An 18ct gold, diamond and red gem set five stone ring, Birmingham 1918, weight 1.7g, ring size approx L, a Victorian 15ct gold and seed pearl set ring, Birmingham 1879 (one seed pearl lacking), a late Victorian 15ct gold ring, mounted with an oval cut ruby, Birmingham 1899, weight 4.3g (the six gems to the scrolled shoulders lacking), and a 9ct gold, blue and colourless paste five stone ring in a boat shaped setting, weight 1.3g, Chester 1915.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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A 15ct gold, ruby and seed pearl cluster ring, first quarter of the 19th century, weight 2.1g, ring size approx O1/2, a 9ct gold, ruby and diamond three stone ring, London 1978, a 9ct gold, garnet and cubic zirconia five stone ring, Birmingham 1992, weight 5.2g, and a Victorian silver oval pendant locket with floral decoration within a beaded surround, Birmingham 1876, weight 17.6g, length 6.3g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold ring, claw set with an oval cut ruby between diamond two stone shoulders, Birmingham 2007, weight 3.5g, ring size approx M1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An 18ct gold ruby and diamond five stone ring, first quarter of the 20th century, mounted with three cushion cut rubies alternating with two cushion cut diamonds, weight 3.5g, ring size approx O1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, platinum, ruby and diamond five stone ring, detailed '18ct & Plat', weight 2.8g, ring size approx P, a gold, ruby and diamond three stone ring, claw set with a cushion cut ruby between two circular cut diamonds in a scrolled crossover design, unmarked, weight 2g, and a 9ct gold, ruby and colourless gem set ring in a twist design, weight 1.6g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold and ruby ring in a bombé design, mounted with circular cut rubies, detailed '14K', weight 6.4g, ring size approx I. Provenance: from the estate of the late Dame Vera Lynn CH DBE OStJ. Note: the proceeds from the sale of this lot will go directly to the Dame Vera Lynn Charitable Trust.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold, diamond and varicoloured gem set cluster ring, claw set with three circular cut diamonds, and coloured gemstones including garnet, amethyst and peridot, detailed '375 DIA', ring size approx O1/2, and a 9ct gold, ruby and diamond ring, mounted with three circular cut rubies and two pairs of circular cut diamonds, detailed 'DIA', ring size approx N1/2, total weight 5.2g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold, ruby and diamond ring, mounted with an oval cut ruby and two circular cut rubies within a surround of circular cut diamonds, detailed 'DIA', London 1998, weight 3.3g, ring size approx O.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold, ruby and diamond drop shaped pendant, claw set with five graduated circular cut rubies and two pairs of circular cut diamonds, London 1991, length 2.2cm, on a 9ct gold neckchain with a boltring clasp, length 43.8cm, total weight 2.5g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold, diamond and synthetic ruby oval hinged bangle, the front mounted with circular cut diamonds and synthetic rubies within star shaped settings on a textured ground, on a snap clasp, fitted with a safety chain, Chester 1955, weight 33.3g, inside width 6cm. Provenance: from the estate of the late Dame Vera Lynn CH DBE OStJ. Note: the proceeds from the sale of this lot will go directly to the Dame Vera Lynn Charitable Trust.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, ruby and diamond ring, mounted with three oval cut rubies alternating with two pairs of cushion cut diamonds, detailed '18ct', ring size approx M, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, ruby and citrine brooch, designed as a fire grate, mounted with a bloodstone set panel to the centre of the grate, the flames with circular cut rubies and citrines, unmarked, weight 14g, width 3cm. Provenance: from the estate of the late Dame Vera Lynn CH DBE OStJ. Note: the proceeds from the sale of this lot will go directly to the Dame Vera Lynn Charitable Trust.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An 18ct gold, ruby and diamond cluster ring in a shaped oval design, claw set with the oval cut ruby within a two row surround of circular cut diamonds, London 1998, weight 6.6g, ring size approx O1/2, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A platinum, ruby and diamond square cluster ring, collet set with the principal princess cut diamond to the centre, detailed 'Plat', weight 3.6g, principal diamond weight approx 0.65ct, ring size approx N.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
‡ Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery Albarello vase from the final exhibition, 1993, waisted cylindrical form with cylindrical neck, painted in golden lustre with stylised flowers, highlighted in ruby lustre on a deep blue ground, painted ACS monogram, applied paper label 27.5cm. high
‡ Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery Loving cup, circa 1987, twin-handled form, painted with simple brush design in ruby and gold lustre on a tin-glaze, and a cylindrical storage jar and cover by Alan Caiger-Smith painted mark, 13.5cm high (3) Catalogue notes Alan Caiger-Smith wrote a letter to the vendor in 1995 confirming the piece was probably a trial piece painted by him circa 1987, although made by an apprentice, which explains the lack of an ACS monogram.
‡ Edgar Campden (born 1930) an Aldermaston Pottery bowl, footed form, painted to the interior with stylised flower sprays in gold and ruby lustre on a mauve tin-glaze, the exterior with a simple band of foliage, and another Aldermaston Pottery bowl by Edgar Campden, painted in ruby lustre painted marks 21.5cm. diam. (2)
A Carter's Poole lustre vase designed by Owen Carter, tapering form with swollen neck and everted rim, covered with a ruby lustre glaze over streaked lavender and blue, incised Carter's Poole 2,1904, 20.8cm. high Provenance Cottee's Wareham, 3rd October 2000, lot 438 The Redstone Collection. Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for comparable examples illustrated.
RUBY-RED-GROUND FAMILLE ROSE 'LOTUS AND BAT' PLATE QIANLONG MARK BUT 19TH CENTURY 清 乾隆款 珊瑚紅地粉彩番蓮紋五福捧壽盤 supported on a short straight foot, the exterior delicately painted with four lotus in tendrils against a ruby-red ground, all between a band of ruyi cloud head around the mouth rim and lappet pattern around the foot, the interior painted with five flying bats in iron-red, the base inscribed with a six-character Qianlong mark in underglaze blue(19.5cm diameter)
RUBY-RED-GLAZED DISH YONGZHENG MARK 雍正款 胭脂紅釉碟 thinly potted from a recessed foot, gently waisted body and straight rim, the interior applied overall with a rich pink enamel, the counter-sunk base inscribed with a four-character Yongzheng mark within double square panels in blue enamel(13.2cm diameter)
A 19th century Bohemian ruby glass drop lustre vase, panelled with miniature portraits depicting ladies and floral sprays, on a gilt scroll work ground, height 31.5cm. Condition - no lustres, interior scratch and chip where one lustre fitting was previously fixed, otherwise good, no chips, cracks, general wear including loss to decoration, scratches etc.
AN ART DECO PLAQUE RING, the central princess cut ruby open back collet set to a border of sixteen small diamonds between black onyx angles to a plain white unmarked shank, size L (Est. plus 21% premium inc. VAT)2.9g gross, shank engraved 7000, A71, LLO, N, Z, good colour ruby and pleasing ring
Ruby Bateman Self Love Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ruby Bateman is a visual artist, working and living in London. Her work is often self-referential, (re)depicting and translating imagery across different materials and processes. In her drawings and paintings, Ruby often explores her relationship to (institutionalised) motherhood with a richly colourful and symbolic visual language, referencing her own fiction. Education Royal College of Art - Print Masters - 2018 - 2020 University Of Brighton - Print BA (Hons) - First - 2014 - 2017 Falmouth University - Art Foundation - Merit - 2013 - 2014 Select Exhibitions/Awards Exhibitions: Domenica Marland - Art Dealer - Gallery pop-up, J/M Gallery London - 2021 'My Love Is Your Love' - Everywoman Biennial, Copeland Gallery London - 2021 'Domesticity And The Feminine' - Joséphine-May Bailey, Online Exhibition - 2021 'Acedia' - Purslane Gallery, Online Exhibition - 2021 '2020 RCA' - Royal College Of Art Online Degree Show - 2020 'In Review' Southwark Park Gallery - 2019 Awards: The Fish Factory Artist Residency - 2021 Shortlisted for Birth Rites Collection New Works - 2020 Shortlisted for HIGH Award 2020 Gallery Representation Domenica Marland Statement about AOAP Submitted Artwork The female story and the politics of womxnhood has always been at the centre of my practice, whether it being allegorical fiction or personal narrative. It is therefore a pleasure for me to create a series of drawings for charity, supporting womxn in need and bringing their stories to attention. My postcards explore 'freedom and love' from a womxn's perspective, in all its variations and joy.
Ruby Bateman The Best of Friends Love Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ruby Bateman is a visual artist, working and living in London. Her work is often self-referential, (re)depicting and translating imagery across different materials and processes. In her drawings and paintings, Ruby often explores her relationship to (institutionalised) motherhood with a richly colourful and symbolic visual language, referencing her own fiction. Education Royal College of Art - Print Masters - 2018 - 2020 University Of Brighton - Print BA (Hons) - First - 2014 - 2017 Falmouth University - Art Foundation - Merit - 2013 - 2014 Select Exhibitions/Awards Exhibitions: Domenica Marland - Art Dealer - Gallery pop-up, J/M Gallery London - 2021 'My Love Is Your Love' - Everywoman Biennial, Copeland Gallery London - 2021 'Domesticity And The Feminine' - Joséphine-May Bailey, Online Exhibition - 2021 'Acedia' - Purslane Gallery, Online Exhibition - 2021 '2020 RCA' - Royal College Of Art Online Degree Show - 2020 'In Review' Southwark Park Gallery - 2019 Awards: The Fish Factory Artist Residency - 2021 Shortlisted for Birth Rites Collection New Works - 2020 Shortlisted for HIGH Award 2020 Gallery Representation Domenica Marland Statement about AOAP Submitted Artwork The female story and the politics of womxnhood has always been at the centre of my practice, whether it being allegorical fiction or personal narrative. It is therefore a pleasure for me to create a series of drawings for charity, supporting womxn in need and bringing their stories to attention. My postcards explore 'freedom and love' from a womxn's perspective, in all its variations and joy.
Ruby Bateman The Love of Making Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ruby Bateman is a visual artist, working and living in London. Her work is often self-referential, (re)depicting and translating imagery across different materials and processes. In her drawings and paintings, Ruby often explores her relationship to (institutionalised) motherhood with a richly colourful and symbolic visual language, referencing her own fiction. Education Royal College of Art - Print Masters - 2018 - 2020 University Of Brighton - Print BA (Hons) - First - 2014 - 2017 Falmouth University - Art Foundation - Merit - 2013 - 2014 Select Exhibitions/Awards Exhibitions: Domenica Marland - Art Dealer - Gallery pop-up, J/M Gallery London - 2021 'My Love Is Your Love' - Everywoman Biennial, Copeland Gallery London - 2021 'Domesticity And The Feminine' - Joséphine-May Bailey, Online Exhibition - 2021 'Acedia' - Purslane Gallery, Online Exhibition - 2021 '2020 RCA' - Royal College Of Art Online Degree Show - 2020 'In Review' Southwark Park Gallery - 2019 Awards: The Fish Factory Artist Residency - 2021 Shortlisted for Birth Rites Collection New Works - 2020 Shortlisted for HIGH Award 2020 Gallery Representation Domenica Marland Statement about AOAP Submitted Artwork The female story and the politics of womxnhood has always been at the centre of my practice, whether it being allegorical fiction or personal narrative. It is therefore a pleasure for me to create a series of drawings for charity, supporting womxn in need and bringing their stories to attention. My postcards explore 'freedom and love' from a womxn's perspective, in all its variations and joy.
Ruby Bateman Mothering Love Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ruby Bateman is a visual artist, working and living in London. Her work is often self-referential, (re)depicting and translating imagery across different materials and processes. In her drawings and paintings, Ruby often explores her relationship to (institutionalised) motherhood with a richly colourful and symbolic visual language, referencing her own fiction. Education Royal College of Art - Print Masters - 2018 - 2020 University Of Brighton - Print BA (Hons) - First - 2014 - 2017 Falmouth University - Art Foundation - Merit - 2013 - 2014 Select Exhibitions/Awards Exhibitions: Domenica Marland - Art Dealer - Gallery pop-up, J/M Gallery London - 2021 'My Love Is Your Love' - Everywoman Biennial, Copeland Gallery London - 2021 'Domesticity And The Feminine' - Joséphine-May Bailey, Online Exhibition - 2021 'Acedia' - Purslane Gallery, Online Exhibition - 2021 '2020 RCA' - Royal College Of Art Online Degree Show - 2020 'In Review' Southwark Park Gallery - 2019 Awards: The Fish Factory Artist Residency - 2021 Shortlisted for Birth Rites Collection New Works - 2020 Shortlisted for HIGH Award 2020 Gallery Representation Domenica Marland Statement about AOAP Submitted Artwork The female story and the politics of womxnhood has always been at the centre of my practice, whether it being allegorical fiction or personal narrative. It is therefore a pleasure for me to create a series of drawings for charity, supporting womxn in need and bringing their stories to attention. My postcards explore 'freedom and love' from a womxn's perspective, in all its variations and joy.
A gem set dress ring by Margaret Barnaby, circa 1970, of abstract naturalistic design, set with a circular-cut chrysoberyl to the centre and a polished ruby cabochon to the side, with chased and repoussé detailing throughout, signed ‘BARNABY’, numbered ‘93122’, stamped ‘18K’, ring size M. £400-£500 --- Margaret Barnaby is an American jeweller and artist. Her work is inspired by the natural world and her jewellery designs tend to be highly sculptural and abstract. Barnaby is particularly well known for her chasing and repoussé techniques.

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