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Click here to subscribeRESERVE & YOUTH FOOTBALL PROGRAMMES Seventy programmes 1950's onwards including Grantham v Scunthorpe Utd. Res. 56/7, WBA v Burnley 58/9 and Blackpool 58/9 and 59/60, 11 X 1960's including Altrincham v Tranmere 67/8, Man. City v Blackburn 63/4 and Stoke 69/70 both with tokens, Preston v Sheff. Weds. 66/7 and Samford AFC v Scunthorpe Utd. 65/6 and 66/7 and 47 onwards. Good
SCOTTISH FOOTBALL PROGRAMMES From the 50's and early 60's. 26 in total. Celtic v Rangers SLC 3/9/60, stains to cover, v St Mirren 11/11/61, & v Hearts 8/12/62. Rangers v Hibernian 23/8/61, v Third Lanark 26/8/61, & v St Mirren 1/9/62, Hibernian v Celtic SC 4th RR 15/3/61, & v AS Roma Inter Cities Fairs Cup SF 1st Leg 19/4/61 Queens Park v Motherwell 13/4/57, v Arbroath SC 1st R 28/1/61, & v Montrose 5/10/63. Stirling Albion v Montrose 7/1/61, v Raith, Arbroath, Motherwell, Clyde & Dundee all 65/66. Berwick v Cowdenbeath 7/9/57, Dundee v Celtic 29/3/58. 7 X programmes from the early 60's including Celtic v Morton SC 2nd R. 27/1/62. Minor faults, Generally good.
SCOTTISH FOOTBALL PROGRAMMES Forty eight in total. 20 Cup Semi-Finals From 1955 to 1972 including Airdrie v Celtic 26/3/55, Rangers v Celtic 2/4/60, Celtic v St Mirren 31/3/62, Rangers v Kilmarnock 6/10/65, Celtic v Clyde 9/10/68 & Celtic v Ayr Utd 8/10/69 and the replay 13/10/69. 26 X Internationals including Scotland v England 10/4/48, worn, 15/4/50, vertical crease, 9/4/60, v Portugal WCQ 13/10/65, v Holland 11/5/66, v Brazil 25/6/66, Scotland away matches v Holland 30/5/68, v Austria 29/5/60 & v Norway 4/6/63. 2 others Celtic v Racing 18/10/67 & v Spurs 5/8 67. Minor faults. Generally good
POCKET FOOTBALL PROGRAMMES Small programmes from the 50's and 60's. 63 in total. Good Bradford Park Avenue content, 9 homes and 8 aways. 30 Crystal Palace, 57-62, also includes Notts County v England XI 2/5/62, Crystal Palace friendly v Aberdeen 17/5/66 & Barnsley v Manchester United FAC 5th Round tie 15/2/64. Minor faults only. Generally good
1940'S FOOTBALL PROGRAMMES Ten programmes in total, Brentford v West Ham United 22/9/45, Bolton v Wolves 28/8/48, Bradford Park Avenue v Preston North End 12/11/49, Bradford City v Hartlepools United 19/3/49, Bristol Rovers v Notts County 10/4/48, Chesterfield v Leicester 10/4/48, Coventry v Hull City 8/9/51, Millwall v Crystal Palace 1/1/49, & Plymouth v Preston North End 29/10/49. Inter City Match London Boys v Birmingham Boys at Dulwich Hamlet 24/5/47, punched holes replaced and slightly marked. Minor faults Generally good
SOUTHAMPTON Six page programme at the Dell: The Football Match Company v Southampton Amateurs November 1923 (precise date not stated). This match was a Charity match with the gate proceeds going for Free Eye Hospital and Shirley Children's Home. Professional tape repair to spines. No writing. Fair
NON-LEAGUE FOOTBALL In 1951 Cambridge was granted City status. Both Town and Abbey United applied to become Cambridge City and Town's application was received first. Abbey United then changed their name to Cambridge United, Two programmes: Cambridge Town Reserves v Brentham Reserves 31/12/1949 AFA Junior Cup and Cambridge City Reserves v Wealdstone Reserves 5/5/1951. Both have the score on the cover and team changes. Programme and ticket for the Amateur Cup tie at Harwich & Parkeston v Slough 28/1/1967, slightly creased and team changes. Programme for the Amateur Cup match at Hayes v Bromley 10/2/1951, minor paper loss slight split on spine and team changes. Four page programme for the S.E. Championship Semi-Final at Ilford, Essex v Wiltshire 24/4/1922, folded in four. Plus programme and unused ticket for the Championship of G.B Semi-Final Air Training Corps v NABC 22/4/1950 at Southall FC. Programme has small tape inside. Fair to generally good
EUROPEAN FOOTBALL PROGRAMMES Twelve programmes: Champions League Final 2005 reprint in bag, European Cup Finals 1973 reprint, 1980 and 1985, UEFA Cup Final 2003, Euro 96 England v Switzerland, Vitkovice v Dundee Utd. 4/11/1987, Sigma Olomouc v Bangor 2/10/1991, Torpedo Moscow v Cork City 13/9/1989, Bohemians Prague v Dundee Utd. 2/3/1983, Dynamo Berlin v Aberdeen 3/10/1984 and Vorwaerts v Nottingham Forest 28/9/1983. Plus European Cup 1963 brochure, 128 pages. Good
FOOTBALL PROGRAMME MISCELLANY Twenty eight programmes including Scotland v England 1952, Spain v England 1987, Leicester City v Man. Utd. 60/1, QPR v Hinckley Ath. 62/3 FA Cup, Bristol Rovers v Burnley 57/8 FA Cup, Blackburn v Fulham 56/7, Dundee Utd. v Leicester City 72/3 TC, Burnley v East Fife 73/4 TC, GB v Bulgaria 1956 Olympic Qualifier, St. Mirren v Arbroath 59/60, Scottish League Cup Finals 1973 and 1976. Generally good
FOOTBALL MISCELLANY / STAN MATTHEWS AUTOGRAPH A signed Sportsmans Dinner menu 20/2/1991 at York City with a dedicated signature by Matthews plus 17 programmes including Cork Athletic Selected v Frank Swift's XI 15/5/1955 at Dalymount Park, year written on the cover, York City v Newcastle United 1955 FA Cup S-F at Sheff. Weds., horizontal creases and minor tears, York City v Tottenham 1954/5 FA Cup, York City v Arsenal 74/5 FA Cup, Hartlepools United v Accrington Stanley 30/12/1961 postponed in Accrington's final League season before relegation to Non-League and the match was never played at a later date and 12 Yeovil Town homes 1955 - 1967 in various condition including Hasting 7/5/1955 souvenir edition with tape on the inside back cover and ageing marks and 2 X 1958/9. Fair to generally good
WARTIME FOOTBALL Three items, previously the possession of Private S. Trip of the Royal Dutch Army. Menu 25/10/1941 in Birmingham v Belgium Services, menu 18/4/1942 v Free French Army, signed on the reverse by the Dutch team and a diploma for playing in the Inter-Allied Services Cup v Norwegians in Dumfries 20/12/1941. Generally good
WARTIME FOOTBALL Four items, previously the possession of Private S. Trip of the Royal Dutch Army. Three at the Connaught Rooms, London Belgium v Holland matches, Luncheon menu 10/10/1941 and Dinner menu 11/10/1941 and a Luncheon menu 14/1/1944 and an Invitation Card from the Lord Mayor of London to meet the Holland and Belgium teams at the Mansion House 17/1/1944. Generally good
1970 FIFA WORLD CUP MEXICO Scarce Brazil Football Confederation (C.B.D) Official 1970 FIFA World Cup tournament preview programme/bulletin, 76-pages, includes a history of Brazil at previous FIFA World Cup's, qualification details, squad details, group details, articles on Jules Rimet and dedicated tournament programme section titled ''Programa de Jogos dos Turnos Finais'' with full tournament fixtures, squad and group details, host City and stadium details etc. Generally good
1977 UEFA CUP FINAL Athletic Bilbao v Juventus (2nd Leg) played 18th May 1977 at the Estadio San Mames, Bilbao. Very rare Bilbao issued ''La Gaceta Del Norte'' newspaper style programme, 32-pages. Includes extensive previews for the Final including full team line-ups, history of Athletic/Juventus in European football, pen pictures and road to the Final for both clubs. Generally good
FOOTBALL AUTOGRAPHS 1970'S & 1980'S A folder with over 90 signed magazine and newspaper pictures including Bobby Moore, small photo with tape on some of the autograph, Kenny Samson, Alan Brazil, John Richards, Steve Perryman, Malcolm MacDonald, Chris Waddle, Mark Falco, Alan Sunderland, Jeff Astle, Trevor Brooking, Wyn Davies, Terry Paine, Bobby Gould, Preston North End 1978/9 sheet, Peter Thompson, Ron Saunders, Keith Robson, Bryan Robson, Bobby Robson, Tony Kay, Ivor Allchurch, John Connelly, Jimmy Armfield, Alan Smith, Kerry Dixon, Ken Morgans, Gary Lineker and Billy Wright. Generally good
CHELSEA 1967 II Trofeo Ciudad de San Sebastian Final Real Sociedad v Chelsea played 13/8/1967 at the Estadio Atocha, San Sebastian. The daily Spanish football magazine/newspaper ''MARCA'' dated the day of the match. Includes match previews with full team line-ups and front cover headline coverage ''Esta Noche Chelsea-Rea Sociedad''. Generally good
1960 FAIRS CUP Ujpest Dozsa v Birmingham City (2nd Leg) played 26/101960 in Budapest. The rare weekly Hungarian football magazine ''Kepes Sport'' published in Budapest. Dated 25/10/1960 this issue previews the game and also includes pictures and reports from the first leg played 19/10/1960 in Birmingham. No programme was produced for the game. This was the season Birmingham reached the Final. Generally good
Kate McCrickard Coffee Drinker, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Kate McCrickard Owl, 2021 Conté Coloured Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Kate McCrickard Artist at Work, 2021 Conté Coloured Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) After completing the dual discipline Fine Art degree at Edinburgh University in 1998, my professional life remained bifurcated - split between a disciplined studio practice in painting and printmaking and writing about art making. In 2011, Tate Publishing, London, invited me to write a monograph on South African artist, William Kentridge for the Tate Modern Artists series. I was a regular contributor to the American journal, Art in Print. I have exhibited my work internationally; works are held in major museum collections including The British Museum, London, Davison Arts Centre, Wesleyan University, Connecticut, USA, Los Angeles County Museum, California, The Metropolitan Museum of Art, New York, The New York Public Library and The Royal Scottish Academy, Edinburgh. I now have more time to devote to my painting as my three children grow older. They were once the focus of the work as I looked after them at home alongside the paint, battling against Cyril Connolly's infamous quote, "There is no more somber enemy of good art than the pram in the hall." Drawing the human figure and its activities remain at the heart of the work, however, though the reach has become wider, moving out from the home, to local betting bars in the Belleville quartier of Paris where I live, swimming pools and football fields; the ménagerie at Paris' Jardin des Plantes - crowded spaces where we rubbed up against each other, at ease pre-Covid 19. Education MA Honours Degree in Fine Art (History of Art and Painting), First Class Honours, 1998, University of Edinburgh, Scotland Bradford College of Art, Foundation Course, BA Diploma, 1997 Exhibitions 2021 John Kinross 40th Anniversary Exhibition, Royal Scottish Academy, Edinburgh; London Original Print Fair, Austin Desmond Gallery, London; A Small Good Thing, online exhibition, curated by artist Sam Luke Heath; The Woolwich Print Fair. 2020 Summer Exhibition, Royal Academy, London, print room; London Art Fair, Art First Gallery, Islington Arts Centre. 2019, Points of Contact: Printmaking in Britain 1949-2019, Austin/ Desmond Gallery; London, curated by Julian Page; London Original Print Fair, Royal Academy, London; Print week New York, C.G. Boerner Gallery. 2018 Perfectly Small, The Foundry Gallery, London, Julian Page and Joanna Bryant Fine Art. 2017, The Little Cocktail Hour, group show, C.G. Boerner Gallery, New York. 2016, Creative Fury, group show curated by Julian Page and Joanna Bryant, Clerkenwell Green, London; Belleville, Art First London, Gallery 2, solo show. 2015, IPCNY, New York, True Monotypes, curated by Janice Oresman; This is my Proper Ground, David Krut Projects, New York. 2014, Open the Box, Art First, London; September 2013, Forét Intérieure, Alexandra Grant in collaboration with Héléne Cixous, Mains d'Oeuvres Art Centre, Paris. 2013 Sampler, Small Works by 30 Artists, curated by Bill Scott, The Cerulean Gallery, Philadelphia. March 2013, Kid, David Krut Projects, New York Recipient of the Royal Scottish Academy Maclaine Watters Medal for painting, 1998; Royal Scottish Academy John Kinross scholarship, 1998; The Richard Ford Award, 1998Art First, London Julian Page Fine Art, London David Krut Projects, New York/ Johannesburg. About the postcard artworks These little works derive from larger paintings and ongoing themes that preoccupy me. Now largely drawn from memory, here are characters from the local betting bars in the Belleville neighbourhood of Paris where I live, and animals drawn in the Jardin des Plantes ménagerie, transformed into characters back in the studio; the ménagerie studies playing with ideas of self-portrait as monkey going back to Chardin. I like working back and forth between paper and canvas, using the inceptive drawings as a prompt for longer painted works, and then creating further drawings after the canvases are completed as is the case with the bar drinkers here. The drawings and prints often serve as correctors to the slower medium of paint.
Pedro Paricio The Collectors, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Paricio was born on 16 January 1982 on Tenerife in the Canary Islands. As a child, he was always drawing, but at high school he studied science and only began to contemplate a future in the arts a few months before going to college. 'To be honest, the thing that attracted me was the freedom that society gives to the artist', he explains. 'I chose art because I wanted a different life'. Yet, with the benefit of hindsight, he now feels that the chain of events that led him into art was a process of discovering his fate, his destiny. Paricio enrolled at the Faculty of Fine Arts of the University of La Laguna, Tenerife, moving on to a course in Salamanca and completing his training with a degree in Fine Arts at the University of Barcelona (2004-2006). While at college, he considered a career as an art critic-cum-curator; such essays as Unfinished Articles I and II convey a lucid intelligence that enables him to reflect, for example, on the tyrannical relationship between artistic theory and practice. Paricio was focusing mostly on sculpture, installation and video art at the time of his first group show, Don't Call it Performance (2004), at Domus Artium 2002 (DA2), Salamanca, Spain, but shortly afterwards decided to make painting his sole medium; he considers the latent possibilities of painting to be infinite and dismisses the idea of using other media or technology in response to fleeting fads in art. Paricio currently divides his time between Tenerife and London. His paintings are held in many private collections around the world, and he enjoys an international reputation following exhibitions throughout Europe and the United States. The Master Painters show at Halcyon Gallery, London, in 2011 made an impact on the international art scene, and in 2012 The Theatre of Painting, his solo museum exhibition in Spain, was staged at the Institute of Culture and Arts of Seville. In early 2013, he took part in the Gabinete de Curiosidades, a mixed exhibition of works by modern and contemporary artists at the Plataforma Arte Contemporáneo (PAC), Madrid, and the Art Madrid Maestros Art Fair in Madrid. Paricio was honoured to be selected for inclusion in Francesca Gavin's book 100 New Artists (2011), representing an innovative generation that is forming the aesthetics of the coming decade. 2006 BA Fine Arts, University of Barcelona, Spain SOLO EXHIBITIONS 2019 Paricio, Picasso, Halcyon Gallery, London, UK 2016 Dreams, Halcyon Gallery, London, UK 2014-15 Elogio de la pintura, Espacio de las Artes (TEA), Tenerife, Spain 2014 Dialogo con el color la belleza y la forma, Galería Muro Valencia, Spain 2014 Shaman, Halcyon Gallery, London, UK 2012 Diary of an Artist and Other Stories 2007-2012, Halcyon Gallery, London, UK 2012 The Theatre of Painting, Casino de la Exposición (ICAS), Seville, Spain 2011 Master Painters, Halcyon Gallery, London, UK 2010 Fe infinita, Galeria Balaguer, Barcelona, Spain 2009 Pedro Paricio, Seyhoun Gallery, Los Angeles, EEUU 2009 Un pintor otro, Galeria Muro, Valencia, Spain 2008 The Canary Paradise, Ikara Gallery, Barcelona, Spain 2006 Intimissimo, Espacio Joven, Salamanca, Spain SELECTED GROUP EXHIBITIONS 2018 ArtRocks, Halcyon Gallery, London, UK 2017 Quijotes en tiempos de crisis, Liceo de Taoro, La Orotova, Spain 2017 Pelé: Art Life Football, National Football Museum, Manchester, UK 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London,UK 2015 The Art of Creating, Halcyon Gallery, London, UK SELECTED COLLECTIONS Fundación Cesáreo Rodríguez-Aguilera, Jaén, Spain Fundación Caja Burgos (CAB), Burgos, Spain Norton Museum of Art, Florida, EEUU Espacio de las Artes (TEA), Tenerife, Spain Ernesto Ventos Collection, Olorvisual, Barcelona, Spain SELECTED PUBLICATIONS 2019 Paricio, Picasso, published by Halcyon Gallery, London, UK 2016 Dreams, published by Halcyon Gallery, London, UK 2015 Pelé: Art, Life, Football exhibition catalogue with essays: Brian Winter, 'Why Pelé Still Inspires Us'; Dr.Bernard Vere, 'Andy Warhol, Pelé, and the 'Athletes' Series' (Halcyon Gallery) 2015 Elogio de la pintura, exhibition catalogue (TEA Tenerife Espacio de las Artes)
Pedro Paricio The Collectors, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Paricio was born on 16 January 1982 on Tenerife in the Canary Islands. As a child, he was always drawing, but at high school he studied science and only began to contemplate a future in the arts a few months before going to college. 'To be honest, the thing that attracted me was the freedom that society gives to the artist', he explains. 'I chose art because I wanted a different life'. Yet, with the benefit of hindsight, he now feels that the chain of events that led him into art was a process of discovering his fate, his destiny. Paricio enrolled at the Faculty of Fine Arts of the University of La Laguna, Tenerife, moving on to a course in Salamanca and completing his training with a degree in Fine Arts at the University of Barcelona (2004-2006). While at college, he considered a career as an art critic-cum-curator; such essays as Unfinished Articles I and II convey a lucid intelligence that enables him to reflect, for example, on the tyrannical relationship between artistic theory and practice. Paricio was focusing mostly on sculpture, installation and video art at the time of his first group show, Don't Call it Performance (2004), at Domus Artium 2002 (DA2), Salamanca, Spain, but shortly afterwards decided to make painting his sole medium; he considers the latent possibilities of painting to be infinite and dismisses the idea of using other media or technology in response to fleeting fads in art. Paricio currently divides his time between Tenerife and London. His paintings are held in many private collections around the world, and he enjoys an international reputation following exhibitions throughout Europe and the United States. The Master Painters show at Halcyon Gallery, London, in 2011 made an impact on the international art scene, and in 2012 The Theatre of Painting, his solo museum exhibition in Spain, was staged at the Institute of Culture and Arts of Seville. In early 2013, he took part in the Gabinete de Curiosidades, a mixed exhibition of works by modern and contemporary artists at the Plataforma Arte Contemporáneo (PAC), Madrid, and the Art Madrid Maestros Art Fair in Madrid. Paricio was honoured to be selected for inclusion in Francesca Gavin's book 100 New Artists (2011), representing an innovative generation that is forming the aesthetics of the coming decade. 2006 BA Fine Arts, University of Barcelona, Spain SOLO EXHIBITIONS 2019 Paricio , Picasso, Halcyon Gallery, London, UK 2016 Dreams, Halcyon Gallery, London, UK 2014-15 Elogio de la pintura, Espacio de las Artes (TEA), Tenerife, Spain 2014 Dialogo con el color la belleza y la forma, Galería Muro Valencia, Spain 2014 Shaman, Halcyon Gallery, London, UK 2012 Diary of an Artist and Other Stories 2007-2012, Halcyon Gallery, London, UK 2012 The Theatre of Painting, Casino de la Exposición (ICAS), Seville, Spain 2011 Master Painters, Halcyon Gallery, London, UK 2010 Fe infinita, Galeria Balaguer, Barcelona, Spain 2009 Pedro Paricio, Seyhoun Gallery, Los Angeles, EEUU 2009 Un pintor otro, Galeria Muro, Valencia, Spain 2008 The Canary Paradise, Ikara Gallery, Barcelona, Spain 2006 Intimissimo, Espacio Joven, Salamanca, Spain SELECTED GROUP EXHIBITIONS 2018 ArtRocks, Halcyon Gallery, London, UK 2017 Quijotes en tiempos de crisis, Liceo de Taoro, La Orotova, Spain 2017 Pelé: Art Life Football, National Football Museum, Manchester, UK 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London,UK 2015 The Art of Creating, Halcyon Gallery, London, UK SELECTED COLLECTIONS Fundación Cesáreo Rodríguez-Aguilera, Jaén, Spain Fundación Caja Burgos (CAB), Burgos, Spain Norton Museum of Art, Florida, EEUU Espacio de las Artes (TEA), Tenerife, Spain Ernesto Ventos Collection, Olorvisual, Barcelona, Spain SELECTED PUBLICATIONS 2019 Paricio, Picasso, published by Halcyon Gallery, London, UK 2016 Dreams, published by Halcyon Gallery, London, UK 2015 Pelé: Art, Life, Football exhibition catalogue with essays: Brian Winter, 'Why Pelé Still Inspires Us'; Dr.Bernard Vere, 'Andy Warhol, Pelé, and the 'Athletes' Series' (Halcyon Gallery) 2015 Elogio de la pintura, exhibition catalogue (TEA Tenerife Espacio de las Artes)
Small Collection of Various Medals comprising 1939 Star, the Africa Star, the Italy Star, 1939 Defence Medal, Carlisle George V Coronation Medal 1937, Coronation Medallion, RA Cap badge and an enamelled silver football medal - Cumberland Football Association, Lonsdale Cup Competition, 1929 -30 (8)
Collection of Tea and Cigarette Cards mainly in booklets stuck down. Some loose, to include, modern naval craft, safety first, wild flowers, animals of the countryside, seashore, our King and Queen, an album of film stars, hints on association football, wild flowers, Kings and Queens of England etc.
Manchester United Interest - Collection of Manchester United Programmes and others, including Season 1964-65 with George Best; FA Cup Final 1963-64; Bobby Charlton Season 1962-63, 63-64, 64-65, 65-66, Denis Law Season 62-63,63-64, 64-65 New North Stand Season 64-65; FA Cup Winners 1963; Nobby Stiles Season 62-63; 1968 Euro Semi Final v AC Milan; 1966 World Cup Programme; Wembley 1979 Cup Final v Arsenal; Burnley v Utd 1963; Collection of Bolton Wanderers programmes; Blackpool FC v Utd 1963; Blackpool v Chelsea 1966; Blackpool v Utd 1971; selection of Manchester City Programmes dated 1962, 1964, 1967.1969; together with a large collection of programmes, Manchester United and other clubs, too many to list. Great collection for the football enthusiast.
A Collection of Assorted Football Programmes approximately 212 from the 1960's, 129 from the 1970's and 7 from the 2000's. Comprising, BFC Blackpool v Gillingham (2006), Rovertime (2004), Arsenal v Leicester City (1972-73), Leeds United v Sunderland (1973), Bolton Wanderers Football Club (1967), Celtic v Aberdeen (1972), Blackpool Football Club Tangerine News Nottingham Forest (1973), Carlisle United Portsmouth (1968) and many more.
Liverpool Football Club Interest - Large Collection of Liverpool FC Programmes, including: Home Programmes from season Oct 1967 - April 1968; Aug 1974 - April 1975; Aug 1976 - Dec 1976; Nov 1979 - April 1980; Sept 1980 - May 1981; also assorted from 1962 - 1977. Together with various away programmes, including Liverpool v Spurs FA Cup, v Man United FA Cup, and many others. Great Collection for the football enthusiast.
Football Interest - Collection of Assorted Football Programmes - English League 1969 - 1976, comprising: Aston Villa 1973; Blackburn (8 programmes) 1969-1976; Blackpool (4) 1969-1976; Birmingham 1975; Bolton (3) 1971-1972; Bury 1970; Burnley (11) 1984 - 2000; Carlisle 1975; Coventry 1975; Cardiff 1972; Derby 1972; Everton (4) 1970-1976; Huddersfield (3) 1971-1974; Hull 1974; Leicester 1973; Liverpool (4) 1970-1975; Man City (2) 1969-1975; Newcastle 1975; Notts Forest (2) 1971-1973; Oldham 1974; Oxford Utd 1973; Port Vale 1973; Preston (3) 1970-1974; Rochdale (27) 1969-1976; Sheffield (2) 1973; Stoke (2) 1970-1974; Swindon 1972, Wolves (3) 1974-1976. PLUS Collection of League Football Magazines, and Football League Review magazines. 33 magazines in total.
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