There are 124080 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA 9ct gold ruby and diamond ring, the lozenge shaped head claw set with a lattice of oval mixed cut rubies and eight cut diamonds, to tapered shoulders and a plain shank, Sheffield, head 24 x 20mm, 4.79g.Finger size PCondition report: Maker's mark PJ. Rubies are possibly fracture filled.Surface reaching inclusions to some of the gemstones.
A 9ct gold fracture filled ruby set star cluster pendant, with articulated bale, suspended on a Prince-of-Wales rope link chain, pendant hallmarked Sheffield, chain tested as approximately 9ct gold, pendant 28mm long, chain 460mm long, together with a 9ct gold ruby and diamond ring, Birmingham, head 17 x 12mm, 5.77g total (2)Finger size P¼Condition report: Pendant maker's mark BJB.Surface reaching inclusions to the fracture filled rubies.Ring maker's mark TGC.Rubies in ring are possibly fracture filled.Surface reaching inclusions to some of the diamonds.
Late Victorian or Edwardian jewelled silver gilt casket, circa 1900, rectangular form worked throughout with semi-precious stones including topaz, citrine and amethyst, in individual beaded collet mounts, bordered with turquoise and raised on bejewelled ball feet inset with turquoise and ruby cabochons, stamped 'CR', 14cm x 9cm x 13cmNB: This casket has no marks other than a mark 'CR' in an oval which may be that of Charles Rowbotham, registered as a gold ring manufacturer in Birmingham, circa 1883-1901.
A Gothic Revival wrought iron and gilt veritas stove, of hexagonal form, with a domed top, with latticed sides, each with a ruby glass pane, with carrying handles on opposing sides, internally fitted with a gas burner, 85cm highCondition report: One glass pane missing. With some scratches and rubbing to the sides.
‡Alan Caiger Smith MBE (1930-2020) an Aldermaston Pottery tin-glazed flagon, dated 1971, swollen from with loop handle, painted in ruby lustre with stylised flowers and foliage, with cork stopper and wooden tap, a cylindrical vase dated 1963, mug and goblet, painted monogram and marks, 34.5cm. high (4) Provenance David Coachworth Collection
‡Alan Caiger Smith MBE (1930-2020) an Aldermaston Pottery tin-glaze bowl, dated 1976, painted with panels in copper lustre on ruby and violet on a white ground, and another smaller Aldermaston Pottery bowl by Alan Caiger Smith dated 1976, painted marks, exhibition paper numbers, 27.5cm. diam, (2) Provenance The David Coachworth Collection
A William De Morgan lustre Python tile, painted with a snake on foliate ground, in ruby lustre, framed, and another William De Morgan tile decorated with a porcupine, and nine Mintons Waverley Novels tiles designed by John Moyr Smith, De Morgan marks concealed, heavy wear to design, impressed Mintons marks and facsimile signature, 14.5cm. square, (11) Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 124 catalogue number 1010 (porcupine) original design illustrated. Page 126 catalogue number 960 (python) original design illustrated.
A good William De Morgan Late Fulham Period triple lustre Strutting Peacock tile, painted displaying in shades of blue, ruby and gold lustre on a white ground, impressed factory mark, 15.3cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 128 figure 1051. Provenance Private collection
‡Jonathan Chiswell Jones (born 1944) a lustre bowl, footed form, painted to the well with a cockerel, in ruby and golden lustre on a green/blue lustre ground, two bird tiles one with a hawk, the other a cockerel by Jonathan Chiswell Jones and a flower brick by Laurence McGowan, painted artist monogram 18cm. diam. (4)
‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery nine tile panel, dated 2007, each tile painted with a stylised flowerhead or geometric design in ruby and golden lustre, framed pencil number 729 and 07 to frame back, unsigned, chips to middle tile 10.2cm. square (tiles), 36.5cm. square (frame)
‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery vase and cover, 1973 shouldered twin-handled form with pierced decoration, painted with stylised brush design in ruby lustre on a burnished tin-glaze ground, printed factory mark, painted artist cipher and date mark, 1973, 23cm. high, (2) Exhibited Alan Caiger -Smith, Stoke on Trent Museums, 1985, cat. no.47.
‡Alan Caiger-Smith MBE (1930-2020) a large Aldermaston Pottery footed bowl, dated, 1973, boldly painted to inside and out with golden and ruby lustre design, the well with central stylised flowerhead, incised artist monogram and date code, painted 10A and W, 46.5cm. diam. Catalogue notes This wonderful large bowl sat pride of place on the dining table and was often the resting place for generations of cats including Kate's three-legged cat, fidget. .
‡Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery bowl, dated 1997, flaring footed from painted to the well with a ruby lustre roundel design, inside bands of painted white foliate motif and ruby lustre bands on a tin-glaze, and another similar painted in blue and white on a tin-glaze, and a St Ives Pottery vase by John Bedding painted marks, 32cm. diam. (3) Provenance Property of a lady with title
A 20th Century mahogany wall-mounting clocking-in board, 31cms wide; along with an inlaid mahogany trinket box; another wooden box; and a selection of other items including a Sony Discman CD compact player, D-143; a Standard Micronic Ruby radio in case; and a Vege signal two-band automatic clock radio, in box.
An Antique Russian Silver and Enamel Sugar Bowl. Gilded and enamelled silver in the shape of two birds of paradise with downward beaks that serve as handles. Multicoloured body with floral patterns worked in the cell fusion enamelling process. Eyes in the form of small ruby cabochons. Stunning. Beak to Beak 21cm. 14cm tall. 510g. Russian Hallmarks
Loading...
