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Lot 596
Caverswall Fine Bone China Dinner and Tea Service. Comprises 6 dinner plates, 5 soup bowls, coffee pot, teapot, 2 sugar bowls and milk jug. 6 coffee cups and saucers and 6 trio sets comprising small side plate, cups and saucers and 6 larger side plates. As new condition. (53) pieces in total.
Lot 597
Caverswall Fine Bone China Dinner and Tea Service. Comprises 6 dinner plates, 6 soup bowls, coffee pot, teapot, 2 sugar bowls and milk jug. 6 coffee cups and saucers and 6 trio sets comprising small side plate, cups and saucers and 6 larger side plates. As new condition. (54) pieces in total.
Lot 601
Diamond China & Co ltd Staffordshire Superb Quality Hand Painted ( 38 ) Piece Tea Service. c.1910 - 1920. With Blush Gold and Cobalt Blue Colour way. Wonderful Condition and Quality. Comprises 10 Trios ( 30 ) 2 Sandwich Plates, Milk Jug, Sugar Bowl, 2 Side Plates & 2 Saucers. All In Wonderful Condition - Please See Photo.
Lot 609
Shelley - 1920's Fine Quality ( 20 ) Piece Bone China Tea Service ' Hampton Court ' Basket of Fruit on White Ground. Pattern No 11427, Reg 714 137, Doric Shape. Back stamp 1912 - 1925. Comprises. 5 Trios - 1 Cup and Saucer ( 17 ), 1 Sandwich Plate, 1 Milk Jug & 1 Sugar Bowl. All Pieces are In Excellent Condition.
Lot 715
A Part Tea Service By Royal Standard In 'Spring Song' Design Nine pieces in total to include teapot, six cups and saucers, milk jug and sugar bowl. White ground with pastel spring and foliate decoration and gilt trim. Together with a retro amber glass carafe and five accompanying glasses. All in good condition, please see accompanying image.
Lot 196
A modern Herend ‘Rothschild Birds’ pattern part dinner service, comprising; thirteen 10 ½ inch plates, three 11 inch plates, an oval two-handled serving dish; another serving dish, a large oval tureen and cover, an oval two-handled serving dish; an oval serving dish; a round two-handled serving dish; fourteen 7 ½ inch plates; a salt and pepper; a lobed rectangular dish; twelve 6 inch plates; two pairs of candlesticks; a small sugar bowl and cover; a bullet shaped teapot and cover; a milk jug; three tea cups and four saucers and fifteen two-handled soup bowls and saucers, blue printed and painted marks
Lot 80
An Ashworth's Ironstone (Mason's Patent Ironstone China) polychrome 'Regency' pattern composite part dinner service, mostly third quarter 20th century, comprising: fourteen side plates, six entree plates, five soup plates and another smaller, eighteen fish plates, eight dinner plates, five breakfast plates, two vegetable tureens, a sauce boat and integral stand, a fruit bowl, a sauce boat and two stands, a muffin dish and cover, nine breakfast cups and thirteen saucers, four egg-cups, nine tea-cups and fifteen saucers, nine coffee cans and thirteen saucers, seven smaller coffee cups and eleven saucers, a teapot and cover, two further teapots, two cream jugs, two milk jugs, a hydra jug, four other jugs, two oval and two square serving plates, and a further tureen
Lot 1641
A George V silver three piece half fluted boat shaped tea service, comprising teapot, milk jug and sugar basin, hinged domed cover, gadrooned everted borders with shells and leafy scrolls to angles, scroll handles, ball feet, the teapot with ebonised fittings, 30cm long, James Deakin & Son, Sheffield 1931, 42oz
Lot 450
A MODERN THREE PIECE TEA SERVICE BROOK & SON, SHEFFIELD 1932 comprising tea pot, twin handled sugar bowl and milk jug, all of circular form, clasped C scroll handles, sun beam border, raised on a stepped domed foot with similar border, retailed by Brook & Sons Edinburgh (3) Height: 18cm, weight (all in): 39oz
Lot 511
THE HOPETOUN SALTS - A SET OF FOUR MID EIGHTEENTH CENTURY SALTS JAMES KER, EDINBURGH 1745 The slight bellied bodies with corded rim and with engraved monogrammed cipher and coronet above, raised on three stepped and hoof feet, the interiors gilded and with later liners (4) 7.3cm across, 12.8oz Provenance: Commissioned by John Hope, 2nd Earl of Hopetoun The monogram and coronet engraved to these salts is recorded on a fine Montieth by James Ker, hallmarked 1746, which likely formed part of this original commission which included these salts, see 'Silver; Made in Scotland' NMS 2008, item 4.37, illustrated page 80. Also Georgina Lee, British Monteiths p 106, item 310 The Hopetoun family for two generations, Charles and John Hope 1st and 2nd Earls, were perhaps the most important commissioners of silver in Scotland. Their influence on the Edinburgh trade appears to have not only given many valuable and important commissions but raised the challenge of the goldsmiths to new heights to create truly fashionable and important items. As with all family commissions the success of the family closely compares to the need for silver, the expansion of Hopetoun House and its formal rooms necessitated the purchase of new and fashionable silver from Edinburgh's finest makers. Although now, in parts, dispersed through auctions in 1953 and 1977, the collection of silver held within the house was vast and it epitomises the status that silver brought to families and the much discussed idea of wealth held in silver and reflected their status. No doubt much was re worked and melted over the decades into new fashionable wares but a number of key pieces are still extant. Important silver bearing this provenance can be seen within institutional collections, including a unique pair of wall sconces and a fine five-piece tea service both made in Edinburgh which form part of a wider collection of Hopetoun silver within the National Museum of Scotland collection (see Silver; Made in Scotland, NMS 2008 for illustration of these and other items) and a monumental wine cooler and cistern made in London by William Lukin, housed within the Victoria & Albert Museum. The importance having a client such as the Hope family cannot be over stated and the status this must have given the Goldsmiths would surely have impacted on their wider business. In the small world of 18th century Goldsmiths of Edinburgh it is interesting to note the choice of Hope to follow a 'family' of makers and support it for decades. This is seen with some of the earliest pieces by James Penman, perhaps the most influential maker of his time, who trained both Harry Bethune and Thomas Ker, who in turn trains James Ker and continuing with successful training and partnership of James Ker and William Dempster. All these makers are closely connected with the Hopetoun story and owe a great debt to this relationship over 50 years.
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113242 item(s)/page