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Lot 169
LITERATURE: A good selection of signed cards, A.Ls.S. etc., by various writers and novelists etc., of various nationalities (British, American, Canadian, Australian etc., many of them female writers) including Charles Major, Maarten Maartens, Gilbert Parker, Robert Herrick, Henry Sydnor Harrison, Paul Verola, Cynthia Stockley, Ida A. R. Wylie, Elizabeth Paschal O'Connor, Susan Glaspell, Mary Gaunt (2, written from Liberia and Sierra Leone whilst travelling in West Africa researching for her next work), Jeannette Augustus Marks (A.Q.S.), Margaret Deland, Louise Mack, Annie Swan, Mary E. Mann, Jane Findlater, Marjorie Bowen, Theodora Combe (2; one a lengthy letter praising a review written by her correspondent, in part, 'The pithiness….was remarked on at the time by those who read it as being really an intellectual review! So many are such nonsense, & so terribly badly expressed.'), Melesina Mary Blount (2), Arabella Kennedy, Beatrice Harraden, Priscilla Craven, D. K. Broster, G. W. Taylor, Georgette Agnew, Mary Crawford Fraser, Maud Driver (discussing her work Lilamani - A Study in Possibilities and stating, in part, 'To say whether one considers such marriages 'a mistake' is always difficult. Broadly speaking they make for unhappiness'), Curtis Yorke, Annie E. Holdsworth, Alice Perrin, Florence Barclay, Peggy Webling (2; wrote an adaptation of Mary Shelley's Frankenstein for the stage in 1927, notable for being the first time in which Frankenstein's monster was named after its creator), Margaret Legge, Maude Annesley (forwarding some autographs for her correspondent's collection and commenting 'I could let you have Ouida's if you like, but, as these are now very valuable, I am selling them for 10/- each for a charity') Gertrude Baillie Reynolds, Ellen Thorneycroft Fowler, Mary Elizabeth Braddon, Lucas Malet, Helen Mathers, Effie Maria Albanesi, Elizabeth Robins, Maud Stepney Rawson (in full 'Why is it that pens - when one wishes to comply with a flattering request such as yours - always jib (or is it 'Gib' - but surely not 'jibe' or gibe? I can never spell the word'), Violet A. Simpson, Elizabeth Ellis, Agnes Grozier Herbertson, Marie Belloc Lowndes, Muriel Hine, Alice Muriel Williamson (also signed by her husband Charles Norris Williamson), Ruby Ayres, Miriam Alexander, Amy Dora Reynolds, Caroline Grosvenor, Elinor Glyn, Florence Henniker, Emma Brooke, Isobel Osbourne etc. Some of the letters make brief references to the subject's works. Some light age wear, generally about VG, 74
Lot 193
Geoffrey Baxter for Whitefriars - a 9556 beak vase, cased Meadow Green colour, original numbered paper label to base, 19cm high; a 9728 Elephant foot vase, cased meadow green & clear glass, original paper label, 17.8cm high; a 9484 ruby glass knopped stem bud vase; and a 9485 ruby bud vase, conforming, 19cm and 27cm high (4)
Lot 265
A late Victorian ruby and old-cut diamond cluster ring, size M CONDITION REPORT: Ruby of uncertain origin and is possibly synthetic. There are natural-looking inclusions within the stone when viewed under magnification. The stone measures approximately 6.12mm by 7.01mm by 3.9mm. There are several tiny bubbles visible within the stone.
Lot 189
A 19th century French gilt-metal mounted ruby glass vase and cover, cylinder reservoir, scrolling twin-handles cast with fruiting vine, domed cover with cornucopia finial and pierced with stiff acanthus and foliage, lotus capped pedestal, shaped base cast with C-scrolls and foliage, 23cm high, c.1860
Lot 123
RUBY AND DIAMOND RING, the open bezel set with a central round faceted ruby 6.4mm diameter and flanked by two round brilliant cut diamonds totalling approximately 0.10 carats, with further smaller diamonds all within millegrain edged settings, unmarked, size K, 2.7g, with accompanying valuation certificate from Gemly Valuations
Lot 125
ART DECO STYLE RUBY AND DIAMOND RING, the bezel of overall circular form, set with three round brilliant cut diamonds, with two semi-circular sections with channel set rubies and further smaller diamonds to the edge, marked 14K, size K, 3.1g, with accompanying certificate of jewellery evaluation from Global Gemmological Valuation Services
Lot 130
ART DECO STYLE RUBY AND DIAMOND RING, the ornate bezel 24.5mm long and formed by two hexagonal sections, each set with a central round brilliant cut diamond within a ruby border, within a further outer diamond border, marked 14K, size K, 3.4g, with accompanying valuation certificate from Jewellery Valuations Australia
Lot 311
Miscellaneous Porcelain and Glass. This lot includes a Spode Cream Jug approx 16 cms, two Satsuma miniature onion vases approx 11 cms, two Royal Doulton bowls, three miniature Staffordshire jugs and vase, cut-glass and silver emerald green scent bottle, ruby cut-glass scent bottle, cut-glass blue scent bottle and a turquoise blue bottle and a clear-glass scent bottle. (13)
Lot 1103
A pair of baroque enamel and pearl drop earrings, each earring with blue and white scroll design enamel centre, terminating with turquoise stones, and central small cabachon ruby, with extended natural pearl drop, in silver gilt backing, on yellow metal screw backs, unmarked, each earring 3.2cm drop, 4.4g all in.
Lot 1117
An 18ct gold ruby and diamond pendant and earring set, formed in a floral cluster, with central ruby, surrounded by ten diamonds, pendant oval cut ruby approx 0.8pts, diamonds, set in white gold, approx 0.62pts, the earrings, with oval cut rubies approx 0.5pts, and twenty diamonds, approx 0.58pts.
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124080 item(s)/page