion rampant on a heraldic shield, inside scrolling foliate border, in shades of blue, ruby and golden lustre, in later ebonised wood frame impressed P to back 15.5cm. square Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 36 for two related tiles which were exhibited in a fireplace at the 1908 Franco-British Exhibition.
A large Pilkington's Lancastrian ginger jar and cover by Richard Joyce, dated 1911, modelled in low relief with scaly fish swimming in turbulent waters in ruby and golden lustre on a green lustre ground impressed mark, painted artist cipher, painted date mark, 1911, cover restored, 23cm. high (2) Literature A J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable vase and cover by Joyce dated 1914 with similar fish decoration , held in the collection of Manchester City Art Gallery. The Studio Yearbook, 1911, two comparable examples illustrated, page 132 and colour plate page 133 entitled The Green Sea.
Two William De Morgan Galleon tiles, painted in ruby lustre on a white ground, and two William De Morgan ruby lustre tiles, in later wooden frame, each tile 15cm square, frame 38.5cm. square Literature Martin Greenwood The Designs of William De Morgan Richard Dennis, page 120 figures 890 and 814 for these designs.
A Pilkington's Lancastrian twin-handled vase by Gordon M. Forsyth, dated 1910, shouldered form, painted with a lion rampant to both sides, between panels of heart-shaped flowers and foliage, in ruby and gold lustre on a blue ground , the neck inscribed Festina Lente (Make Haste Slowly) , impressed mark, painted artist cipher and date code, 24cm. high
A small William De Morgan pottery charger, painted to the well with a peacock, the rim with frieze of scrolling, intertwined flowers, in ruby lustre on a white ground, the reverse with simple scroll design, unsigned 31cm. diam. Provenance British Art Pottery Woolley and Wallis, 11th December 2013 lot 65 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 57 figure 1296 for the original designs for the border design.
A rare Pilkington's Lancastrian vase by Annie Burton, dated 1908, ovoid with solifleur neck, painted with panels of flowers and scrolling foliage, in copper and ruby lustre on an orange and brown lustre ground impressed marks, impressed VIII date and painted cipher variant, professionally restored 19cm. high
A large William De Morgan pottery charger, painted to the well with two classical dolphin motif on a calm sea ground, the rim with palmette flowers in ruby lustre on a white ground, the reverse with simple palmette border, unsigned, minor glaze loss to the rim area, 44.5cm. diam. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 217 plate 111 the well design reproduced on a Staffordshire blank charger, circa 1880.
A Pilkington's Lancastrian vase by William S. Mycock, dated 1930, shouldered form with collar rim, painted with seagulls flying above waves in a dark gold and ruby lustre on a midnight blue lustre ground impressed mark, painted artist cipher and date mark for 1930, 33.5cm. high Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 69 plate 109 this vase illustrated.
A Minton's Pottery Aesthetic Movement jug, amorphic form, glazed in shades of green and blue with gold aventurine inclusions, an Aesthetic Movement vase decorated with waterlily, a Sarreguemines vase, a Copeland cup and saucer painted in ruby with a frieze of ducks flying, and five other items, impressed marks, minor restoration to jug 21cm. high (9)
A yellow metal, pearl, and ruby necklace, the chain suspended with seven pearls and eight small ruby beads, the clasp stamped 750; together with a pair of yellow metal, diamond and ruby drop earrings of floral design, and a yellow metal ring in the shape of a snake, the head set with a small ruby. (3)
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