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§ Ivan Peries (1921-1988) Seated figure in a landscapesigned with initials (lower right)oil on paper laid to board53 x 78cmProvenance:Acquired directly from the artist during the 1980sAlthough he is today considered to be one of Sri Lanka’s most esteemed artists, it was during his self-imposed exile in England, oscillating between Southend-on-Sea and London, that Ivan Peries cultivated his distinctive and painterly lexicon. Despite this cultural dislocation, Peries’ work is idiomatically Sri Lankan and thus is celebrated for its adroit description of the lived Ceylonese experience.Born in Dehiwala, the largest suburb of Colombo, Peries received his early training under David Paynter in the early 1940s and, later, under Harry Pieris. The relationship between Ivan Peries and Harry Pieris would ultimately mature into a lifelong friendship and conduit for reciprocal artistic discussion and inspiration. Indeed, the pair, alongside a cadre of likeminded Sri Lankan artists, including Justin Daraniyagala, George Keyt and, the nucleus of the group, Lionel Wendt, established the ‘43 Group’ in Colombo in 1943.A creative and intellectual collective bound by ideology rather than by stylistic attributes, the '43 Group' represented those artists who had found themselves ostracised from the Ceylon Society of Arts. Unlike the Ceylon Society, which had become entrenched in perpetuating a rigid and archaic framework for painting, the '43 Group' aimed to absorb European artistic practices, including expressionism and post-impressionism, within the fabric of traditional Ceylonese painting to create a synthesised, and previously unseen, brand of Sri Lankan modernism. In their home country, the members of the '43 group' were treated with suspicion and, on occasion, outright hostility, with critics bemoaning the degeneration and spiritual bankruptcy of the artists. In Europe, however, the group were generally well received, both as a collective and as individual artists.Peries first left Sri Lanka for England in 1946 when he was awarded a scholarship to train at St Johns Wood School of Art. After a brief return to Colombo, Peries, amidst the political ferment of his homeland and frustrated by the obstinancy of the Ceylon art scene, returned to settle permanently in the United Kingdom in 1953. Although he had found himself more than 5000 miles from his homeland and working a series of poorly paid jobs to support his practice, Peries’ collective body of work can be viewed as a protracted and nuanced meditation upon Ceylonese life and history.Finely distilled in palette and emotion, the present lot is typical of Peries’ work. Inspired by the paintings of Fra Angelico, Peries’ work is celebrated for its monastic austerity and quietly contemplative character. Today, it can be found in major collections throughout Europe and Sri Lanka, including at the Victoria & Albert Museum, London, the Petit Palais, Paris, and the Sapumal Foundation, Colombo.Surface appears matte and even throughout, Some very minor scattered accretions across the surface, a little dirty commensurate with age, and the central painted post with an extremely fine network of age cracks to the paint surface, but with no losses of media. The support demonstrates some minor deformation, but overall in very nice condition.

Peter Archer limited edition print 'The Convoy', 22 SAS interest as the print is signed by Peter Archer (artist) and General Sir Peter de la Billiere KCB KBE DSO MC, approx 37 x 52 cms, framed and glazed. This lot includes a Jak limited edition print Jak behind the Lines - 50 Years of the SAS, this limited edition print is taken from the original by JAK in commemoration of the 50th Anniversary of the SAS in 1991. It depicts David Stirling, the Regiment's founder, taking the salute at a march past of the various units and detachments that are part of the winder SAS Association family. These are represented by some of the charcters who have contributed to the role and lore of the the Regiment and its international offsprings during these first fifty years. Many of these pilgrims have already gone "beyond that last blue mountain barred with snow" and a few of them are still struggling on towards their 'Samarkland', approx 56 x 20 cms, 294/750, framed and glazed. 

Chinese blue and white square bowl, circa 1690 Kangxi (1662-1722), painted with five panels depicting ladies at leisure, with canted corners painted with lattice, approx 8.5 cms h x 14.5 cms diameter. (af) Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of these porcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. 

Chinese blue and white miniature vase, Kangxi period (1660-1722), painted with flowers approx 11 cms, paper catalogue label to base. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportThere are two chips to the rim of this little vase. 

Two antique Chinese blue and white dishes, painted with prunus blossom, approx 15.5 cms. Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. 

Pair of Chinese blue and white baluster jars, circa 1760, Qianlong (1736-95) era, painted with island pavillions. Vases measure approx 15 cms h. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportVase I is in good condition with no apparent issuesVase II has both a nibble and chip to the rim. 

Blue and white Chinese bowl, 18th century. The bowl having a foliate border enclosing a central scene painted with deer seated beneath a tree, approx 21.5 cms diameter, catalogue labels to the reverse. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportThis bowl has a couple of nibbles to the rim. 

Pair of Chinese blue and white shallow bowls. The 18th century bowls having a fruit border enclosing a central scene - figures seated on a rocky outcrop in a garden setting-, approx 23 cms diameter. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportBowl I is in good overall condition with some glazing loss to the rim.Bowl II has several hairline cracks with additional glazing losses to the rim. 

Pair of Chinese blue and white pin dishes, Kangxi (1662-1722) painted with buddhist symbolism to the border enclosing a scene of figures in a garden setting, approx 10.6 cms diameter. (af)This lot includes a further small bowl, Kangxi (1662-1722) profusely painted with flowers with geometric border approx 6.5 x 7 x 4 cms.  Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportPin dish I is in good overall condition.Pin dish II has a hairline crack with a small nibble to the outside border. 

Chinese blue and white tapering octagonal beaker, Ming Dynasty, painted with phoenix amongst cloud scroll approx 11 cms h, blue character marks to base. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportThis vase shows signs of sympathetic retoration, difficult to spot even under UV inspection. 

Chinese blue and white baluster vase, circa 1690, Kangxi (1622-1722), painted with ribbon-tied precious objects, approx 15.75 cms h. (af)Note: William Booth (1856-1928) collector of antiques including Chinese blue and white and Delft ware, he had a two day sale of his collection in April 1927 where many of theseporcelain pieces were purchased by Cecil Bullivant. Cecil was a family friend of the present owner who bequeathed them to the vendors parents and thus down through the family. Condition ReportSubject to sympathetic restoration to the rim, the body of the vase is in good original condition. 

WWI and WWII RAF interest, a medal awarded to F.46086 G.Maver B.M R.A.N.S George V 1914-18 and  another 246086 St G. Maver George V Long Service and Good Conduct medal, together with an India, General Service Medal RAF George V Kaisar-i-Hind (1921-24) with Waziristan clasp. This lot continues with miscellaneous war era items and paperwork including a Princess Mary Christmas tin, a RAF cloth badge and various other cloth badges and a bag of miscellaneous paperwork including an Overseas Club Christmas Day Gift Certificate, The German Military Underground Hospital booklet, Light Division postcard January 1917, Parachute silk cord from a landmine that landed on four houses killing 17 people and an aerial photograph of a bomber under fire, photograph of Pte Peter Carmichael 24th Fusiliers who died of his wounds October 1918 age 19 years and two black and white regimental group photographs and a number of prints of photographs relating to G. Mayer's career in India and a small number of original photographs of the aeroplanes Mr Maver worked on and assortment of maps. 

Two Japanese bronze and brass pill boxes, Meiji period. Largest height 2.5cm, width 4.5cm and height 2 cm, width 4cm, a black hardstone Buddha pendant, 4 x 3.5cm, a bronze figure, height 10cm, a squat form pottery vase, height 4.5cm and a rock crystal netsuke, 4 x 5cm. (6)From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

Three Japanese pottery Noh masks. 7 x 4.5cm, 6.5 x 4cm, 6 x 5cm. (3) From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

Two Chinese hardwood stands, 19th century. width of top of stand 8.5cm, height 10cm, width 9cm, depth 4.5cm, small stand size height 2cm, inner width 3.3cm, inner width 1.5cm. (2)From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Chinese celadon crackle-glazed porcelain hu-shaped vase, 19th century. With moulded elephant mask handles, with raised peach-shaped panels to each side, height 25.5cm, width 14cm, depth 10cm.Provenance: From the estates of Albert (Bert) and Winifred Cox. The Coxes moved to Hong Kong in the 1930’s where Albert Cox worked as an electrical engineer. Winifred had a great love of the Chinese decorative arts and acquired a large number of Chinese items with which she decorated their home. When the Japanese invaded Hong Kong in December 1941, the Coxes were moved into separate internment camps. In the women’s camp Winifred met Phylis Louise Ferguson, who was pregnant. Phylis’s husband had been working for the Colonial Service as Dean Of Kings College, Hong Kong. When her baby, Heather Ferguson, was born, Winifred was made Godmother and the two women supported each other through their difficult time in the camp. The occupation of Hong Kong ended in August 1945, the Coxes and the Fergusons were reunited with their spouses and they returned to what was left of their homes. In 1948 the Coxes moved permanently back to the UK, building a house between Poole and Bournemouth and filling it with treasured items bought back from Hong Kong. Heather moved to Scotland in 1950, after having spent some years in America. She kept in regular contact and spent many happy summer holidays with the Coxes. Bert died on the beach he adored, Studland Bay, in 1982, and Winifred lived to 103, dying in 2011. Heather was left various Chinese items as a recognition of their close bond over so many years. Generally good condition. More photos added.

A Chinese blue and white porcelain baluster vase, 18th century. Painted with a balcony, trees and figures, height 28cm, width 16cm,Provenance: From the estates of Albert (Bert) and Winifred Cox. The Coxes moved to Hong Kong in the 1930’s where Albert Cox worked as an electrical engineer. Winifred had a great love of the Chinese decorative arts and acquired a large number of Chinese items with which she decorated their home. When the Japanese invaded Hong Kong in December 1941, the Coxes were moved into separate internment camps. In the women’s camp Winifred met Phylis Louise Ferguson, who was pregnant. Phylis’s husband had been working for the Colonial Service as Dean Of Kings College, Hong Kong. When her baby, Heather Ferguson, was born, Winifred was made Godmother and the two women supported each other through their difficult time in the camp. The occupation of Hong Kong ended in August 1945, the Coxes and the Fergusons were reunited with their spouses and they returned to what was left of their homes. In 1948 the Coxes moved permanently back to the UK, building a house between Poole and Bournemouth and filling it with treasured items bought back from Hong Kong. Heather moved to Scotland in 1950, after having spent some years in America. She kept in regular contact and spent many happy summer holidays with the Coxes. Bert died on the beach he adored, Studland Bay, in 1982, and Winifred lived to 103, dying in 2011. Heather was left various Chinese items as a recognition of their close bond over so many years. Cracking to baseNeck rim groundSee images

A Chinese Yixing pottery teapot, 19th century. The fluted body with rows of calligraphy, height 10.5cm, length 17.5cm, diameter of body 11cm.The items were bought by the vendors grandfather, Frederic Lipscombe in the 1930s. He was an artist who after studying at the Slade school of art went on to work with Bernard Leach. He worked in clay and was a wood carver, a silversmith, and a printmaker. In the 1930s he taught in New Zealand at art schools including Wellington College. He travelled widely in the Far East and acquired objects that interested him to use as inspiration for his work. This included many carved pieces, particularly netsukes and jades. He returned to England on the outbreak of the 2nd World War. When he died in 1968 his collections were shared between his children, one of whom was the vendors father. The family are now selling the collection as their parents are deceased.There is no damage apart from two chips on the underside of the lid. See images

A Japanese iron and gold decorated tsuba, Edo Period. Signed, finely detailed with battle scenes, 7.5 x 7cmFrom the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Japanese bronze tsuba, Edo Period. Signed, decorated with a dragon, 8 x 7.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

Two Japanese bronze hand mirrors, Meiji period. Diameters 16.5cm and diameter 7cm. (2)From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

Two Japanese bronze and gold buttons, Meiji Period. With quails amidst wild flowers, diameter 3.2cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Chinese pale jade and russet carved bird, Qing Dynasty. Height 2.5cm, length 5.5cm, depth 2cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damages

Indian School. 19th CenturyPortrait of Three Kings of Oudh, fragment from a larger painting.Image size 27cm x 16cm.Hand written label to the verso."Fragment of a picture found in the white marble bassadussi? in the Kaisibagh palace Lucknow in 1858. Five portraits of the Oudh dynasty. The centre figure was bayonetted so I cut the canvas, but have lost a part- 2 portraits the 3 remaining are*Naser O deen Hydar, King of Oudh for ten years died 7th July 1837 besides his revenue he spent a reserve fund? of 10,000.000 all but 700, 000 succeeded by his uncle Nasser-O-dowlah who took the title of*Mahomed Ali Shah: he entertained Lord Auckland in 1837- He added 30,000 to the reserve fund died 16th May 1842 buried in Husainabad Imambara. His son Hazsut? Mahal? succeeded him taking the title*Amjad Ali Shah. He raised the reserve to 1,360,000£-died 13 Feb 1847, buried Hazratganj Imambara, He was succeeded by his son Wajid Ali Shah the last king of Oudh who after spending all the reserve fund was deposed by Lord Dalhousie on the 7 Feb 1856 on a heusim? of 120,000 £ a year and a palace in Calcutta (where he died in 188...)The next year the Lepoy? rebellion broke out.In 1858 we took Lucknow expelled the rebels."

A Chinese blue and white porcelain cylindrical vase, late 19th century. With four character Kangxi mark, decorated with two dragons amongst foliage, height 31cm, diameter 11.5cm a Chinese Export porcelain bowl, early 19th century, height 11cm, diameter 26cm and a pair of figurines. (4)Provenance: From the estates of Albert (Bert) and Winifred Cox. The Coxes moved to Hong Kong in the 1930s where Albert Cox worked as an electrical engineer. Winifred had a great love of the Chinese decorative arts and acquired a large number of Chinese items with which she decorated their home. When the Japanese invaded Hong Kong in December 1941, the Coxes were moved into separate internment camps. In the women’s camp Winifred met Phylis Louise Ferguson, who was pregnant. Phylis’s husband had been working for the Colonial Service as Dean Of Kings College, Hong Kong. When her baby, Heather Ferguson, was born, Winifred was made Godmother and the two women supported each other through their difficult time in the camp. The occupation of Hong Kong ended in August 1945, the Coxes and the Fergusons were reunited with their spouses and they returned to what was left of their homes. In 1948 the Coxes moved permanently back to the UK, building a house between Poole and Bournemouth and filling it with treasured items bought back from Hong Kong. Heather moved to Scotland in 1950, after having spent some years in America. She kept in regular contact and spent many happy summer holidays with the Coxes. Bert died on the beach he adored, Studland Bay, in 1982, and Winifred lived to 103, dying in 2011. Heather was left various Chinese items as a recognition of their close bond over so many years. 7cm hairline on vase. Chips on rim of bowl and a small damaged area.

A Chinese carved jade and russet chicken, Qing Dynasty. Height 3.5cm, length 4.5cm, depth 1.8cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.More images added.

A Chinese carved pale jade buckle, Qing Dynasty. 6 x 5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damage and no repair

An exceptionally fine Hereke silk rug. The ivory mihrab with signed cartouche and scrolling flowering vines and palmettes, the spandrels with vases and birds perched on flowering vines, within a meandering vine and palmette border, 84.5 x 57cm.The signature is by the master weaver Avak Shirinian who was one of the famous Hereke Shirinian brothers Avak and Haigaz who were part of the Suadiye (Kocaeli) workshop circa 1960's/1970's.

An exceptionally fine Hereke silk rug. the mihrab with signed cartouche and scrolling flowering vines and palmettes, the spandrels with vases and birds perched on flowering vines, within a meandering vine and palmette border, 84 x 66.5cm.The signature is by the master weaver Avak Shirinian who was one of the famous Hereke Shirinian brothers Avak and Haigaz who were part of the Suadiye (Kocaeli) workshop circa 1960's/1970's.

A Chinese pale jade carving of two boys, Qing Dynasty. Height 5cm, width 4.5cm, depth 1.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.no damage

A Chinese carved pale jade and russet seal, Qing Dynasty. Surmounted by two animals on their backs, height 3.5cm,width 2cm, depth 2cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.No damage and no repair. Extra images now on our website www.davidlay.co.uk

A Chinese jade and russet carving of a boy, Qing Dynasty. Holding a staff, with a bird on his shoulder and possibly a peach, height 5.5cm, width 4cm, depth 2.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Japanese cloisonne vase, circa 1900. Decorated with a dragon, height 12.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Chinese russet jade pendant, Qing Dynasty. 6 x 5cm.From the estate of Frederic Lipscombe. Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968. His collections are now being sold by his grandchildren.

A Japanese carved wood netsuke in the form of a turtle, 19th century. Signed, height 2cm, length 4.5cm, width 3.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.Good condition. More images added.

A Japanese bronze and gold kozuka, (knife handle) Edo period, signed. Decorated with a fish, 9.5cm, width 1.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.

A Japanese bronze and gold kozuka, (knife handle) Edo period. Decorated with birds, length 9.5cm, width 1.5cm.From the estate of Frederic Lipscombe.Frederic Lipscombe was an artist who studied at the Slade School of Art, after which he worked with the master studio potter Bernard Leach. As well as working in clay he was a wood carver, a silversmith, and a printmaker. In the 1930s he taught at art schools in New Zealand including Wellington College. Prior to WWII he travelled widely in the Far East, and during these travels in the 1930s he acquired objects that interested him and which he found inspirational for his own creative work. These included many carved jades and netsukes. He returned to England at the outbreak of war in 1939. He died in 1968.His collections are now being sold by his grandchildren.See images

Beatles Interest - The Beatles illustrated lyrics, George Harrison living in the material world, The complete Beatles chronicle mark Wilson, The Beatles at Carnegie hall, P.s we love you The Beatles story 1962-3, Abby road foreword by Paul McCartney, How they became the Beatles, It was thirty years ago today, the Lennon years a souvenir, Rave! beatles special issue, Meet the Beatles star special, the man who gave the Beatles away, Lennon remembers, The playboy interviews John Lennon and Yoko Ono, how they became the beatles, Paul McCartney the new world tour, the Paul McCartney world tour, etc.

In Excess of Three Hundred Commando Action Story Comics, including #4554 The Chef Who Went To War, #4994 Ground Strike!, (comics mostly in the 4000-5000 range).

Items of WWI Interest: documents and correspondence relating to Corporal Edward Vigrass who was killed in action on 4/10/1917 during the Third Battle of Ypres. He was initially listed as missing and his name is recorded at Tyne Cot Cemetery. Included is a letter to his mother from a Captain Barker who sent her a pocket case belonging to her son. Also included in the lot is a De Courcy & Co 1916 Trench Whistle with a chain, a wallet and a WWII British Army Tam O Shanter which according to the vendor belonged to the soldier.

The Life and Career of L/Cpl R Pottinger No 63455 of Retford, who served as a lorry driver/mechanic With medal group, comprising Victory Medal, Defence Medal 39-45 Star, Italy Star and Long Service in The Special Constabulary medals, also present are his pay book, release book, testimonial, newspaper cutting of his involvement in the St Nazaire retreat, postcard, driving licence etc A fascinating snapshot of history, worthy of further inspection.

WWII Royal Navy Interest: items relating to the Military Service of Admiral Reginald Sherwin who survived the sinking of HMS Isis on 20/7/1944 and was later to serve on HMS Chameleon, identity card, correspondence, photographs, badges and a tarred section of ships rope. Also some general nautical interest items.

WWI British Medals, Memorial plaque and ephemera - British War Medal and Victory Medal with ribbons awarded to S2445 Private H Wostenholm Kings Own Yorkshire Light Infantry (K.O.Y.L.I).who was kolled in action 4/11/18 Memorial Plaque or Death Penny to Herbert Wostenholme(note surname misspelt) - medals and plaque in wooden case, plus administrative paperwork sent to the widow of the casualty.

Interesting Selection of Books, Documents, Photographs, Unit Insignia and Other Sundry Items, relating to Private J.E. Hurst who served in The Royal Tank Corps and later with The Royal Tank Regiment Pre-WWII and during WWII (1931-1946).

WWII Egyptian Medal For Meritorious Acts (Silver) with Ribbon, certificate, photograph and newspaper cutting in picture frame (46cm x 33cm), plus photographs of recipient Private J. H Wolstenholme. Royal Army Medical Corps(R.A.M.C) who was decorated by King Farouk I of Egypt for his Services To The King following a car accident.

Post WWII Interest, items relating to the Life and Career of Mrs Doris Duffy who worked for agencies concerned with refugees and displaced persons in post WWII Germany. Lot includes ephemera, gold watch (with dent in bracelet) by Baume and Mercier - Geneve stamped 0750 and ladies make up items, including a compact engraved with a personal message from personnel involved in the International Refugee Organization.

Irish interest, an Edward VII silver cup in the form of the "Cup of Nestor", Chester 1907, makers George Nathan & Ridley Hayes, the tapering bowl flanked by two bird capped angular handles, inscribed to base "To Odysseus on his first birthday from his Father and Mother 23rd July 1908" 15cm high, 10.5ozOliver St John Gogarty (1878-1957) was a Dublin born surgeon, author and poet. In 1901 he made the acquaintance of James Joyce who later portrayed him as the irrepressible character Buck Milligan in Ulysses.He was a friend of Arthur Griffith and spoke at the founding meeting of Sinn Fein in 1905.In August 1906 he married Martha Duane and their first child was Oliver Duane Odysseus Gogarty, born on the 23rd July 1907.Gogarty's Sinn Fein sympathies remained and in 1919 he took the Sinn Fein headquarters files into his house, when the party was banned, and sheltered men on the run.Between 1922 and 1936 he was an active member of the Free State senate.He was also friends with W.B. YeatsOliver Duane Odysseus Gogarty was brought up amid his father's artistic associates.His portrait was painted in 1913 by Sir William Orpen (see Sotheby's the Irish Sale 7th May 2009, lot 28), a family friend, and on his first visit to the cinema he was accompanied by Augustus John.He became a barrister and was a staunch supporter of Fine Gael.He died in 1999.

Alfred Charles Stanley Anderson CBE, RA, (1884 - 1966) The Chair Maker, 'He heapeth up riches and knoweth not who shall gather items', line engraving, signed and numbered in pencil in the margins, from an edition of 60, image 21.5cm x 15.5cmThe collection of Joan Elizabeth Mary Streeter.The engraving with no obvious faults. Framed and glazed, ready to hang.

Criminal Interest. A bundle of manuscript indictments for the Midsummer Sessions, Liberty of Peterborough, 1872, with charges including that of a 14-year-old boy who 'did feloniously steal take and carry away certain sweets called Butter Scotch of the value of sixpence', sentencing him to be imprisoned in the House of Correction and kept to hard labour; someone committing murder, 'John Clifton did kill and slay Andrew Macdonald'; someone committing bestiality, 'feloniously wickedly & against the order of nature carnally to know a certain animal (to wit) a mare and then feloniously wickedly and against the order of nature with the said mare did attempt to commit and perpetrate that detestable and abominable crime of buggery (not to be named among Christians)'; a woman committing grievous bodily harm against her husband; several for theft, including a man sentenced to six weeks' Hard Labour in the House of Correction for stealing one pair of boots. Together with several signed oaths of allegiance for Justices of the Peace, on vellum; Instructions for the City Police Force, Peterborough, 1892, printed booklet, 23pp., bound in morocco with silk ties; several certificates for the Court of Sessions; a large folding plan of proposed alterations to the officers quarters at Peterborough Gaol; a Sun Fire Office certificate for Justices of the Peace, Peterborough, 1853; a printed Calendar of Prisoners, Peterborough, 1885; a note from Thomas Southam, surgeon, reporting that there has been no illness and 'the general health of the prisoners has been satisfactory', 1872, and a letter from N Wilkinson, supplying descriptions of three cases of theft for the indictment of three individuals  

NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Künstlermappe "Strandspaziergänge"15 Farblithografien. 1982. Exemplar: 614/1000. Mappe: 16 x 23 cm. Vollständiges Mappenwerk mit 14 losen Farblithografien und Titel-Faltblatt mit Farblithografie, Vorwort, Biografie und Inhaltsverzeichnis, herausgegeben vom Kulturbund der DDR, in Original-Mappe mit Prägedruck; Mappendeckel mit Widmung in Tinte "für Ralf Storandt, der nicht an den Strand geht - vor Arbeitseifer ONH August 1983". Deutscher Landschafts-, Stillleben- und Figurenmaler; gilt als bedeutendster Maler der Ostseeregion. "Diese Malerei, inspiriert von der Grenzwelt zwischen Land und Meer, weist zuvörderst auf sich selbst und erst dann auf den Gegenstand, den sie darstellt." (Prof. Dr. Lothar Lang über ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literatur : https://www.atelier-otto-niemeyer-holstein.de. NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Künstlerermappe "Strandspaziergänge"15 color lithographs. 1982. copy: 614/1000. Folder: 16 x 23 cm. Complete portfolio with 14 loose color lithographs and title fold-out with color lithograph, preface, biography and table of contents, published by the Kulturbund der DDR, in original embossed folder; folder cover with dedication in ink "for Ralf Storandt, who does not go to the beach - from work zeal ONH August 1983". German landscape, still life and figure painter; is considered the most important painter of the Baltic Sea region. "This painting, inspired by the border world between land and sea, points first to itself and only then to the object it represents." (Prof. Dr. Lothar Lang on ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literature : https://www.atelier-otto-niemeyer-holstein.de. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nizza) "Nu bleu"Farblithografie. In der Platte signiert. In der Platte datiert: [19]52. Passepartoutausschnitt: 58,5 x 45 cm. Gerahmt & hinter Glas : 69,5 x 56 cm. Aus einer Serie von ca. 12 abstrakten weiblichen Akten, die ursprünglich aus blau koloriertem Papier geschnitten wurden und zu den letzten Werken des Künstlers gehören. Er nannte diese Technik "mit der Schere zeichnen". Blatt knickspurig. Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nice) "Nu bleu"Color lithograph. Signed in the plate. Dated in the plate: [19]52. Passepartout detail: 58.5 x 45 cm. Framed & behind glass : 69.5 x 56 cm. From a series of about 12 abstract female nudes, originally cut from blue colored paper, which are among the last works of the artist. He called this technique "drawing with scissors". Sheet creased. French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts, along with Pablo Picasso, among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ZickleinRadierung in Sepia. Bleistiftsignatur. Platte: 40 x 30 cm. Gerahmt & hinter Glas : 55,5 x 43,5 cm. Etwas stockfleckig, kleiner Fleck am oberen rechten Plattenrand. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) TickEtching in sepia. Pencil signature. Plate: 40 x 30 cm. Framed & behind glass : 55.5 x 43.5 cm. Slightly foxed, small spot on the upper right edge of the plate. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HARING, Keith(1958 Reading - 1990 New York City) Plakat zum Montreux-Jazz-Festival "Pink"Farbsiebdruck. Im Druck signiert. [1983]. Druck: Albin Uldry Berne, Copyright: MTO Switzerland. Gerahmt & hinter Glas : 100,5 x 71 cm. 1 von 3 verschieden kolorierten Plakaten zum 17. Jazz-Festival in Montreux, 1983. Stockfleckig. Einer der populärsten US-amerikanischen Künstler seiner Zeit, der nachfolgende Künstlergenerationen stark beeinflusste. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Zitat: KH, www.brainyquote.com). HARING, Keith(1958 Reading - 1990 New York City) Poster for the Montreux Jazz Festival "Pink"Color silkscreen. Signed in print. [1983]. Printed by Albin Uldry Berne, copyright: MTO Switzerland. Framed & behind glass : 100.5 x 71 cm. 1 of 3 differently colored posters for the 17th Jazz Festival in Montreux, 1983. Stick stained. One of the most popular US artists of his time, who greatly influenced subsequent generations of artists. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Quote: KH, www.brainyquote.com). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

UECKER, Günther(*1930 Wendorf) Unikat: "Bibliophile Werke"Offsetdruck. 1 von 1000 Exemplaren - jeder Umschlag wurde vom Künstler einzeln und mit der Hand bearbeitet. 29,7 x 16,2 cm. Ausstellungskatalog zur Ausstellung "Bibliophile Werke" vom 3.9. - 2.10.1983 in der Städtischen Kunsthalle Düsseldorf und vom 3.2. - 4.3.1984 in der Galerie der Stadt Esslingen am Neckar, Villa Merkel - mit individuell gestaltetem Einband durch den Künstler. Deutscher Maler und Objektkünstler, der vor allem durch seine reliefartigen Nagelbilder bekannt wurde: "In unserer künstlerischen Ausdrucksweise wollten wir nicht mehr die Welt abbilden, sondern wir wollten Bilder in die Welt setzen, die sich als innere Vision darstellen. Wir wollten ein wahrhaftiges inneres Empfinden [...] zur Grundlage künstlerischen Schaffens machen. [...]". (Zitat: GU, www.kunstzitate.de). UECKER, Günther(*1930 Wendorf) Unique: "Bibliophile Works"Offset printing. 1 of 1000 copies - each cover was processed individually and by hand by the artist. 29.7 x 16.2 cm. Exhibition catalog for the exhibition "Bibliophile Works" from 3.9. - 2.10.1983 in the Städtische Kunsthalle Düsseldorf and from 3.2. - 4.3.1984 in the gallery of the city of Esslingen am Neckar, Villa Merkel - with individually designed cover by the artist. German painter and object artist, who became known mainly for his relief-like nail pictures: "In our artistic expression, we no longer wanted to depict the world, but we wanted to put images in the world, which are presented as an inner vision. We wanted to make a true inner feeling [...] the basis of artistic creation. [...]". (Quote: GU, www.kunstzitate.de). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KELLNER, Georg(1874 Nürnberg - 1924 Nürnberg) Konvolut mit verschiedenen Sujets14 Radierung (teils in Sepia). Überwiegend mit Bleistiftsignatur. Anfang 20. Jh. Max. 70 x 50 cm. 3x Abzug der Platte mit schneebedecktem Nadelbaum, 3x Abzug der Platte mit Winterlandschaft, 4x Abzug der Platte mit Kruzifix, 2x Abzug der Platte mit Porträt des Künstlers - mit undeutlicher Bleistiftsignatur und Widmung "Den lieben Freunden von Georg Kellner", 1x Porträt des Künstlers, 1x älterer Herr mit Violine und Katze auf einer Bank sitzend - verso betitelt "Kellner's Onkel Hammer?". Randbereich je etwas knickspurig oder rissig, teils mit Lichtschaden. Deutscher Maler aus Nürnberger Glasmalerfamilie, der sich auf Fassadenmalerei spezialisierte - er entwarf im Jahr 1910 die Fassade der IHK am Nürnberg Hauptmarkt "Kaufmannszug mit Geleite". KELLNER, Georg(1874 Nuremberg - 1924 Nuremberg) Convolute with various subjects14 etching (partly in sepia). Mostly with pencil signature. Early 20th centuryMax. 70 x 50 cm. 3x print of plate with snow-covered coniferous tree, 3x print of plate with winter landscape, 4x print of plate with crucifix, 2x print of plate with portrait of the artist - with indistinct pencil signature and dedication "Den lieben Freunden von Georg Kellner", 1x portrait of the artist, 1x older gentleman with violin and cat sitting on a bench - verso titled "Kellner's Uncle Hammer?". Marginal area each somewhat creased or cracked, partly with light damage. German painter from Nuremberg glass painter family who specialized in facade painting - he designed in 1910 the facade of the IHK at the Nuremberg Hauptmarkt "Kaufmannszug mit Geleite". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) EisvogelOriginal-Farbradierung. Mit autorisierter Nachlass-Signatur. Platte: 27,5 x 20 cm. Gerahmt & hinter Glas : 57,5 x 47,5 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) EisvogelOriginal color etching. With authorized estate signature. Plate: 27.5 x 20 cm. Framed & behind glass : 57.5 x 47.5 cm. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ElchRadierung. Unsigniert. Platte: 29,3 x 36 cm, Blatt: 40 x 50 cm. Minimal griffspurig und verschmutzt, unterer Rand mit Knick. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) ElkEtch. Unsigned. Plate: 29.3 x 36 cm, sheet: 40 x 50 cm. Minimal grip mark and soiled, lower margin with crease. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MIELDS, Rune(*1935 Münster) 2 konzeptionelle Werke2 (Farb)Offsetdrucke. Je mit Bleistiftsignatur. "Raumzeichnung - Bildkonzeption", Blatt: 42,5 x 57 cm, Exemplar: 57/130, [19]71 | Ohne Titel, Blatt: 65 x 50 cm, Exemplar: 51/130, [19]70. Deutsche Konzeptkünstlerin: "Rune Mields ist eine Zeichnerin und Malerin, die die Geheimnisse des Lebens mit konzeptuellen Mitteln zu erschließen versucht. Mit ungeheurer Energie spürte sie Zahlen-, Sprach- und Bildsymbole aus den unterschiedlichsten Kulturen auf, um sie zu analysieren und sinnlich erfahrbar zu machen." (gesehen auf dirkschwarze.net). MIELDS, Rune(*1935 Münster) 2 conceptual works2 (color) offset prints. Each with pencil signature. "Raumzeichnung - Bildkonzeption", sheet: 42,5 x 57 cm, copy: 57/130, [19]71 | Untitled, sheet: 65 x 50 cm, copy: 51/130, [19]70. German conceptual artist: "Rune Mields is a draftswoman and painter who tries to unlock the secrets of life through conceptual means. With tremendous energy she tracked down numerical, linguistic and pictorial symbols from a wide variety of cultures in order to analyze them and make them sensually tangible." (seen on dirkschwarze.net). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WILDING, Ludwig(1927 Grünstadt - 2010 Buchholz) Kinetische KompositionFarbsiebdruck auf Karton. Bleistiftsignatur. [19]73. Exemplar: 9/200. Blatt: 60 x 60 cm. Kleiner Fleck im unteren Bereich. Deutscher Op-Art-Künstler, der gemeinsam mit seiner Frau Ingeborg Wilding im Jahr 2007 die Stiftung für Konkrete Kunst und Design Ingolstadt gründete. WILDING, Ludwig(1927 Grünstadt - 2010 Buchholz) Kinetic CompositionColor silkscreen on cardboard. Pencil signature. [19]73. copy: 9/200. Sheet: 60 x 60 cm. Small stain in the lower part. German Op Art artist who founded the Foundation for Concrete Art and Design Ingolstadt with his wife Ingeborg Wilding in 2007. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) ElchRadierung in Sepia. Bleistiftsignatur. Platte: 29,3 x 36 cm, Blatt: 42,3 x 51,5 cm. Minimal stockfleckig. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) ElkEtching in sepia. Pencil signature. Plate: 29.3 x 36 cm, sheet: 42.3 x 51.5 cm. Minimal foxing. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.