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Lot 502
No Reserve - 18K Yellow gold English three-stone ring set with synthetic ruby and old cut diamond. Set with three synthetic rubies, the largest of which (6.20 x 5.43 mm) and four Old European cut diamonds totaling approx. 0.12 ct. (SI -I/ I-J). Ring size: 17.5 / 55 mm. In good condition. Hallmarks: English assay mark 750, Birmingham, year letter M (1911), maker's mark L&L. Weight: 3.83 grams. This lot will be auctioned without reserve price.
Lot 448
No Reserve - 14K Yellow gold / silver vintage ring set with approx. 0.61 ct. natural ruby and diamond. Set with a faceted natural ruby of approx. 0.61 ct. (approx. 5.40 x 4.47 x 3.17 mm) and rose cut diamonds. In worn condition, one diamond is missing and one has been replaced by a cubic zirconia. Hallmarks: Dutch assay mark 585 en 835. Ring size: 18 mm / 57 mm. Width of centerpiece: 2.4 cm. Weight: 7.22 grams - this lot will be auctioned without reserve price.
Lot 296
No Reserve - 18K Yellow gold Alphonse Augis Plus qu'hier moins que demain ring Set with diamond and synthetic ruby. In good condition. Hallmarks: Dutch assay mark 750, maker's mark Alphons Augis, Belgian (import) mark BF Beheijt Frères. Ring size: 17.25 mm / 54 mm. Weight: 6.44 grams. This lot will be auctioned without reserve price.
Lot 47
A small group of jewellery to include a pair of 9ct gold earrings with small diamonds and a ruby weight 0.7g, a micro mosaic box, a silver filigree bracelet, an amethyst bead necklace, two modern abalone watches, an Aurora Borealis 2-string necklace, 2 faux pearl necklaces, an empty Rotary watch box and vintage brooches to include 2 silver tone Modernist brooches, no makers marksLocation:If there is no condition report shown, please request
Lot 356
A yellow metal, enamel and stone set cluster pendant, designed as a central split pearl mounted within eight stones, to include; opal, amethyst, ruby, amber and turquoise, all suspending two freshwater pearl drops and a yellow metal drop, the reverse with red, white and green enamelled bird motif, 35mm long, weight approx 3.7gCondition:Wear to enamel, chip to pearl, some chips to the stones, general wear, refer to images
Lot 264
A Victorian three stone ruby and diamond ring, hallmarked London 1877, ring size O, together with an 18ct gold seven stone ruby and diamond ring, hallmarked Birmingham 1909, size P, an 18ct gold three stone sapphire and split seed pearl ring, hallmarked Chester 1907, size K, a seven stone emerald and diamond ring stamped '14k', size O and a blue stone set bar brooch, not stamped, total weight approx 12.8g (5)
Lot 204
A 9ct gold ruby and diamond cluster ring, size G, together with a synthetic blue stone ring, stamped '9ct' and a 9ct white gold chain necklace, total weight approx 7.3g, together with a graduated cultured pearl necklace, loose cultured pearls, a Christian Dior plated gilt bracelet, six brooches, three pairs of earrings and a white metal ring (a lot)
Lot 355
An Edwardian 15ct gold seed pearl, diamond and black enamel mourning ring, designed as a central rose cut diamond and split seed pearl 'forget-me-not', set to split seed pearl and black enamel band, hallmarked Chester 1907, ring size P, weight approx 3g, together with a 19th century cabochon ruby, turquoise and split seed pearl 'forget-me-not' ring, size L, weight approx 1.6g (2) (some damage)
Lot 336
A 9ct gold 'Regard' ring, size R, together with a 9ct gold sapphire and diamond floral cluster ring, size Q, a 9ct gold ruby and diamond ring, size L 1/2, a further 9ct gold ruby and diamond ring, size Q 1/2, a 9ct gold four stone sapphire ring, size I 1/2, a 9ct gold diamond cluster ring, size M and a yellow and white metal stone set ring, stamped '585', size M 1/2, total weight approx 14g (7)
Lot 12
A Group of Jazz LPs to include Sidney Bechet/Django Reinhardt - 2 Giants of Jazz; Arnett Cobb - Blow Arnett, Blow; Kenny Ball - Invitation To The Ball; Kid Ory and His Creole Jazz Band - New Orleans plus others by artists such as Ruby Braff, Bix Beiderbecke, Maynard Ferguson, Nat Adderley, Sidney Bechet and Charlie Barnet. Conditions are generally Good Plus to Very Good Plus including sleeves. (42)
Lot 118
A Chinese octagonal faceted ruby glass snuff bottleQing dynasty, early 19th centuryWith short, cylindrical neck, standing on a flat foot with carved base, associated stopper, 5.7cm high without stopper.清十九世紀早期 八方胭脂紅料鼻煙壺Throughout the Qing dynasty, glass bottles were produced at the Imperial workshops to be given out as gifts from the Emperor; at the time they were mostly considered fancy containers for high-grade snuff.With the introduction of a wide variety of minerals from Xinjiang after 1759, it became fashionable to have bottles made out of these precious or semi-precious stones, although mostly the material large enough for bottles was of poor quality. It became very common therefore for the glass workshops to make imitations in glass, with ruby glass becoming one of the staples of the repertoire of the Imperial workshops, often fashioned in a faceted form.For similarly faceted, although slightly different, ruby glass bottles from the 18th century, see Bonhams, Hong Kong, 26 May 2013, lot 128, attributed to the Imperial workshops, 1700-1750; or the Marakovic Collection, fig.I.26, illustrated online by H. Moss https://www.e-yaji.com/Marakovic/photo.php?photo=2104&exhibition=3&ee_lang=eng.To illustrate how the same shapes were popular in crystals and in glass, see an example of the same shape, but carved from flawless citrine, dated 1660-1820, from the Mary and George Bloch Collection, part V, Bonham's, Hong Kong, 27 May 2012, Lot 67; illustrated by H. Moss in Treasury 2, no. 234.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear consistent with age, including a few scattered very tiny nibbles to edges. Expected scattered bubbles consistent with type.
Lot 205
Four Chinese ruby glass snuff bottlesLate Qing dynasty/Republic periodComprising: two pear-shaped bottles, 7.3cm and 6cm high without stoppers; one flattened rectangular bottle, 6.4cm high without stopper; and one shaped cylindrical tapering bottle, 6cm high without stopper (4).晚清/民國 胭脂紅料鼻煙壺四件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Expected wear including light scratching and a few scattered tiny nibbles, expected manufacturing imperfections including some crazing and bubbles.
Lot 117
Two Chinese overlay glass snuff bottles Mid Qing dynasty, the chilong bottle probably Imperial workshopsThe first, a yellow overlay ruby glass bottle, carved to either side with a coiled chilong, coral stopper, 6.6cm high without stopper; the second, a white overlay translucent wine-yellow glass bottle of flattened pear-shape carved to either side with a bat suspending an overly formalised 'shou' character, green hardstone stopper, 7.7cm high without stopper (2).清中期 套料螭龍紋及蝠紋鼻煙壺兩件Cf. see The Complete Collection of Treasures of the Palace Museum, Snuff Bottles, Commercial Press, Hong Kong, 2003, p. 41, pl. 58, for a yellow overlay on ruby glass bottle decorated with a dragon, although a slightly different shape.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Both with expected light wear. A few nibbles and bubbles.
Lot 115
A Chinese ruby glass snuff bottleQing dynasty, 19th centuryCarved with paired animal-mask-and-ring handles, jadeite stopper with ivory spoon carved as a hand, 5.2cm high without stopper.Provenance: Dragon House, San Francisco, 21 July 2015 (faded card payment receipt).清十九世紀 胭脂紅料鼻煙壺來源：Dragon House, 聖佛朗西斯科, 2015年7月21日（卡機收據）。Cf. See The Meriem Collection, Part II, lot 287, for a slightly earlier, finer bottle of the same design. Ivory Exemption Number: 3VKB8PJUSnuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear and a few scattered tiny nibbles and some bubbles to glass.
Lot 590
A Middle Eastern gold, ruby, diamond and varicoloured enamelled ring, probably Indian, designed as a flowerhead, mounted with a rose cut ruby within a surround of six diamonds between ruby two stone shoulders, the shank with foliate enamelled decoration, unmarked, weight 10.2g, ring size approx P.
Lot 541
A gold, platinum and diamond single stone ring, detailed ‘18ct Pt set’, weight 1.7g, ring size approx M, a 9ct gold, sapphire and diamond nine stone cluster ring with faceted shoulders, and a gold, rose cut diamond, ruby and red gem set ring, detailed ‘9ct’ (the central gemstone lacking), total weight 6.6g.
Lot 547
A gold and diamond five stone ring, claw set with a row of graduated circular cut diamonds, detailed ‘18ct’, weight 2.6g, ring size approx M, and a gold and platinum, ruby and diamond ring, claw set with the circular cut ruby within a surround of four circular cut diamonds, detailed ‘18ct & Pt’, weight 3.3g, ring size approx L1/2.
Lot 650
A gold, diamond, ruby and varicoloured enamelled brooch, designed as an owl, with circular cut ruby set eyes, otherwise mounted with circular cut diamonds to the flowerhead shaped eye surrounds, detailed ‘Kt18’, weight 35.9g, width 3cm, length 6.5cm. Provenance: formerly the property of Lady Esther Ellerman (1910-1985), wife of Sir John Reeves Ellerman, 2nd Baronet (1909-1973), who was a shipowner, natural historian and philanthropist. He was the only son and heir of the shipowner and investor Sir John Ellerman, 1st Baronet, believed to be the richest man in England in his day. Gifted to the current vendor's grandmother, thence by descent.
Lot 584
A small group of jewellery, including a gold and oval opal doublet bar brooch, detailed ‘9ct’, weight 2.9g, length 4.9cm, a sterling silver, marcasite and opal doublet brooch, designed as a kangaroo and boomerang, detailed ‘Stg Sil’, four further brooches and pins, a diamond, seed pearl and ruby fitting, a gold, red paste and imitation pearl necklace, indistinct mark, weight 4.8g, and three pendants and lockets.
Lot 736
An 18ct gold and colourless gem set cluster ring, Birmingham 1966, weight 2g, ring size approx O, a 9ct gold, ruby and diamond cluster ring with textured shoulders, a 9ct gold and hematite oval signet ring, three further 9ct gold and gem set rings, total weight 15.5g, a silver ring, mounted with a cabochon tiger’s eye, another silver ring and a paste set ring, unmarked.
Lot 448
Two Mughal silver flasks and stoppers, North India or Kashmir, 18th / early 19th c, with compressed bulb, slightly flared neck and domed stopper, chased with vines in two registers divided by stiff leaves and a collar, one inscribed Shar?b ch? la'l rav?n be-jash?r (the wine as ruby-red as a hunting ground) and Shar?b-i masdaq ch? r?'? shik?r (a wine as brave as when going to the hunt), the other inscribed Be-?r ?n shar?b ch? beh s?t (bring forth that wine of good repute) and Ke bayad za b?-ish dil-i a'm zak?t (that its scent must give alms to all hearts), 17.5cm h, 13ozs 15dwts Provenance: By descent in the Pryce family of Gunley, until sold in these 'rooms 21st June 2017, lot 138, to the present vendor In the same good condition as when last sold in these 'rooms
Lot 305
Varied collection of 19th century Cranberry glass, to include: Dimpled and sprigged baluster shaped jug, two heart shaped dishes with loop handles, similar circular dish with loop handle and cream jug, ewer with clear glass stopper, ruby glass specimen vase, plain cranberry glass fruit bowl on three feet, three other shaped bowls, cream jug with waved clear glass stem, sucrier with clear glass stem, another baluster bowl with a similar stem, butter dish and cover, sugar sifter etc. (3) (B.P. 21% + VAT)
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124080 item(s)/page