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Lot 1146
A Swiss 18 ct gold open-faced pocket, watch having a crown-wound and pin-set 19-ruby remontoir movement, its white enamel face having fancy gilt hands, Arabic numerals, outer 24-hour chapter with red numerals, and subsidiary seconds dial, case marked "K 18", 52 mm excluding stem, crown and bow, 90.6 g overall (running when catalogued, accuracy and reliability untested)
Lot 107
A George V silver novelty table lighter, modelled in the form of a seated cat, the exterior decorated to simulate fur, the detachable head with ruby coloured glass eyes, the raised tail designed to dispense a thin taper, with Registered Design number 558157, H V Pithey & Co, Birmingham 1910, height 6.7cm, weight 15g/0.48ozt approx
Lot 320
A twentieth-century French silver gilt box, of rectangular form, the exterior decorated with engine-turning, inset with panel to the lid of a Northern European satirical street scene, oil with craquelure, the thumbpiece inset with a ruby-coloured cabochon, struck with three marks, possibly French control marks, ensuite with a gilt tooled leather and satin lined fitted presentation case, with retailer's mark, The Goldsmiths & Silversmiths Ltd., 112 Regent Street London W1, By appointment to H.M The King, length of box 9.6cm, weight 164g/5.27ozt gross approx
Lot 152
Sheffield Assay Office Interest.A pair of George III silver neoclassical salts, of oval form, each with pierced gallery border, surmounted by a gadroon edge rim, atop four ball and claw feet, ensuite with ruby glass liners, sponsor's mark 'T.L', possibly Thomas Lamborn, Sheffield 1773, length 7.7cm, ensuite with a pair of salt spoons, each with cast shell bowl and fluted tapering stem, hallmarks rubbed, combined weight (sans liners) 116g/3.72ozt approx (2) Note: These salts were hallmarked during the first year of the Sheffield Assay Office's operation. There has been an Assay Office in Sheffield since 1773...(after) an Act of Parliament was passed, granting Sheffield the right to assay silver. See: https://www.assayoffice.co.uk/about-us/history
Lot 87
Cartier.An 18ct gold box, of rectangular form, the body decorated with stylised hexagonal tesserae in vari-coloured gold, the push-piece to open the box is crafted from a cushion shape ruby, measuring 5.5 by 5.0mm, which when pressed, allows the hinged cover to be opened, the interior flange signed, 'Cartier' and 'Designed by...R. Emmerson', with serial number 7333, full hallmarks struck to the interior of the base, with corresponding part marks struck to the interior of the hinged cover, sponsor's mark, 'JC', Jacques-Théodule Cartier, for Cartier Ltd., standard mark for 18 carat gold, London 1957, length 8.2cm, width 6cm, height 1.6cm, weight 154.17g/4.956ozt approx, ensuite with the original Cartier red coloured and gilt tooled leather, and pale yellow velvet lined, fitted presentation case, the interior of the lid printed in gold lettering:CARTIER LONDON 175 NEW BOND ST PARIS 13 RUE DE LA PAIX NEW YORK 653 5th AVENUEProvenance: Private collection, United KingdomNote: Rupert Emmerson was the designer of the extremely popular "Crash Watch" in 1966. After training at the Chiswick Art School, he worked on insignia and medals for De Gaulle's Victory parade through the streets of Paris in 1944, following the Liberation of Paris at the end of World War II. His work is exhibited at the British Museum and he is credited as being one of the designers responsible for lifting Cartier London to become one of the most important London jewellery enterprises.According to the British Museum: "The gem-set work (on gold boxes) was done by Cartier's in house workshop known as English Art Works. They are masterpieces of craftmanship in gold working, enamelling and the cutting and setting of gems and hardstones." References:‌www.britishmuseum.org. (n.d.). cigarette-case; box; jewellery-case | British Museum. [online] Available at: https://www.britishmuseum.org/collection/object/H_1969-0705-42 [Accessed 21 Feb. 2024].‌Francesca Cartier Brickell (2021). The Cartiers : the untold story of the family behind the jewelry empire. New York: Ballantine Books.‌
Lot 2786
A RUBY AND DIAMOND CLUSTER RING mounted in a classic 18ct gold basket mount, set with a oval cut ruby of 9.3mm x 7mm x 3.2mm, surrounded with brilliant cut diamonds with an estimated approximate total of 1ct. Finger size N, weight 4.6gms Condition Report:platelets, gas inclusions and linear needles visible in the ruby, lovely deep purply red colour. Diamonds eye bright and clean with clear feather inclusions with a small amount of carbon that cannot be seen by eye.
Lot 2916
AN 18CT GOLD OPEN FACE POCKET WATCH with a white enamel dial, black Roman numerals, subsidiary seconds dial (hand missing) and blued steel hands, with London hallmarks for 1915. mechanism signed A.T. Espie, 8 Eglington Street, Glasgow. Diameter 5cm, weight including mechanism 109.1gms Condition Report:Ruby capped fly wheel, winds but wont go
Lot 2309
Swarovski, four tulips, blue and yellow colourway, a ruby glass tulip in Valentines Day gift box, with three stands,a Mother and Child plaque, two clear Hearts, with seven cased ornaments to include a chromed metal stand of tulips, a leaf decoration, a star fish, three pendants on strings, a diamond type ornament (Qty)Note: The names on some of the boxes may not match the description of the contents.
Lot 17
A Small Quantity of Jewellery, comprising of a garnet and split pearl ring (a.f.); a split pearl swallow brooch; a synthetic ruby brooch, stamped '15CT'; two cameo brooches; an agate locket; and a rolled gold bangleRing - 1.7 grams. Swallow brooch - 4.0 grams. Brooch stamped '15CT' - 4.9 grams. Residual - 51.5 grams.
Lot 1
An 18ct gold plique-à-jour brooch by J. Roca, An 18ct gold plique-à-jour and gem-set brooch by J. Roca, designed as a mother of pearl sailboat atop a plique-à-jour scenic background, within a cultured pearl, ruby, sapphire and diamond surround, signed J. Roca, stamped 750, numbered B-65, length 5cm, gross weight 24.8g. With maker's pouch.Overall condition good to fairScratches and abrasion in keeping with occasional wearPlique-à-jour in good condition, some bubbles and light scratches in keeping with agePin in working order, one small area of localised scratching visible with magnificationMarks clear and legible, 750 slightly wornPearls untestedOne sapphire with noticeable abrasion to facet edges, visible with the unaided eye
Lot 19
A ruby and diamond line bracelet, A ruby and diamond line bracelet, the circular shape ruby and brilliant cut diamond line with a push piece clasp, estimated total diamond weight 2.50cts, stamped 18k, length 19cm, gross weight 14.4g.Overall condition good to fairLight scratches, discolouration and abrasion in keeping with occasional wearDiamonds bright and well matched, with light inclusions visible only with close inspection under magnificationRubies well matched - typical inclusions visible with magnification and good saturation - a couple with light abrasion to facet edges and joins, visible only with magnificationMarks clear and legibleClasp in working order, with safety clip
Lot 24
An 18ct gold diamond bracelet by Roberto Coin, An 18ct gold diamond bracelet by Roberto Coin, of bi-colour design, the woven links with brilliant cut diamond accents and push piece clasp, signed Roberto Coin, hallmarks for London, 1999, length 17.8cm, gross weight 52.9g.Overall condition good to fairScratches, abrasion and discolouration in keeping with occasional wearDiamonds well matchedAbrasion and softening to facet edges of concealed rubyMarks clear and legibleClasp in working order, closes and pushers working, does not close completely flush as per design
Lot 8
An Art Deco diamond and ruby dress clip by Alabaster & Wilson, An Art Deco diamond and ruby dress clip by Alabaster & Wilson, the circular shape ruby trefoils flanking a brilliant cut diamond geometric panel, maker's marks for Alabaster & Wilson, stamped 18ct and Pt, length 3cm, gross weight 9.8g.
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