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Lot 326
A diamond and ruby half eternity 18ct white gold ring, six square-cut rubies and four small round brilliant-cut diamonds, channel and grain set to front section, hallmarked 18ct white gold band, ring size P, gross weight approx 4.9gCondition: good, all stones intact, minor scratches wear and tear only
Lot 190
A French Art Déco diamond and synthetic ruby bar brooch set in platinum, the long narrow bar channel set with a tapering line of calibré cut rubies divided by two lengths of old round brilliant cut diamonds, platinum mount with carved scrolling foliate edges, French owl mark with counterstruck insect marks, clasp with safety pusher, length 9.3cm
Lot 191
A pair of gemset peacock earstuds together with a ruby full hoop eternity ring and a pair of red hardstone cluster earstuds, the first earrings each of circular outline representing a displaying peacock, set throughout with round cut red and green gems, assumed rubies and emeralds, and half seed pearls (two lacking), in yellow metal stamped '18ct' and with maker's mark a butterfly, diameter 1.7cm; together with a full hoop eternity ring set with round cut rubies in yellow metal stamped '9ct' with foliate decoration around the edges, size M; and a pair of flowerhead cluster earstuds each with nine round cut red hardstones, possibly rubies, in unmarked yellow metal, tests for 9ct gold, diameter 8mm (3)
Lot 1014
A RARE JAPANESE CLOISONNE ENAMEL SQUARE TRAY BY NAMIKAWA YASUYUKI (1845-1927) c.1903 The shallow body decorated in silver and gold wire with a wooden pavilion amongst trees, with stone steps meandering through the bushes, the rim with a band of stripes and diamond patterns in yellow, green, white, red and blue, the reverse a deep apple-green colour mirroring the front and raised on four short rounded feet, with a four character seal mark reading Kyoto Namikawa for Namikawa Yasuyuki, 11.8cm. Provenance: from the Weber Family collection, Bristol, acquired in the early 20th century. Two large Komai-style models of pagodas from the same collection sold in these rooms on 15th November 2017, lots 787 and 788. Cf. The Nasser D. Khalili Collection of Japanese Art: Meiji no Takara, Treasures of Imperial Japan, vol.III Enamel, p.37, fig.13 for a related tray by Namikawa Yasuyuki from a private Kyoto collection. Also the Baur Foundation, inventory n.CB.CLJ.1964.28 for another example decorated with Karasaki shrine on the shores of Lake Biwa. During the late 19th century, Namikawa Yasuyuki grew to become a highly successful artist, both in Japan and in the West. The Emperor Meiji appointed him Imperial Craftsman to the Court in 1896, an honour only bestowed upon a handful of artists. He regularly took part in International Exhibitions, winning countless awards, and Westerners travelling to Japan often visited his studio in Kyoto. Famous customers include King Edward VIII, Sir Rutherford Alcock and Rudyard Kipling, who was particularly taken by the lengthy process of making cloisonné: "... I saw a man who had only been a month over the polishing of one little vase [...] When I am in America he will be polishing still, and the ruby-coloured dragon […] will be growing more lovely…"
Lot 1015
A RARE JAPANESE CLOISONNE ENAMEL SQUARE TRAY BY NAMIKAWA YASUYUKI (1845-1927) C.1903 The shallow body decorated in silver and gold wire with the peaceful scene of a fishing boat drifting away from the shore at dawn, with a weeping willow and a stone lantern, toro, to the side, the horizon lit with a pinkish tinge and a light teal colour reflecting in the sea, the reverse a deep sage colour and raised on four short rounded feet, with a four character seal mark reading Kyoto Namikawa for Namikawa Yasuyuki (1845-1927), 11.8cm. Provenance: from the Weber Family collection, Bristol, acquired in the early 20th century. Two large Komai-style models of pagodas from the same collection sold in these rooms on 15th November 2017, lots 787 and 788. Cf. The Nasser D. Khalili Collection of Japanese Art: Meiji no Takara, Treasures of Imperial Japan, vol.III Enamel, p.37, fig.13 for a related tray by Namikawa Yasuyuki from a private Kyoto collection. Also the Baur Foundation, inventory n.CB.CLJ.1964.28 for another example decorated with Karasaki shrine on the shores of Lake Biwa. During the late 19th century, Namikawa Yasuyuki grew to become a highly successful artist, both in Japan and in the West. The Emperor Meiji appointed him Imperial Craftsman to the Court in 1896, an honour only bestowed upon a handful of artists. He regularly took part in International Exhibitions, winning countless awards, and Westerners travelling to Japan often visited his studio in Kyoto. Famous customers include King Edward VIII, Sir Rutherford Alcock and Rudyard Kipling, who was particularly taken by the lengthy process of making cloisonné: "... I saw a man who had only been a month over the polishing of one little vase [...] When I am in America he will be polishing still, and the ruby-coloured dragon […] will be growing more lovely…"
Lot 193
TWO GEM SET BROOCHES, the first a panel brooch, modelled as a horse with head bowed, highlighted by a circular-cut red stone eye, stamped '14k', the second a bar brooch, applied with a horse's head in crescent surround, between circular mixed-cut ruby set foliage, lengths 3.3cm and 4.9cm respectively (2)
Lot 270
AN 18CT GOLD ALBERT CHAIN WITH PENDANT SUSPENSIONS, the curb-link chain with swivel clasps, suspending a cylindrical pendant inset with a diamond, sapphire and ruby set coronet, with detachable threaded cover, a South Africa one pond coin pendant, with fixed scrolled mount, and a T-bar, chain length 42cm, first pendant length 3.7cm
Lot 201
A RUBY SET SPRAY BROOCH AND A HALF HOOP RING, the brooch naturalistically modelled as a foliate spray, highlighted by clusters of circular mixed-cut rubies, stamped '750', (rubies untested for natural/synthetic origin), together with a 'Regard' style half hoop ring, set with vari-coloured pastes in foiled closed-back settings, brooch length 6.1cm (2)
Lot 231
A DIAMOND, SYNTHETIC RUBY AND CULTURED PEARL BRACELET, centred with a rectangular openwork panel with channels of graduated step-cut synthetic rubies and old and single-cut diamonds, enclosing a single cultured pearl, to a multi-strand cultured pearl bracelet with synthetic ruby and diamond set bar spacers and clasp, (strands broken and spacers/pearls detached to one side), total diamond weight approximately 0.75ct, panel length 1.85cm
Lot 402
A CHINESE BEIJING RUBY-GLASS BOWL QIANLONG 1736-95 The flared body carved with four figures in a continuous landscape with pagodas, pine and willow trees, rockwork and mountains, all raised on a circular foot, 18.6cm. Provenance: a Hong Kong private collection, sold in these rooms on 15th July 2006, lot 174.
Lot 675
A CHINESE BLUE AND IRON-RED 'BAJIXIANG' BOWL SIX CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908 Painted with stylised lotus flowerheads and foliage in underglaze blue and a band of the Eight Buddhist Symbols in overglaze red to the rim, together with a ruby glass tea bowl and cover decorated with stylised foliage, with a four character Jiaqing mark to the base, 8cm. (3)
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