We found 124080 price guide item(s) matching your search
There are 124080 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
124080 item(s)/page
Lot 1173
Extravaganter Schlangenring mit Mozambique-Rubin Weißgold, 18 ct.; Zentral besetzt mit einem unbehandelten, taubenblutroten Rubin von ca. 4,08 ct. im Ovalschliff, ausgefasst mit korrespondierenden Rubinen und Brillanten von ca. 0,60 ct.; Gew. ca. 10,06 g. Beiliegend C. Dunaigre-Expertise.Snake ring set with a pigeon blood red ruby (no indications of heating) approx. 4,08 ct., brilliants approx. 0,60 ct. and small rubies, in 18 k white gold. Certificate included.
Lot 1323
Eleganter Burma-Rubinring Weißgold, 18 ct.; Zentral besetzt mit einem unbehandelten, taubenblutroten Rubin von ca. 6,21 ct., flankiert von Diamanten von zus. 1,00 ct.; Gew. ca. 6,48 g. Beiliegend C. Dunaigre-Expertise.Ring set with a pigeon blood red ruby (no indications of heating) approx. 6,21 ct. and diamonds approx. 1,00 ct., in 18 k white gold. Certificate included.
Lot 198
Historisch bedeutender Potsdamer Goldrubinglas-Becher mit Bronzefuß und Monogramm König Friedrich I. oder Friedrich II. von PreußenHoher, konischer Becher aus dunkelrotem Goldrubinglas mit geschliffenem Lippenrand; der glockenförmige Fuß aus vergoldeter Bronze mit zwölfpassigem Rand und abgesetztem, reifenförmigem Ansatz für die Kuppa. Auf dem Fuß das fein gravierte, ligierte "FR"-Monogramm König Friedrich I. (König von 1701-1713) oder Friedrich II. von Preußen (König von 1740-1786) unter der preußischen Königskrone. Der Fußrand und der Kuppaansatz mit fein ziseliertem Dekor. Glas-H. ca. 13,3 cm; Ges.-H. 18,8 cm.Zu den Vergleichsstücken zählen zwei Goldrubinglasflaschen im Museum für angewandte Kunst (MAK) in Wien, welche in der Form und im Dekor annähernd gleichartige Bronzefüße aufweisen (Inv.-Nr. GL 1341-1 und 1341-2; beide angekauft 1878 in einer Auktion).Provenienz: Aufgeführt im 1874 erstellten "Verzeichnis des Nachlasses Seiner Majestät König Friedrich Wilhelm IV. auf Schloß Sanssouci", im Vortragszimmer (ehemaliges Sterbezimmer Friedrichs II.) von Schloss Sanssouci, Potsdam unter der Nr. 23 ("Ein Rubinglas mit Bronze Fuß"), Brandenburg-Preußisches Hausarchiv (BPH), Berlin, Rep. 113, Oberhofmarschallamt Nr. 119; seit Jahrzehnten in einer alten norddeutschen Kunstsammlung. A rare Potsdam gold ruby glass beaker with gilt bronze feet and engraved monogram of King Frederick I or King Frederick II of Prussia. Mentioned in the inventory list of the estate of King Frederick William IV of Prussia, in a room of the palace Sanssouci in Potsdam.Deutsch. Potsdam. Um 1680-1720.
Lot 220
Barock-Pokal Farbloses, leicht graustichiges Glas. Leicht ansteigender Scheibenfuß, reich gegliederter Balusterschaft, in einem Kugelnodus rubinrote Spiralglasfäden. Mattgeschnittener Dekor, auf der Kuppa Weinranken mit Trauben, auf dem Fuß ein Blattkranz. H. 17,5 cm. Provenienz: Lt. Information des Vorbesitzers aus der Slg. Uwe Friedleben, Hannover; Slg. Inge Brück.A Bohemian glass goblet with ruby twist stem and engraved decor of vine and grapes.Böhmen. Um 1720-1730.
Lot 282
Fußbecher Dickwandiges, rubiniertes Glas oder dunkelrotes Rubinglas, geschliffen. Achtfach geschälter Becher auf achtpassigem, abgetrepptem Fuß. Dekor in weißer Opakemail- und Goldmalerei aus Arabesken und Spitzbogenmotiven mit eingestellten Vasen auf volutierten Sockeln, kombiniert mit Blattranken und Akanthusblättern. Ger. best.; H. 12,2 cm. Provenienz: Lt. Information des Vorbesitzers aus der Slg. Uwe Friedleben, Hannover; Slg. Inge Brück.A Bohemian footed and cut ruby glass beaker with enamel and gold decor. Minor chipped.Böhmen. Mitte 19. Jh.
Lot 8010
Early 20th century oval cut unheated Thai ruby and old cut diamond cluster ring, stamped, ruby approx 1.30 caratCondition Report:Approx 2.85gm, size G, overall head = 12.5mm x 10.5mm, ruby approx 8mmx 6.5mm x depth 3.3mm, ruby been laboratory checked confirming unheated Thai ruby, good colour, surface nibbles with internal fracture / inclusion to near top edge
Lot 474
Oxford Diecast (1/43rd scale) group to include Aston Martin DB2 Mark III; Austin Ruby Saloon; Aston Martin DB4 Zagato; Austin Healey Sports Car; Vauxhall Firenza plus others - conditions appear to be generally Mint including rigid perspex cases, outer carded sleeves are Excellent to Mint - see photo. (12)
Lot 1203
34 Boxed Corgi diecast models & multi-model sets to include 96445 James Bond Aston Martin DB5 '30th Anniversary of Goldfinger', D72/1 Minors And Populars, Q57/1 Northern Collection, Classic Cars D75/1 Police Cars Of The Sixties, D16/1 Rallying With Ford, Ruby Anniversary 522/2 Range Rover, C89 60 Years of Transport, etc. Diecast generally ex, boxes gd. (3)
Lot 791
Nighties mini-dress as seen worn by Fran Drescher as Fran Fine in The Nanny (CBS 1993-1999), Season 2 Episode 16, "The Nanny Behind the Man."A red wool mini-dress with black diagonal inlayed-wavy-stripes at the front. The dress has spaghetti straps, scoop neck-line with a low-cut-back exposing the shoulders and back down to the waist, fitted hourglass silhouette that hugs the body, along with a short hemline. There is a hidden zipper at the center back and lined with a ruby red synthetic fabric. The brand label reads, "SaeLee, Dresses," the label also has, "Sony W," written in black marker, the dress is marked a size two, along with a fabric content tag sewn into the lining's left side seam.Fran in the episode plays matchmaker between her grandma Yeta and a Broadway playwright only creating more turmoil for her boss Maxwell Sheffield. Fran Drescher was known throughout the series for wearing tight clothes, as well short dresses and skirts, it became a running gag for the character. Brenda Cooper who was the costume designer for the series would often mix fast-fashion-ready-to-wear brands found at malls with luxury-designer-brands. The mix of high and low fashion brands contributed to the iconic style of the character that has generated social media accounts designated to documenting Fran and her clothes.This lot comes with a DVD box set of season two.Size 2PROVENANCE From the Collection of Reel Clothes and Props
Lot 972
A set of two Edith Head costume designs for the film production Here Comes The Girls starring Bob Hope, Tony Martin, and Arlene Dahl (Paramount 1953). Two mixed medium costume designs by Edith Head, likely by costume designer and sketch artist Yvonne Wood. Both sketches feature two full-length female figures in white and gold Grecian-style costumes. Both figures wear a bra-top and a draped high-low skirt, the short hem at the front allows for the skirt's draping to cascade as it goes into a train at the back. One sketch is labeled "Miss Bacchus" with the figure holding a drinking glass and a gold vine of grapes. The other sketch is labeled "DIANA" with two names written in pencil reading "Yvonne, Ruby." This figure holds a bow and has a quiver with a Greek key motif hung crossbody holding arrows. Both sketches have signed initials CB, likely by Claude Binyon the film's director. Here Comes The Girls is a musical comedy starring Bob Hope, who plays Stanly Snodgrass who gets cast in a Broadway play when the lead is attacked by a crazed fan who is obsessed with the play's lead actress Irene played by Arlene Dahl. The crazed fan is jealous of anyone acting opposite Irene, putting them in danger, but in Hope's case, hijinks and hilarity ensue even with a knife-wielding killer on the loose. DIMENSIONS:SKETCHES 14.5 X 19.25 INCHES MOUNT 33 X 26.5 INCHES
Lot 1801
Circa 1620-1640 A.D. Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. Cf. Fuhring, P. ed., 'Le Style' cosse de pois' L'orfevrene et la gravure a Paris sous Louis XIII, in Cazette des Beaux Arts, January 2002, for the pea-pod ornament; cf. Chadour, A., Rings. The Alice and Louis Koch Collection, Leeds, 1994, vol. 1, no.701; cf. Oman, C., British Rings 800-1914, London, 1987, pl.96.c, for type; cf. Scarisbrick, D. et al., Toward an Art History of Medieval Rings: A private Collection, pp.204-205, for comparable. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14) (1 in.). Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579. Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.
Lot 1858
Circa 16th-17th century A.D. With three radiating cells and foliage detailing, inset ruby and turquoise gemstones. Cf. Oman, C.C., British Rings 800-1914, London, 1974, pl.29(B), for type. 1.20 grams, 20.14 mm overall, 17.97 mm internal diameter (approximate size British O 1/2, USA 7 1/4 Europe 15.61, Japan 15) (3/4 in.). Acquired 1970s. From the private collection of a Northern Ireland gentleman. Ex private Merseyside, UK, collection. [No Reserve]
Lot 2187
Late 20th century A.D. The polished rock crystal upper body with pink ruby and green glass floral inlays, band of ruby inlays encircling the neck, polished 'fishtail' lapis lazuli lower body embellished with foliage and flower heads in pink rubies and green glass. 227 grams, 12.7 cm (5 in.). London collection since the 1980s. Property of a Canadian family. [No Reserve]
Lot 1A
Ladies 18ct Yellow Gold Superb Quality Ruby and Diamond Set Line Bracelet, marked 18ct, the rubies of superb pigeon blood red colour, est.ruby weight 3cts; the diamonds of excellent colour and clarity, est.diamond weight 2.5cts; weight of bracelet 16.1g; condition superb; very low estimate. Approx 7.5 Inches In length.
Loading...-
124080 item(s)/page