Vinyl Records - 45rpm 7" singles various genres and artists including Rush, Iron Maiden, Nazareth, Led Zeppelin, Pink Floyd, Rock Aid America, Alice Cooper poster pack, T Rex, The Rolling Stones, Eric Clapton, Roy Wood – Forever/Music To Commit Suicide By – HAR 5078, Robert Palmer, The Who, Genesis, Status Quo – Spicks & Specks – Cadet Concept 7010, Tod Rundgren, Bruce Springsteen, Elvis Costello and the Attractions, Tom Robinson Band, Santana, Child in blue vinyl, Dead or Alive, Level 42, BA Robertson, Slade, Concrete Blonde, Cold Comfort, Joe Cocker, Cold Cut, The Kinks, Rod Stewart, Rope, The Housemartins, Elvis Costello, Jewel Akens picture disc, Chrisha and Streetwize, Chubby Checker, Cockney Rebel, Barry White, Whitney Houston, Chicago, Chas & Dave, Julian Lennon, The Browns – RCX_187, Bobby pendrick – MSC 3024, The Platters – PRM 904, Jewel Akens – HLN9954, Jimmy Edwards and The Profile 0 K17415, Annie Ross Demonstration record – DB 8912, others including easy listening, crooners, classical, pop, jazz, chart, etc (*over 300)
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Vinyl Records - 45rpm 7" singles various genres and artists including Tina Turner, Roxette, Status Quo, The Sweet, T-Rex, The Korgis, China Crisis, The Who, Paul Weller, Gary Numan, Spandau Ballet, Simply Red, Erasure, Rod Stewart, Diana Ross Michael Jackson and Quincy Jones, Fuzzbox, Wet Wet Wet, The Eurythmics, Archie Bell and the Drells in blue vinyl – S PIR 4887, Sparks, Soft Cell, The Christians, Steve Gibbons Band, Rolling Stones, Brighter Side of Darkness promo disc, Slade, Simple Minds, Elton John, Paul Brett EP, Kansas, Gloria Estefan, Wild Weekend, Barry White, Telex, Suzi Pinns, Sky, Abba, Paul Simon, Roxy Music, John Lennon, Kenny Everett, ELO, Kate Bush, Nik Kershaw, The Kinks, Maxi Priest, Chicago, Julian Lennon, Wellington – CON 031, Steve Lawrence – CBS 201786, Elvis Presley – RCA PB 0857, Archie Bell and The Drells – S PIR 4803, Sounds of Christmas – ED 1238-1, The Count Bishops – S-5, Nina Simone, Davie Jones and the King Bees – F 13807, Artie Cornfield demo disc – NBH-3, Rhythm Syndicate, Ringo Starr, Chicory Tip, Chubby Checker, The Velvelettes, Dave Brubeck, Small Faces, PMSB – BD-10, Edie Cochran, Chicago, others including easy listening, crooners, classical, pop, jazz, chart, etc (*over 300)
Vinyl Records - 45rpm 7" singles various genres and artists including Elvis Costello and the Attractions, Tom Robinson, Right Said Fred, The Communards, T-Rex, The Style Council, The Beat, BA Robertson, Bruce Springsteen, Level 42, Eric Clapton, Dead or Alive, Roxy Music, Small Faces and Rod Stewart, Landscape, Culture Club, Eurythmics, Pogue Mahone, The Rolling Stones, The Christians, Soft Cell, Supertramp, Simple Minds, Roxette, The Who, Duran Duran, Status Quo, The Cimarons in green vinyl, Righteous Brothers, Elton John, Rod Stewart, Slade, Cockney Rebel, Wild Weekend, Tina Turner, Sure Delights, Harry Connick Jr, Rikki, Julian Lennon, The Sweet, Chris De Burgh, The Dooleys, Cockney Rejects, Linda Ronstadt, Chicago, Small Faces, Chubby Checker, Minnie Ripperton, The Cortinas, John Lennon and Yoko Ono, Abba, Jerry Lewis, Elvis Costello, Aretha Franklin, Clannad, Gloria Estefan and Miami Sound Machine, Chic, Kim Wild, Wet Wet Wet, Diana Ross, Rose Royce, Stevie Wonder, The Kinks, Lionel Richie, Charlie Rich – BR1432, Cristina – WIP6560, The Concords - &N.17902, Tommy Roe demo record – SS2165, Jackson Browne - AYM 546, Bill Sherrell – TR101X45, others including easy listening, crooners, classical, pop, jazz, chart, etc (*over 300)
Vinyl Records - 45rpm 7" singles various genres and artists including Squeeze in red vinyl, The Rolling Stones, Level 42, Holly Johnson, The Beatle Concerto, Elvis Costello, Bruce Springsteen, Right Said Fred, Tom Robinson Band, Todd Rundgren, Landscape, Elvis Costello and the Attractions, The Eurythmics, BA Robertson, The Coasters, Slade, Climie Fisher, The Pogues, Tears for Fears, Status Quo, Eric Clapton, Supertramp, Genesis, The Communards, Culture Club, Depeche Mode, Duran Duran, The Who, Rod Stewart, Elton John, Kate Bush, Lord Rockingham's XI, The Kinks, Tina Turner, The Rezillos, Ruby Fruit Jungle, Lionel Richie, Andrew Ridgley, KD Lang, Roxy Music, Greg Lake, John Lennon, REO Speedwagon, Cyndi Lauper, Nik Kershaw, Harry Connick Jr, Diana Ross, Christopher Cross, Kim Wilde, Billy Connolly, Abba, Rob 'n' Raz, Rob Base & DJ E-Z Rock, The Crickets, F Beat, Chas and Dave, Paul Simon, Billy Joel, Chic, The Sweet, Wham, Rose Royce, Julian Lennon, Chris de Burgh, Clannad, Rosemary Squires – F.12587, The Sultans – 45-5077, Styvar Manor – 56353, Enchantment – UP36268, Sees of Earth – CS.2052, Elvis Presley – 45-RCA 1270, others including easy listening, crooners, classical, pop, jazz, chart, etc (*over 300)
Vinyl Records - 45rpm 7" singles various genres and artists including Cheap Trick in yellow vinyl, Squeeze, Iron Maiden, AC/DC, The Housemartins, The Who, Human League, Right Said Fred, Booker T & the MG's, Level 42, The Communards, Elvis Costello and the Attractions, BA Robertson, The Rolling Stones, Chicago, Johnny Hates Jazz, Yes, Hot House, Nick Heyward, The Style Council, Elvis Costello, John Lennon, Simple Minds, Procul Harum, Slade, Small Faces, Supertramp, Eric Clapton, Cream, Little Richard, Linda Ronstadt, Roxy Music, The Comsat Angels, Space, Phil Collins, Hue & Cry, T Rex, The Eurythmics, Ketty Lester/The Casino's picture disc, Alice Cooper, C & C Music Factory, Joe Cocker, Whitney Houston, Barry White, Smokey Robinson, Miami Sound Machine, Moody Blues, Miami Sound Machine, Moody Blues, Roy Orbison, Hollies, Chubby Checker, Manfred Mann, Max, Annie Lennox and Al Green, Tommy Cooper – 7N 46061, Roy Rogers – TC-2173, Watson T Browne – 7N.45187, Bob Conrad – 45-WB.54, others including easy listening, crooners, classical, pop, jazz, chart, etc (*over 300)
♦Roman Republic, Silver Denarius 54 BC, moneyer Q. Servilius Caepio Brutus (= Marcus Junius Brutus (the Tyrannicide) before he became Proconsul & Imperator); obv. head of Libertas right, LIBERTAS behind, within beaded circle, rev. L. Junius Brutus (an ancestor of Brutus who was Consul in 509BC) walking in procession left between two lictors (magisterial bodyguards) carrying fasces & preceded by an accensus (an official who attends elected magistrates), BRVTVS in ex., within beaded circle; good surfaces, lightly toned with underlying blue/gold lustre, VF or+
Roman Imperial, Nero (54-68AD) Æ As, Rome Mint, struck 66 AD, obv. IMP NERO CAESAR AVG GERM, laureate head right, rev. Victory flying left, holding round shield inscribed SPQR, S - C, diameter 28.5mm, weight 10.96g, RIC I 351, BMCRE 246, WCN 296, GVF; together with a Roman Imperial, Vespasian (69-79AD) sestertius, obv. IMP CAES VESP AVG P M T P COS IIII CENS, laureate head right, rev. PAX AVGVST, S - C, Pax standing left, leaning on column, holding caduceus and branch, diameter 27.1mm, weight 10.25g, RIC 589, AVF; an Italian ‘The Annunciation’ cast bronze medal, the Angel Gabriel stands before the Virgin, who kneels at a prie-dieu, rev lis above legend, MINAL / SAL, diameter 42.2mm; 6 x Roman and later folles, including Licinius I, mostly VF and better; an unidentified small bronze coin of similar age; a gaming jetton; William III halfpenny, poor; and a Victoria penny 1862, Good.
♦2 x German States, Bavaria, Commemorative Silver thalers, King Ludwig I, comprising: (1) 1829 commemorating the Customs Treaty between Bavaria, Prussia, Hesse and Wurttemberg, obv. LUDWIG I KOENIG VON BAYERN around head right, ZEHN EIENE FEINE MARK in smaller letters below head, rev. four different shields of arms around two crossed cornucopiae enclosing a caduceus, German legend translating as 'TRADE TREATY BETWEEN BAVARIA, PRUSSIA, WURTTEMBERG AND HESSE', diameter 38mm, weight 28.09g, .833 silver, minor contact marks otherwise good edge and surfaces VF; and (2) 1833 commemorating the Bavarians who died in the Russian campaign of 1812, obv. LUDWIG I KOENIG VON BAYERN around head right, SEHN EINE FEINE MARK in smaller letters below head, rev. DENKMAL DER DREYSSIG TAUSEND BAYERN WELCHE IM RUSSISCHEN KRIEGE DEN TOD FANDEN ('Monument to the thirty thousand Bavarians who died in the Russian War') around monument, diameter 38mm, weight 28.08g, .833 silver, scattered obv. and rev. contact marks, hairlines, VF.
RACHEL FEINSTEIN (AMERICAN 1971-) YESTERDAY, 2000 Wood & enamelDimensions:Back piece - 244cm x 244cm x 3.8cm Frontpiece - 183cm x 152cm x 3.8cmProvenance:Provenance: Marianne Boesky Gallery, New YorkNote: Note: The much-feted New York artist Rachel Feinstein aptly defines her work as ‘Rococo with an underside’. Predominantly working in sculpture and installation, Feinstein’s is a world of fairy tale and fantasy, though she never takes her eyes off the fact that these stories were ultimately mired in the darker impulses found in the recesses of the human psyche. This is achieved through an interplay between opposing forces; 'romance and pornography, elegance and kitsch, and the marvellous and the banal,' as her biography in Gagosian has it.Feinstein achieved her first big break in 1994 when she was included in several group shows in New York, including Let the Artist Live! at Exit Art, where she notoriously presented a large gingerbread house modelled after Sleeping Beauty’s castle in which she slept throughout the exhibition.Further major exhibitions have followed. In 2000, the same year the work offered here for sale, Yesterday, was produced, Feinstein exhibited works in Pastoral Pop at the Whitney Museum at Philip Morris and at The Americans exhibition at the Barbican Centre in London. In 2019 the Jewish Museum, New York, hosted her major exhibition Maiden, Mother, Crone.Feinstein, who is married to the renowned artist John Currin, has also long been interconnected with the world of high fashion; her artwork inspiring a range by Marc Jacobs in 2004. In 2019 she was tasked with transforming the gardens of Chatsworth House, England in collaboration with Gucci.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) OPUS O. 1393: SORCERER'S BAG, 1998 Oil on wooden panelDimensions:48cm x 62cm (19in x 24.5in)Note: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) FIRST PERSON HABUERIM, 2011 Signed and dated in pencil lower left, oil and felt tip on paperDimensions:16cm x 13cm (6.25in x 5in)Provenance:Exhibited: Gimpel Fils, LondonNote: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
PHILIP COLBERT (SCOTTISH 1979-) THE DEATH OF MARAT AND THE BIRTH OF THE LOBSTER Signed, oil on canvasDimensions:180cm x 240.5cm (70.75in x 94in)Note: Note:‘I became an artist when I became a lobster’. – Philip ColbertLyon & Turnbull are proud to present to auction The Death of Marat and the Birth of The Lobster, a major painting by the leading contemporary British artist Philip Colbert. All proceeds from the sale will support a scholarship programme at the University of St Andrews, offering financial support to students on its new Museum and Heritage Studies part time course.Colbert has taken up the legacy of Pop Art with such commitment and relish that he has been referred to as 'The Godson of Andy Warhol'. To Colbert, Pop’s lexicon is an egalitarian and highly effective vehicle for distilling and conveying universal symbols with immediacy. It is also an excellent conduit for satire, which Colbert recognises as the most universally effective method of communicating ideas that, in his words, 'shake the cage.' His take on Pop is nevertheless hugely original and feels fresh and accessible. His highly saturated, airbrushed finish eliminates any trace of the artist’s hand in favour of an aesthetic that cleverly makes us second guess whether it is digitally generated. His work is also replete with art historical reference points, inverting and toying with his audience’s perception of Pop’s throwaway or disposable imagery.Colbert is also frequently described as a ‘Neo-Surrealist’ and The Lobster, his muse and alter-ego, is inherently steeped in the legacy of Salvador Dali, a forebear who also found himself drawn to the alien and absurd qualities of this extraordinary creature. As ever with Colbert however, the meaning is many layered. His adoption of the lobster speaks also to a fascination with its earlier symbolism within Dutch still life as a metaphor for mortality. Lobsters have been known to live for hundreds of years, and Colbert seeks to harness the lobster’s history as a cipher for humanity’s wrestle with our transience in this world.The Death of Marat and the Birth of The Lobster was the centrepiece of Colbert’s eponymous exhibition in 2021 which marked the re-opening of the Wardlaw Museum after its redevelopment. Prior to establishing himself as a highly successful visual artist, Colbert graduated from the University of St. Andrews in Philosophy. During his studies he also undertook classes in Art History, and it was here that the artist encountered David’s famous painting The Death of Marat, sparking several important connections for the artist.Jean-Paul Marat, the famous French revolutionary, also graduated from St Andrews, receiving a medical degree in 1775. When the French Revolution began in 1789, he led a political group called the Jacobins, who wanted to depose the monarchy and form a republic. Charlotte Corday was also a revolutionary but sought political ends with less slaughter. She despised Marat for executing thousands of people. In 1793 she murdered him in his bath. David, a friend of Marat’s, created his famous painting the same year.In this work we find not a dead Marat, but a relaxed lobster scrolling through his smart phone in the bath. The lobster wears pyjamas patterned with fried eggs, yet another symbol of Colbert’s, who used to make his own clothing. Colbert is drawn visually to the egg as a wonderfully pared back, almost modernist form (a 'mini-Mondrian', as the artist would have it), but also as an historic symbol of life and re-birth.This work can be described as a distillation of formative experiences and themes that shaped Colbert’s artistic development, the trigger points of his extraordinarily imaginative creative world. Combined with it having been central to a major exhibition and now sold as an altruistic endeavour, it would not be an exaggeration to describe this as an important painting in the artist’s oeuvre, and a rare and exciting opportunity for collectors of his work.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) OPUS O. 1979 POETAS MEMOIR, 2008 Signed and dated and inscribed with title verso, oil on boardDimensions:37cm x 31.5cm (14.5in x 12.5in), unframedProvenance:Exhibited: Gimpel Fils, LondonNote: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) OPUS G. 2337: MEDITATIONS ON A BABYLONIAN WORLD MAP NO. 3, 1998 Signed and dated upper left, gouache on paperDimensions:33cm x 38cm (13in x 15in)Note: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) SERPENT IN LOVE, NO. 2, 1968 Gouache and watercolour on two conjoined pieces of paperDimensions:41cm x 103cm (16in x 40.5in)Note: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
§ PAUL NEAGU (ROMANIAN/BRITISH 1938-2004) HUMAN FOOT SHADOW, 1973 Signed, inscribed with title and dated '73 lower left, further inscribed 'Human Foot, 35 cells, GENERATIVE ART GROUP', mixed media on paperDimensions:39cm x 27cm (15.25in x 10.5in)Provenance:Provenance: Gifted by the artist to Silvia Radu and Vasile Gorduz, Romanian artists and close friends of Neagu (work bears inscription from Neagu to the pair verso); Gifted by Silvia Radu to the present ownerNote: Note: Paul Neagu’s legacy within the UK artworld is one of quiet but profound impact, with the generation of students he taught – Rachel Whiteread, Antony Gormley and Anish Kapoor (who authored his obituary), attesting to his influence on their own work. His artistic practice was underpinned by his personal philosophical theory of the world; a sophisticated if esoteric approach which, though valued by curators, institutions and centres of education here from the early stages of his career, was out of step with his contemporaries at the time.As a Romanian émigré, Neagu’s output inevitably had a cross-cultural outlook, and his sculpture, drawings and performances were underpinned by an exploration of the metaphysical, and can be described as straddling craft and conceptualism. Though these features distinguished him and set his work apart, it also meant he did not fit within the general trends in the British art world at this point, to the detriment of his standing amongst collectors of British sculpture today. Kapoor in his tribute remarks that, “…inevitably, he struggled against a British art world that preferred to see the artist as a maker of things rather than, as he saw it, art, and therefore the artist, as a generator of a philosophical world view.”Growing up in tough conditions behind the Iron Curtain, the young Neagu enrolled at the Bucharest Institute of Fine Art in 1963. Social Realism was the official visual language under the Communist regime, and so he was forced to make forays into abstraction in secret. These constraints ultimately led to the development of his core belief that art is an expression of 'desire in the face of the systems that attempt to inhibit it'. Throughout the 1960s he developed his ‘palpable objects’: construction-like box assemblages made out of humble materials and traditional Romanian woodworking techniques; a thread to his practise which he never abandoned and can be observed in the work offered here for sale, ‘Ongoing Hyphen’.His ticket to the West came in the form of an invitation from the now legendary art impresario Richard Demarco to exhibit at his gallery in 1969. A powerhouse behind the Edinburgh Art Festival, Demarco was extraordinarily outward looking for the time and made it his mission to discover and expose talent from Eastern Europe over in the West (other names he is responsible for championing include Marina Abramovich and Joseph Beuys). Neagu settled in the UK permanently in 1970, making London his home. Before long he became a well-respected teacher, most notably lecturing at the Hornsey, the Slade and the Chelsea School of Art, and in 1976 becoming Associate Professor at the Royal College of Art.His work encompassed aspects of performance as well as drawing and construction, and explored the relationship between ritualism and sculpture, as well as spirituality. Sculpture, as Neagu saw it, was to be experienced by all five senses and had the potential to have a profound, spiritual, and potentially healing impact on its audience. In order to convey these aims, he developed specific totemic symbols which he then continued to re-work over the course of his career.The first and most significant of these was the Hyphen form. As Kapoor describes, “…in 1975, Neagu made his first Hyphen - it started life as a three-legged workbench assembled somewhat in the folk tradition of Romanian furniture. Quickly Neagu understood the immense metaphysical potential of this tripod structure. From it he evolved a complete anthropocosmic view which, in parallel with Joseph Beuys in Germany and, previously, Yves Klein in France, suggested a spiritual remedy for the ills of contemporary man.” These reference points are notably European, again underpinning that Neagu’s process was something of an anomaly within the British art movements of the period. This though, as I alluded earlier, is to the advantage of discerning collectors with a more internationalistic outlook today, as his work remains accessibly priced.Lyon & Turnbull are pleased to offer for sale ‘On-going Hyphen’, from 1992. Crafted in some of Neagu’s traditional materials, wood and gesso, it represents a later iteration of the original hyphen form, which Neagu approached again with vigour in this year.We are also pleased to offer one of his ‘human cell’ drawings, ‘Human Foot Shadow’, from 1973 – a further aspect of his ‘Anthropocosmic’ concept which he developed in the early 1970s.In 2003 Tate Britain acquired Neagu’s 30-year archive and exhibited some of his work from the 1970s and 1980s, and his work can be found in public collections including, among others, the British Museum, London, le Fond départemental d'art contemporain, Seine Saint-Denis, Bobigny, France, the Hugh Lane Municipal Gallery of Modern Art, Dublin, the Musee Cantonal de Beaux Arts, Lausanne, Switzerland, the National Museum of Art of Romania, Bucharest, the Philadelphia Art Museum, Philadelphia, USA, and the Tate Gallery, London.
§ ALAN DAVIE C.B.E., R.A., H.R.S.A. (SCOTTISH 1920-2014) OPUS O. 1796: MIMI SPIRIT (SECOND VERSION), 2005 Inscribed with title lower edge, signed and dated 2005 and inscribed with title verso, oil on canvasDimensions:122cm x 152.4cm (48in x 60in)Note: Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ‘scene’ until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn’t the household name he perhaps deserves to be. Hopefully this is set to alter; it is with happy serendipity that this sale coincides with a major exhibition of his work at Dovecot Studios, Edinburgh, celebrating the centenary of his birth.He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock.Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the 'mysterious and spiritual forces normally beyond our comprehension.' Davie’s esotericism and eccentricity earned him the reputation as something of a “shaman”, a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy.The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
LIVERPOOL'S SCROLL OF FAME; 'A Memorial of Soldiers and Sailors Who Gave Their Lives For Their Country In The Great War, 1914-1919', Pt 1, Commissioned Officers, edited by George Thompson, Liverpool; Quills Ltd, 25 Castle Street, 1920, with dedication, 'To the mothers of our fallen heroes, This scroll commemorates, who at the call of King and Country, left all that was dear to them, endured hardness, faced danger____Let those who come after see to it that his name is not forgotten', each page with a black and white photograph of the officer and relevant history from various regiments including the Kings Liverpool Regiment, Royal Air Force 5th Squadron, Royal Army Medical Corps, Cheshire Regiment, Welsh Fusiliers and many others, with General Gourko; 'Russia in 1914-1917, Memories and Impressions of Revolution in Russia 1914-1917', with many maps and illustrations, John Murray, London, Albemarle Street, West, 1918 (2)
WHITE STAR LINE; a rare 'Titanic Launch Menu', 'Luncheon Upon the Occasion of the Launch of the White Star Liner 'Titanic' (45,000 Tonnes), Sister Ship to the 'Olympic', the Largest Steamers in the, World May 31st 1911, Held at the Grand Central Hotel Belfast', the rare Titanic menu is part of a collection of thirty-nine menus dating from 1899 to 1919, each banquet menu held in honour of Royalty, Members of Parliament, Field Marshals and foreign dignitaries, to include Field Marshal Sir George S. White, Viscount Tadasu Hayashi, Admiral Sir David Beatty - Admiral of the Fleet, H.R.H. Crown Prince of Siam, David Lloyd George, Winston Churchill, Princess Louise Duchess of Argyle, etc.Footnote: This collection is from the estate of the late Herbert Rowse (1887-1963), an extraordinary architect responsible for many of the Liverpool's beautiful Art Deco buildings. His designs include the Philharmonic Hall, India Buildings, the Air Vents to the Mersey Tunnel and Martins Bank (which was used to secretly store Britain's gold reserves during WWII). Provenance: The whole group of menus have been passed down through the same family from parents to sons and nephews and have always been kept together. It was a well-known fact within the family that this rare RMS Titanic Launch Luncheon Menu was part of the collection. CONDITION REPORT: The Titanic menu is from the family of Herbert Rowse, a famous architect who designed many of Liverpool's finest Art Deco buildings. It has always been in the family and was treasured with the other rare menus from the same family. All date from the 1890s-1920s. They have always been kept and handed down to next family members. It was known by all about the White Star menu. They were a prestigious family and attended many such banquets and lunches.
Four 19th century maritime journals, all written by Thomas J Lane, dating from 1874, journals one and two document his voyage as a steerage passenger on the Barque Joceslyn, beginning April 22nd 1874, sailing from London to Melbourne, he starts his journal 'After some five days delay I am very happy and comfortable...' and goes on to document his thoughts, experiences, and observations, the third journal documents a gentleman's voyage from London to Melbourne aboard Clarence, commanded by Captain Gibson, sailing from Gravesend, November 8th 1870, it begins 'I was unable to sleep and very homesick...' and goes on to describe all the sights, sounds and beauty of the voyage, the fourth volume documents his voyage on the S.S Ballarat from Cape Town, South Africa, all handwritten in pencil. Footnote: The diaries belonged to a Canadian lady who was related to a Mr James Clark, captain of the Marco Polo sailing from Melbourne to Liverpool in 1855, he also captained the ship Lightning from Melbourne to Liverpool in 1859 in a record breaking voyage, there is a silver salver presented to him for said voyage which is now in the National Maritime Museum, Greenwich.
A scratch built walled garden with greenhouse made for Hampton Court Palace RHS flowershow in 1996.26cmW 12.5cm H 20cmD All proceeds from this lot go to help the heroes charity. Made by a local gent who is commissioned to make them for various film and tv companies and currently working on a new British drama!
British Army WW1 ephemera relating to Eric Jack Dee, who enlisted into the Gloucestershire Regiment and subsequently transferred to the Worcestershire Regiment, including letters from home in Cainscross, Stroud, War Badge, award paperwork, Discharge Certificate and Officer Training Corps papers. Also a WW1 1914-1915 Star named to Pete P C Merrett, Gloucester Regiment, unnamed War Medal etc
British 1912 pattern Cavalry officer's sword by Wilkinson, blade no 48167 for 1915, GVR, 15th Hussars motif and ABS to 89cm decorated blade. ABS being the owner Arthur Smith's initials, who served with the 15th at the Battle of Ypres in 1915, where he was wounded. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
Scottish Regimental 72nd Highlanders 1828/1931 pattern Highland Infantry officer's broadsword with shagreen hilt and detachable bun pommel by Henry Wilkinson, Pall Mall, London, serial number 23061. The 82cm decorated blade with Duke of Albany's 72nd Own Highlanders and inscribed 'Presented to 2nd Lieutenant William Greer, 72nd Highlanders by his former comrades the sergeants of the regiment on his promotion to that rank as a mark of respect, Camp Alikheyl (Alikhil), Afghanistan 30th April 1879', the steel scabbard with ball chape. 2nd Lieutenant Greer received his promotion following an act of gallantry, an extract from the 72nd Highlanders Records of Service reads 'The right wing of the 72nd formed part of the force under General Roberts which marched from Ali Khel on the 12th Dec. for Fort Kuram, and which, in the early morning of the 14th, was attacked by Mangals in the Sapiri defile. In the protracted rear-guard fight which took place on that day, four non-commissioned officers and men of the regiment worthily acquitted themselves, in defending Captain F Goad, Assistant Superintendent of Transport, who was mortally wounded, from his assailants; keeping vast numbers of the enemy at bay till relief arrived. For the gallantry he displayed on this occasion Sergt W Greer subsequently received commissioned rank'. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY
Nelson Lee. February 8th 1930 Magazine contains the long illustrated detective thriller 'The Man Who Vanished' by Edwy Searles Brooks. . We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Georges Simenon The Man Who Watched The Train Go By with complete Dust Jacket, Wrapper Hardback 1st Edition 1942 Book. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Sjowall and Wahloo The Man Who Wet Up In Smoke Fine with complete Dust Jacket, Wrapper Hardback 1st Ed. 1970 Book. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
Medical, The Little Gem Lung Tester and Developer, American, late 19th century, in tinplate and steel, precursor to the modern day peak flow meter and spirometer. Blowing through a tube to the device spins the blades causing the disk to rotate behind a fixed pointer, providing a crude assessment of lung function, it was also considered of benefit to “any lady who desires to symmetrically enlarge her bustâ€, 14.5cm long; with a 19th century medical caliper gauge stamped 'Down Bros London' in brass and steel, with divisions marked 1-8, 17.5cm (2)
Philips Valve Radio Model 634A, Philips Radio Model 634A, c. 1933 lable reads Super inductance French polished Mahogany cathedral-type case. Radio Philips Model 634A From a private Berkshire collection. Condition, untested but visually very good, we maintained by the previous owner who was a radio engineer
Radio - EKCO Type A22 Valve Radio An Ekco Model A22 vintage bakelite radio, circa 1940's, designed by Wells Coates for E K Cole Ltd, 33.5cm dia, 36cm high From a private Berkshire collection. Condition, untested but visually very good, we maintained by the previous owner who was a radio engineer
A silver racing medal (Silverdale Cycle Club?) between Kennington Church and Brighton Aquarium in 1891, presented to C.G. Thistleton (P). Who completed the return trip in 7hrs 41mins. Engraved and hallmarked for Birmingham 1891, marker's mark 'CES'. With hanger and loop, in presentation case. (19g). VGC. £20-40
Two WWII Third Reich first pattern Wehrpasses, one to Unteroffizier in the Luftwaffe, who completed 4 years service in 1939, later rejoined the Luftwaffe, was awarded Reich Sports badge and 4 years Long Service Medal in 1939, together with a Good Conduct Certificate; the second to a Medical Doctor, who joined the Army in 1936, served in numerous different hospitals, saw service in Russia 1941-43, ending as a Captain in the Medical Corps, was awarded War Merit Cross 2nd Class with swords and Russian Front Medal, received Wehrmacht Fuhrerschein in 1941 and after the war was granted an Exemption Certificate to return his medal instruments and furniture so that he could continue his practice, both of these documents are with the Wehrpass; also two WWI and two WWII death cards, a post card of troops marching and a photograph of troops marching "at ease" behind a standard bearer. Average GC £40-60
A SET OF TWELVE MAHOGANY AND UPHOLSTERED DINING CHAIRS IN GEORGE III STYLEMID 20TH CENTURY AND LATER UPHOLSTEREDEach 98cm highProvenance: Property removed from 8 Great Pulteney Street, BathThe chairs purchased by the vendor from Eton Antiques who also arranged the upholsteryCondition Report: The colour of the upholstery is a beige-gold colour - please see additional shots of these chairs taken in the saleroom for a good reflection of the colour As catalogued these are not of great age and the upholstery probably only 20 years old also and the condition overall reflects this - there are some knocks and indentations as to be expected from age and use in a domestic setting Some dirt to the fabric, may well benefit from a light cleanThe frames are all solid and stablePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A SHOTLEY BRIDGE HOUSEHOLD CAVALRY BACKSWORDLATE 17TH/EARLY 18TH CENTURYWith Walloon-type brass hilt and shell-guards cast with a crest of a boar statent beneath an earl's coronet and garter motto HONI SOIT QUI MAL Y PENSE, the 32inch single edge blade faintly stamped SHOTLEY BRIDGE, 96cm in lengthTogether with two others similar, one with fullered blade, one with backsword blade, the former stamped HEINRICH + KOLLE, the latter with remnants of Shotley BridgeProvenance:Property of The Hon. Catherine Mary Wass, OBE (1942-2021) most likely inherited from the 7th Viscount Gort in 1975 from Hamsterley Hall, Co. Durham The crest belongs to John HOLLES (1662-1711) 4th Earl of Clare (from 1689), created Marquess of Clare and Duke of Newcastle upon Tyne (1694) and Knight of the Garter KG (1698). Holles was a firm Protestant but supporter of Charles II. Upon the accession of James II he could not tolerate a return to popery and supported Lord Danby who held York for William of Orange and was one of the seven signatories of the invitation to William and this may be the origin of the Oley of Shotley Bridge swords with his crest. He was killed when he fell from a horse while hunting near Welbeck. His father was Gilbert HOLLES (1633-1689) 3rd Earl of Clare and mother Grace PIERREPONT. In 1690 he married Lady Margaret CAVENDISH (1661-1717) and they had one child a daughter Lady Henrietta Cavendish HOLLES.Objects with this crest could be dated between 1698 and 1711 but it is not known how the swords relate to the John Holles. All titles of John HOLLES became extinct on his death. Note: In the 17th century, a group of German swordsmiths from Solingen, the famous sword making centre in Germany settled in Shotley Bridge, County Durham in order to escape religious persecution. It was chosen because of a plentiful supply of ironstone and water locally. Their fine blades were much prized and they were manufactured locally until 1840.Condition Report: The first sword is the best of the three examples. The fish skin handle is a later embellishment and the blade has corrosion to the surface. The other two are in poorer condition and the guard of one has been cut down or damaged in action and never repaired.Condition Report Disclaimer
A MAHOGANY AND SATINWOOD BANDED LONGCASE CLOCK, CLARKE, GREENOCK, SECOND QUARTER 19TH CENTURYThe eight-day bell striking movement with painted arched dial with Roman numerals and Arabic five minutes, the angles painted with portraits of Scottish literary figures218cm highCondition Report: The dial is marked for Clarke of Greenock who is presumed to be the maker, there is no falseplate behind the dial which might have suggested the dial and movement had been made in different workshops and then put together for original sale. There is no suggestion the dial and movement do not belong together There is also nothing to suggest the movement and case do no belong togetherDreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. With two metal weights and a pendulum. No winding key present with the lot. The case with marks, knocks, scratches, abrasions, consistent with age and use. The finial is bent and misshapen, one of the mounts to the swan neck pediment is detached but present with the lotOld splits and cracks, some chips and losses,Signs of woodworm to the casePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A SCULPTED WAX BUST OF LORD PALMERSTONBY PARKER SC. LONDON, LATE 19TH OR EARLY 20TH CENTURYThe bust above an ebonised fluted socle base32.5cm highHenry John Temple, 3rd Viscount Palmerston, KG, GCB, PC, FRS (1784 -1865) was a British statesman who was twice Prime Minister of the United Kingdom in the mid-19th century. He remains the last British prime minister to die in office.
A George V or Edward VII Wax Seal of Approval,for Sir Francis Elliot, with skippet, original box, ministerial credentials and accompanying paperwork with printed signature of George V,skippet 18.5cm diameter together with a Cambridge Univerisity Swimming Club Diving Medal,awarded to W.M Clark, Trinity College, 1868, in original box with silver plaque, 5.2cm diameter,a George VI Coronation medal,along with an invitation to the coronation,two Greek medals,comprising a bronze example commemorating the death of Charilaos Trikoupis (former Prime Minister of Greece), dated 1896, and another example commemorating Diethenes Archaiologikon Synedrion, and a leather box,the lock by Bramah, with a red velvet-lined interior,33cm wide16cm deep11cm highProvenance: From a descendant of Sir Francis Elliot (1851-1940) - a British diplomat who served as envoy to Greece for 14 years.Condition ReportSeal of Approval) Losses to the seal itself. Tarnishing to the skippet. Stains, rips and tears to the accompanying paperwork. Marks to the box.Leather box) Marks and wear throughout.
1930's Court dress worn by the vendor's grandmother on Thursday 13th July 1939 when she presented her daughter at the last court of Her Majesty before WWII broke out. The dress is described in the Western Mail as a 'classical gown of ice blue satin with allover lace applique, embroidered with silver line beads and bugles ... it was purchased from Debenham & Freebody, Wigmore Street, London, W1', the dress has been altered and pieces changed and the train also, see images Condition ReportHem discoloured, the occasional slight mark as photographed. Staining to the underarms. Tear to the back of the dress as photographed. Provenance: this dress belonged to the vendor's grandmother, Mrs Charles Cory, who wore it on Thursday 13th July 1939 when presenting the vendor's grandmother at the last Court of their Majesties, before the outbreak of the Second World War. It was described in the Western Mail, and purchased from Debenham and Freebody, Wigmore Street, London. Train has also had amendments and cuts from it, with the odd mark.Bust approx 72cm, waist approx 60cm, length from shoulder to hem 157cm approx. No labels.
*Sir Alfred Munnings (1878-1959) signed print - The Paddock at Epsom, Spring Meeting, with pencil dedication to Frank Girling, published by Frost & Reed, 46cm x 56cm, in glazed frameNB: It was soon after Munnings moved to Castle House, Dedham in 1919 that a friendship developed between the artist and Frank Girling, a local farmer and landowner, who at that time was living at New House Farm, Little Bromley. Girling and Munnings often drove together to watch horses exercising in Newmarket.
A COLLECTION OF ROYAL ALBERT AND BESWICK BEATRIX POTTER FIGURINES to include; 'Rebeccah Puddle-Duck', 'Benjamin Bunny', 'The Old Woman Who Lived in a Shoe Knitting', 'Jeremy Fisher', 'Timmy Willie From Johnny Town House', 'Simpkin', 'Amaiable Guinea-Pig', 'Foxy Reading', 'Mr Jeremy Fisher Digging', 'Mr Benjamin Bunny and Peter Rabbit', 'Mr Alderman Ptolemy', 'Little Pig Robbins', 'Cecily Parsley', 'Lady Mouse Made a Curtsy', 'Squirrel Nutkin', 'Benjamin Bunny Sat on the Bank', 'Mr Jackson', 'Aunt Pettitoes', 'Lady Mouse' and 'Diggory Diggory Deivet' (20)
A COLLECTION OF ROYAL ALBERT AND BESWICK BEATRIX POTTER FIGURINES to include 'The Old Woman Who Lived in a Shoe', 'Tabitha Twitchit', 'Miss Doormouse', 'Benjamin Ate a Lettuce Leaf', 'Thomasina Tittlemouse', 'Mrs Ribby', ' Tom Thumb', 'Mrs Rabbit', 'Mrs Flopsy Bunny', 'Foxy Whiskered Gentleman', 'Tom Kitten and Butterfly', 'Mr Benjamin Bunny', 'Mr Tod', 'Peter ate a Radish', 'Cottontail', 'Peter in the Gooseberry Net', 'Tom Kitten', 'Peter with Post Bag' and 'Poorly Peter Rabbit' (20)
A 50th ANNIVERSARY DAGGER OF THE END OF SECOND WORLD WAR inscribed, 'TO CELEBRATE FIFTY YEARS OF PEACE AND RECONCILIATION SINCE THE YEAR 1945, WHEN HOSTILTIES BETWEEN NATIONS FINALLY HALTED WITH THE ENDING OF WORLD WAR II' and 'PEACE COMMANDS A HIGH PRICE - FREEDOM HAS NEVER BEEN FRE. TO ALL THOSE WHO FOUGHT, WORKED AND SUFFERED; AND PAID WITH THEIR LIVIED TO BRING PEACE TO THE WORLD 50 YEARS AGO, AND TO ALL THOSE WHO DEFEND OUR PEACE TODAY, THIS BALDE IS GREATFULLY DEDICATED'
A collection of 18 James Bond books : Volumes by Ian Fleming being On Her Majesty's Secret Service, The Spy Who Loved Me, The Golden Gun, You Only Live Twice, Live And Let Die, The Diamond Smugglers, Goldfinger, Dr. No & Diamonds Are Forever; Volumes by John Garner being Licence To Kill, Cold, Golden Eye, The Man From Barbarossa, Icebreaker, Licence Renewed & The Special Services; A Volume by Robert Markham being Colonel Sun, as well as the volume For Bond Lovers Only, published by Panther Books, 1965, in all 9 hardback editions and 9 softback editions. (18)
1950s/1960s Bubble Gum Cards, various examples, The Beatles (56), Funny Greetings (48), Funny Valentines (21), Test Series 1961 (39), Football Quiz (40), Footballers 1958 without Planet (43), Flags of the World (L 123), (X 102), WHO-Z-AR STAR (132), TV Westerns (49), Footballers black back (65), Footballers, Bazooka Back, (260), Leaf Brands Totem Pole Talking Signs (55), together with a quantity of other odd bubble gum cards, Leaf Brands Flag Game, Kings and Queens by Kane, Disc Stars, Footballers and others, P-G, (Qty)
A WWI Presentation tankard, resented to the family of C.H Gibbons, who fell in the Great War, together with a collection awarded to George Bolton of 42nd Squadron, on completing 10,000 hours of flying, Retirement and more, a small selection of others, various metals, Two silver-plated United States Navy trays, the rectangular example with USN and anchor to the centre, the oval with USN and knotted rope to the top, an Exmouth white metal cigarette case with applied coat of arms to the front, plus a selection of containers, hip flasks and more (parcel)
A Gilbert Blane Naval Medal, awarded to Fleet Surgeon Francis William Davis, H.M.S Audacious, 1875, this 22ct gold medal was designed by Benedetto Pistrucci (most famous for his design of the St George and the Dragon side of the Sovereign coins) was awarded to Medical Officers who demonstrated 'the most distinguished proofs of skill, diligence, humanity and learning in the exercise of their professional duties, with contempory yellow metal hanger, approx. 56.3g
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