155745 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

* Sigmund Pollitzer (British, 1913-1982). Six Architectural Studies of Venice, 1964-1971, includes views of Santa Maria della Salute, the Porta di Terra at the Arsenale, a statue, and a doorway, ink and wash on paper, all signed and dated, each with 'Gallery 181' label to verso, uniformly framed and glazed (the largest 70.5 x 81 cm), two frames with defective glazing QTY: (6)NOTE:Born in London in 1913, Arthur Sigmund Pollitzer was a member of the Pollitzer family who owned the major warehouse and transportation company Beck and Pollitzer. Aged seventeen he travelled to Germany to study language, art and architecture and was much influenced by contemporary continental art, especially the Bauhaus. He returned to England and became an architectural draughtsman, working on many large London projects including the Cumberland Hotel. As an artist, he exhibited at the Redfern Gallery, Hanover Gallery, Roland Browse and Delbanco.

* Bridgeman (Emma Laura G., 19th century). A sketchbook of Wales, 1843, 37 pencil and chalk mounted sketches of Welsh topographical landscapes, buildings, and costume, one or two heightened in bodycolour, most captioned to lower margins or to blank sheets, various sizes, the largest 185 x 255 mm, the smallest 70 x 90 mm, smaller sketches mounted two to one sheet, a couple of sheets detached with some light marginal stains, pencil note at front 'Sketches by E. L. G. Bridgeman, 1843', original morocco-backed boards, rubbed with some wear to spine, oblong 4to QTY: (1)NOTE:The competent sketches include views of Hafod, house and grounds, Periran falls, Valle Crucis Abbey, Chepstow, Harlech, Caernarfon and Conway Castles, Snowdon, Dolbaddern Tower, Barmouth, and adults and children in Welsh costume.There is a 2-page letter from Liz Whittle, who researched the artist and subject matter in 2002 and provides some useful and detailed background information on the sketchbook.

AR * Fedorovitch (Sophie, 1893-1953). Young Man, circa 1937, acrylic on acetate, a design for a ballet costume, inscribed ‘young man / ?’ to lower left of image, pencil inscription to verso ‘Horoscope / musical scenes’, remnants of old tape to top of sheet to verso, bottom edge of sheet unevenly trimmed, approx. sheet size 43 x 24 cm (17 x 9 1/2 ins)QTY: (1)NOTE:Sophie Fedorovitch was a Russian-born theatrical designer who worked with ballet choreographer Sir Frederick Ashton from his first choreographed ballet in 1926 until her accidental death in 1953. In her 2012 article in Research in Dance Education, Elizabeth McLean's view was that Fedorovitch had a "formative influence" on British ballet design of the 1930s and 1940s, and that she should be considered the equal of her contemporary, Christian Bérard.Horoscope is a ballet created in 1937 by Frederick Ashton (1904-1988) with music by Constant Lambert (1905-1951) and costume design by Sophie Fedorovitch. It was premiered by Vic-Wells Ballet at Sadler's Wells Theatre in January 1938, and starred Michael Somes as The Young Man and Margot Fonteyn as The Young Woman.Provenance: From the estate of Martyn Thomas (partner of Frederick Ashton), thence by descent to the present owner.Please note, in the printed catalogue for this sale this work is listed as being by the designer Derek Jarman. Information has recently come to light that this is the work of Sophie Fedorovitch.

AR * Hockney (David, 1937-). Portrait of Martyn Thomas, circa 1970s, pencil on thick wove paper, a detailed study of the head of the sitter, with the outline of the upper body lightly sketched, signed and inscribed by the artist ‘For Freddie + Martyn with love David’ to centre right of the sheet, in very good condition, fixed to mount with tape on two sides to verso, two small pieces of old tape and remnants of adhesive to top of sheet to verso, sheet size 43 x 35.5 cm (17 x 14 ins), framed and glazed (59 x 51 cm)QTY: (1)NOTE:Martyn Thomas (who died in a car accident in 1986) was the partner of ballet dancer and choreographer Frederick Ashton (1904-1988). Hockney had already produced a number of studies of prominent figures from the world of ballet from the late 1960s onwards, including Wayne Sleep, Rudolf Nureyev and Ashton. Hockney and Ashton later collaborated on a production of Stravinsky's Le Rossignol (alongside Le Sacre du Printemps and Oedipus Rex) at the New York Metropolitan Opera in February 1981. The pair also worked together on a production of the ballet Varii Capricci (1983).Provenance: From the estate of Martyn Thomas (Frederick Ashton's partner), thence by descent to the present owner.

* Jackson (Samuel, 1794-1869). The Avon Gorge from Clifton Down with St Vincent's Rocks, Windsor Terrace and Nightingale Valley, fine watercolour with pencil, with scratching out, heightened with gum arabic, sheet size 27 x 42 cm (10 5/8 x 16 1/2 ins), mounted, framed and glazed (46 x 61 cm), with Martyn Gregory exhibition label to versoQTY: (1)NOTE:Provenance: Thomas Agnew & Sons Ltd., 43 Old Bond Street, London, W1X 4BA, by 1989; Estate of Martin R. Davies (purchase invoice from Agnews dated 23 May 1989, £3,400, included with this lot).Exhibited: Martyn Gregory, 34 Bury Street, St. James's, London SW1 6AU, An Exhibition of British Watercolours 1750-1940, 16 November - 3 December 1999 (catalogue 75), number 54, as 'The Avon Gorge looking from Sea Walls towards Clifton Down'.Nightingale Valley was the part of Leigh Woods most favoured by the Bristol School artists. Jackson’s friend and amateur artist Reverend John Eagles recalled `those beautiful woods opposite Clifton, separated from it by the muddy Avon…. dividing…. the cares and toils of a busy world from the regions of Elysium. Beautiful as these woods are when seen from the opposite hill, those who only see them thus have little conception of their beauty. It is the very best artist’s ground and of a character unique.’

* Welch (Denton, 1915-1948). Portrait of Noel Cousins, circa 1940s, ink and wash on buff paper, a characterful sketch of the semi-nude sitter reclining in a deckchair, his left arm drawn across his torso, with the use of light pink wash to highlight his lips, nipples and thumb nail, unsigned, remnants of another work in ink to verso, the lower half of two nude male figures and a Faun, with a conch shell and scabious-like flower at their feet, and a small area of repeated patterning to the lower left corner, even mount staining to recto, roughly trimmed edges, three very small closed tears to two margins, a few old creases, remnants of old adhesive to verso, sheet size approx. 32.5 x 21 cm (12 3/4 x 8 1/4 ins), window mounted, together with another sketch by the same artist, Reclining Male, 1943, pencil on laid paper, a recumbent semi-nude male leaning on his left arm, inscribed 'Noel Adeney' and 'July 30 1943' in pencil to left of image, with a manuscript note 'sketch by Denton Welch bought from Henry Boxer 39, Kew Road, Richmond Dec. 1984’, remnants of another sketch in pencil and ink to verso of a partially dressed figure, mount staining to recto, a few small stains, some spotting and remnants of old tape to verso, sheet size 17.5 x 24.5 cm (7 x 9 3/4 ins).QTY: (2)NOTE:“Noel Cousins who frequently went out painting with Denton Welch in the Hadlow Road years, remembers that DW did not have a very clear idea what the finished picture would be like.’’ James Methuen-Campbell interviewing Cousins for his biography Denton Welch: Writer and Artist (1984). Noel Cousins was a painter who was active from 1957 to 1965.Noël Gilford Adeney (1890-1978) was a British artist, known for her landscape and still life paintings and a member of The London Group. She is known to have drawn a portrait of Welch which sold at Sotheby's in 1997. Welch also appears as "Merton Hughes" in Adeney's 1956 novel No Coward Soul.

AR * Hermes (Gertrude, Jonah in the Whale, 1935, woodcut on heavy wove paper, published in June 1935 by the Samson Press, Warlingham, Surrey, in an edition of 50 impressions, with printed text below the image of the poem Jonah in the Whale by Kenneth Muir, printed edition label to verso of lower left corner (small stain showing through to recto from adhesive), sheet size 64 x 43 cm (25 x 17 ins), with original publisher's cardboard tube bearing printed title labelQTY: (1)NOTE:The Samson Press was founded in 1930 by two women, Joan Mary Shelmerdine (1899–1994) and Flora Margaret Grierson (1899–1966), who had met at Oxford. It was known for small editions of poetry with illustrations, often by younger artists, who included Iain Macnab, Tom Chadwick, Gwenda Morgan and, as here, Gertrude Hermes.

* Smith of Derby (Thomas, 1721-1767). View of Shipping on the River Avon from Durdham Down, near Bristol, circa 1756, oil on canvas, relined (cleaned and revarnished by Hamish Dewar Ltd, 14 Mason's Yard, Duke Street, St. James's, London, SW1Y 6BU), 51 x 119.5 cm (20 x 47 ins), Frost and Reed stock (6752) labels, with artist and title details, 'River Avon Scene, Bristol', Hamish Dewar Ltd sticker (marked Davies 1411), and 2004 auction sticker (lot 136) to verso, late 18th century English carved and gilded fluted frame with rosette corners (66 x 135.5 cm)QTY: (1)NOTE:Provenance: Edith and Eleanor Frost, daughters of Walter Frost of Frost & Reed; thence by descent to John Pilkington, (son of Christopher Pilkington, rector of St. Stephen's Church, Bristol from 1968); Sotheby's The British Sale: Paintings, Drawings and Watercolours, 1st July 2004, lot 136 (hammer price £12,000); Estate of Martin Davies, Bristol (owner's documentation supplied with this lot).Literature: Francis Greenacre, From Bristol to the Sea, Artists, the Avon Gorge and Bristol Harbour, 2005, page 28:"Thomas Smith of Derby (c.1720 - 1767)View from Durdham Down c.1756Oil 490 x 1170 mm Private collectionOne of the advertised features of a visit to the Hotwell was the pleasure of riding on the broad unbroken stretches of turf on the Downs. Here, an elegant carriage with postillions and outriders approaches Sea Walls. Mr E. Owen in his guide to the Hotwell published in London in 1754 wrote: "For those who love riding there is the finest country in the world; and, even for carriages, nothing can exceed it; the Downs are spacious and open, and we enjoy healthful exercise in a pure air…". The artist, Thomas Smith of Derby may first have come to the Hotwell for his health, for we know that he was to die here on 5 September 1767. It is also possible that it was the growing reputation of the spectacular landscape of the Avon Gorge that first attracted him to Bristol. He painted two opposing views of the Avon Gorge from the Downs, one looking back towards the Hotwell and the present view which is also known in two other versions. This particular elongated version was probably a commission for an overmantel or overdoor. Both views were engraved in 1756. Smith was self-taught and much of his work, especially his many landscapes of his home county, is unencumbered with the self-conscious allusions to the work of earlier Continental painters such as Claude Lorrain, Gaspar Dughet or Salvator Rosa that are found in the work of many landscape painters at this time. He did, however, give the middle names of Correggio to one son and of Raphael to the other. In this painting the sparring goats in the foreground are probably derived from engravings after Claude."This view from the Downs looks towards Sea Walls on the right and clearly shows the wall built by John Wallis in 1746 for the safety of visitors to the Hotwells. Beyond is the somewhat elongated tower, known as Cook’s Folly. It was built by John Cook, the City Chamberlain, at the end of the seventeenth century to embellish his Sneyd Park estate. In the centre far-distance, is Vanbrugh’s Penpole Lodge, an eye-catcher and spectacular vantage point for King’s Weston House. The red-tiled roof towards the left is the New Hotwell, a second hot-spring discovered in 1702. John Wesley visited for three weeks in 1754 and found it ‘free from noise and hurry’, but by the 1780's it was just a shelter for the quarrymen. The elegant couple just above the goats may well be headed for the New Hotwell and they appear to be on a newly-quarried path that still survives within today’s dense woodland. Opposite Cook’s Folly on the Somerset side of the Avon is a rare glimpse of the castellated Manor House of Abbotts Leigh, home of the Gordon family, West India merchants and plantation owners. This was to be replaced early in the nineteenth century by Leigh Court, but higher up the hillside. In the centre foreground are three gentlemen, one with a hammer, another holding a geode, perhaps. They may be very early amateur geologists in pursuit of Bristol Diamonds, a feature of the Avon Gorge that had been celebrated since the sixteenth century.

* Wright of Derby (Joseph, 1734-1797). Portrait of John Harrison, surgeon of Derby, circa 1781, oil on canvas, half-length in three-quarter profile to left, wearing a plain dark vest, coat, and white cravat, 74 x 61 cm (29 x 24 ins), gilt moulded frameQTY: (1)NOTE:Provenance: Nathaniel Curzon, Esq., 1870; thence by descent to John Curzon of Lockington Hall, Derby (Derby Art Gallery labels for Joseph Wright of Derby exhibition loans for 1934 & 1947 to verso); acquired by the current owner's family at Christie's, King Street, London, 21 March 1975, lot 81. Literature: Benedict Nicolson, Joseph Wright of Derby, 1968, vol. 1, pp. 69-70, 200-201; vol. 2, p. 122, plate 199. 'Not only is the portrait listed in the Account Book among portraits of c. 1781, it also belongs stylistically to this date or slightly earlier. The subject must therefore be wrongly identified as John Harrison, clock-maker and inventor of a marine chronometer who died in March 1776 before Wright got back from Bath. Wright calls him a doctor, so he is probably the "surgeon in Wardwick", Mr. John Harrison, in whose house the daughter of Edward Wilmot of Duffield died (see Derby Mercury, 24th September 1786). He is described in Derby Mercury, 11th October 1781 as having died: "surgeon aged 64..." The portrait could show a man of c. 56.' (Nicolson, ibid., pp. 201-203). John Harrison (circa 1723-1787), surgeon of Derby, was appointed the first surgeon to Derby Gaol, on compulsion by Act of Parliament, in 1774, Timothy Pitman becoming a partner in this role in 1784. A notice in the Derby Mercury (13 December 1771) advertises the resumption of Harrison's inoculation service 'for the Season, to Inoculate as usual, on Mr. Sutton's Plan'. A mezzotint engraving from this portrait was engraved by John Raphael Smith (1751-1812), circa 1781

* Nash (Paul, 1889-1946). The Two Angels, Heaven, and Boredom, from Abd-er-Rahman in Paradise, 1927, three wood engravings, two on pale cream thin japon (likely from the first edition of 12 proofs on white japon, according to Postan), one on very thin japon trimmed to the blockmark (from the second issue as noted by Postan), 'The Two Angels' - large margins, minimally tipped on to mount with tape, image size 7 x 5 cm (2 3/4 x 2 ins), sheet size 25.5 x 19 cm, 'Heaven' - trimmed to image, tipped onto backing board with adhesive, two small creases lower left, two small areas of spotting, image size 13.5 x 9.5 cm (5 1/4 x 3 3/4 ins), 'Boredom' - large margins, minimally tipped on to mount with tape, slightly mount stained, image size 14 x 9.5 cm (5 1/2 3 3/4 ins), sheet size 25.5 x 19 cm, uniformly framed and glazed. QTY: (3)NOTE:Jules Tellier's Les deux paradis d'Abd-er-Rhaman was first published in Paris in 1921; its story concerns a man who must choose between Christian and Muslim heavens. The English version was translated by Brian Rhys, with four illustrations by Paul Nash, and published by The Golden Cockerel Press in 1928. Nash's engravings are fine examples of his work, and are described by Clare Colvin in Paul Nash Book Designs as "the climax of Nash's representational wood engravings".Literature: Postan The Complete Graphic Work of Paul Nash - W80, W81, W83. Postan notes: "Two editions: the first as 12 proofs on white japon; the second on fine japon trimmed to the blockmark and mounted as the first illustration to Abd-er-Rhaman in Paradise, Golden Cockerel Press, 1928, in an edition of 400 copies."

AR * Hepworth (Dorothy, 1894-1978). Seated Girl, circa late 1930s, oil on canvas laid down on board, unsigned, a partially nude woman sits in a low-backed armchair with her left hand resting against the side of her face, artist's name in pencil to verso of board, a few surface scratches, board size 51 x 40.5 (20 x 16 ins), framed (57 x 47 cm) QTY: (1)NOTE:For a similar work see Girl Reading Letter (c.1937) by Patricia Preece (1894–1966) or Dorothy Hepworth, in the collection of Bangor University (Accession number OP0014).Dorothy Hepworth was a Slade graduate who made prolific work as an artist for most of her life. She showed her work at a couple of small-scale exhibitions during her early years studying at the Slade, where she garnered a Distinction and considerable admiration for her skills but didn’t exhibit under her own name after 1921. Hepworth signed her life-partner Patricia Preece’s name in her paintings from then on, even after Preece’s death. The women lived and worked together for nearly 50 years and are buried together in Cookham Churchyard (from charleston.org.uk).Dorothy Hepworth and Patricia Preece: An Untold Story, a new exhibition of Hepworth's work is due to take place at Charleston in Lewes from March to September, 2024."Hepworth's skill was in picturing quiet figures at rest, with warm muted tones in elegant simplicity. The power of the paintings comes from their stillness", Jade King, Lead Editor, Art UK.

* Venetian School. Saint Mark the Evangelist, circa 1730-1750, oil on an oval sheet of copper, a miniature study of St Mark wearing flowing red and blue robes, sat holding a quill and volume, a cherub above his left shoulder holds a scroll reading 'Pax tibi Marce, Evan[gelista meus]', with the Lion of St Mark in the background, eight small punched holes at four regular intervals around margin, sheet size approx. 15.5 x 12 cm (6 x 4 3/4 ins), framed in a later black wooden frame (19.5 x 16 cm)QTY: (1)NOTE:“Pax tibi Marce, evangelista meus” – “Peace be with you, Mark, my evangelist” – according to legend, these words were uttered by an angel who appeared to Saint Mark in a dream, after landing on an island in the Venetian lagoon. They are written on a book held open by the paw of a winged lion, the symbol of the Evangelist, in the coat of arms of the Republic of Venice, and form the city’s motto.

* Aldegrever (Heinrich, 1502 Paderborn - Soest 1555/1561). Ornamental design with mask and eagle flanked by two kneeling fauns, 1549, ornamental grotesque engraving on laid paper, with mask at centre flanked by two cornucopias, an eagle below between two fauns who hold a cloth draped behind, above two eagles perch on the cornucopias facing inwards, artist's monogram and date 1549 to upper right corner, a fine, rich impression of the only state, trimmed to platemark, sheet size 67 x 49 mm (2 5/8 x 1 15/16 ins), corner-mounted, framed and glazed (19.5 x 17.5 cm)QTY: (1)NOTE:Bartsch 272; New Hollstein 272; Guilmard 18.

* Gill (Edmund Marriner, 1820-1894). The Avon Gorge, St Vincent’s Rocks, the New Hotwell House and the abandoned piers and abutments of the Clifton Suspension Bridge. circa 1850, oil on canvas, signed lower left, 66 x 102 (26 x 40 ins), old Frost and Reed label to verso giving title as 'River Avon & St Vincents Rocks' and stock number (G83), antique-style gilt molded frame (82 x 119 cm), with gilt plaque to lower frame with artist's detailsQTY: (1)NOTE:Provenance: Osmond, Tricks, Regent Street, Clifton, Bristol, Tuesday 9th December, circa 1980, lot 451; Estate of Martin R. Davies, Bristol.To the right of the Clifton abutment, Brunel’s Swiss Cottage is carefully depicted. It was the 'site office’ for the Clifton Suspension Bridge project and its architectural style reflected Brunel’s earlier comparison of the dramatic landscape of the Avon Gorge with alpine scenery, specifically the Simplon Pass. The bridge was to be completed in 1864 as a memorial to the great engineer who died in 1859.

Foster, J.J Miniature Painters British and Foreign With Some Account of Those Who Practised in America in the Eighteenth Century Dickinsons, Fine Art Publishers to the Late Queen Victoria, London, 1903, Edition Royale, no. 13 of 45 copies, two-volume set bound in full vellum, with slipcase Condition Report:Available upon request

A 1962 IAN FLEMING FIRST EDITION, THE SPY WHO LOVED ME, JAMES BOND HARDBACK BOOK COMPLETE WITH ORIGINAL DUST JACKET

A WWI bronze dead man's penny awarded to Albert Arthur Margrie, "B" COY.66 BN. Machine Gun Corps (Infantry), who died on 30th September 1918, aged 26 years old, commemorated at The Valencie Nes (St.Roch) Communal Cemetery, IV.A.18, and WWII medals, 1939-45 Star, War Medal, Defence Medal, and the France and Germany Star, and a reproduction Victoria Cross, all enclosed in a green military tin.

Five Beswick Beatrix Potter pottery figures, comprising Old Mr Brown, Peter with Post Bag, The Old Woman Who Lived in a Shoe Knitting, Foxy Whiskered Gentleman, and Peter Rabbit, together with a Royal Doulton for Beswick Appley Dapply figure, boxed.

JAMES BOND: YOU ONLY LIVE TWICE (1967) - James Bond's (Sean Connery) Screen-Matched Costume - James Bond's (Sean Connery) screen-matched costume from Lewis Gilbert's Bond movie You Only Live Twice. Bond wore his suit in multiple scenes, from his arrival in Tokyo and his encounter with secret service agent Aki (Akiko Wakabayashi), up until Tiger Tanaka (Tetsuro Tamba) welcomed him into his home. A distinctive pinch in the jacket's left shoulder screen matches to the moment Bond met sumo wrestler Sadanoyama Shinmatsu.It is rare for examples of Sean Connery suits to come up for auction, as many were taken from the set by the actor after producer Albert "Cubby" Broccoli stated he could keep any of the costumes he requested. This lot was initially obtained by a crew member from a set costume sale when production wrapped. The crew member needed a suit for a wedding and was the same size as Connery.The gray herringbone woollen two-piece suit was custom-made by tailor Anthony Sinclair, who created clothing for all of Sean Connery's appearances as 007. The jacket features two button fastenings and three pockets on the front. An Anthony Sinclair label with handwritten blue text reading "July. 1966, S. Connery. Esq, 464 - 5468 Repeat" is located in the jacket's interior right-breast pocket. An additional label reading "May 1966, lt., S. Connery Esq, g., F456As5468/bm18h.b." is sewn into the pants.The suit's white cotton dress shirt and black knit tie are reproductions constructed by Turnbull & Asser, the same company that originally made the garments for the movie. Completing the display is a pair of smart black shoes. The suit displays minor signs of production use and age.Estimate: $40,000 - 80,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

GET SMART (2008) - Bill Murray's Chairback - Bill Murray's chairback from the production of Peter Segal's Get Smart. Murray, who played Agent 13, rested in a director's chair labeled for him during the shooting of his cameo.This lot consists of a black canvas chairback printed with the CONTROL logo and the film's title on one side and Murray's name on the other, all in white. It exhibits signs of use, including some loose threads. Dimensions: 21.5" x 7" x 0.25" (54.75 cm x 18 cm x 0.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

THE SHAWSHANK REDEMPTION (1994) - Andy Dufresne's (Tim Robbins) Letter to Ellis Boyd "Red" Redding (Morgan Freeman) - Andy Dufresne's (Tim Robbins) letter to Ellis Boyd "Red" Redding (Morgan Freeman) from Frank Darabont's prison drama The Shawshank Redemption. Sentenced to life in Shawshank State Penitentiary, Andy Dufresne (Robbins) developed a bond with a fellow inmate (Morgan Freeman) and laundered money for the corrupt warden (Bob Gunton). At the end of the film, Red found a box of money Andy left hidden for him, along with a letter inviting him to join him in Zihuatanejo, Mexico.Created by a hired contractor, the letter, handwritten in ink, exhibits fold creases from production. Dimensions: 8.5" x 11" (21.75 cm x 28 cm)Additional Provenance: A Letter of Authenticity signed by Michael Marcus who was hired by production to create Andy's letter to Red.Estimate: $5,000 - 10,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

SONS OF ANARCHY (T.V. SERIES, 2008-2014) - Jax Teller's (Charlie Hunnam) Framed Tank-Top with Background Distressed Gas Mask - Jax Teller's (Charlie Hunnam) framed tank-top with a background distressed gas mask from the series Sons of Anarchy. Jax first wore his tank top in the Season 1 episode "The Pull" where he helped a semi-truck driver who was high on drugs out of a wreckage. Jax later wore his tank top in various scenes throughout the series. This lot consists of a white cotton Hanes tank top (size XL) mounted in a black wooden frame with images of Hunnam wearing the tank top in the background; and one black plastic distressed gas mask with clear acrylic lenses, foam and rubber padding, and black nylon adjustable head straps. This lot exhibits minor chipping material on the mask's vent holes. Dimensions: (frame) 21" x 28.5" x 1" (53.5 cm x 72.5 cm x 2.75 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

MAGNOLIA (1999) - Set of Frank T.J. Mackey's (Tom Cruise) and Rick Spector's (Michael Bowen) Ephemera - Frank T.J. Mackey's (Tom Cruise) and Rick Spector's (Michael Bowen) ephemera from Paul Thomas Anderson's Magnolia. Mackey led misogynistic seminars on how men like Rick, an aspiring actor in LA's San Fernando Valley who manipulated his genius son Stanley (Jeremy Blackman) into success on What Do Kids Know?, should treat women. This set consists of a printed three-page itinerary for one of Mackey's seminars with the front page disclaimer "You gotta be ready to roll with the punches"; a glossy black-and-white headshot labeled "Rick Spector SAG/AFTRA"; a plastic production-made California driver's license labeled "Richard Philip Spector" with the Spectors' Panorama City address; and a California disabled person placard dated "June 30, 1999." The placard exhibits bent corners from production. Dimensions: (largest) 9.25" x 11.75" (23.5 cm 29.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

DOCTOR WHO (2005 - PRESENT) - Auton Mask - An Auton mask from the revived BBC sci-fi television series Doctor Who. The villainous Autons were robots that resembled shop-window mannequins and appeared several times throughout the series. The rubber mask is painted a light mustard color and has several small eye holes so the performer can see. There is a split up the back of the head so it can be placed on the performer's head, but the split has continued up on to the middle of the head. There also exhibits minor discoloration and staining in places. It is presented on a black plastic display stand. Dimensions: (on stand) 9" x 7" x 13.75" (23 cm x 18 cm x 35 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

DISNEYLAND PARK - Captain EO Opening Day Tickets, Storyboards, and Press Release Folder - Captain EO opening day tickets, storyboards, and a press release folder from Disneyland Park. Captain EO opened in Disneyland Park on September 20, 1986 shortly after it was released at the Epcot Center and at Tokyo Disneyland in 1987. These tickets were given to Thomas G. Smith, who spent several years as ILM's General Manager.This lot consists of seven pages of printed storyboards in a manila folder marked "EO Storyboards (Artist Unknown)"; one black press release folder with 10 black-and-white photos with six having captions taped to the back and 37 pages of background information about the cast, production, and creators; 1x press release folder; one black folder in a manila file folder marked "EO - Tickets and Production Notes" with three notices, three tickets, one itinerary, one invitation marked for Tom Smith, a vinyl sticker, and a copy of the Narrator's opening; two laminated badges labeled for Tom Smith; two metal and enamel pins for Captain EO in Disneyland and Tokyo Disneyland; and one pair of purple acrylic 3D glasses with black cellophane lenses. This lot exhibits discoloration, water damage, a broken pin, and missing arms on the glasses. Dimensions: (largest) 12" x 12" x 0.5" (30.5 cm x 30.5 cm x 1.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

THE GRAND BUDAPEST HOTEL (2014) - Dinner Menu with Shoe Shiner's (Dar Ronge) Signage on Reverse - A dinner menu with the Shoe Shiner's (Dar Ronge) signage on the reverse from Wes Anderson's The Grand Budapest Hotel. Lobby boy Zero (Tony Revolori) held up a hotel dinner menu for a hotel patron who did not want to see the other patrons around her. The Shoe Shiner kept a "GB" sign on his shoe shine chair for his customers. This beige paper card features a dinner menu with dish names and service times in red ink and "GB" printed on the reverse in red ink with paper cutouts adhered to the backing. This lot exhibits various tears throughout, as well as notable loss of adhesion to the cutouts. Dimensions: 10.75" x 16" (27.5 cm x 40.75 cm)Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

WHAT'S EATING GILBERT GRAPE (1993) - Johnny Depp's Chairback and Set of Burger Barn Stickers - Johnny Depp's chairback and Burger Barn stickers from Lasse Hallstrom's What's Eating Gilbert Grape. Gilbert Grape (Johnny Depp) cared for his little brother Arnie Grape (Leonardo DiCaprio) who had a disability and started working at the new fast food restaurant Burger Barn. This lot features a black canvas chairback with "Mr. P.P.P.P.P.P." in white vinyl mounted to a display board featuring Depp and DiCaprio in a black metal frame; and 16 red and yellow vinyl Burger Barn logo stickers. This lot exhibits minor discoloration to the stickers. Dimensions: (display) 23" x 15" x 0.75" (58.5 cm x 38.25 cm x 2 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

BACK TO THE FUTURE (1985) - Hand-Drawn Ron Cobb Interior DeLorean Time Machine Concept Art - Hand-drawn Ron Cobb interior DeLorean time machine concept art from Robert Zemeckis' Back to the Future. Rendered by Cobb, who served as the film's DeLorean time travel consultant, illustrations such as this were among the earliest designs for Doc Brown's (Christopher Lloyd) stylish time machine.Rendered in mixed media on illustration board, this illustration depicts the interior view from the driver's-side door, with an array of electrical equipment surrounding the driver's seat. It features Cobb's signature in brown ink and is dated "'84." This lot exhibits mild creasing at the corners, and discoloration in the negative space around the illustration. Dimensions: 17" x 13" (43.25 cm x 33 cm)Sold without copyright; see notice in the Buyer's Guide.Estimate: $5,000 - 10,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

SCARY MOVIE 3 (2003) - Denise Richards' Chairback - Denise Richards' chairback from the production of David Zucker's Scary Movie 3. Denise Richards, who appeared in the film as Annie Logan, rested in a director's chair with a custom chairback during the shoot.This lot consists of a black canvas chairback printed with "SM3 Scary Movie 3" in white and red on one side, and "Denise Richards" in white on the other. Also included are three black and white printed photographs of Richards. The printed graphics exhibit a bit of cracking where the chairback has been folded in the center. Dimensions: (largest) 20" x 7" x 0.5" (51 cm x 18 cm x 1.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

BACK TO THE FUTURE PART II (1989) - Grays Sports Almanac Dust Jacket - A Grays Sports Almanac dust jacket from Robert Zemeckis' Back to the Future Part II. Marty McFly (Michael J. Fox) purchased his copy of the book in Hill Valley in 2015, which was then discovered by Biff Tannen (Thomas F. Wilson), who used it for financial gain after stealing the DeLorean time machine.Custom-printed for the film, this colorful paper dust jacket with end flaps bears the title "Grays Sports Almanac, Complete Sports Statistics 1950-2000." The reverse lists numerous sports, along with a barcode and publisher's logo. This cover exhibits fold lines along the spine and flaps from production, as well as some crinkling and scratches in the print from handling. Dimensions: 6" x 9" (30.5 cm x 23 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

NIGHT AT THE OPERA, A (1935)/DAY AT THE RACES, A (1937) - Groucho Marx's Wire Rim Eyeglasses - Groucho Marx's personal wire rim eyeglasses. Marx, the lead star of Metro-Goldwyn-Mayer's (MGM) Marx Brothers films alongside his brothers Chico and Harpo, wore his signature "Windsor-style" glasses beneath a head of greased hair and above a bushy mustache as Otis B. Driftwood in Sam Wood and Edmund Goulding's A Night at the Opera as well as in Sam Wood's A Day at the Races as Dr. Hugo Z. Hackenbush. After both films became major hits for MGM, Marx's glasses became signatures of his public appearances throughout his life. He was photographed wearing them at live radio show tapings throughout the 1940s, and Arthur Marx, Groucho's son, included photos of his father wearing his glasses in the book Groucho: A Photographic Journey. Marx's personal secretary and archivist, Steve Stoliar, also referenced the glasses in his book Raised Eyebrows: My Years Inside Groucho's House. Marx's glasses were placed inside a safe deposit box along with his sole Academy Award® after his death in 1977.These metal wire frame glasses originate from the collection of Frank Ferrante, who portrayed Marx across stage, television, and audio programming over three decades in direct collaboration with Groucho's children Arthur and Miriam. They feature a beveled, saddle-style nose bridge and wraparound temple stems as well as a brown leatherette wrapped metal Optics by Victor eyeglasses case with a tan microfiber cleaning cloth. These frames do not have lenses and exhibit loose temple stems, as well as grime to the case. Dimensions: (case) 6.5" x 2.5" x 1" (16.5 cm x 6.5 cm x 2.75 cm)Estimate: $25,000 - 50,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

BACK TO THE FUTURE (1985) - Hand-Drawn Ron Cobb Exterior DeLorean Time Machine Concept Art - Hand-drawn Ron Cobb exterior DeLorean time machine concept art from Robert Zemeckis' Back to the Future. Rendered by Ron Cobb, who served as the film's DeLorean time travel consultant, illustrations such as this were among the earliest designs for Doc Brown's (Christopher Lloyd) stylish time machine.Drawn with graphite and black ink on one-sided grid paper, this illustration depicts the left side of the car as well as "Section A - A" of the back half. It is labeled "Back to the Future" and "The DeLorean Time Machine" in graphite with Cobb's signature, the date "'84," and scales included on the bottom right. This lot exhibits creasing and fold lines, as well as minor discoloration on the edges. Dimensions: 24" x 18" (61 cm x 45.75 cm) Sold without copyright; see notice in the Buyer's Guide.Estimate: $5,000 - 10,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

FAST & FURIOUS PRESENTS: HOBBS & SHAW (2019) - Brixton Lore's (Idris Elba) Glock 17 Gun - Brixton Lore's (Idris Elba) Glock 17 gun from David Leitch's Fast and Furious Presents: Hobbs and Shaw. Brixton wielded his Glock 17 as he attacked Hattie Shaw's (Vanessa Kirby) programming team who infiltrated techno-terrorist group Eteon for their program "Snowflake."This lot consists of a Glock 17 made of black dense rubber with an extended barrel; and a black dense rubber and metal magazine extender. This Glock 17 comes mounted on a black acrylic display with two images of Brixton with the Glock 17. This lot exhibits a loose extended barrel and scuffing. Dimensions: (display) 12" x 13.5" x 1.5" (30.5 cm x 34.5 cm x 4 cm)Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide.This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

DOWNSIZING (2017) - Paul Safranek's (Matt Damon) Gurney Model Miniature - Paul Safranek's (Matt Damon) gurney model miniature from Alexander Payne's Downsizing. Safranek and others who underwent the downsizing process awoke on miniaturized gurneys. A combination of model miniature sets, digital compositing, and live-action photography was used to render the 1/14-scale difference between the miniaturized world and the normal-size world.This cast resin miniature is painted white throughout with an enamel gloss on the legs, black on the wheels, and red on the armrests to resemble a mobile and functional medical gurney. The resin exhibits splits in several places, a stain on the top "cushion," and grime on the underside from production use. Dimensions: 5.5" x 2" x 2" (14 cm x 5 cm x 5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

DOCTOR WHO: THE MUTANTS (S9 E17) (1972) - Autographed Revised Rehearsal Script - An autographed, revised rehearsal script from the production of episode three of The Mutants, the fourth serial of the ninth season of Doctor Who. It originated from the collection of the late BAFTA-winning writer Bob Baker, credited with Dave Martin as having written the 39-page script. Both autographed the title page. Script pages are loose and the title page includes filming, rehearsal, and transmission dates. The final page is labeled "48," as pages 38, 39, and 41-47 are missing.The pages exhibit creasing, tears, edgewear, and staining. The accompanying Certificate of Authenticity is signed by Baker's wife, Marie. Dimensions: 11.75" x 8.25" x 0.25" (30 cm x 21 cm x 0.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

DOCTOR WHO: THE POWER OF THE DALEKS (1966) - Collection of Vintage Tele-snaps - Vintage tele-snaps from the lost Doctor Who serial The Power of the Daleks. Tele-snaps were photographs of British TV broadcasts, which were taken and sold by John Cura from 1947 - 1969. Many tele-snaps are believed to have been destroyed in the subsequent years. This collection originated from the family of Doctor Who director Christopher Barry, and shows the completely missing series four serial The Power of the Daleks, which featured the Second Doctor (Patrick Troughton).The lot features six sheets with strips of still images from each of the six episodes in the series; six strips of still images with at least two images on each strip; and 45 individual images, 39 of which feature Cura's stamp on the back and a handwritten number. Dimensions: (each page) 13" x 8" (33 cm x 20.5 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

TROPIC THUNDER (2008) - Les Grossman's (Tom Cruise) Glasses - Les Grossman's (Tom Cruise) glasses from Ben Stiller's Tropic Thunder. Grossman, the hostile, controlling studio executive who oversaw the Tropic Thunder production in Vietnam, wore his signature glasses throughout the film. This lot consists of one pair of Gail Spence ProDesign Denmark eyeglasses made of plexiglass with silver-color frames and smokey gray-color plastic arms. These glasses exhibit mild scratching and scuffing on the frame's finish, and discoloration on the nose pads. Dimensions: 6" x 2" x 1.5" (15.25 cm x 5 cm x 4 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

BLADE RUNNER (1982) - Crew Jacket - A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. Satin jackets like these were gifted to crew members who worked on the film.This bomber jacket is made of black satin polyester with "Pat" embroidered in red thread on the chest and a silver-and-red patch reading "Blade Runner" in both English block and Japanese characters on the reverse. This jacket features a zip-closure and knitted hems. Due to age and exposure, the jacket exhibits discoloration in that the satin's original jet-black hue has faded to a glossy burgundy.Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

DOCTOR WHO (2005 - PRESENT) - Sontaran Headpiece and Hands - A Sontaran headpiece and hands from the revived BBC sci-fi television series Doctor Who. The Sontarans were a race of militaristic clones which some characters compared to potatoes in their appearance. The pieces are made of foam latex and have been hand-painted. The headpiece has a hole in the front for the performer's face. All pieces exhibit some wear to the foam latex and paint, most notably around the face hole and on the palms of the hands.Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

VARIOUS PRODUCTIONS - Set of 12 Call Sheets - Call sheets from various productions spanning the 1970s - 1990s. Notable listings of cast member schedules on these call sheets include Jack Nicholson, Cher, and Susan Sarandon for The Witches of Eastwick (1987); Jeff Bridges and Karen Allen for Starman (1984); Clint Eastwood and Burt Reynolds for City Heart (1984); Robin Williams for Mork & Mindy (1978 - 1982); Dustin Hoffman, Tom Cruise, and Valeria Golino for Rain Man (1988); and David Hasselhoff for Knight Rider (1982 - 1986). The remaining call sheets are from the productions of Murder She Wrote (1984 - 1996), Airwolf (1984 - 1986), Weird Science (1985), Who Framed Roger Rabbit (1988), and The Goonies (1985). Dimensions: 14" x 8.5" (35.75 cm x 21.75 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

QUARK (1977 - 1978) - Gene/Jean's (Tim Thomerson) United Galaxy Sanitation Patrol Costume - Gene/Jean's (Tim Thomerson) United Galaxy Sanitation Patrol costume from the comedy sci-fi television series Quark. Gene/Jean was a humanoid who operated as the United Galaxy Sanitation Patrol Cruiser engineer, and wore their official uniform throughout the series.The all-in-one jumpsuit with a blue denim-like appearance features sparkly, silver-color trim on the collar, undersleeves, and a blue shoulder patch on the right shoulder. The costume features stitched badges, including a name patch on the right pectoral and a United Galactic Sanitation badge on the left.Estimate: $800 - 1,600Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

CLICK (2006) - Kate Beckinsale's Chairback - Kate Beckinsale's chairback from the production of Frank Coraci's Click. Beckinsale, who played Donna Newman, rested in a director's chair labeled for her throughout shooting.This lot consists of a black canvas chairback printed with the film' title on one side and Beckinsale's name on the other, both in blue. It exhibits signs of use, including some loose threads. Dimensions: 21.5" x 7" x 0.25" (54.75 cm x 18 cm x 0.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

BLACK WIDOW (2021) - Young Natasha Romanoff (Ever Anderson) and Yelena Belova's (Violet McGraw) Photographs with Gas Mask, Shotgun Shells, and Ammunition Cases - Young Natasha Romanoff (Ever Anderson) and Yelena Belova's (Violet McGraw) photographs with a gas mask, shotgun shells, and ammunition cases from Cate Shortland's Black Widow. After the older Yelena Belova (Florence Pugh) sent her childhood "sister" Natasha Romanoff (Scarlett Johansson) vials of Red Dust to free other Widows along with a photo of them as children, the two traveled to find their surrogate mother, Melina (Rachel Weisz), who kept a secret armory in her home. This lot consists of two color photo strips featuring young Natasha (Ever Anderson) and young Yelena (Violet McGraw); 10 red and gold painted resin shotgun shells with a black painted metal canister; a gray acrylic ammo case with 48 gold-color metal bullet casings; one black acrylic ammo case with 49 black and gold-color metal 9mm Luger bullets; and a black rubber gas mask with rubber straps and a clear acrylic visor. This lot exhibits tears on the photos and minor chipped paint on the shells and canister. Dimensions: (largest) 6" x 7" x 1.25" (18 cm x 15.25 cm x 3.25 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

HONEY, I SHRUNK THE KIDS (1989) - Set of Three Hand-Drawn Concept Artworks with Prints - A set of three hand-drawn concept artworks with prints from Joe Johnston's Honey, I Shrunk the Kids. Professor Wayne Szalinski (Rick Moranis) created a machine that accidentally shrunk his two teenage children and two other teenage neighbors who then faced the dangers of being the size of insects. This lot consists of three hand-drawn concept artworks, each rendered in graphite; and seven printed copies of concept art. These images feature the shrunken teenagers in comparison to a sneaker, gathered in a spoon, and riding an ant. These images exhibit minor tears and corner folds, as well as holes to one hand-drawn image. Dimensions: (largest) 11" x 17" (28 cm x 43.25 cm)Sold without copyright; see notice in the Buyer's Guide.This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

PROMETHEUS (2012) - Engineer Maquette - An Engineer maquette from the production of Ridley Scott's Prometheus. Engineers, large humanoid creatures who started life on Earth, were the object of the Prometheus crew's mission.Maquettes were used early in the production process to hone the design of creatures such as the Engineers. In the film they were revealed to be the "Space Jockeys" from Scott's Alien, and share the same elephantine breathing apparatus. This solid plaster maquette of an Engineer with its distinctive breathing apparatus and engraved otherworldly runes comes mounted on a display base hand-painted to match the maquette. It exhibits some wear from production use, including scuffing, scratches and small spots of paint. Dimensions: 6.75" x 6.75" x 21.25" (17 cm x 17 cm x 54 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

CLICK (2006) - Sundance's Stuffed Duck - Sundance's stuffed duck from Frank Coraci's Click. Michael (Adam Sandler) and Donna Newman's (Kate Beckinsale) dog Sundance could not stop humping its stuffed duck. The humping sequences were created with a combination of live-action props and green screen puppeteers, who handled the dogs as well as the duck.Custom-made for production, this large stuffed duck features black plastic eyes and a yellow and orange plush "skin" wrapped over a foam interior inset with weights designed to keep it stationary. The plush exhibits some matting and pilling from production use. Dimensions: 17" x 17.5" x 10" (43.25 cm x 44.5 cm x 25.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

MARVEL COMICS - Uncanny X-Men Vol 1 #216 Page 6 by Jackson Guice and Dan Green - An Uncanny X-Men Vol 1 #216 page 6 published by Marvel Comics in January 1987 titled "Crucible." This issue was written by Chris Claremont with pencils by Jackson Guice, inks by Dan Green, and colors by Glynis Oliver.This seven-panel comic art board features appearances by Storm, drug dealer Priscilla Morrison, and Super Saber, where Storm set up a trap to decapitate Super Saber with fishing line. The board is hand-marked "8" twice in blue ink and black ink. The bottom features Alan Davis', who assisted Guice and Green, signature in black ink. This lot exhibits notable discoloration and creased corners. Dimensions: 11" x 17" (28 cm x 43.25 cm)Sold without copyright; see notice in the Buyer's Guide.Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

STAR WARS: RETURN OF THE JEDI (1983) - Anthony Daniels Collection: Screen-matched Light-up C-3PO (Anthony Daniels) Head - A screen-matched light-up C-3PO (Anthony Daniels) head from Richard Marquand's Star Wars: Return of the Jedi.C-3PO voiced the first on-screen dialogue in A New Hope and is one of the only characters to appear in all 9 films of the Star Wars saga, making Threepio one of the most memorable robots in cinema history. In Return of the Jedi, Threepio's role grew to arguably his most prominent in the entire series, with him playing a key part in delivering a message on behalf of Luke Skywalker (Mark Hamill) to Jabba the Hutt; working for Jabba as a translator; joining the Rebel strike force to the Forest Moon of Endor; and being perceived as a God by the Ewoks and convincing them to join the Battle of Endor.This head screen-matches to several of the scenes on Endor, including when Luke reunites with the group after the speeder bike chase and as the Rebels scout out and approach the shield reactor. It matches through distinct markings on the right side of C-3PO's outer perimeter ring. Daniels has also frequently posed with the head for publicity purposes.This is the only complete C-3PO head from Return of the Jedi currently in a private collection and it is offered directly from Anthony Daniels. Daniels, who played C-3PO within the costume as well as providing the voice, is the only actor to have featured in all Star Wars theatrical releases. C-3PO's enduring popularity is a testament to Daniels' fantastic performances. The golden robot was originally designed by legendary concept artist Ralph McQuarrie, and Daniels instantly fell in love with the character when he saw McQuarrie's concepts. The initial designs were based on Walter Schulze-Mittendorff's Maschinenmensch "Maria" robot from Fritz Lang's 1927 German expressionist sci-fi film Metropolis. After being cast as Threepio, Daniels went through a lengthy process of moulding his face, torso and limbs to create the costume. Several different versions of the head were sculpted by Liz Moore, and George Lucas chose the now-iconic design.The costume head is made of very thin fibreglass to be as close-fitting and lightweight as possible, and it comprised of three major components: a backplate, faceplate (with installed eyes), and a neck-ring which are fixed together with two neck-bolts and the forehead antennae. It differs in its construction from the ones originally built for A New Hope, including the one which Propstore sold in its UK Entertainment Memorabilia Live Auction in November, 2023. Where the head from A New Hope features aluminum details that were machined and individually-installed at the back of the head and the mouth of the faceplate, these components are cast into the fiberglass on this head. The fittings that hold the two halves of the head together were also updated as the films progressed; the neck bolts and forehead antennae were threaded connectors on the Episode IV pieces, whereas this head features the more advanced quarter-turn versions.The costume's illuminating "photoreceptor" eyes were designed in such a way as to keep them from blinding Daniels when illuminated; a black material was installed behind the lights to shield Daniels' eyes, leaving only small ports through which the performer could see. The eyes retain their original wiring, which is taped to the inside of the head, and they connect to a more recently installed battery pack and switch.The interior of the backplate has "5" handwritten in black marker pen.The whole head has been intentionally distressed and tarnished to give the character a very weathered look, worlds away from the clean, golden sheen which the character appeared with during the medal ceremony at the end of Episode IV.The costume head's eyes illuminate when an internal switch is activated, and it is presented on a custom-made display stand.Threepio stands as one of the most recognizable cinema designs of all time. This screen-matched C-3PO costume head, with direct provenance to the production, is one of the most significant artifacts from the original Star Wars film to come to market. Dimensions: 9.75" x 7.75" x 12.5" (25 cm x 20 cm x 32 cm) Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.This lot comes from the personal collection of actor Anthony Daniels. Daniels plays loyal protocol droid C-3PO in the Star Wars saga. He first appeared in the role in 1977 and is the only actor to appear in all Star Wars feature films to date.See PDF below for a comprehensive study of this and other lots in the Anthony Daniels collection. Estimate: $500,000 - 1,000,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

THE SPIRIT (2008) - Silken Floss' (Scarlett Johansson) Spirit Diagram and Pointer - Silken Floss' (Scarlett Johansson) Spirit diagram and pointer from Frank Miller's The Spirit. Silken Floss used her pointer to indicate various vulnerabilities on a diagram of The Spirit (Gabriel Macht). This lot consists of an oversized black-and-white lined paper diagram of the masked superhero designed in the style of Will Eisner, who created the original The Spirit comics, as well as a metal telegraphing pointer with a red handle labeled "The Spirit" with tape. The diagram exhibits creasing from being rolled for storage and the handle's paint exhibits flaking from production use. Dimensions: (largest) 75.25 x 28" (191.25 cm x 71.25 cm)Special shipping required; see notice in the Buyer's Guide.This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

HAVE GUN - WILL TRAVEL (1957-1963) - Paladin's (Richard Boone) Colt Single Action Army "Cavalry" Model Revolver and Gun Belt with Custom Holster - Paladin's (Richard Boone) Colt Single Action Army "Cavalry" model revolver and gun belt with a custom holster from the television series Have Gun - Will Travel. Paladin carried and used his signature revolver throughout the series, notably wearing his customized gun belt when he dressed in all black to dispense justice. This lot originated from the collection of Academy Award®-winning special effects artist Logan Frazee, who provided effects for the series. It consists of a metal .45 revolver with a movable chamber and hard rubber grips; a black leather ammo belt with 25 nonfunctional metal .45 cartridges; and a leather holster with a metal "Paladin" chess knight figure. The belt is stamped with the maker Arvo Ojala "Pat. Pend." and the holster is etched "CBS" and "C4-14." Also included is a knight piece-shaped ceramic table cigarette lighter with "Logan" painted onto the base; two "Have Gun - Will Travel" drinking glasses; one "Have Gun - Will Travel" business card; one business card decal; a candid color photograph of Boone in costume with Fazee dated "December 1960" on the reverse; and seven VHS tapes of episodes from Have Gun - Will Travel. This lot exhibits discoloration, frayed edges, a buildup of grime, and chipped glass. Dimensions: 42" x 22" x 10" (106.75 cm x 56 cm x 25.5 cm)Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide.Estimate: $2,000 - 4,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

THE OFFICE (T.V. SERIES, 2005-2013) - Michael Scott's (Steve Carell) "Support The Rabid" Bracelet and Parking Pass - Michael Scott's (Steve Carell) "Support The Rabid" bracelet and parking pass from the series The Office. In the Season 4 episodes "Fun Run Part 1 and 2," Michael and the office members of Dunder Mifflin hosted a 5k run to support their fellow coworker Meredith Palmer (Kate Flannery) who came in contact with rabies. This lot consists of a gray silicone bracelet with "Support the Rabid" debossed to the material and mounted to an episode-themed, foam-core display board; and a navy and white print laminated "The Office" parking placard. This lot exhibits minor grime to the placard and tape residue to the board. Dimensions: (largest) 13.5" x 5.5" (34.5 cm x 14 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

WHO FRAMED ROGER RABBIT (1988) - Hand-Painted Jessica Rabbit (Kathleen Turner) and Smartass Weasel (David L. Lander) Animation Cel - A hand-painted Jessica Rabbit (Kathleen Turner) and smartass weasel (David L. Lander) animation cel from the production of Robert Zemeckis' Who Framed Roger Rabbit. After they were apprehended, Eddy Valiant (Bob Hoskins) and Jessica Rabbit were brought to the warehouse where Smartass Weasel offered to frisk Jessica for weapons.This animation cel is hand-painted on an acetate sheet over white paper. It is hand-marked with the corresponding sequence "202/1," "361 SJ," and "-8TM." This lot exhibits furled edges. Dimensions: 16.5" x 12.5" (42.25 cm x 31.5 cm)Sold without copyright; see copyright notice in the Buyer's GuideEstimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

DOCTOR WHO: HUMAN NATURE/THE FAMILY OF BLOOD (2007) - Screen-matched Scarecrow Mask - A screen-matched scarecrow mask from the revived BBC sci-fi television series Doctor Who. The scarecrows appeared in the Season 3 episodes "Human Nature" and "The Family of Blood" as soldiers for the alien Family of Blood. This mask matched the scarecrow which John Smith/The Doctor (David Tennant) retied to a post, through the placement of the stitching through the eyes and mouth.The mask is made primarily of foam latex and designed to resemble a hessian sack. "Matt" is handwritten inside twice. It has been intentionally distressed.There exhibits some minor cracking on the foam rubber, most notably at the bridge of the nose.Estimate: $1,500 - 3,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

TAPS (1981) - Pair of Cadet Patches and Set of Six Production Photos - A pair of cadet patches and a set of six production photos from Harold Becker's Taps. Cadets of Bunker Hill Military Academy wore their patches on their uniforms as they refused to vacate the academy that was set for demolition to build condos following the arrest of their commander, General Harlan Bache, who accidentally shot a civilian in an altercation. This lot consists of one black and gold-color embroidered patch; one black and olive green hexagon patch; and six color print photos from behind-the-scenes of the film. This lot exhibits discoloration to the photos from age. Dimensions: (largest) 4.5" x 3.5" (11.5 cm x 9 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

GALACTICA 1980 (1980) - Pair of Super Scout Wrist Computrons - A pair of Super Scout wrist Computrons from Galactica 1980. The "Super Scouts," Galactican children who settled on Earth in 1980 and were overseen by Captain Troy (Kent McCord) and Lieutenant Dillon (Barry Van Dyke), used their futuristic wrist Computrons throughout the series for communicating, scanning, and translating, among other tasks.This lot comes from the collection of veteran model maker Dave Jones. These Computrons, smaller than the adult versions worn by the series' leads, feature resin interfaces painted white, black, and silver-color and inset with multicolor simulated buttons. One additionally features labels above the buttons reading "DMJ," "KAL," and "WIN" as well as a painted-on screen and speaker, and a tan elastic-blend wrist band. Both exhibit scuffing and paint chipping.This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

MIGHTY MORPHIN POWER RANGERS: THE MOVIE (1995) - Red Ranger Touring Costume with Steve Cardenas-Autographed Glove - A Red Ranger touring costume with a Steve Cardenas-autographed glove from the promotion of Bryan Spicer's Mighty Morphin Power Rangers: The Movie. This costume was specifically made for use at the film's promotional events. It consists of a red fiberglass helmet marked "JYU Red Movie" with a padded interior, tinted visor, nose vents, and a removable back held by pins and fastening strips; a white spandex hood with elastic straps; red foam chest and upper back armor with large white diamond-shaped embellishments; a resin chest coin with a gold-color finish and an ape emblem; white leather gloves with red embellishments; red foam and spandex lower torso armor; a zip-up red spandex undersuit with a white collar and red foam arm and leg armor; a white leather belt; a morpher belt buckle finished in red and silver-color with a gold-color ape coin; and white leather boots with red embellishments. The costume is primarily held together by glue and fastening strips, and the interior of the left glove is signed in black ink by Steve Cardenas (who played Rocky DeSantos, the Red Ranger). The helmet, chest coin, and morpher belt buckle (including its coin) are replicas added to complete the costume. This costume has undergone extensive sympathetic restoration, including replacing its deteriorating paint with red PVC fabric to revitalize its distinctive coloration. It exhibits signs of wear from use and age, including flaking to the gloves and boots, unglued pieces, staining throughout, and a missing pin in the helmet.Estimate: $3,000 - 6,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

THE LORD OF THE RINGS TRILOGY (2001-2003) - The One Ring Prototype by Jens Hanson - A One Ring prototype from the production of Peter Jackson's Lord of the Rings trilogy. Many sought the alluring power of Dark Lord Sauron's (Sala Baker) One Ring, which Frodo Baggins (Elijah Wood) journeyed across Middle Earth to destroy.This lot consists of a silver-color metal prototype ring and a black velvet drawstring bag featuring the logo of the late New Zealand-based jeweler Jens Hansen, who was commissioned to design and make the One Ring for the film. This is one of several different designs that were created before the final design was approved. The ring exhibits some scuffing and discoloration from age and handling. Dimensions: (bag) 3.25" x 4" x 1" (8.5 cm x 10.25 cm x 2.75 cm)Estimate: $2,000 - 4,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

JAMES BOND: THE WORLD IS NOT ENOUGH (1999) - First Draft Script and Final Trailer Reel - A first draft script and a final trailer reel from Michael Apted's The World Is Not Enough. James Bond (Pierce Brosnan) was tasked with protecting oil heiress Elektra King (Sophie Marceau) from international terrorist Renard (Robert Carlyle), who murdered Elektra's father. This lot consists of a yellow covered, 109-page first draft script dated June 18, 1998 with "Bond 19, June 15, 1998" printed in the header; and one Metro Goldwyn Mayer film reel labeled "The World Is Not Enough Bond, James Bond Final Trlr." This lot exhibits minor stains to the script from the brad fasteners. Dimensions: (script) 8.5" x 11" x 0.5" (21.75 cm x 28 cm x 1.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.

TERMINATOR 2: JUDGMENT DAY (1991) - The Terminator's (Arnold Schwarzenegger) Costume - The Terminator's (Arnold Schwarzenegger) costume from James Cameron's Terminator 2: Judgment Day. The Terminator wore his signature costume throughout the film, from the opening scenes in which he stole the ensemble from a disgruntled biker through the action-packed fight sequences where he battled the seemingly invincible T-1000 (Robert Patrick), to his final farewell to John (Edward Furlong) and Sarah Connor (Linda Hamilton) giving one final thumbs-up as he sank into molten steel as he ultimately sacrificed himself to prevent Judgment Day. His costume became distressed during the encounter with the S.W.A.T. team at Cyberdyne Systems.Created by costume designer Marlene Stewart, who worked on such films as JFK, True Lies, The X-Files and Tropic Thunder, this costume became an iconic piece of pop culture by bringing the Terminator into the popular '90s grunge aesthetic. This costume is comprised of a black leather jacket with a self-belt, three zipped pockets, one popper pocket on the front, and side flaps with metal grommets; a black Hanes Beefy-T T-shirt (size XL); and a pair of stretchy black faux-leather pants. The interior lining was removed and what remains has been set up with removable fastening strips so as to place squibs and has black elastic bands between the lining and shell. Production intentionally distressed this costume. It exhibits delamination and flaking, corrosion to the buttons, buckles and zips across the jacket, and snagged threads.Estimate: $30,000 - 60,000Bidding for this lot will end on Tuesday, March 12th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, March 13th or Thursday, March 14th.

SPIDER-MAN 2 (2004) - Spider-Man's (Tobey Maguire) Thick Spider Webbing - Spider-Man's (Tobey Maguire) thick spider webbing from Sam Raimi's Spider-Man 2. Continuing as New York's friendly neighborhood Spider-Man, Peter Parker used his webbing during his battle against Dr. Otto Octavious (Alfred Molina), who became known as Doc Ock after a failed experiment. The prop department created both thick and thin webbing for scenes where Parker deployed his organic webs. This thick iteration is made from clear rubber filament cast rope with either end fastened into a small loop. It exhibits some yellowing from age and exposure. Dimensions: 10" x 10" x 0.5" (25.5 cm x 25.5 cm x 1.5 cm)This lot is offered at a $100 starting bid with no reserve.Bidding for this lot will end on Thursday, March 14th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Wednesday, March 13th.